Ep. 579: "Prescription Sleeping"

Episode 579 • Released August 6, 2025 • Speakers not detected

Episode 579 artwork
00:00:05Hello.
00:00:07Hi, John.
00:00:08Oh, hi, Merlin.
00:00:09How's it going?
00:00:11Oh, good.
00:00:18We're here.
00:00:18It's so unlikely that the two people would end up in the same place every week for a long time.
00:00:23It does seem fairly unlikely, but here we are.
00:00:29I'm very happy to be here with you.
00:00:32How's your day going?
00:00:34I too.
00:00:36Well, we have a, I wouldn't call it a situation, but my kid is spending the entire week with me while her mother is in California.
00:00:50And so that just sort of changes the, we see each other every day and I pick her up at school, we have dinner together.
00:00:59But then normally I go to my house for the period between 11 p.m.
00:01:06and say 4 p.m.
00:01:07Or I'm sorry, 4 a.m.
00:01:10And then I wake up.
00:01:12The usual sleeping hours.
00:01:13Yeah, between 11 and 4 I have my time, daddy time.
00:01:17And then I wake up whenever I want.
00:01:22Which is a key to my lifestyle.
00:01:26But when there's a little one... It's practically prescription sleeping.
00:01:30It's pretty nice.
00:01:31Yeah, yeah.
00:01:32And then when she's here, of course, I have to wake up in the very, very most morning-est time.
00:01:39Doesn't get more morning.
00:01:42And then like doing like a getting ready for school to start.
00:01:46Doing all that.
00:01:46And, you know, and, and, uh, because of her Montessori years, she makes her own breakfast out of blocks school lunch.
00:01:54She does.
00:01:54She makes it out of blocks.
00:01:56What do you make it for block lunch?
00:01:58And she does algebra as she's doing it.
00:02:01Blocks.
00:02:02Out of blocks.
00:02:03My sense of Montessori is a little skewed.
00:02:06It's all about blocks.
00:02:07You're not wrong.
00:02:07Don't you go to a private workstation and you hew things from the earth or something?
00:02:13That's right.
00:02:13And then you go to Princeton.
00:02:14It's a direct pipeline.
00:02:17But then, of course, she goes off to school because we have a carpool.
00:02:23that takes the kids to school in the morning and then i pick them up at night so what that means is i have between three and four 14 year old girls in my car at 3 45 in the afternoon and boy do i do i learn that must be a very specific kind of energy it's very specific and the interesting thing is the 14 year old girls don't necessarily like each other very much
00:02:50They're just stuck in a carpool because their parents have done it.
00:02:54Oh, and you, you have no way probably of knowing like what, cause what you're describing though, is it's not just that though they get along, they don't get along.
00:03:01It's just, um, oh, I mean, relationships are complicated, but especially at that age, it can be a little bit mercurial.
00:03:08You know what I mean?
00:03:10One of them has Trumpy parents.
00:03:12One of them is, did they do carpool?
00:03:14Did they do driving?
00:03:15They do driving.
00:03:16They do driving in the mornings because there are people that wake up in the morning.
00:03:21And so it's all.
00:03:22They have to go make videos in the parking lot at Target the rest of the day.
00:03:28So anyway, so this week, you know, once I'm up.
00:03:30Dr. and Mrs. Oakley.
00:03:32Once it's, that's right, with the hat on backwards and the glasses on backwards.
00:03:36And the trucks on backwards, yeah.
00:03:39But so I'm up at 8 o'clock in the morning full of coffee by that point.
00:03:42Yes, yes, yes.
00:03:44And I have this whole day that I didn't even want.
00:03:46I didn't even ask for it.
00:03:48Oh, man, you don't plan for that probably.
00:03:51No, so I'm, you know, I'm dressed, I'm walking around like, what the hell are you supposed to do at 8.30 in the morning?
00:03:56What even is there to do?
00:03:58Oh, man, I still have such ambivalent feelings about certain times of day.
00:04:04Not bad or not like Sunday scaries or anything like that, but I'm never quite sure what to do with 1.35 p.m.
00:04:10still.
00:04:11I mean, that's just me.
00:04:12That's just me.
00:04:13You might have a time like that where I really enjoy me like a 5.50 p.m.
00:04:20Oh, I see.
00:04:20That's generally a time of day I like things are kind of winding down and that kind of stuff.
00:04:24But in this case, for you, this is like when people have those dreams about living in New York and finding another apartment in their apartment.
00:04:31You've just found a block of time that for practical purposes hadn't existed before.
00:04:35Not at least in your timeline, correct?
00:04:37Yeah, and what's weird is, you know, you try and go to a museum at 5 p.m.
00:04:41and they're like, sorry, closed.
00:04:43Sorry, the moose outside should have told you.
00:04:45They tell you that.
00:04:45That's ridiculous.
00:04:46Yeah, 4.30 in the afternoon.
00:04:47Unless you ride the roller coaster with John Candy.
00:04:49And you're like, well, if a museum isn't open past five, who goes to a museum at 8.30 in the morning?
00:04:57It's crazy.
00:04:57John, this is my thought exactly.
00:04:59Couldn't you just leave a box out for the honor system and let people wander around?
00:05:03Are museums only for 80-year-olds?
00:05:05Like, museums should specifically be open from 1.30 p.m.
00:05:10to 9.30.
00:05:10What are you, a bank in the 60s?
00:05:13Yeah, exactly.
00:05:14Jesus Christ.
00:05:15Here I am.
00:05:15It's 830.
00:05:15I'm walking around.
00:05:17I could go to every museum.
00:05:18I'm sorry.
00:05:18There's no art and culture anthropology about your history available right now because it's five.
00:05:23It's 5 p.m.
00:05:24So any kid that just got out of school, you know, why don't the kids get to go to museums?
00:05:29Well, they go on field trips when the place is full of 80 year olds.
00:05:32So I never get to go to me.
00:05:34I join every museum in town.
00:05:36I have a little card for every museum in town.
00:05:38I go two times a year because I always show up there and the doors are locked and I look at my watch and it's like, oh, it's 6 p.m.
00:05:47Like who's supposed to know what time it is all day?
00:05:50You know, like how did sometimes know what time it is all day?
00:05:54All day.
00:05:55They expect you to know what time it is.
00:05:57Even the times that you're not usually there for, because you found the equivalent of like, I don't know, you and I, I think, I feel like we've enjoyed talking about the shape of the year and the feelings of time and the kind of inchoate geometry of our internal world as regards chronology.
00:06:13But so just for you, on the one hand, you might have three or four hours open up in the morning where you are literally fully dressed.
00:06:19That does not mean you're going to go to the museum then.
00:06:21You try to go to the museum like a gentleman, four, five, six, nine o'clock at night.
00:06:25And you're just like rattling the doors and nothing's happening.
00:06:29Yeah, there's a chain wrapped around a chain wrapped around it like What why can't I it's not like there are windows in the museum, right?
00:06:36The museum is specifically not windowed because you could do it more like a Macy's like, you know Christmas display.
00:06:45Maybe you could have some Paleolithic people there Tending to a fire
00:06:50I mean, the museum could be open at one o'clock in the morning.
00:06:55And I bet you it'd be full of exactly the people.
00:06:57Another person could say, why does the museum close?
00:07:00Why does it close at all?
00:07:02You go to a Waffle House, they barely got locks on that shit.
00:07:05Artists and anthropologists are up in the middle of the night.
00:07:09I know that to be a fact.
00:07:12And who else is going to museums except for the World War II airplane museums, which is also full of weirdos?
00:07:18The only people that go to museums are kids and weirdos.
00:07:21So why isn't it open 24 hours?
00:07:24So why specifically is it not open 24 hours?
00:07:27Because then that becomes a kind of microaggression toward the people, the museum, the kinds of people that a museum is really for.
00:07:36People who want to sit down for a minute.
00:07:37get their feet warm, maybe find a nice gift for a birthday party at that weird gift shop that's kind of overpriced.
00:07:43But the thing I learned from Scott Simpson is there's a... We don't talk about this as gentlemen, but there's a hidden bonus.
00:07:49I learned from Scott a long time ago.
00:07:50Because it's really hard to find a place to urinate or defecate in downtown San Francisco.
00:07:54And they've made it harder and harder.
00:07:56What Scott learned a long time ago, you buy you, you go in there.
00:07:59This is probably what happened to you, right?
00:08:00You show up and you go, oh, I want to go to the Exploratorium or...
00:08:02hey, I want to go to the Palace of whatever.
00:08:04You go in and they're like, you know, but like you could buy the year long and blah, blah, you can always come in.
00:08:10You're like, that sounds good.
00:08:11Scott did that for MoMA, kind of over, you know, in sort of Soma, kind of over by.
00:08:17Yeah, yeah, yeah.
00:08:18And he says- Free bathrooms is what he got.
00:08:21That's exactly what he got.
00:08:22And Scott, what basically Scott got was a cool little car.
00:08:25You can still go up and look down at the bridge and all that stuff.
00:08:27It's a beautiful museum, but you also got a warm place to shit.
00:08:30Oh, isn't that nice?
00:08:32That's very valuable.
00:08:32Now, you go out with that wallet full of cards, and you should also, at that point, you should also get a magnet card that's there or whatever they do that lets you, first responders, get into buildings.
00:08:42You should be able to use that bathroom whenever it suits you.
00:08:44It's technically part of your bathroom.
00:08:45It's basically like a shit timeshare.
00:08:47This is another thing that I often complain about on social media when I get two or three likes for these posts, which is there are 10 museums in Seattle.
00:08:58I just want to buy one card at the beginning of the year that costs $500 that gets me into every museum in the country or in the city at least.
00:09:07And I don't want to have to be digging out for cards.
00:09:11And there's got to be a business model that
00:09:13where you go around all the museums, you say, look, your membership is $100 a year.
00:09:18If you give it to me for $75, I'll sell it for $85.
00:09:22And you're still mostly not there.
00:09:24In some ways, it's still a lot like, let's be honest, we've talked about this, the model of the gym, where you join the gym.
00:09:31It's January 6th, and you stop liking how you can feel your gut when you sit down, so you get a gym membership, and then you go twice, and then you don't go anymore.
00:09:40You're still amortizing that with being torpid.
00:09:44The crash road is ching-chang every January or whatever that's still happening.
00:09:49It would be nice for you, a la the Bay Area Transit System.
00:09:52You probably got that there.
00:09:53They finally got the shit together, and you have one car that you can use to run in different places.
00:09:56You want a big car, maybe an oversized car that says museum.
00:09:59You want a big car.
00:10:00One big car.
00:10:01I'll pay the same amount to every museum.
00:10:04I don't want a discount.
00:10:05But, John, you only need one car, then.
00:10:06i just need one one card and you flash that or you scan that and that lets you in and and they're like here he is yeah and and i can go to the mopop i can go to the airplane museum i can go to the art museum i can go to the other art museum
00:10:22That's right.
00:10:23You can go to the Rock Pack.
00:10:25You can go to the... I want one card that gets me on the ferry boat.
00:10:28You can go to the warehouse.
00:10:30It gets me on the bus.
00:10:31It gets me on the little train.
00:10:33It gets me on all the things.
00:10:34On the Ferris wheel.
00:10:35Like, just give me one thing I don't want.
00:10:38And it's the same on the internet.
00:10:39I don't want 50 passwords.
00:10:40I just want the one.
00:10:41Just give me the one password.
00:10:43You're saying just have the one...
00:10:45Except the one.
00:10:45That's a good idea.
00:10:46It looks into my eyeballs.
00:10:47The computer, you know, now you go to the airport.
00:10:49Yeah, I heard about this.
00:10:49They don't even want to see your ID.
00:10:51You walk up and they're like, bleep, bloop, bloop.
00:10:52And they're like, we know everything about you already.
00:10:54Like, welcome aboard.
00:10:56Oh, God.
00:10:57And it's terrifying.
00:10:58The first time, the first 15 times they asked me, do you want to bleep, bloop?
00:11:02I was like, no, hell no, I don't.
00:11:04Well, we may have to pat you down.
00:11:06Yeah, and then they just make it harder and harder.
00:11:08They're like, all right, get out your blurb.
00:11:10Yeah, yeah, yeah.
00:11:11And so eventually, I don't know what I was doing, but I was like, yeah, okay, all right, quit hassling me.
00:11:17You know, yeah, bleep blurb me.
00:11:18Oh, no, do they got your eyes now?
00:11:20Well, no, it's not even your eyes.
00:11:22They just, they look at your face.
00:11:24It's like the thing that Google Photos does where they find you in the background.
00:11:29You know, they did that to the Uyghurs.
00:11:32The Uyghurs?
00:11:33You know about that?
00:11:33In China?
00:11:34The Uyghurs.
00:11:35Oh, they just go from village to village scraping cheeks and like photographing eyeballs and doing biometrics on like every person that they want to mess with.
00:11:44Yeah, they're trying to get rid of the Uyghurs.
00:11:47And, you know, it's just one of those things where nobody is really protesting at universities about that.
00:11:53You know what's funny is a lot of the people who get treated badly end up being the people who are Muslims.
00:11:57I don't know if you ever noticed that.
00:11:58Oh, huh.
00:11:59Interdasting.
00:12:00And it's fun to think about.
00:12:03And the other nice thing is like when you get old, I think you can get away with more.
00:12:06Like we were still not, except we are certainly to a lot of people considered old.
00:12:10That's fine.
00:12:10But like I'm talking about like when you get to the point where you get away with shit.
00:12:13Like if you can go, ha ha, oh, you don't think you're old.
00:12:15Well, it doesn't matter if I'm old.
00:12:16What I'm saying is I'm not old enough to get away with shit.
00:12:20Do you follow what I'm saying?
00:12:22If you're 15 years older and you got like, if you're good, you could maybe go in those walkers with tennis balls on it or you're like salivating.
00:12:29People kind of get out of your way.
00:12:31If I had a tweed jacket with elbow patches, I could probably walk into any museum in the country and then just be like, oh, the docent is here or whatever.
00:12:40The docent.
00:12:41No one told us the docent was coming.
00:12:43The other night I did a show where I covered a Bruce Springsteen song.
00:12:49I don't believe that.
00:12:51Let me guess.
00:12:52Atlantic City.
00:12:53No, I played Born to Run, which has a lot of lyrics and it's very complicated.
00:12:57That's a stranger song that people realize.
00:13:00It's a good song.
00:13:01It's a really good song, but it's weirder than people realize.
00:13:03Also, Max Bloomberg didn't play on that.
00:13:05Marvelous, marvelous songwriting.
00:13:07Highways Jam with Broken Heroes on a Last Chance Power Drive.
00:13:09So I'm standing on the side of the stage watching the multitude of other musicians, including Nancy Wilson of Hart and all these people.
00:13:18No, no, no.
00:13:19I was the only Bruce Springsteen song.
00:13:20The rest of them were other people.
00:13:22Unfortunately, everybody there played Born to Run.
00:13:26Spin Magazine had an article, I remember, from 1986, pretty specifically, I remember.
00:13:30Where Bruce was talking about the
00:13:32No, there was a, they'd done a contest, a Sweet Jane, a contest of people covering Sweet Jane.
00:13:38And Sterling Morrison was like the guest judge and he couldn't make it more than like 30 minutes before he just had to leave.
00:13:43If anyone had a hug!
00:13:47If you look online, I'm sure you can find a video of me covering Born to Run, and I think you'll find that it is among the best covers of Born to Run you'll ever see.
00:13:59I think Frankie Goes to Hollywood did that.
00:14:01I think they covered Born to Run, too.
00:14:02Interesting.
00:14:03Well, anyway, I'm on the side of the stage and I'm taking pictures of people on stage.
00:14:07Mix-a-lot was there.
00:14:08You know, it was all the usual local suspects.
00:14:11Oh, wow.
00:14:11That's funny.
00:14:12That is two of the people you've already named are two people that because of my knowledge through you, I know of as being canonical people from Seattle.
00:14:20Isn't that funny?
00:14:21I'm trying to think.
00:14:21Are there others from that, from this, you know, that's so specific.
00:14:25But Chris Novoselich, does he still live there?
00:14:27And he was at the show, although he didn't perform, but he did.
00:14:31He did.
00:14:31He's too tall to perform.
00:14:32From his home that's down by Portland or whatever.
00:14:35He flies up in his own little 182.
00:14:37What was the event, John?
00:14:38Oh, it was a funeral for a guy named Charles Cross, who, among other things, wrote the Nirvana book, Come As You Are.
00:14:46He wrote, he started the Bruce Springsteen fan magazine Backstreets.
00:14:54Wait a minute.
00:14:54Okay, that's from like the mid-70s he started?
00:14:59Well, he started in 1980.
00:15:00Oh, shit, because that's really, that's...
00:15:03That's super famous.
00:15:05Well, and he, and the first issue of it was just like a photocopied four page thing that he went to a, he went to the boss concert.
00:15:11Just four pages.
00:15:12He's finally out of his contract and can do darkness on the edge of town.
00:15:16But he, you know, he's passing them out to everybody and it turns into a whole universe.
00:15:20He wrote a great Zeppelin book and he started the rocket, which don't you miss when people did stuff like this.
00:15:25Don't you miss when people would write books about rock music?
00:15:28And Charles and I used to meet for lunch all the time.
00:15:31So you really were acquainted with the guy, huh?
00:15:33Oh, yeah, yeah, yeah.
00:15:34And the thing is, he's all over the scene.
00:15:37He was writing a book about the Seattle scene in the 90s and 2000s, and he was interviewing me among other people over the...
00:15:44You know, just kind of one of these things where it's like, well, everybody says Jason Finn's a real pain in the ass.
00:15:49What do you say, John?
00:15:50And I'm like, well, I can confirm that, Charles.
00:15:53But also everybody that you talk to with their weird memory can sometimes lead you to someone else in their weird memory.
00:15:58And then that can lead you somewhere.
00:15:59Every interview is also a set of leads in some ways.
00:16:02So he died suddenly unexpectedly for no good reason.
00:16:07And so all the music people all came out and did like a, you know, Mary Lambert and all of the, uh, like thunder pussy.
00:16:16It was a, the whole, the whole band was, had played in heart or with Prince at one point, just a great show.
00:16:24So I'm standing on the stage, I'm taking pictures of all the peeps, and I look out into the audience, and there is this woman, Niffer Calderwood, who is taking pictures of... That's a great name.
00:16:36I know.
00:16:37Her name is Niffer Calderwood?
00:16:39Yeah, Niffer Calderwood.
00:16:41That's going on the list.
00:16:41She's got a big lens on her camera, and she's taking pictures of all the people.
00:16:45Does she have big comedy glasses?
00:16:46No comedy glasses, although they would fit.
00:16:49You're not wrong that she should.
00:16:51And so then I'm on stage with my little iPhone camera and I zoom in on her and I start taking pictures of her taking pictures of people.
00:16:59And then later on, I said, hey, never check it out.
00:17:03And I showed her these pictures of herself, blurry, grainy pictures of herself taking pictures.
00:17:09And she was not happy with the representation of herself because they're bad pictures.
00:17:15And I was like, ha ha ha, I took bad pictures of you.
00:17:18She didn't look a way that she would like other people to see?
00:17:22I think, probably.
00:17:23But it's not like I'm going to put them anywhere.
00:17:25You know, I was just doing it as a gag.
00:17:26But then when they started publishing pictures of artists from the show, I noticed, I think, that Niffer was editing the pictures of me so that I looked like a museum docent who had spent the night outside.
00:17:44And I was like, Niffer, come on.
00:17:46You know, like I'm already, it's already hard enough.
00:17:48You think was Niffer Miffer?
00:17:50Was Niff Miffed at you?
00:17:51I'm not sure.
00:17:52No, come on.
00:17:53She's a pro, man.
00:17:54She's not going to do that.
00:17:55Well, you want to think.
00:17:56But, you know, I'm missing a tooth.
00:17:59Still, what's a tooth?
00:18:00God, John, I'm so sorry.
00:18:01you know i'm covered with uh i just look like like an ice cream uh like soda with a cherry on it except the cherry is my complexion and the ice cream is the is the it's no i got it it was a very impressionistic idea that instantly i could see i could see your cherry there you go and uh so i'm like come on and she's shooting from below so that's not a great you get the meat beard
00:18:26yeah so anyway but that's what happens when you take pictures when you when you when you turn the lens on the lens yeah yeah yeah who uh who photographs the photographers yeah that's right as the ancient romans said exactly do you think if there was a museum in your neighborhood that was open 24 hours a day that you would not only go there
00:18:51You know after 4 p.m.
00:18:53Or whatever, but that may be depending on the museum.
00:18:55You might volunteer a little time there.
00:18:58I Love this.
00:18:59I love this question and I'm gonna just I don't mean this is a bit Let's just say like for today this the now times.
00:19:06Yeah, probably one the other both something I mean my gosh But let me just say when I was just a little bit younger and had a little bit more energy and was very like out
00:19:14actively interested in learning about my neighborhood like i would just there's a synagogue near our house and my kid and i would talk to the rabbi and he would tell us about coming in and then you go to the you know of course you go to the dim sum place with the pigeons you get a lot of local color that kind of stuff um i think at some time maybe less now but absolutely the thing is though it becomes in the same way that i still miss that walgreens because of 24 years of habit i bet i would get in the habit of going to the museum in the middle of the night
00:19:42I would no longer fear waking up in the middle of the night because I knew I could go there and push a broom for a while to help out.
00:19:49And the thing is, John, have you told me what the museum is about?
00:19:53No, you have not.
00:19:54But it's a museum and that's all I need to know.
00:19:56It could be a bird museum.
00:19:59Did I ever tell you about the museum that my kid and I went to once?
00:20:05Did I ever tell you about this?
00:20:07I think it's called the International Museum of American Art, I want to say.
00:20:14It's called the International Museum of... Oh, sorry.
00:20:18Now it's the International Art Museum of America.
00:20:22Now, first of all, doesn't that sound kind of odd?
00:20:25It sounds a little bit like a mall.
00:20:27Do you remember where I ate?
00:20:29Well, our group, sorry, not only makes it about me, but our group was hanging out together and I have photos of this if it would help.
00:20:35Do you remember the night where I was eating several submarine sandwiches over a sewer?
00:20:39I sure do.
00:20:40It's basically across the street from there.
00:20:42Really, that's not a great location.
00:20:45John, just do me a favor.
00:20:47Sorry, just do me a kindness.
00:20:48Please look up International Art Museum of America.
00:20:51And I don't want to go on about this, but my little kid and I, we used to have, well, back then we called it Daddy-Daughter Day.
00:20:56You go downtown, usually on Sundays, like whatever, Sunday was usually our hangout day.
00:21:00And one time we go by this place, and it's like, huh, I wonder what the deal is with this place.
00:21:04And you look inside.
00:21:04International Art Museum of America.
00:21:06International Art Museum of America.
00:21:09Now, first of all, you go in, and there's this kind of thing that I would associate with going to the Natural History Museum when I was like eight in Cincinnati.
00:21:18They've got like a jungle in the lobby of the building.
00:21:21There's a little bridge that you can walk across.
00:21:24And me and my young elementary kid were like, what is this?
00:21:28Like, what's going on here?
00:21:29This is the largest collection of colonial...
00:21:33And Asian, certain kind of specific Asian art in America.
00:21:37It's some weird collection.
00:21:39And basically, it's a lot of paintings from the late 1700s.
00:21:44And a lot of this weird, sorry, I don't, I really, I'm not trying to sound unkind, but...
00:21:50A kind of Asian, I think Buddhist adjacent sculpture that I have difficulty describing.
00:21:57I would describe it as half paintings of old white men and then a bunch of things that look like coral.
00:22:03And the museum is really nice and it's really fancy.
00:22:07And I think it might be run by some kind of...
00:22:11Special interest.
00:22:12Falun Gong?
00:22:13Falun Gong.
00:22:14Okay, you're already on the right path.
00:22:15I didn't want to use the C word, but I'm pretty, I don't know if it's Falun Gong.
00:22:19I think they got that.
00:22:20The top three, when you go on the website, it says Timeless Art Collection, International Art Museum of America, and all of the permanent exhibitions are of Chinese artists.
00:22:30Okay, okay.
00:22:31And you might see somewhere, if you flip around a bit, you're going to keep seeing this.
00:22:34Oh my gosh, what's that with those red doors?
00:22:36They've got this thing, I think it's called the Treasure Room.
00:22:39You can rent and it's a special room.
00:22:42Anyway, what I'm saying is with the right budget and a good location, you can make a museum about fucking anything.
00:22:49And I'll take my kid to it at least once.
00:22:52Yeah, that's right.
00:22:53Me too.
00:22:54And I want to be clear about this.
00:22:55I'm not forcing a kid.
00:22:57I love going to museums.
00:22:59It's something I really, really enjoy.
00:23:01I like the whole experience of going to a museum.
00:23:04Out of museums in town, I mean, Academy of Art, it's kind of like an expensive alligator theme park, but still it's beautiful.
00:23:10We performed there once.
00:23:11Oh, John.
00:23:11Oh, yeah.
00:23:12Do you remember when we performed in that room and you yelled at the people having a cocktail party by the penguins?
00:23:17We used to belong there.
00:23:18And there's a white crocodile.
00:23:19It's like $35 to get into that joint.
00:23:21It's nuts.
00:23:23No, I'm sorry.
00:23:23I took you way off this.
00:23:24I guess what I'm trying to get at is, like, you know, once you've got... Here, let's write the headline, as we used to like to say in my public relations firm I just made up.
00:23:33Let's write the headlines.
00:23:34Hey, new museum opens.
00:23:37Sorry, new museum will never close.
00:23:41New museum will never play.
00:23:43She's just spitballing.
00:23:44Oh, my God.
00:23:45The headline, new museum.
00:23:46And people go like, oh, my fucking A. The museum's like, what does that mean?
00:23:50At this point, they're not asking what the museum's about.
00:23:53They're asking, what does that mean?
00:23:54And you go, dude, it's a fucking 24-hour museum.
00:23:57And also, if I could say I haven't thought about this yet, but also to several different kinds of museums inside the museum would be nice.
00:24:02You know what I mean?
00:24:03If we had a way to compartmentalize different museums into a meta museum that would grow in a kind of Borges sort of way.
00:24:10But nobody's asking, oh, is this about foam sculpture?
00:24:14Is this about, you know, bartending?
00:24:17You know, is this about Shen Yen?
00:24:20You ever go to that, John?
00:24:24You know, that's got a little C word to it.
00:24:29Looking here more at the international...
00:24:32The International Art Museum of America is not funded by the government in any way.
00:24:40It's privately funded.
00:24:41Privately, you say.
00:24:43The more you read into it, although they talk about artists from all over...
00:24:47They really keep coming back to Chinese artists.
00:24:51Chinese artists.
00:24:54It just sort of like keeps coming back around.
00:24:58So I'm going to say, I mean, it looks like a beautiful museum.
00:25:01Can we agree, though?
00:25:03Sorry.
00:25:03Well, here in Seattle, we have the Museum of Old Computers.
00:25:09Oh, wait, have I been there where you walk by outside and there's windows, there's computers in the window?
00:25:16Yeah, with computers in the window.
00:25:17And it's kind of near an arcade or something.
00:25:18And it's always closed.
00:25:19And it's kind of dirty looking.
00:25:21It's very dirty looking.
00:25:22Yeah, I remember that.
00:25:24And it's full of Commodore 64s, and it's got all of the other things, too.
00:25:28A lot of probably donations from people, yeah.
00:25:30Yeah, and just like every kind of thing, and they're all in great condition.
00:25:33They keep them all working.
00:25:35That should be open until never close.
00:25:38Who's going to go to that museum at 2 o'clock in the afternoon?
00:25:40Let's worry about what the museum's about later.
00:25:42Not later, but secondarily.
00:25:44Let's start with how do we get this thing open all the time, and how do we get some bodies in here 24-7?
00:25:49I love your idea of the mall of museums.
00:25:52It's going to be, so like, you know how you can go like omakase, charcuterie, like some kind of appetizer for the table, something like that.
00:26:02Absolutely, you could have a thigh or a breast.
00:26:04Well, this is going to be like that, except for various different kinds of culture.
00:26:09And so like, let's take the model of not a flea market, maybe a farmer's market.
00:26:14Let's take the model of a farmer's market.
00:26:15I like it.
00:26:16Shen Yun, they make a lot of money.
00:26:18Let's take all these different models.
00:26:20You're seeing like a food court.
00:26:21It's not a full commitment to foam art.
00:26:26You don't have to like, but the thing is, it is, it's larger than a farmer's market tent and smaller than a Shen Yun performance.
00:26:34If you think of all the abandoned malls in the United States.
00:26:37They need so much help right now, John, so much help.
00:26:39And they are good for several things.
00:26:41One, laser tag.
00:26:42Because you need room for that.
00:26:45The children like to run.
00:26:47Yeah, that's right.
00:26:48They like to run.
00:26:48You turn the lights off, so right there you're saving money.
00:26:52And then you fill it with fog or smoke or whatever.
00:26:56But other than that, you could not pay to keep a mall open.
00:27:01And have it just be full of flea markets, because those people... They're trying.
00:27:04At our mall, the mall by our house that you've been to, Stonestown, where we've got... They're actually, as malls go, I think considered a fairly amazing success story.
00:27:14And it's kind of boring, but just real quick.
00:27:17On the one hand, it seemed like they were going to be super fucked after COVID, because they just, right before COVID, they'd started building a new movie theater...
00:27:24A new, like, bowling alley fun center.
00:27:28Like, just, like, probably 30, 30.
00:27:29Fun center, yeah.
00:27:30But it's, like, 30,000.
00:27:31It's, like, 30.
00:27:32Okay, so I'm just going to say this straight up.
00:27:34They've realized that their future is in Asian young people.
00:27:39And they love laser tag.
00:27:40Well, is there math involved?
00:27:44They...
00:27:46I'm sorry.
00:27:47Bing bong.
00:27:48No, it's okay.
00:27:49No, no, no.
00:27:49No, no, no.
00:27:50Here's the thing.
00:27:50All kinds of drink things.
00:27:52Gachapons.
00:27:53Things where you can go and like a Japanese thing where you put money in and get a toy out.
00:27:57Like all kinds of food and culture.
00:27:58Because I think also it's kind of hot right now.
00:28:00Bubble tea?
00:28:01Bubble tea?
00:28:01Oh, bubble tea out your butt.
00:28:03Japanese pancakes.
00:28:04Like that was a whole thing.
00:28:06But what was my point?
00:28:08That...
00:28:09But then they're also they're also some of them.
00:28:12It's pretty close to a flea market.
00:28:14There's one that's like best of California.
00:28:16And it's all just like it's like a flea market with solid walls.
00:28:20It's just people selling their stuff, let alone the tables in the middle.
00:28:26And I feel like was this something we would do privately?
00:28:31You know, is it too early to figure?
00:28:34Should we first build the top story in the sky and then worry about the foundation later?
00:28:38Like, what's the headline?
00:28:39How does this end?
00:28:40Here's the problem with everything.
00:28:42How are you going to make any money at it if you're not supported by Falun Gong?
00:28:46Like, how are you?
00:28:47I defy our listeners to come up with anything that succeeded in the last 20 years that wasn't ultimately funded by Falun Gong.
00:28:56Do your research.
00:28:57Right.
00:28:57And with the National Endowment for the Arts being gutted, there's no way we could get a grant that's like, we're going to take over malls.
00:29:05There's probably not even a place to send grants anymore.
00:29:07They probably don't even open them.
00:29:08They don't even open them.
00:29:10So if we could say, this is the thing.
00:29:13Once again, we have to go to our billionaire friends and say, listen, give us $100 million.
00:29:18We're going to open up flea markets and quirky museums in malls across America.
00:29:23We're going to call it the International...
00:29:25Mall Museum of Art.
00:29:29Oh, wait.
00:29:30Hang on.
00:29:31Oh, this is good.
00:29:32It could also be one of those.
00:29:34It could be also one of those names.
00:29:36Like, for example, in Providence, they did this thing that I think...
00:29:40I think it's actually coming to an end.
00:29:41They had this thing called Firewater, and it was almost like a parade on the water.
00:29:45Did they set the river on fire like they used to do?
00:29:48Like in Pretender's song.
00:29:50That's right.
00:29:51Madeline says it all the time.
00:29:52My city was gone.
00:29:54But you follow what I'm saying?
00:29:56Cuyahoga.
00:29:57Oh, that one.
00:29:59I see.
00:30:00We went two different.
00:30:01You went Life's Rich Pageant, and I went.
00:30:06I'm really pushing Chatty G on this, and I haven't done any of my tricks yet.
00:30:15But I said, what's the deal?
00:30:16What's the deal with the International Art Museum of America?
00:30:18Who runs that?
00:30:19And here's what it told me.
00:30:20It's a nonprofit art museum founded in 2011 by H.H.
00:30:26Dorje Chang Buddha III.
00:30:30Dorje Chang, the third.
00:30:33Dorje Chang Buddha II must have.
00:30:37Electric Boogaloo, yes.
00:30:38This guy, this is third of his name.
00:30:41And they never say that, do they?
00:30:42An artist who claimed to be a reincarnation of the Buddha, Va-Vara-Dhara?
00:30:48Initially the museum primarily, and then so I said, yeah, but what's really going on with that joint?
00:30:52Because his grandfather was the reincarnation of the Buddha, and then he passed it down.
00:30:56Like my father before me.
00:30:58I will make a rebel stand.
00:31:00Okay, so then you said, Chatty G, what's the real deal?
00:31:02I said, what's really going on?
00:31:03And it wasn't much better, but the first is a one-sentence paragraph on its own.
00:31:08It says, yeah, it's a bit of a trip.
00:31:10It was...
00:31:11I'll get down to the cult stuff later.
00:31:14I just want to get this part out of the way.
00:31:15Adding to the intrigue, there's a, quote, treasure room in the museum that's typically closed off.
00:31:21I just want you to just put a pin in this, okay?
00:31:24Okay, all right.
00:31:25Because, like, let's think about this.
00:31:26Think about, can I just say, you go in a museum, especially with that oversized card of yours that says museum, you go in the museum, and then there's an area with two red doors that are locked.
00:31:36Called the treasure room.
00:31:37Well, let's just start with two red doors in any building you enter.
00:31:40Aren't you a little curious to find out what's going on?
00:31:43For sure.
00:31:45That's where I want to go.
00:31:46Yeah, I don't think Falun Gong is going to have any problem at all funding us to add some red doors to our mall.
00:31:51Adding to the intrigue, there's a treasure room.
00:31:53It's typically closed off.
00:31:54Access requires scheduling a viewing and paying a fee, which has raised eyebrows among critics and visitors alike.
00:32:02So that could be a revenue stream for us.
00:32:05However we do it.
00:32:07It could be a portcullis.
00:32:09It could be a haunted house.
00:32:10It could be a secret room.
00:32:11It could be a monk hole or a sally port.
00:32:14It could be like a haunted house where you stick your hand in and you say, oh, it's eyeballs.
00:32:17Right.
00:32:18Glory hole in the bathrooms.
00:32:20Glory hole can mean so many different things if you think about it.
00:32:24That's right.
00:32:24Because it's like a gotcha pond.
00:32:25You know what I mean with a gotcha pond?
00:32:26Think about those like, you know, like any kind of like coin operated thing.
00:32:30You put a quarter in and out comes one of those little bubbles with stuff in it, right?
00:32:33Yeah, stuff.
00:32:34And sometimes you're like, wow, that's amazing that I got this cool stuff.
00:32:37Super rare.
00:32:39Super rare Pokemon or maybe it's a yo-yo that didn't work particularly well.
00:32:44But think about that.
00:32:45Now we're also entering... There's the element of surprise and money in the machines that dispense treats of whatever it is the museum is about.
00:32:52I'm not really worried about it at this point.
00:32:53We've also got the doors, red doors, poor color source, similar.
00:32:57But also, people are going to be fucking...
00:33:00begging us to fill their mall with a little museum.
00:33:05If we were to do malls, and I think there's very good reason to think, because even if we get like a six month, until we put together the funding for whatever this museum is about, and maybe Falun Gong might want a proof of concept before they go fully in.
00:33:17Sure, sure.
00:33:18I think they would.
00:33:18Do we support Falun Gong?
00:33:20I never remember.
00:33:20I get confused.
00:33:21I don't think so.
00:33:22Well, there's the energy one.
00:33:23There's the energy one.
00:33:24There's Qi chargers that you use for your phone.
00:33:27There's Qi Gong, which I think is the thing sort of like Tai Chi that you see people doing.
00:33:33And then Falun Gong is different.
00:33:35And they're persecuted by the Chinese government.
00:33:37Is that correct?
00:33:38Well, and that's the thing.
00:33:38I think it's one of those things where you're like, oh, well, they're persecuted by the Chinese government, so they must be great.
00:33:43But yes, you're like, I don't know, though.
00:33:47There's a lot going on there.
00:33:49It's complicated.
00:33:49I'm not sure if it's all.
00:33:52I don't know if I know enough.
00:33:54I bet you we could get away with a lot of shit for up to three years.
00:33:59But I'm not sure how much that would be cultural appropriation if you and I are partnered with Falling Gong.
00:34:08And we got a museum in a mall where I'm selling my old cowboy boots.
00:34:12And it's just like... Oh, I like this.
00:34:15Oh, I like this even better.
00:34:16No, wait a minute.
00:34:17Behind the double red door is a secret thing.
00:34:20It's all your boarding passes.
00:34:22Now, to call this the Museum of John on the face of it does not sound, it doesn't sound, I guess I'm unintentionally cutting to the chase, John.
00:34:31What if we found a way to have some kind of a building with a door about you that's open 24 hours a day?
00:34:37And you wouldn't have to work there.
00:34:39Well, the thing is, I think the way to make money is to gather data on people, bloop their face when they walk up.
00:34:46Oh, like what they do at the airport.
00:34:48Yeah, this isn't like some airport bloop.
00:34:50They do that to the Uyghurs.
00:34:52But Falun Gong people are not going to like it.
00:34:54Well, no, this is the thing.
00:34:55It's in solidarity with the Uyghurs.
00:34:58Also, it's part of an art exhibit.
00:35:00We're just bleeping all your data.
00:35:02And then we sell the data.
00:35:03It's not appropriation.
00:35:04It's a pro-propriation.
00:35:06A pro-propriation.
00:35:07And then we sell it to... I scan the eyes of everyone who comes to my museum.
00:35:12I did a podcast last night in the middle of the night with a guy in Germany.
00:35:17Was anyone else there?
00:35:18A guy in Germany who called me and I talked to him for an hour or so He actually told me that he was he's in the uni as they say university there You know that means if you say you're in college that means you're going to Oxbridge And if you say uni it means you're going to a regular school
00:35:34I see.
00:35:35Also private and public have backwards meanings.
00:35:37I mean, that's in England.
00:35:39I'm not sure.
00:35:39In Germany, it seems like it's all Universidad.
00:35:43Oh, Universidad das Kraftwerk.
00:35:49That's right.
00:35:49But he told me two things.
00:35:51One, he said that Bean Dad is actually in a textbook in his German university.
00:35:56Frihole Ombre?
00:35:58Frihole Ombre.
00:35:59Frihole Ombre.
00:36:01Frihole Ombre.
00:36:03Frihole Ombre.
00:36:04uh i don't know i don't know but he said why does that sound like the most that's like frito bandito my god frijole hombre is what they must have called it in mexico right or the father who is like into a bean yeah yeah
00:36:20Well, anyway, I'm in a textbook there as an example of some kind of social media floofadoop.
00:36:27But he said they got it wrong because they said it was a conspiracy.
00:36:31Bean Dad was meant to distract attention from the January 6 riots.
00:36:35By whom?
00:36:36As you and I know, the January 6 riots were a year later.
00:36:41No, no, they were the thing.
00:36:43Oh, is this that same January month?
00:36:44yeah they were they were actually a psyop that ended uh being dead not not so you are you offering a counter conspiracy john well the other thing that my german friend said last night was that the next president of the united states is going to be mark zuckerberg
00:37:04Huh, I hadn't heard that.
00:37:06Or John Zuckerberg or whatever the guy's name is.
00:37:08I know you mean the kid with two haircuts.
00:37:11Yeah, and I said the thing about that guy is nobody likes him.
00:37:13I've never heard a single person say that they like him.
00:37:16And the more that he changes his personality, the less we like any of his personalities.
00:37:20We didn't even like the one he had at first, let alone third and now.
00:37:24The Germans are, I don't know, they have a very different outlook on life.
00:37:29and uh this he was you know he he he threw this out there as like oh well you know you know next president of the united states if the democrats don't figure it out was that news to you that was that's news to me john was that news to you i mean both things the the fact that i'm in a textbook in germany was like i'm not sure that's how i want i wanted to be in a german you know i did before they put you in the textbook
00:37:50I don't know.
00:37:51There was that gal that was doing the podcast series last year where she was looking at every example of people getting canceled.
00:38:00And she actually used Bean Dad in her intro.
00:38:04Oh, that's nice.
00:38:05We're going to do all the things.
00:38:06Did she apologize on behalf of everyone?
00:38:09Well, no.
00:38:10And she said she put something out there where she was like, the most requested show is Bean Dad.
00:38:17And so all year long, I'm waiting for the phone call.
00:38:20it never came she didn't do it she she was like i don't know man it's just too much i just can't you're just i don't know what you're just too incendiary you're just like i don't know too like like white hot yeah or maybe she's like i'm a huge long winners fan and i don't think i can be objective i mean i don't know she might have been like i've seen a lot of pictures of him and he's i got a crush on him he's kind of got a dad bod and that's one photo of him shot from kind of below where he's got like a little bit of a meat beard that
00:38:45That's the thing about dad bod, you know, you can't, you can't really out yourself as like, that's actually what I'm into.
00:38:51Uh, because it's, uh, because you know, it's not a neurodivergence that's recognized.
00:38:56It wouldn't be like being into, I've seen, um, there's porn where you can like, uh, where like a lady farts in your face.
00:39:04Oh, there's like farting porn.
00:39:05And it's one of those things where like, in person, big in Germany.
00:39:08Well, I don't know about that.
00:39:10They had a rough time.
00:39:11And also, they don't put up with a lot of bullshit there.
00:39:13They'll just outlaw health treatments there.
00:39:17Like, you know, bullshit.
00:39:18They'll just be like, no, sorry, no St.
00:39:20John's Wort.
00:39:20We're done with that.
00:39:21We're not even going to fuck around with that here.
00:39:23Get it out of here.
00:39:24No, that doesn't really do anything.
00:39:25And it's probably full of shit that you don't want.
00:39:28But, you know, somebody likes farting.
00:39:29Somebody likes at least the idea of a lady farting in their face.
00:39:32Maybe that could be part of the museum.
00:39:35I'm willing to bet that 5% of our listeners are secretly right now going like, I kind of like that.
00:39:41But it probably depends on the, and I'm going to put this in a sexist first-person way, it probably depends on the lady, depends on the fart.
00:39:47It might depend on the night.
00:39:49It might just be how you feel that night.
00:39:50Because certain nights we all are a little bit more full of frijoles where we'll try different things.
00:39:54And that could be the one where you finally say, well, honey, it seems like you're having a lot of tumult intestinally right now.
00:40:00Is there a way that you could just relax and maybe have a heating pad, and I could just put my face near where it's coming out while I pleasure myself?
00:40:11As someone who periodically is backstage at a large concert that features a lot of people, including Mix, and also every once in a while just—
00:40:21And also every once in a while just likes to crop dust an entire area where there's like 90 people.
00:40:27Will you do that?
00:40:28Will you just lay down some ordinance?
00:40:30Just be like, I'm on my way to catering and just go.
00:40:35Just like a slow motion Vietnam film where I'm just nuking.
00:40:39This is the end.
00:40:42Exactly.
00:40:42I have found that the number of people who are like, yeah.
00:40:45It's very small relative to the number of people who are like, oh my God.
00:40:49But there's no way for you to know how many people.
00:40:51I'm going to speak frankly because we're adults.
00:40:54You can't speak to how many people have either flooded their basement or are currently rocking huge wood because...
00:41:01You just drop some ass right in the room because they're embarrassed about it.
00:41:07Well, it's true.
00:41:08It's true.
00:41:08I think you're right.
00:41:09There's this amazing artist, I think from the 50s.
00:41:12I think his name's Art Fromm.
00:41:14And this guy was a bit of a sensation at least 20 years ago or so on the Internet.
00:41:19Have you ever seen those photos of beautiful commercial art like you'd see on a poster or an airline ad or something?
00:41:27Women...
00:41:28Walking down the street carrying groceries, exactly one bag of groceries.
00:41:33The one bag of groceries always has a celery stalk sticking out of the top.
00:41:39I recognize this image, yes.
00:41:41F-R-A-H-M or similar.
00:41:45And every, but ultimately, I'm sorry, I'm leaving out one part, which is it's usually a beautiful woman.
00:41:48She's walking down the street.
00:41:49She's carrying a bag of groceries with a celery stalk.
00:41:52Also, her panties have fallen down while she's walking.
00:41:55Oh, wow.
00:41:56Could you please Google art from and if I got the name wrong, I'll find out what it is.
00:42:00So Merlin, have you ever been to a Comic-Con?
00:42:04I've been to South by Southwest.
00:42:06Not the same.
00:42:10What happens at a Comic-Con is you get a lot of people wandering around dressed like superheroes except with bikini bottoms.
00:42:17And you've got a lot of... I mean, I'm aware.
00:42:21I watched, John, I watched a four and a half hour video about the Star Wars Hotel for a second time yesterday.
00:42:29So I'm familiar with fan cultures.
00:42:32Okay, good.
00:42:33If you haven't seen Jenny Nicholson's four hour video on the Star Wars Hotel, it was really good.
00:42:38But then there's also the Star Wars Hotel that was like $6,000 a night and nobody went and then they shut it down.
00:42:43That one?
00:42:44Absolutely.
00:42:44Oh, yeah.
00:42:45Complete debacle.
00:42:46Four hours is incredible.
00:42:47And that feels like another one of these museums that should be open for 24 hours.
00:42:51Which part?
00:42:52Which part?
00:42:52Which part?
00:42:53The Star Wars Museum, they should just open it up and let people wander through.
00:42:57It didn't need, you saw the Star Wars.
00:42:59So you could still, the gift shop could be honor system or self-serve.
00:43:02Yeah, and you just sort of wander through and take your picture in there.
00:43:04That's all people want.
00:43:05If you want a scale model of, I don't know, Dagobah, like in the middle of the night, you know, you can go.
00:43:11I wonder if we have characters there, like interactive big head characters.
00:43:14Absolutely.
00:43:16We could get like a big, like Eric Corson who greets you.
00:43:19Oh, welcome to George's.
00:43:20but anyway sorry uh the the thing about um uh comic cons is that there's despite all the things where you're like oh i met geordie from star trek and no there's you know like art spiegelman was here and signed a comic book for my mouse there's usually a section of it where it's just old dudes like the guy from the simpsons who have boxes and boxes of comic books that they're selling it was probably the original reason for a comic
00:43:50Yeah, sure.
00:43:52And that one in San Diego, I've been to it a bunch of times.
00:43:55And the first few times I wandered around and I was like, there's nothing here for me.
00:43:58It's all video games and beep boop.
00:44:02Yeah, beep boop, people in bikinis.
00:44:04And then there's like, you can buy Wilber forces or whatnot.
00:44:07But then I went through another door and here was this
00:44:11paradise of of comic books and they have everything they have you know Fritz the cat one of those things we're like as long as there's something that you that you like and that you know you like you could probably find it
00:44:26Oh, yeah.
00:44:27Oh for that's a nice feeling.
00:44:29It's a really nice feeling and I've got and I went to all the booths There's a there's a great picture of me that was taken by a friend Jesse
00:44:41and it's a picture of me talking to a woman in a in a cat girl from batman cat woman costume oh dear and it's like a perfect cat woman except it's the one where she's it's the michelle pfeiffer one where she's stitched together yeah yeah she's she's cat woman but she's also working at a comic book store and she and i are standing in front of a bunch of cardboard boxes looking through and i'm asking her questions about like well i don't know this is zapper
00:45:08You can just do this.
00:45:09You can just walk up.
00:45:10There's no ID.
00:45:11You don't pay.
00:45:11And like a lady dressed like Michelle Pfeiffer in the Batman movie will just talk to you about comics.
00:45:16We'll just sit and talk to you about comics as long as you want.
00:45:19And I was, although talking to a Catwoman, was much more interested in how much she knew about like 60s alternative San Francisco comics than I wasn't even aware of her being Catwoman.
00:45:32But Jessie saw the photo and she was like, I got to take this picture.
00:45:36But in those booths, there are also a few that are selling commercial art from the 50s and 60s.
00:45:48Oh, my God.
00:45:49That would be drawn.
00:45:51The way people buy, like, sells from The Simpsons.
00:45:53Like, you could go and get, like, I might be able to find, like, an original art from of a woman, say, walking onto a bus as her panties are falling down.
00:46:02There are for sure, because I've seen them, and they're a little, you know, a bit more money than I could afford.
00:46:09Yeah, yeah.
00:46:10But I have bought so many illustrations at those things that were like the small illustration in a Playboy magazine of like a bunny, except she's like slipping on a banana peel or whatever.
00:46:21Like spot illustrations.
00:46:22I've got so many of those from commercial art because, you know, it's like a hundred bucks and you get this thing where you can, where it's like a painting.
00:46:31Basically you put it in a frame, put it on the wall.
00:46:33Absolutely.
00:46:34And it's way better than other art.
00:46:36It's way better than Falun Gong art.
00:46:38It's, you know, it's like better than any art you can get at the, at the target at least.
00:46:43I mean, is it art?
00:46:44I mean, we say art, but like something you put on the wall cause you like to look at it.
00:46:47Like, is it something you really like looking at or is it something you feel obligated to display?
00:46:51You know what I mean?
00:46:52Like this picture of my kid in front of me at a little baby activity table wearing a pink tutu and a t-shirt with the face of Gallagher on it.
00:47:03That is right in my line of sight.
00:47:05And I'll send it to you right now.
00:47:06It's right in my line of sight because it just makes me happy to look at.
00:47:09You know, there's other kinds of stuff.
00:47:11Like there's some stuff my wife's put on the wall so I don't completely understand.
00:47:14I'm afraid to ask.
00:47:16If you were to have a painting of a pretty lady with a celery stick in her grocery bag whose panties have fallen down, and you wanted to display it in your home, where would you be allowed to display it?
00:47:31That's a good question.
00:47:32I think a lot of encouragement would be tacitly in play to say, I love that for your office.
00:47:39I love that for your office.
00:47:42Yeah, they don't even really say it like that anymore.
00:47:44It's just really more like if you bring home one more plastic thing you printed at work, there's going to be a problem.
00:47:50I did a purge over the weekend.
00:47:52I filled an entire Ikea Fracta bag with old 3D models at the house yesterday.
00:47:57But where I could put it, I think right now there's a painting of a dog in the lounge that I like, but if we got something better there, you know, part of it is like if it's in your living space, like it can't be too crazy.
00:48:09You don't want like Guernica or something.
00:48:11Because it can be a little, you know, off-putting.
00:48:13You know what I'm saying?
00:48:14Yeah, yeah, yeah.
00:48:15Art from... Now, if I were going to do art from... I don't know if you know this, but in our lounge, we've got some of our old Fillmore posters in frames on the wall.
00:48:23Oh, yeah.
00:48:24You know that size, though.
00:48:26Yes, for sure.
00:48:26Something like...
00:48:27half that size that's a lady with her underwear falling down while she carries a bag with celery in it if i if i did it like three or four of those at a smaller form factor size doesn't that seem a little more subtle so yes to answer your question there are four photos of fictional women with their pants or panties around their ankles but they're small not as not as large as the dog right right
00:48:49Well, I also have a few.
00:48:51What about you?
00:48:52Where'd you?
00:48:52Like, if you decided, like, let's say, and by the way, did you do anything special yesterday for Daughter's Mother Slash Partner Day?
00:48:59She's out of town, so you didn't do anything special, right?
00:49:01Yeah, we went out on Saturday and had a nice meal with my mother and my daughter's mother slash partner, and it was very fun.
00:49:11Oh, that sounds lovely.
00:49:12But let's say she comes back from her visit to Los Angeles or wherever it was.
00:49:16And she's you're trying to write your headline for this because you've done some work at her house, which I'm sure she would love if you worked on her home.
00:49:25Right.
00:49:25And let's say you found a piece.
00:49:26I'm not saying it has to be Art Fromm's incredible commercial art of women's panties falling around their ankles in the 50s.
00:49:34They're all very frilly.
00:49:35A lot of the panties.
00:49:36It seems like they should have taken some of the frill budget and put it into elastic budget.
00:49:41I see what you're saying.
00:49:43More's the pity.
00:49:47What would you put up?
00:49:48Let's say, hey, hooray!
00:49:50Partner mom's back!
00:49:51And she comes in.
00:49:52Have you done anything to update the look of her place?
00:49:56Maybe start thinking in terms of museum brain.
00:49:59We're working towards that.
00:50:00Would she like that?
00:50:02I for sure found that there's not a ton of patients in my family in general for naked pictures.
00:50:12And I have a few in my house.
00:50:15that are wonderful, just marvelous.
00:50:18But they're put in places where it's not public space.
00:50:23It's just, you know, it's like a private space.
00:50:25Oh, so you could put them in your den.
00:50:27Yeah, you put them in the den.
00:50:29I have a picture of a naked lady
00:50:35That has been shellacked to a large piece of wood.
00:50:39This would have been a poster-sized picture of a naked lady from the 1970s.
00:50:44A naked picture of a naked lady shellacked to a piece.
00:50:47And so is it shiny?
00:50:48It's shiny shellacked to a board, and then the edges of the board have to be burned.
00:50:53This is probably done in the 70s or 80s.
00:50:54That sounds like an old technique.
00:50:55That's the thing.
00:50:56It's been burned around the outside and kind of carved.
00:50:59It's like a pirate map.
00:51:00Like a pirate map, exactly, except it's a naked lady that's been shellacked to a board.
00:51:05And it's just big enough that it's no longer... What's she doing?
00:51:07What's she doing in the picture?
00:51:08She's just standing in a field.
00:51:09Is she looking at you?
00:51:10She's looking right at you.
00:51:12And it's a field of corn or wheat or something, so it's just natural.
00:51:17How does the corn go?
00:51:18Well, no, it's wheat.
00:51:19It's wheat.
00:51:19How does the wheat go?
00:51:21I mean, can you see downstairs?
00:51:23It goes...
00:51:24Oh, no, no, no, no.
00:51:25It's just from the top up.
00:51:26It's just the waist up.
00:51:27Oh, it's tasteful.
00:51:28It's a tasteful farm.
00:51:29It's tasteful.
00:51:30It's part of our agrarian tradition.
00:51:32That's right.
00:51:32It's just a lady with her... Oh, that's absolutely... You could totally put that up in her house, and she'd love it.
00:51:37Yeah, it's a lady with her fronts exposed, but... And I bet she doesn't feel... She doesn't look like she's... I bet she's not embarrassed about it.
00:51:45No, she's very proud, and rightfully so.
00:51:48But the problem is that my 14-year-old daughter, when she was like 6, 7, 8, 9, I wasn't going to have that up on the wall.
00:51:59When she was 9, 10, 11, 12, I wasn't going to have it up on the wall.
00:52:02Not because of the seeing, but because of the discussing.
00:52:04There's a lot of stuff where you can see stuff, but if that's there every day, at a certain point, it might occur to a kid to see it.
00:52:10Wow, that's a lot of square inches of wall.
00:52:13For a laminated corn lady.
00:52:16And also she's got friends over.
00:52:18I don't want, you know, they don't know what you're what you're getting into.
00:52:21So I have not been displaying it since she was, you know, born or since she was aware.
00:52:28Like all museums, you probably rotate it out.
00:52:29There's times where you go to you go to like, you know, the Met and like, I'm sorry, that's not on display right now.
00:52:35You know, would you like to see this Jeff Koons doc?
00:52:37I have it in the stacks though.
00:52:39And I keep thinking permanent collection.
00:52:42And I keep thinking, well, you know, one of these days I'm going to be able to bring this back out.
00:52:49And so far, uh, it has not, that's not an option so far.
00:52:53That's not an option.
00:52:55Um, so I, I'm just, I'm waiting for a day basically waiting for a time when I can really truly live my life the way I was meant to live.
00:53:05Oh, what have you sent me, John?
00:53:07I just sent you a little picture.
00:53:09I have several Catswomen on display here.
00:53:12Yeah, well, that's... No, I don't know if you know that, but I've got one from the animated series.
00:53:16I've got a Batgirl, too, who was my first crush.
00:53:20I've got a Batgirl, a classic 66 Batgirl.
00:53:23My little friend here was a classic, some kind of cat girl.
00:53:29Oh, man.
00:53:29She looks like she rides a bike or something.
00:53:31She knew so much about comic books.
00:53:34All right.
00:53:34Oh, look at you.
00:53:36You're wearing men's shoes.
00:53:37And look at her.
00:53:38I got men's shoes on.
00:53:39Look at her.
00:53:39Okay, I'm going to close that up.
00:53:42Put that in my permanent collection.
00:53:47I mean, I know you collect show art.
00:53:49What if you hang that up?
00:53:50Let me hang that up at Ari's house.
00:53:52No, I don't think.
00:53:53I don't think it's going to fly.
00:53:55Do the eyes fall low to you?
00:53:56No, you can't see the eyes.
00:53:57Can't see the eyes.
00:53:59We're looking at comics.
00:54:00I got two up here.
00:54:01You know what I'm saying?
00:54:02I said that to my daughter the other day.
00:54:06I was like, you know, practice this line.
00:54:09My eyes are up here.
00:54:10It's always funny.
00:54:11It's always funny.
00:54:13She just rolled those self-fame eyes.
00:54:15It doesn't have to be about boobs.
00:54:16It could be about anything.
00:54:18It's funny when a dorky guy says it, too.
00:54:20Because you're like, well, nobody cares.
00:54:22In my room, I do have a framed photograph of Louise Brooks.
00:54:29And it's on a shelf.
00:54:30I am a fan.
00:54:32Yeah, and it's a magazine-sized framed photograph.
00:54:34Her look is so modern still.
00:54:37It's a wonderful look.
00:54:38And she is in the all together, and she's doing some kind of modern dance.
00:54:43Yeah, and nobody objects to it.
00:54:45It's a silent photo.
00:54:46Yeah, it's a black photo, a black and white photo, silent photo.
00:54:49And none of the people in my life object to it, although there has been some eye rolling and sneering.
00:54:57But who can tell I get eye rolling and sneering about everything?
00:55:00Yeah, I wouldn't start running your life based on who eye rolls and snares.
00:55:04And can I also just say in passing, I don't know why, I'm still looking at all these photos of the lady with the celery, but I keep thinking of Scott Van Crothers in The Shining.
00:55:19And we cut to him in Miami, and there's those wonderful shots of the two giant paintings of naked ladies that he has on his wall, and how classy it is.
00:55:29It's very classy.
00:55:30A lady with a really, I saw, people have done reproductions that you can buy, but like a lady with a big afro who looks like she's, you know, not concerned about her state of dress.
00:55:41I mean, if anything, it's empowering.
00:55:43She could go shopping.
00:55:44She could go shopping.
00:55:45She could buy some celery and there'd be nothing to fall down, if you know what I mean.
00:55:47I do know down.
00:55:49I do know what you mean.
00:55:50This would all go in the museum.
00:55:51Maybe we start small.
00:55:53You think about places who are really, I mean, like, are there other kinds of damaged businesses that we could get into?
00:55:57Oh, vape shops aren't doing very well.
00:55:59No, I don't like those.
00:56:01I don't like vaping.
00:56:01But can we make that into a museum?
00:56:03I see the vaping on the streets now, and I'm like, hey, there's too much of it.
00:56:08What are you doing with that?
00:56:09Stop that, whatever that is.
00:56:12The thing about vaping, the first time I saw it, it was those ones that looked like cigarettes, except it glowed at the end, except it glowed green.
00:56:19That was the second wave.
00:56:20The first wave looked more like a little R2-D2 that took up your whole hand.
00:56:23Okay, so second wave, but that was the first one I saw.
00:56:25I've had those, those black ones that just look like a little monolith you suck on.
00:56:29And there were some rock dudes.
00:56:32that were doing it oh i could see jason vaping i could see that well and i never saw him do it but it was like the guys in the band get a voice like that not putting stuff in your mouth well he smoked cigarettes like a like a gentleman but uh but no it was the guys in the band the lashes they were just young enough and they wore a bunch of belts and i know i know the belts yes yeah
00:56:53But I said to them at the time, I was like, look, if you're going to smoke a space cigarette, then you got to dress like a space person.
00:57:00Like this is a future cigarette, but you're dressed like a bunch of gutter bones.
00:57:04At least even if you're not wearing like a full on Uhura, like you could at least accessorize.
00:57:08You could have like a communicator pin or...
00:57:10Or maybe some kind of like a children's lightsaber.
00:57:13But something that would let people know you're from space.
00:57:15Do a dystopia where you go all the way and you dress like Catwoman.
00:57:19But don't just be here with a denim jacket.
00:57:21That's no dystopia, John.
00:57:22That's no dystopia.
00:57:24But I'm talking about Catwoman that's been stitched back together after being, I don't know what, caught up with a propeller or something.
00:57:31Hello there, the sign used to say.
00:57:33You know, you must know the backstory.
00:57:36Why is her suit so cut up?
00:57:38Was there some kind of is she also under the suit?
00:57:40Oh, it's very related to the story of doctor who the doctor who character the doctor and falling through a glass ceiling No, no, it's all shredded up because like that's her deal She's a seamstress and like, you know, I think it was I want to say Christopher Walken Whoa, yeah Christopher Walken in that movie Didn't Christopher Walken try to kill her and that's how she's got nine lives
00:58:01Nine lives.
00:58:03Kind of like Beric Dondarrion.
00:58:04Beric Dondarrion at this point, he's on his sixth life.
00:58:08Thoris of Myr has brought him back.
00:58:10This is very important, John.
00:58:11Thoris of Myr at this point has brought back Beric Dondarrion with the blood magic.
00:58:16It has brought him back six times now.
00:58:19It feels a little bit Buffalo Bill to me.
00:58:22Like, what is she making that suit out of?
00:58:24Oh, I get that.
00:58:25Is it human skin?
00:58:26Like, what is the, why would it be?
00:58:27You ever kind of wish you had a place like that to yourself?
00:58:29You ever wish you had a complex downstairs like that?
00:58:32Well, I do have a complex downstairs, but it's not full of bugs and it's not wet.
00:58:37Well, they're not bugs, John.
00:58:38They're insect samples.
00:58:40Oh, right.
00:58:41I don't have any of those either.
00:58:43Every once in a while, a lizard gets in, and I have to shoo it out.
00:58:47At least you're not getting those grasshoppers, you know what I mean?
00:58:49The lizards up here are tiny, so it's not like it's a threat to anybody, but I'm just like, how did you even get in here?
00:58:55This is hermetically sealed.
00:58:56This is my apocalypse.
00:58:58How much longer are you taking care of Junior by yourself?
00:59:01Oh, she's here all week because Zari's gone all week.
00:59:06You got a plan?
00:59:07Have you got stuff planned out?
00:59:08You got ideas for activities or time alone for each other?
00:59:11Have you worked out anything for the trip?
00:59:13That's the thing I said to her.
00:59:15What museums do you want to go to this week?
00:59:18Because if I pick you up at school, we have to go immediately to the museum.
00:59:22Otherwise, it'll be closed.
00:59:23Just so you know, honey, I'm going to tell you about the world.
00:59:25Fucking museums are closed at five.
00:59:28And she said, what makes you think I want to go to any museums?
00:59:31And I was like, well, I would just say, well, respond by saying, well, what makes you think I care whether you want to go to a museum?
00:59:37Last night we sat on the couch for two hours.
00:59:40We sat on the couch with a box of trivial pursuit cards.
00:59:44Oh, I used to trading off going back and forth, like asking each other trivia questions until, and we're not playing the game or anything.
00:59:52It's just like, no, dude, we did the same thing in like, even in like 1985.
00:59:58When everybody I know was obsessed with Trivial Pursuit, the Genius Edition, as we called it, we would all, we would just sit around and card each other.
01:00:06Yeah, we couldn't even tell what the game was about.
01:00:08It's got pie pieces or something.
01:00:10Yeah, it's awfully complicated.
01:00:12So it's just, it's super fun to just be like, oh, and the thing about it is she knows a lot of weird things.
01:00:17I mean, you know, you ask her these questions about the Carter administration and somehow she's absorbed the information.
01:00:25I don't know how, I honestly don't know where it all came from, but she's not, it's not like you have to just ask her questions about Cardi B.
01:00:33You can, you know, you can just play.
01:00:36I mean, she's not going to know who Louise Brooks is.
01:00:39Oh, fucking A, Louise Brooks.
01:00:41She's probably going to be one of those kids.
01:00:43If I could say it, I'm not trying to treat your child broadly here.
01:00:46But she's probably one of those kids, like a lot of kids, like say some kids I know, where like at first they don't want to do it because they don't want to do anything.
01:00:54But then if it works out okay, I'm not even going to say if you do it right.
01:00:58If it works out okay, they'll find themselves not hating what they're doing.
01:01:02Yeah, I think.
01:01:03But you got to give him a little bit of a, not a push exactly, but a little push.
01:01:08Well, I said to her, we can play a game.
01:01:11We can play a card game.
01:01:12And she went to the game closet and pulled out Trivial Pursuit.
01:01:15So it was her idea.
01:01:16Oh, that's all right.
01:01:17That's cool.
01:01:18So I was like, I didn't.
01:01:19Let's play Uno.
01:01:19Uno can be very competitive.
01:01:21Well, but it feels like Uno's only good if you have three people, because if it's two people, you just keep reversing each other back and forth.
01:01:27Yeah, it just means the same thing.
01:01:28Yeah, yeah, yeah.
01:01:33This woman, her panties have fallen down.
01:01:35I sent you on a photo.
01:01:36I sent you on a photo.
01:01:37This is one of my favorites, just in terms of the... I love the way it just...
01:01:41It's hard to talk about this without sounding like a pervert.
01:01:43I just love this style of illustration.
01:01:45Yeah, I know.
01:01:45So, like, the top half of this is just, it's so glorious.
01:01:49It's a woman bowling, and she's wearing a rather abbreviated skirt for the occasion.
01:01:54And as she's dressing the ball and walking up to the line, her panties fall down around her ankles.
01:02:01yeah i it happened well this the art of from i've followed it now to the art of from uh website yes and there's a james lilacs i sent the s so if you look at that one james lilacs introduced the world to this as far as i know on that website celery plus graffiti equals art
01:02:20Yeah, this says an artistic study of the effects of celery on loose elastic.
01:02:26So it's very science.
01:02:27It's very science.
01:02:28He also did a wonderful feature on, before I'd ever heard of it, on the Madonna Inn.
01:02:31Have you ever been there?
01:02:33He documented a ton of the best.
01:02:35A couple of nights I spent at the Madonna Inn.
01:02:37Are you kidding me?
01:02:37Hope to shout.
01:02:38I've stayed there.
01:02:39I've slept in a cave at the Madonna Inn.
01:02:41Yeah, in a treehouse.
01:02:42I bathed in a cave.
01:02:44This picture I'm looking at, the woman's getting on the bus.
01:02:47Oh, yeah, yeah, yeah.
01:02:49Her celery's falling out of the bag, and not only are her panties down, but she also dropped her wallet.
01:02:55But what's crazy is the bus driver's looking not at her.
01:02:59What do you think he's looking at?
01:03:00He's looking at her shoes or her panties.
01:03:02And the panties aren't the thing to look at, are they?
01:03:05Maybe.
01:03:05I think what you're supposed to look at is...
01:03:08I mean, if I'm being honest.
01:03:09Her eyes, you're supposed to look at her eyes.
01:03:10Yes, I think you're supposed to look at her being scared.
01:03:12I think this is, it's kind of like when you get one of those flasher guys who likes to show his weenus and then remember how the lady looked when she saw the weenus.
01:03:20I see.
01:03:21It's the way the lady looks when she sees it.
01:03:23That's the point.
01:03:24Maybe the bus driver is taking a little snapshot for his journal to take back to the garage, if you know what I mean.
01:03:31For the spank bank, you're saying.
01:03:33He's a public service employee.
01:03:35Shows him respect.
01:03:37I'm going to ding us out.

Ep. 579: "Prescription Sleeping"

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