Ep. 557: "Chatty G."

Episode 557 • Released November 4, 2024 • Speakers not detected

Episode 557 artwork
00:00:05Hello.
00:00:06Hi, John.
00:00:08Hi, Merlin.
00:00:09How's it going?
00:00:10Oh, I'm on my knees begging for you to send $4.
00:00:18I'm begging.
00:00:19Mm-hmm.
00:00:21I'm really, we're at our wits end.
00:00:24Can I, I mean, obviously I'll give you whatever you asked for, but just if you could tell me, has something come up or has something changed?
00:00:30Is there an event that's made you contact me about the $4?
00:00:34Yeah, Tim had a debate that was really great, and then the bad guys made a bunch of money from evildoers.
00:00:49You know, sometimes you run across something, and it seems like just kind of a glib remark somebody made, but this one sticks with me.
00:00:57Every time I get one of those, and here we're talking about tomorrow is the final day of the, well, official...
00:01:04election cycle but we in the u.s like to now call election season which is always bad one oh you're a naughty one oh the text john um but somebody's anyway that like i say this this sounds like a throwaway bit except i find it a very memorable which is that every one of those texts especially when you just see like the first line you know in your messages it sounds like an like an x that's really losing it
00:01:30I'm really desperately begging you to talk to me.
00:01:34John, I know it's been a while, but Pennsylvania is this close to being lost.
00:01:41Oh, we're going to lose it.
00:01:43We're going to lose it.
00:01:45You know, because Nancy Pelosi loves my $15.
00:01:48Find you somebody that loves anything as much as Nancy Pelosi loves $15.
00:01:56Hello, everyone.
00:01:58Hi there again.
00:01:59Whatever sound I put in a second ago to indicate chaos and entropy is because my computer is being a little bit of a stinker.
00:02:09What's going on?
00:02:10You said last week that it was being a problem.
00:02:13This is what happened last week.
00:02:14It's the same problem as last week.
00:02:17I'm still taking care of it.
00:02:19Here's what I'll do.
00:02:20I will describe it.
00:02:21I will suggest a path forward, as the vice president says.
00:02:26What had happened was there's something on my Macintoshes.
00:02:32I have more than one.
00:02:34Is it a Wilberforce figurine?
00:02:37I'm not going to respond to that.
00:02:38But here's what happens.
00:02:39I'll be doing whatever you do on a computer.
00:02:41So imagine you use a computer.
00:02:43you're logging in you're doing stuff and then suddenly asking for a password you can't remember it yeah you get this guy over here and my problem is that then what will happen is in this case it was suddenly i didn't hear john's voice anymore and i went uh-oh and then i clicked on my my input device and nothing clicked and then my keyboard didn't click and i said okay it happened again the same thing that's been happening for a week yeah
00:03:08Don't you know some computer people?
00:03:10I know you know at least one.
00:03:12I should get on the Discord.
00:03:15So it might happen again.
00:03:16It might not.
00:03:18How about this?
00:03:18How about we allow two more crashes and then that's the episode no matter what?
00:03:24If I can put it together.
00:03:27But just as an act of faith to our list.
00:03:29It's not that I don't want to.
00:03:30I like visiting with John.
00:03:32I like having the episode.
00:03:33You ever see how quick?
00:03:33You don't know this.
00:03:34I put the episode out very quickly every Monday.
00:03:37Well, yeah.
00:03:38I like it being out in the world.
00:03:39Anyway.
00:03:40You want people to hear it.
00:03:42You want people to hear the wisdom.
00:03:43You never know what's going to comfort a person.
00:03:46Well, you can guess things that won't comfort a person, but, you know.
00:03:50Yeah, but even then, even then, you know, there's one person not comforted by it.
00:03:54There's another person that's like, oh, that's me.
00:03:58There's a third person that's like, oh, there's no soup.
00:04:02Do you think this is because I didn't send Joaquin Jeffries $4?
00:04:05It might have been.
00:04:06Is that his name?
00:04:07Is it Joaquin?
00:04:09I don't know.
00:04:10You know, back in the 90s, I had four guys doing this.
00:04:12I had this geezer over here, and I had our kid, and then I had this fucker on the kettle.
00:04:19You're talking about outreach?
00:04:21Yeah, yeah, yeah, yeah.
00:04:23But now, you know, now we have to do it ourselves.
00:04:26Yeah, it's true.
00:04:27We'll see how it goes.
00:04:28The last thing that we were talking about...
00:04:31Was what?
00:04:33No, it was just that we are a current events podcast, but only today.
00:04:39And, you know, I was just a little late, like four minutes late, which I don't like to be.
00:04:45But it was because, and this is a computer problem, too.
00:04:49Oh, John.
00:04:50Yeah, for some reason, I only can find one USB cable, and it is three feet long.
00:04:58No, it's not even.
00:04:59Yeah, it's three feet long.
00:05:01and so i have to be right next to this uh a to d converter and as you know i record on my couch so so my little focus right now has to be on the arm of the couch and i don't know why this is the conditions we have to under which we have to do this usb cables everywhere they carpet the ground but i can't find one give a system
00:05:30I don't have any system.
00:05:31What happened to your, if I could ask, and I'm not trying to shame you, what happened to the previous one that went to your A to B?
00:05:36I don't even know.
00:05:38Oh, you know what it was?
00:05:40Well, here, what it was was I had a different little box here.
00:05:47that had been given to me by the how stuff works network i what is it what was that that was called um uh clear channel stuff world oh okay something cool cool and and they had a whole team of people it was probably a slight processing fee for them to send it to you absolutely it was a convenience fee they call it right convenience fee a convenience fee
00:06:11And they, uh, they sent me some fancy, fancy, uh, mixer and I had it here on my living room couch.
00:06:20And I had this focus, right?
00:06:21That I bought for a hundred dollars was the one that I recorded omnibus into over at the big, the big space, the big studio.
00:06:30And at one point I was sitting here talking to you and I was like, Hey, wait a minute.
00:06:34Why do I have this big fancy one here in the living room?
00:06:38And I have this little dinky one that works just fine over at the place where conceivably, I don't know.
00:06:46We might, I mean, I might interview my mom one day.
00:06:48I might need three microphones.
00:06:49I don't know.
00:06:50And so I was like, I had a bright idea.
00:06:54I got a bag out.
00:06:55I put the thing in the bag.
00:06:57Of course, I left it there for three or four days because I got distracted.
00:07:01There's a lot of things to do in life, John.
00:07:03My God, this kitchen table is not going to clean itself.
00:07:07I'm not going to clean it either, so I don't know what's going to happen.
00:07:11Something's going to change.
00:07:13You know, maybe an eagle.
00:07:15John, I think we can all agree that something's got to change.
00:07:17Something's got to change.
00:07:18Maybe one of the owls that lives in the ravine will come clean the kitchen table.
00:07:24But then I did remember and I took it over and I got the other one and I brought it back.
00:07:28But I think I brought the wrong USB cable or something.
00:07:31I don't know.
00:07:32How can I be expected to remember all these things?
00:07:35You know...
00:07:37Life used to be simpler.
00:07:38In some ways, that was bad.
00:07:40Because simplicity is not always good for everybody.
00:07:43Yeah, true.
00:07:44Some people like complicated.
00:07:46Some people like to get up in the morning.
00:07:49I've heard about this.
00:07:50Yeah, I don't know.
00:07:51It's definitely a trying time for everybody.
00:07:54But I'm sorry about my computer.
00:07:56I hope it doesn't harm the show.
00:07:57I feel like even the things that aren't supposed to be in the show are technically in the show.
00:08:03I imagine our listeners can infer that I don't do over much to remove things that maybe a different person would think ought to be in the show.
00:08:13Yeah, right.
00:08:14For instance, if the show was edited more than like for between two to three minutes, which wouldn't be good.
00:08:21It would be bad for the show.
00:08:23Well, you know what it is, the slippery slope.
00:08:25Once you start editing, then you're editing.
00:08:27Oh, I know.
00:08:28And somebody like you would want to make it perfect, and then perfect is the enemy of good.
00:08:31If you want to take out a phone number, somebody said, or something, or if it's one of your sacred podcasts, you want to take out a cuss, I think that's understandable.
00:08:41At one point, you used to take out children's names, didn't you?
00:08:45Or at least my children's name.
00:08:47Well, that's complicated because you, I think, had said, I think you said as much that you would prefer, it's not like you want to act like you don't have a kid, but you prefer that your kid and the kid's name not be a regular topic.
00:09:01And that's something, you know.
00:09:03I think I tried to work, but then you just simply started saying your child's name all the time.
00:09:07To where I took that as an implicit, I don't know, it's not Oberlin rules.
00:09:10I probably should have asked first.
00:09:12I don't know.
00:09:13It's not consent, but I... Oberlin rules.
00:09:17Remember Oberlin rules?
00:09:20Well, what happened... May I groan?
00:09:22What happened was that she got to be a teenager and she was like, why am I not famous?
00:09:30When I Google myself, there are no pictures, and there's one picture of you.
00:09:34When she Googles John Roderick child, or John Roderick daughter, or child, there's a picture of me holding your baby.
00:09:43Oh, when you're missing a tooth.
00:09:45That's a terrific photo.
00:09:46That might be show art this week.
00:09:47It's been show art before.
00:09:48I know Captain Marm.
00:09:49But I might do it again, because I love that photo of you.
00:09:51You look like a mountain man.
00:09:53And, uh, and, and my little child is like, what the, why am I?
00:09:57And I'm like, well, because I was protecting you from the internet and I didn't want you to have all this, you know, footprints.
00:10:05When you saw no sets of footprints, that's because I didn't want you on the internet.
00:10:09Exactly.
00:10:10But now she's a teen and she's like, my friends Google.
00:10:14Oh, God.
00:10:15They Google and they're like, where are you?
00:10:18We're getting into things that I don't want.
00:10:19No, don't give the internet a puzzle.
00:10:25No, no, no, no.
00:10:26Don't get a puzzle.
00:10:28All of you, stop right now.
00:10:30Follow the Merlin rules.
00:10:31No, no.
00:10:32Oh, come on.
00:10:32Don't talk about me.
00:10:33But yeah, it is complicated.
00:10:36I think my kids root...
00:10:38He writes really good reviews on the movie website Letterboxd.
00:10:43And he has approved any links to that.
00:10:46Why can't you get me more followers is a phrase that I've heard.
00:10:49Cool, cool, cool.
00:10:51But he's a very – have you ever looked at Billy's Letterboxd?
00:10:55No, but I will as soon as you send me a link to it.
00:10:59I'll send him some followers.
00:11:01I don't know if this counts as a form of log rolling for me to do that.
00:11:05But let me see if I can find some.
00:11:08That's one of those open kimono phrases that I don't know what log rolling is.
00:11:12Oh, log rolling is when you're, like, promoting a thing.
00:11:17You're kind of presenting it as, like, a general suggestion without, you know, expressly saying, oh, yeah, well, like, this is my new travel company or whatever.
00:11:26Oh, it's like one of those things they do in the New York Times where they're like, full disclosure, I used to work for that campaign.
00:11:32Oh, you ever look at the website Summaphore?
00:11:36Which is not spelled the way it sounds.
00:11:37Yeah, they do a thing.
00:11:38They've taken the Axios bullshit and gone to the next level because now there's like a whole thing of like, and here's what the person who wrote this thinks about that.
00:11:46And here's why you shouldn't trust them and like all that sort of thing.
00:11:49Which, you know, it's admirable.
00:11:50You got to try different things, John.
00:11:51The media environment today, you know, the environment's not what it used to be in a lot of ways.
00:12:00Now, going back to your computer, doesn't John Tercusa make you get a new computer every six months or six weeks or whatever his timeline is?
00:12:11I mean, it's hard to even make fun of him in a lot of ways.
00:12:15Is it?
00:12:16Well, it's difficult to make fun of him in ways that he's satisfied with.
00:12:21Oh, right, because he has opinions about even when we make fun of him.
00:12:25Oh, I mean, if there's anything that I've learned from John, and I've learned so much from John Syracuse, one of the things is that I can be doing something wrong and then find out that even the way that I'm doing it wrong is wrong.
00:12:38Oh yeah.
00:12:39Right.
00:12:39You ever had anybody like that in your life, John?
00:12:40You ever had anybody in your life that's just like, you just, you can't do anything right.
00:12:44And like, if you had any sense, you'd be doing it wrong in the right way.
00:12:47In the right way.
00:12:48I feel like.
00:12:50You have created a monster in my life.
00:12:53Have I?
00:12:54By acknowledging the existence of Jason Finn as anything other than a caricature in this, on this podcast, you now text him and talk to him and he thinks that he's real.
00:13:04and so now he's got you know he's like well you know what merlin said to me and i'm like i don't know you don't exist or at least not in that world it's kind of like ai where like the more you talk to it the more real it seems or something yeah yeah my sister has started talking to ai
00:13:19And she said to me the other day, she was like, well, you know what Chatty G said?
00:13:23What did Chatty G say?
00:13:26Chatty G was my favorite rapper in 1989.
00:13:29And I was like, who the fuck is Chatty G?
00:13:31Him, Tavis D, Clarice, Clarendon D. She said, I'm talking to Chatty G all the time about, you know, this and that.
00:13:41And Chatty G said that I should blah, blah, blah, blah, blah.
00:13:43I was like, I don't even know what, what planet am I on?
00:13:47You know, what, what country do you think this is?
00:13:51And she's, she's asking it for advice.
00:13:53She's saying like, well, cause she's got a, you know, not to log roll here, but she's got a book that she wants to publish.
00:13:59Oh, okay.
00:14:01And she's like, Chaddy G, what do I do?
00:14:02And Chaddy G's like, Susan, let me break it down for you.
00:14:06It can be very, it can be very absorbing.
00:14:11I mean, really, honestly.
00:14:13I have never spoken to Chatty G. And when Chatty G throws itself into my face... I talk to Chatty G all day long.
00:14:18Do you really?
00:14:19Are you talking to Chatty G?
00:14:20Yeah, I use it for a lot of stuff.
00:14:22I really do.
00:14:22What was the last thing you asked Chatty G?
00:14:25Let me find out.
00:14:26I'm pulling up Chatty G. And just be prepared for this to not be particularly interesting because I use it for a lot of pretty anodyne shit.
00:14:35um and then sometimes lbj's penis oh hey chatty g it says here try googling for hagar slacks you ever heard the phone call but who you ever heard the phone call where lyndon johnson talks to the president of hagar slacks oh yeah yeah hagar slacks it seizes up on his ball sack oh
00:14:59Okay, I'm doing two things at once here, which I ought never try to do.
00:15:02I'm looking at Billy's Letterboxd Reviews, which I'll send to you right now.
00:15:07And I'm also looking up Chatty G. Correct window.
00:15:11I'm texting that to you.
00:15:12Chatty G. Okay, last thing I asked.
00:15:14Okay, okay, okay.
00:15:16Yeah, what'd you ask?
00:15:16What'd you ask Chatty G?
00:15:17You know that, well, like, there's two songs that are very similar in my head.
00:15:23And basically... Is it Savor for Later and Flagpole City?
00:15:29They covered that.
00:15:31Let me down.
00:15:36I'm not together.
00:15:37They go, they're the same chords.
00:15:39They go perfectly together.
00:15:40D, D sus, D sus two, D sus, D, D, D, and then A in like an open sliding position on the fifth fret.
00:15:52Is it D, D, D, A, A, A, A, G, G, G, G, right?
00:15:55Something like that?
00:15:55when i when i played it on the piano i was instructed by jeff lynn to only play the fifths and never play any kind of uh middle note that would suggest is he henry persil what the yeah he he was like ding ding ding ding ding and i was like but what if i and he was like no ding ding ding ding
00:16:13And then when I switched over to the bass, you know, Aaron Huffman's bass lines are like Phil Lesch's bass lines.
00:16:18They're like... I mean this in the best possible way.
00:16:22He's got noodley, not noodley as in like... But as in like supple.
00:16:26He's got supple happening bass lines.
00:16:28I think Aaron Huffman was absolutely not even the secret weapon.
00:16:32He was just the weapon.
00:16:34So I learned all those bass lines.
00:16:37I have no idea what the chords are.
00:16:39This won't mean a lot to you, but I said to Chatty G, I said similarities between the songs got to be real and best of my love.
00:16:47Because, well, think about it.
00:16:50And think about that little descending bass line.
00:16:56Right?
00:16:57Don't you think they're kind of similar a little bit?
00:17:04all right yeah okay i see it well anyway you asked um let's see oh brahms violin concerto i learned about that i'm having a big brahms face you're just chatting it up oh yeah i learned about uh mac os window snapping how to add columns to oh here's one so you know i have a list or maybe you don't know i have a list of um celebrity heights that i maintain in a spreadsheet it's publicly available okay this came up the other day because we were watching this new penguin show
00:17:31And Colin Farrell.
00:17:32With that Irish fella.
00:17:33The Irish fella who doesn't look like himself.
00:17:35He's in 100 tons of makeup.
00:17:38And, you know, my TV friend, my daughter's mother slash partner.
00:17:42Loves to know what else that person was in.
00:17:44She loves that.
00:17:45She's just like you.
00:17:47She could say, like, oh, you know, he was in that commercial for Mentos.
00:17:50And I'm like, what are you talking about?
00:17:53But she said, I don't think Colin.
00:17:54I bet she knows Banshees of Vin Sharon, I bet.
00:17:56Banshees of Vin Sharon.
00:17:58I bet so.
00:17:59Banshees of Bob.
00:18:00But so she said to me something about Colin Farrell's height.
00:18:05And I said, he can't be a tall guy.
00:18:07Look, he's standing next to all these other actors who I know for a fact are tiny people.
00:18:13You know, he's got all these co-stars and he's just six inches taller.
00:18:18You can do so much with movie magic, John, and shoes.
00:18:21I know.
00:18:21I know.
00:18:22And that's the thing.
00:18:23And so I looked it up and it was like, Colin Farrell is 5'10".
00:18:26And I said, there's absolutely no way he's 5'10".
00:18:29But maybe that gal is standing on a box.
00:18:32I don't know.
00:18:33It's harder the other way around because a lot of mine are tall women, like Elizabeth Debicki.
00:18:37You got to be real careful how you shoot Debicki.
00:18:39That's true.
00:18:40I mean, she looks tall no matter what.
00:18:41Go ahead.
00:18:42Please go ahead and click that spreadsheet if you would.
00:18:44I'm so sorry.
00:18:44At least our episode is still running.
00:18:45That's saying something.
00:18:47But this is one where I'd uploaded my list and I asked it to do some fact checking for me.
00:18:52I asked it to add a new column for where the person was born so I can start uncovering more.
00:18:56Oh, you have them oriented here by height.
00:18:59Although it's a table, so I could probably sort it however way.
00:19:03Yeah, yeah, yeah.
00:19:04Yeah, and so, as always, it starts with Robert Pershing Wadlow and ends with Lucia Zarate, both of whom you will remember, whether you know her or not, from the Guinness Book of World Records.
00:19:16Sure, I remember.
00:19:17Remember the tall guy, and then you remember the woman who's like a doll standing on a table?
00:19:22Oh, yeah.
00:19:23She was 20 inches tall.
00:19:24And I remember the two fat guys with cowboy hats that are riding minibikes.
00:19:27Billy and Benny.
00:19:28Billy and Benny.
00:19:30But you have other people that aren't actors here, like John Fetterman from the U.S.
00:19:34Senate.
00:19:36You have Julia Child.
00:19:40I mean, you're not just rating actors.
00:19:42You've got all kinds of people here.
00:19:44Well, I mean, okay.
00:19:45May I respond?
00:19:46Okay, now this may not, for a variety of reasons, this may not be the kind of technology that you would like to share, perhaps, with your daughter's mother slash partner.
00:19:59I think she'd be interested in this.
00:20:00Well, that may be the problem, is what I'm saying.
00:20:03She'd want to have input into this.
00:20:06Well, okay, but here's what I'm saying, John.
00:20:08That's why I say a technology, not this particular spreadsheet, because here's the thing.
00:20:11Can I tell you a thing people learn when they follow the work of Merlin Mann?
00:20:14If you give yourself permission to write things down, and then you start writing things down in a given place, you start knowing where information goes.
00:20:23So a lot of people, they don't know where to write down something they need to do later.
00:20:28No offense.
00:20:29No offense.
00:20:29No offense.
00:20:30Although I did take a calendar off the fridge the other day, a calendar that I'd never looked at since January.
00:20:36Oh, good.
00:20:37Because I have agreed.
00:20:39I have agreed to do things.
00:20:42And I've agreed to do enough things.
00:20:44You need more than a fridge calendar for that.
00:20:46Well, that's what it is.
00:20:48But that's just selling you old lies.
00:20:51But in November and December, I've got like...
00:20:55six, eight things that I said I would do.
00:20:58This is stressing me out.
00:20:59And I can't even tell you, I couldn't tell you every morning I woke up and I was like, oh God, do I have one of those things?
00:21:06And so eventually I couldn't handle the stress anymore.
00:21:08And I took the calendar off the fridge and I wrote, I circled days and I,
00:21:14And I wrote in the margin, like, that's the day that I have that thing.
00:21:18Oh, my God.
00:21:19If only you knew people who could help you with this.
00:21:21It didn't look right.
00:21:22It didn't look emphatic enough.
00:21:24Because now you've got circles and then certain amounts.
00:21:27You've got a Norton anthology of shit you're not going to do.
00:21:30Well, and so I went and I found a highlighter pen.
00:21:34And I highlighted the circles.
00:21:36Maybe the important stuff.
00:21:38And then I was like, okay, okay, okay.
00:21:40I can see this now.
00:21:41And I had to look at it.
00:21:42And I was like...
00:21:43Okay, because I bought, I went to my promoter buddies and I was like, look, I need Billie Eilish tickets.
00:21:50I don't know why, but I need them because I have a teen and she has friends and I need Billie.
00:21:55And they were like, well, you know.
00:21:58I mean, it's the same answer Chad gave you about other shows, right?
00:22:03About everything.
00:22:03Well, no, no, no.
00:22:04Just in fairness, though, that a lot has changed and not just about how you're seen in the music community.
00:22:09More like also like the whole thing is different now.
00:22:11And the concert tickets are very expensive.
00:22:14And the number of the latitude that we have to give any kind of...
00:22:19access to people has changed right yeah well and i said to him two days ago i was like hey what about that sabrina carpenter show and yeah she does that espresso song yeah yeah he said the moment it went on sale i can't even get my staff all into it people are freaking out
00:22:37Et cetera, et cetera.
00:22:38And I was like, oh, so that means I'm not going to get five free tickets to it.
00:22:44He was like, that's what it means.
00:22:46You did a good job with that one, John.
00:22:48You figured it right out.
00:22:51But I did go to see Laura Ramoso, the comedian that does the imitation of her German mother.
00:22:58I took my ladies to see her last night.
00:23:00Live comedy is fun.
00:23:02Oh, it was fun.
00:23:03And she was very good.
00:23:04But so I did.
00:23:06So what the what what Chad said eventually was, first of all, that's Live Nation.
00:23:14So that's not I have no control over them.
00:23:17I think those people also own your analog to digital box.
00:23:21Well, they own everything.
00:23:22It's not all the same group.
00:23:24Oh, I don't know.
00:23:26Isn't it all like Clear Channel Live Nation?
00:23:28It's all just one big monolith?
00:23:30Yeah, I think it is.
00:23:31But he's doing the thing where he holds up his wrists together and says, my hands are tied.
00:23:35Yeah, but he said, you know the gal from Live Nation because you've met her 700 times.
00:23:42Here's her email address again.
00:23:45Her name is Carrie Nation.
00:23:46And what you need to do is email her and he said, ask...
00:23:51to buy some holds i said ask to buy some holds yeah okay so i emailed her and i said i would like to buy some holds okay and she wrote back and she was like great hi john i realize this isn't the purpose of the story probably but did you know what that means you don't have to tell me but did you know what that means at the time well so what it means no it's okay if you don't want to tell me but did you know what you were asking for yeah i think so i mean what it means is it like paying to be on a on a wait list
00:24:21No, it's like the promoter will always say, we didn't keep any tickets there.
00:24:29Even if the mayor needs to see it, no, it's all sold out.
00:24:34There's nothing we can do.
00:24:35But that's always a lie.
00:24:37Of course, if the mayor wants to see the show, they're going to give it to him.
00:24:41So what it does- Well, a phrase you used in our backyard, in our literal backyard pilot, even Bono has a boss.
00:24:47Even Bono.
00:24:48A famous phrase of John Roderick, and I think that is very related to what you're describing here, which is, well, first of all, like, we can choose to give these to people.
00:24:56What we don't do is just take chits from everybody who wants something free.
00:25:00But, like, that doesn't mean—it means that, like, we can get people in, but the higher and higher up it goes, eventually you get to where, I don't know if—
00:25:08I don't know who's somebody who's alive that's famous and everybody likes like if the ghost of Prince wants to get in we can do that but then we're gonna probably have to bump you or somebody else like yeah you're not like getting guaranteed kind of access that used to be easier when it was like I say arches of loaf or something.
00:25:23Exactly.
00:25:24It's like the presidential suite.
00:25:27Is the president here?
00:25:28Then can I have the presidential suite?
00:25:30Well, no, somebody already booked it.
00:25:31Well, just treat me like the president.
00:25:33You'd bump him.
00:25:33I see.
00:25:35Anyway, so what will happen, so what they do is they say, okay, you're going to get in, but we're not going to tell you where you're going to sit.
00:25:49It's going to be good, but
00:25:54But we don't know exactly how good.
00:25:57And you're not going to know until the night before the show.
00:26:03Sounds like some kind of prisoner's dilemma thing.
00:26:05Well, it's one of these where it's like, you're going to go to the show, but it's going to cost you money, but not as much money, but definitely real money.
00:26:16And then we're going to put you where we put you.
00:26:19The Live Nation uses every part of the Buffalo.
00:26:21That's right.
00:26:22And you're going to be happy with it.
00:26:23And I was like, I'm so happy.
00:26:25And the thing is, when Taylor Swift came through town, I was like, hey, I'll do whatever it takes, except for pay $2,500 for a ticket.
00:26:32And they were like, guess what?
00:26:34I would do anything to see Taylor Swift except pay for it.
00:26:37Except pay for it.
00:26:38And they were like, guess what?
00:26:40You're not even in the 700 people that we're going to think about before we think about you.
00:26:47And I was like, yeah, that's what I figured.
00:26:49Just to be clear, this is an issue about how you don't like disappointing your child.
00:26:52It's not about you having any kind of status concerns.
00:26:54Yeah, well, and the thing is, then I was in England, and I talked to Tim Rice-Oxley of the band Keen, and he said in order to take his daughters to the show that they were flying to Warsaw.
00:27:07And I said, if you can't get tickets, then it makes me feel a lot better that I can't get tickets.
00:27:12I mean, and it was so obvious.
00:27:13A deeply sad thing to say.
00:27:15When I asked everybody, I asked everybody, hey, what can I do to get into the Taylor Swift show?
00:27:21Is it that good?
00:27:22Is it really that good?
00:27:24Well, no, I didn't care.
00:27:25I know it's a get, but I mean, like, is the show that good?
00:27:29No, but it also is maybe.
00:27:31I don't know.
00:27:32Is anything that good?
00:27:33Richard Thompson.
00:27:34You can pay $50 to go see Richard Thompson.
00:27:37It'll be one of the greatest shows of your life.
00:27:39Well, that's probably true.
00:27:40And Nick Cave, too, is also absolutely worth whatever money it takes.
00:27:43But I was greeted with such a resounding silence that it actually echoed in my head the amount of no reply I got.
00:27:56I got below no reply.
00:27:58You got an audible dearth of reply.
00:28:02It was an aggressive lack of replying to me.
00:28:06And I was like, I know.
00:28:07I'm sorry.
00:28:08It's like when Al Neary slams the door.
00:28:09You know what I'm saying?
00:28:11It is.
00:28:11That's exactly what it was.
00:28:12This one time.
00:28:13So anyway, so I'm going to Billie Eilish.
00:28:16Really?
00:28:17I like her.
00:28:18I think she's wonderful.
00:28:19I think so, too.
00:28:20Of all of them, I think she's... I think her brother's odd, but...
00:28:23Well, it's weird, but they're good.
00:28:26I see them on SNL.
00:28:27They were terrific.
00:28:29But the thing is, every morning I woke up and I was like, oh, wait, is today Billie Eilish?
00:28:35And then, of course, it's not.
00:28:36It's not until December.
00:28:38But I couldn't keep that in my head for some reason.
00:28:40So I wrote it down on the calendar.
00:28:42That's in December.
00:28:43And the calendar, if I understand correctly, John, and I don't mean to get up in your chronology here, but it sounds like what you're describing is a calendar on the refrigerator where you keep your family's food, where your children play with their toys.
00:28:54You've got a calendar up there that says January 2024.
00:28:58You had that?
00:28:59And then you knew there was something in December, which isn't yet now.
00:29:03And so what we're seeing is this is part of your operationalizing this need to circle and highlight things.
00:29:08Because realize you have six to eight things to do before the end of the year.
00:29:12Yeah, that's right.
00:29:13That's a horrible number of things to have done in the next three months.
00:29:16It's just like I couldn't keep it all straight.
00:29:18And so now I do.
00:29:20I have it straight.
00:29:21I can go in and look at the refrigerator.
00:29:24Oh, John, really?
00:29:25The calendar on the fridge?
00:29:26And honestly, Merlin, six hours later, I walked by it, and I looked at it, and I had written what something was, but in shorthand.
00:29:39Oh, John.
00:29:39And I couldn't remember what that meant.
00:29:42I was like, BBAA?
00:29:45Could that possibly mean?
00:29:47And I went to the bathroom and I was standing there going BBAA.
00:29:53Sounds like a Star Wars.
00:29:55I couldn't.
00:29:55It does.
00:29:56And I couldn't put it together.
00:29:57And then eventually I was like, oh, right, right, right, right, right, right, right.
00:30:01I figured it out.
00:30:02What do you mean?
00:30:03And I can't say what it is.
00:30:05Oh, I understand.
00:30:06I work for the government and it's not, it's, you know, I can't say.
00:30:09And you're here to help.
00:30:11That's right.
00:30:11I work for the government and I'm here to help.
00:30:15Didn't Ronald Reagan say that's the scariest phrase in the English language?
00:30:19I'm from the government and I'm here to help.
00:30:21Oh, he did such a good job of transforming America.
00:30:24Yeah, boy, he was really something, wasn't he?
00:30:26Have you thought about having maybe a calendar that's not the one in your refrigerator?
00:30:29Is it one of those big ones, like a Martha Stewart calendar with big squares you can write in?
00:30:33Well, see, look, no, it's not.
00:30:34It's tiny.
00:30:35It's a tear off from a deli.
00:30:36That's why I have to circle things and then draw lines to other places where I write down things like BBAA, and that's very hard to do.
00:30:46I have those things in my phone calendar, but I have no idea how to use that.
00:30:50Every time I log in, it's in a different format, and you can't— You don't trust your system.
00:30:56No, you click on it and it does something else.
00:30:57That's a phrase from back in the day when I used to help people, nominally help people with things like this, was you need a trusted system, which is that you know how things get in, how things get out, and you know what your role and schedule is in dealing with that input in your life and where it goes.
00:31:12Now that we've moved past my excellent celebrity heights thing, which I had like a tight 10 on, we've moved past that.
00:31:18But that's what I was trying to say was that this is similar to that, which is like, for example, I have a running list of things and I'm almost done.
00:31:25But just to tell you what I think is useful anyway, or our listeners.
00:31:29Keep a list.
00:31:30Once you know a list where things go, like I have a list of grammar and usage that I dislike.
00:31:35I have a list of fake names that I like.
00:31:39I have a list of fake band names that I like that are extremely good.
00:31:42And I have a list of good names of actual real names of real people.
00:31:47Now, why would you want to write that down?
00:31:49Well, you may not, but I do.
00:31:51And the thing is, here's where I differ from your average bear, is I have a place where that goes.
00:31:56So if I'm watching, and the only point I wanted to make to this in pivoting to Ari is, you look at this, and you can't tell from the order it's in on this list, right?
00:32:06Because it's ordered by height, right?
00:32:07Right.
00:32:08But if you were to spend a little time with this, you'd go, oh, looks like Merlin and his family were watching Succession at some point.
00:32:14Because suddenly Merlin goes— There's a lot of those.
00:32:15How tall is Tom Womgans?
00:32:18He's six foot three, which is the same height as Brienne of Tarth.
00:32:22Isn't that interesting?
00:32:23Cousin Greg is six foot seven.
00:32:26Six foot seven is Cousin Greg.
00:32:29And all of these.
00:32:30And so I'll be watching something and somebody will show up.
00:32:32And then, so what was I watching?
00:32:33I was watching The Diplomat.
00:32:35which is a very good show that I think you'd like.
00:32:37That's a fine show, yeah.
00:32:37It's a really good show.
00:32:38Yeah, we're episode three, season two.
00:32:41I love that show.
00:32:43I think it's very well done.
00:32:44It knows what it is.
00:32:45It's like, you know, if you can get, here's my pitch.
00:32:48I'm really Madeline should be credited with this.
00:32:51If you can get with Homeland when it gets a little silly about Carrie's mental health, like you will easily get with Diplomat.
00:32:58The cast is fucking great.
00:33:01But then there's that guy.
00:33:02And this is where it gets to the RE part.
00:33:04There's the guy who plays Hal, the husband, right?
00:33:06You know, the guy who's kind of coded as like a little bit of a Bill Clinton character in a couple of ways.
00:33:12Like he can't get out of the game.
00:33:14He's ceaselessly.
00:33:16He does.
00:33:17But even more saliently, as she tells Denison, it's like, no, it's not that he cheats on me with sex.
00:33:23That would be easier.
00:33:24It's that he does something that undermines what we're all trying to do here with this diplomatic project.
00:33:30Right.
00:33:30Because he thinks he's the big cheese.
00:33:32He gives the talk at Chatham House and he waves the rule.
00:33:35And then he says, you know what he says?
00:33:36And I say this to Madeline all the time now.
00:33:37I say, Madeline, you know, diplomacy does not work until it does.
00:33:42Which is a great Hal Weiler quote.
00:33:44Now, did you know that guy's from England?
00:33:46Of course, yeah.
00:33:48Fuck you.
00:33:48She said the same thing.
00:33:49She said the same thing.
00:33:50That's how English people are.
00:33:51Okay, well, that makes him a secret.
00:33:53He's from England.
00:33:53That makes him a secret Brit.
00:33:55That makes him a secret Brit.
00:33:57He was also Fortinbras in the wonderful Kenneth Branagh production of Hamlet.
00:34:03You were Fortinbras.
00:34:05She's a fucking... I'm glad I haven't crushed.
00:34:09But all of those, or you look at Hannah Wantingham, and you're like, oh my gosh, she's the lady with the bell.
00:34:13Shame, shame.
00:34:14And then she's on Ted Lasso.
00:34:15She's 5'11".
00:34:15Well, the thing is, every time that you and I have any conversation about anything, then there's an alert in my calendar that you have changed some other thing.
00:34:26You're like, oh, well now... That's how calendars work, John.
00:34:29That's why we have them.
00:34:30You and I talking now.
00:34:31The calendar changes if the world changes.
00:34:33That's why it makes a calendar rather than some kind of just a dream board.
00:34:40I mean, is it though?
00:34:41Is it though?
00:34:42I don't know.
00:34:44Every list I ever make says... I can sometimes, I often can tell when you're fucking with me.
00:34:49And then there have been a handful of times when I genuinely cannot tell.
00:34:52I don't think you're fucking with me right now.
00:34:54And that's fine.
00:34:55But it's a little bit like you're fucking with me.
00:34:57Because it makes it very funny that you don't know or aren't up to date on aspects of what Syracuse calls the Merlin cinematic universe.
00:35:07But like, you know, I have kind of a hard on about using calendars.
00:35:11You sure do.
00:35:12Well, that way you know when things are going to happen.
00:35:15My family doesn't write down when things are going to happen.
00:35:18If something changes five minutes, I get a calendar alert where you're like, oh, now it's happening at 8.05.
00:35:22Because now it's correct.
00:35:24If we said we were going to record at 11 and we moved that to 11.30, I changed the start time.
00:35:28Now, why would I do that?
00:35:29Is it because I need a reminder?
00:35:31Maybe.
00:35:32I don't think that's an undignified thing, but you know what it also does?
00:35:35It gives me a historical journal of what time that show started.
00:35:39I write down things that aren't just things I don't want to forget.
00:35:43Sometimes I write down things I don't want to remember.
00:35:46See, now, if I used it that way, I would love a historical journal because there are all those things where I'm like, you would love that.
00:35:55I wrote a check for $74 on March 15th, and I have no idea why.
00:35:59Well, I mean, okay, that may be, okay, I understand that's just off the dome, but what I'm talking more like, have you, I don't know, forgive me if we've talked about this.
00:36:07I don't think we have.
00:36:08I think it's Jermaine.
00:36:09I've talked a lot with Syracuse about this is like the way that I combine several, this is not a bit, this is a real thing.
00:36:16When I want to remember when something, sometimes you need to remember when something happened.
00:36:20Absolutely.
00:36:20For a variety of reasons.
00:36:21Maybe you just like, for example, I was just texting with a friend of ours this morning, who had been at our baby shower in 2007.
00:36:28And I wanted to send him some really cute photos of his now very grown up daughter.
00:36:32And, you know, wonderfully, we have 400 wonderful photos of our with all of our children.
00:36:37Web celebrity friends in Golden Gate Park.
00:36:40And it's a wonderful set of photos.
00:36:41And we ended up talking about stuff.
00:36:42But I was like, OK, so wait, I got to remember when this happened.
00:36:45Well, it'll be before the kid.
00:36:46And this is a silly example, but it's easy enough because it's right before the kid was born.
00:36:51Sometimes what I have to find out is like, I want to find out when the thing happened in the world.
00:36:56And I have an association.
00:36:57Here's one for you.
00:36:59Um, like these songs that are really indelible to me from certain times in my life.
00:37:05Like I'm pretty sure the devil went down to Georgia came out in the summer of 1979, which is not for the moment important, except that means I also, that also means probably that, uh, fins by Jimmy Buffett came out that summer.
00:37:19The song about Skylab falling, the novelty song came out that summer a little later.
00:37:24You get pop music by M that kind of,
00:37:27takes me into a vicinity of when something happens and then i can sort of triangulate oh that's when i was at that happened when i was at military school listening here in the long run while i was waiting for pancakes in the pre-dawn morning at military school wait wait wait the devil went down to georgia didn't come out in 75 it came out in 77 nine 79
00:37:52He knew that he could have been beat because he laid that golden fiddle on the ground at Johnny's feet.
00:37:57He just said, just come on back if you ever want to try again.
00:37:59I told you once, you son of a gun.
00:38:03You edited it for content.
00:38:06So why do we need to know that?
00:38:07Don't worry.
00:38:08Don't worry what I need to remember.
00:38:09You worry what you need to remember.
00:38:11Here's another one.
00:38:12When was this photo taken?
00:38:16Well, sometimes that's real easy because your phone takes care of that for you.
00:38:20Other times, you don't know when this photo was taken or where it was taken.
00:38:23Maybe now what are you doing?
00:38:24Now you're looking at things like...
00:38:26I'm searching.
00:38:27Here's what I'm doing.
00:38:28I'm searching Gmail.
00:38:29I'm searching photos.
00:38:30I'm searching Amazon.
00:38:32That's three.
00:38:33Because why?
00:38:34Gmail in particular tells me things like when I bought an airline ticket or when I got I can see clusters of activity around like, oh, this is when I went to XOXO.
00:38:42Right?
00:38:43Gmail.
00:38:44Like, that just tells me all kinds of stuff.
00:38:45Photos.
00:38:46Okay, if there's a photo, when was I visiting John that one time in Seattle?
00:38:50I could find it that way.
00:38:51Honestly, so weird, though, I'd buy enough stuff from Amazon that that's sometimes really useful.
00:38:56Interesting.
00:38:57And so...
00:38:58I have a way of triangulating my past by looking at these records.
00:39:04And I think we help our future when we leave the kinds of markers that are the sorts of things.
00:39:08This is why I have a calendar called Journal.
00:39:11It's not my feelings.
00:39:12It's like when I changed my medication.
00:39:15Or like when my kid went to the doctor or whatever.
00:39:17It's just writing down when stuff happened.
00:39:19Do you go through your photos and manage them and tag them with stuff and go like, oh, this is part of that.
00:39:26Yeah, a little bit.
00:39:27Yeah, I did it this morning for our friend.
00:39:29I made an album to share with our friend.
00:39:33But not as much, again, I'm no Syracuse, but all I'm trying to say is, like, it sounds trivial and, like, blah, blah, and, like, oh, Merlin's just hung up about this stuff.
00:39:41And I am, just in the sense that I think it is a sign of character to be on time for things and to remember things.
00:39:49And I don't say that, I mean, in part, I think I say that in a slightly passive-aggressive way about other people, but I also ultimately really say it about myself.
00:39:57As a terminally late person for...
00:39:59before into my 30s easily i mean i was it's just it became it was a character flaw and like it's because i didn't have a system that i trusted this is really boring anyway show this to ari because what will happen is you look and you go oh oh oh i'm watching the leftovers how tall is jill the wonderful margaret qualley by the way you should see the movie substance it fucking rocks um
00:40:20Okay, now she's 5'8", but then you go down and you're like, wait a minute, so Olivia Munn, okay, I was watching John Mulaney's monologue for SNL on Saturday night, and it was a great episode, and he was talking about how all the people in his life are small.
00:40:35His wife, the beautiful Olivia Munn, she's small, the mother is small, the children are small, and I thought, huh.
00:40:42How small is Olivia Munn?
00:40:44And I went and I looked it up and I added her to the list.
00:40:46How small is she?
00:40:48She's so small.
00:40:49Are you ready for this?
00:40:50She's so small.
00:40:52Where is she?
00:40:52Olivia Munn.
00:40:53How small is she?
00:40:54She's 5'4", which is just a little bit shorter than David Miscavige from Scientology.
00:41:01Oh, right.
00:41:02He's not very tall.
00:41:03He's a little guy.
00:41:04He's brutal.
00:41:05And that means also David Miscavige is the same height as Carrie Coon, the wonderful actress.
00:41:10And both of them are the same size as Jackie Earl Haley, you know, from Breaking Away.
00:41:16Oh, yeah.
00:41:17Oh, of course.
00:41:18Don't forget to punch the clock, he says.
00:41:20And I didn't have a way of measuring small because everybody seemed small.
00:41:26Sure, sure, sure.
00:41:27But then she was really small, and I didn't notice that she was extremely small until...
00:41:34until I looked at her clothes, because I had a bunch of her clothes hanging in my closet, and I was like, wait a minute, this clothes is really small.
00:41:45Who would this clothes fit?
00:41:46What is this clothes for?
00:41:49Yeah, and I went around and
00:41:50Like, even my little child, who at the time was like, I don't know, seven, eight, was like, could you wear this?
00:41:58And she was like, that's too small.
00:41:59Do you have the chart up in front of you right now?
00:42:01Probably not, right?
00:42:02Oh, I should go back to it.
00:42:03No, no, no.
00:42:04I navigated away.
00:42:05Last one, because I wanted to make this relevant.
00:42:07Line 34.
00:42:09in this current sorting order, is something that you told me that I could not believe, which is the height of Art Garfunkel.
00:42:16Because in my head, Art Garfunkel is six... Isn't that amazing?
00:42:19In my head, Art Garfunkel is six foot three, and Paul Simon is five five in my head.
00:42:26Right.
00:42:26Right?
00:42:26Me too.
00:42:27But guess what?
00:42:28You told me this.
00:42:29Listeners, are you ready for this?
00:42:31According to my sources, in my journalism, Art Garfunkel is five foot nine inches tall.
00:42:36He's shorter than I am.
00:42:40And then Paul Simon is like the size of a mouse.
00:42:44Well, you got to go down the line 48.
00:42:45He's five foot three, which is small.
00:42:48But like that Delta makes no sense to me between.
00:42:51I know my whole life.
00:42:53You look at that album cover and you're like, wow, Artie.
00:42:56But perhaps now you'd like to know if you need a if you need a short short cut for how tall Paul.
00:43:00He's the same height as Natalie Portman.
00:43:03Paul Simon is the same height as Natalie Portman.
00:43:05Now, shorter than them, you got Holly Hunter.
00:43:08She's small.
00:43:09Turn to the right.
00:43:10I like that.
00:43:11She's 5'2".
00:43:12Emilia Clarke, who played Daenerys, is a little under 5'2".
00:43:16Wait a minute.
00:43:17Kristen Bell is only 5'1"?
00:43:19She's 5'1".
00:43:21You're kidding me.
00:43:23But Laura Mayberry from the wonderful band Churches, she's really little.
00:43:26She's five feet tall.
00:43:28Five feet tall.
00:43:29Then you get down.
00:43:30Now, the last one, before you get to Lucia Zarate, is Linda Hunt, the wonderful actor.
00:43:34Oh, wait a minute.
00:43:34Wait a minute.
00:43:35Now, I'm looking at a picture of Kristen Bell, and she's standing next to Dax Shepard.
00:43:40Dax Shepard that everybody apparently likes so much.
00:43:44Oh, he's so annoying.
00:43:46My kid's favorite podcast just got fired from his network.
00:43:50Oh, how come?
00:43:51Oh, I don't know.
00:43:52I think there's just no money in it.
00:43:53David Ferrier, the wonderful New Zealand guy.
00:43:55Oh, they didn't get canceled, is what I was asking.
00:43:57Well, they did the nice one where they let him, I think, mostly keep his toys, but, like, you know, gave him the IP.
00:44:03That's a phrase my kid used with me.
00:44:04Oh, that's nice.
00:44:04No, Dax let him keep the IP is the thing my kid said to me.
00:44:07That's nice.
00:44:07IP is good.
00:44:08You got to keep the IP.
00:44:09IP freely.
00:44:10Or P.I.
00:44:11Staker, in this case.
00:44:13You got Stephen Merchant, who played P.I.
00:44:15Staker in Hot Fuzz.
00:44:16Stephen Merchant from The Office...
00:44:18He's tall.
00:44:20He's real tall.
00:44:21Augie?
00:44:21Is it Augie, right?
00:44:22Yeah, he's 6'7".
00:44:23He's 6'7", dude.
00:44:25So I'm done with this.
00:44:26But what I'm saying is that when you trust your system, Tommy Toon is a very good dancer.
00:44:30Tommy Toon is very tall.
00:44:31He's 6'6".
00:44:33That's pretty tall.
00:44:33This all becomes relevant, Sean.
00:44:35I know where it all goes.
00:44:36If you count Sean Nelson's hair, he's at least 6'6".
00:44:39I'm able to bring this into Chetty G, and then I can do things with it as well.
00:44:43Which is a powerful idea to me.
00:44:46Here's part of my problem is I don't have any systems at all, as far as I can tell.
00:44:53That's such an unintentionally funny thing for you to say.
00:44:57As far as I know.
00:44:59That's like somebody asks you, do you have life insurance?
00:45:03And you go...
00:45:04Not as far as I know.
00:45:06Not as far as I know.
00:45:08If you come into my house.
00:45:10And you, okay, so the other day, Ari was in Singapore and then she went to.
00:45:17Malaysia.
00:45:18Malaysia or Indonesia or something.
00:45:21Oh, sorry.
00:45:21Yeah, my bad, my bad, yeah.
00:45:22And she was scuba diving or something.
00:45:24And I had encouraged her to do this.
00:45:26I said, you need to take some time for yourself.
00:45:28You need to go do a thing that you love.
00:45:30And then while she was gone, I said, I know what I'm going to do.
00:45:34And I bought a whole bunch of different things.
00:45:39And I went into her basement, into this giant room.
00:45:43Is this the thing where you get her basement organized while she's gone?
00:45:47And I said to you, because you know women love that time.
00:45:53I know.
00:45:53All right.
00:45:54I want to hear every cubic inch of this story, how it went when you organized your mother's, your daughter's mother partner.
00:46:02Did you get shelves?
00:46:03What'd you get?
00:46:04Here's what I know.
00:46:06Which is do not go into her closet, her current closet and touch anything.
00:46:12Don't even touch a thing in her current closet.
00:46:15But in the basement where all the things are in bags that are all labeled, like sometimes this is too small in the fall, but in the spring, it's not all that kind of stuff.
00:46:26There's no way.
00:46:26And her garage, which was just full of like half inflated pool toys and.
00:46:31Just like, you know, just insanity.
00:46:34Sounds like a liminal area that is somewhat unsettled in what it is for.
00:46:40And for followers of the document, which is only me, people know that left to its own devices, almost any area in a house will become storage.
00:46:48Yeah, well, and if you don't fight it, it all becomes storage and storage is the least muscular use of your space.
00:46:54When I excavated her garage, I found garbage cans, waste paper baskets that were that had been used and were full of waste paper and had just been moved to the garage, not emptied into a larger can and then put out to the curb.
00:47:11It's kind of a DMZ for refuse.
00:47:13Yeah, like here's a waste paper.
00:47:15Let the age a little bit.
00:47:16I don't want to carry it upstairs right now, so I'm just going to put it in the garage.
00:47:20Just a crazy thing.
00:47:21But so I go in and I bought all the shelving system, different kinds, you know, and I measured the space so it exactly fit in there.
00:47:30Oh, man, that's nice.
00:47:31It fit in there so well you couldn't get a credit card between it and the wall.
00:47:35And I bought all this lighting so that the whole place was illuminated like it was some kind of boutique.
00:47:41You made this a project is what you did.
00:47:43I really did.
00:47:44I spent days on it.
00:47:45I was like, oh, this is going to just blow everybody's mind.
00:47:48And then my sister came in and she was like, oh, well, this needs a system.
00:47:53And she organized all the clothes because I went and secured 10,000 hangers.
00:48:00She organized all the clothes, not just by type and style, but by color and attitude.
00:48:06And I had, I understood enough that I had built the shelves so that there were areas where you could hang a really long moo moo style seventies housewife dress.
00:48:17And then there were things that for blouses.
00:48:19You're leaving room for the human soul.
00:48:21i knew that i knew that at least there needed to be all this i built this whole system and then it was a big hit which it was a risk you know she could have come in and gone like but she came in and was like wow oh that's so nice that's so nice did you appreciate the the approach you'd taken
00:48:40Well, she said out of the corner of her mouth, she was like, yeah, too bad everything in here doesn't fit.
00:48:45And I was like, oh, ouch.
00:48:47And she said, no, no, no, no, no, no.
00:48:49It'll help me because I'll get rid of the stuff.
00:48:51There's clarity.
00:48:52There's clarity about where stuff goes.
00:48:54Even stuff that doesn't isn't like something you want to keep.
00:48:57That is a big improvement over this is all just unprocessed stuff.
00:49:01Big improvement.
00:49:02And then she said, and then I can take the stuff that does fit that's in my closet, but it's, but it doesn't belong there.
00:49:07Like the summer stuff now and whatever else I can move it down here.
00:49:13And then our little girl can use this because I put up a whole, I put up a mirror that was the whole wall.
00:49:19So with my dramatic lighting, you can go in there and try stuff on and look at it in the secret mirror and
00:49:26And it's in the basement.
00:49:28It's like an 80s video.
00:49:29Yeah, you can close the door.
00:49:30There's no window.
00:49:31You can be in there and have your private time with your clothes.
00:49:33You can put on your scarves and spin like Stevie Nicks.
00:49:36Exactly.
00:49:37Stand back.
00:49:38Stand back.
00:49:39So I did all this.
00:49:40And then eventually I was like, oh, I'm sorry.
00:49:42Everything doesn't fit.
00:49:43And she was like, no, no, no, no, no.
00:49:45It's great.
00:49:45I'm sorry that I Bellingham'd you.
00:49:47I was like, that's fine.
00:49:48I mean, it's basically robbed me of all joy.
00:49:50But that's fine.
00:49:51That's fine.
00:49:52And then two days later, Susan texts me and she's like, look, I know that if we touched even a broken pencil in your house, you would know it within an hour.
00:50:08You'd be like, where's that pencil?
00:50:10You would sense a disturbance in the force.
00:50:12Even if it was under 16 letters, you would be like, wait a minute.
00:50:16There was a pencil here that was broken that I was going to do something with.
00:50:19I was going to put it in my pencil, my broken pencil can.
00:50:23Part of your pencil recovery program.
00:50:25So she said, I know that we can't do at your house what we did at Ari's house, even though it's what you need.
00:50:36And she said, the reason we can't do it is that you would not approve of the shelves.
00:50:40You would not approve of the system.
00:50:41You would not approve of any of the things.
00:50:44And, and so the only way we can do it is if we all agree that we're going to do it, but you're going to be there to approve.
00:50:54And I said, this is such a fraught project.
00:50:58The problem is that I'm not going to approve of even the small, I'm not even going to approve of you touching the thing.
00:51:04And she's like, but we have to do something.
00:51:07We, what do you mean?
00:51:10Because you are living in a, in a state of excited insanity at all times.
00:51:17So it started as a favor and turned into an intervention.
00:51:21Well, a little bit.
00:51:22She's like, you have 45 different framed magazine covers, not of anything from your life.
00:51:29Magazine covers from the 1950s with it, where there's a priest smoking a cigar and holding a pistol upside down.
00:51:36And you put it in a frame at some point, but there's nowhere for you to hang that.
00:51:40There's never going to be again in your life a place you can hang that on the wall.
00:51:43So she feels like part of it is bringing you to what you intended to be the last mile of parts of a project.
00:51:50Like you did this, da-da-da-da, and you got 80% done.
00:51:52And in Susan's conception of things, then the last 20% is getting those on the walls in an attractive way, for example.
00:51:58Or get them out of the house.
00:52:01There's nowhere that this is going to go.
00:52:02That would be very different, but yes.
00:52:05This 1945 copy of the Alaska Sportsman where there's an illustration of three wolves attacking a trapper, it doesn't belong in a frame.
00:52:16So you want me to forget my history?
00:52:18Is that it, Susan?
00:52:19It belongs either in the garbage or at a thrift store or somewhere else, maybe out of the frame and in a drawer.
00:52:25I don't know, but something else.
00:52:28And I think, well, now, wait a minute.
00:52:29When I say I don't have any systems that I know about, I do have a can full of broken pencils.
00:52:34Is that a system?
00:52:36I'm not sure.
00:52:37I do have framed artifacts like, like, uh, napkins that had some deal memo written on them.
00:52:47And you know, I have here on the shelf here, I have three different cans of dirt.
00:52:53I have a can, I have a can of dirt.
00:52:56from three different places where it was like oh i should bring some dirt back but i mean you've got them all in the same place well they're together that's what i'm saying i mean that's a form of organization i guess it is i guess it's a system do you know which is which yeah yeah yeah because i because well it's just clear which is which just i mean well i mean but like do you know what location the dirt is from
00:53:19But the thing is, I guess it wouldn't be clear to anybody that looked at it.
00:53:23Well, it's most important that it be clear to you.
00:53:25But, you know, like last night when I put away the chili, I marked up the – I didn't need to mark up the noodles because I felt like that was fairly self-evident.
00:53:35But when I put in leftovers, I write down what it is and what date I put it in the refrigerator because it's not a library.
00:53:40Exactly.
00:53:40And if you pick it up and it says Sunday and you don't know which Sunday it is, well, that should tell you something.
00:53:46And the thing is, my sister, and even if they all were involved, they would look at those cans of dirt and they would go, why does he have dirt in cans?
00:53:55And I would go, whoa, that's the dirt from the place.
00:53:59And that would be very, it's very difficult to explain the dirt from the place.
00:54:02Yeah, I mean, like, yeah, that's a different project.
00:54:05Yeah, but it's all part of the same project, because the project would be, how do we clear off these shelves?
00:54:10And this gets us eventually, perhaps, probably not in the amount of time we have here, but, like, why is this such a big deal for Susan?
00:54:17I'm sorry.
00:54:18Is it just that Susan is so overflowing with energy, enthusiasm, and helpfulness that she cannot contain herself?
00:54:25Why does she feel like this is so...
00:54:27Like, is she embarrassed about you?
00:54:29Like, why does she need to do this?
00:54:31No, because we did such a good job organizing that closet that it that it feels like, oh, this is a thing.
00:54:38We're actually good at this.
00:54:39Like Susan and I together organized these closets in the basement.
00:54:44of Ari's house in a way that's indisputably cooler than what was there before, which was a bunch of stuff in bags on the floor of a room that was lit with a fluorescent light.
00:54:56And now you walk in there and it's like, I just want to live in this closet.
00:55:00This is like one of those closets you see on Instagram where people are like, ha ha ha, here's my closet, bleebs.
00:55:06And it's like, oh yeah, this is great.
00:55:08So Susan's like- She wants you to have that, but it sounds like there's a little bit of like-
00:55:13I don't know, like urgency, like this has to be done.
00:55:17It has to be done to or for you and it has to be done by me.
00:55:20And fourth, it has to be done now.
00:55:23Well, in a way, because there's constantly, I think, around here, some desire, I think there's only one way to put it, which is some desire to help.
00:55:33People want to help and they don't know how.
00:55:36It's just like nobody knows what to get me for Christmas because there's nothing to get me for Christmas.
00:55:40Sephora gift card.
00:55:42Yeah, and yet they want to get something for you for Christmas.
00:55:46And so they're like, well... You need so much help in so many ways that they just can't sit with the fact that you're not getting some kind of help.
00:55:53Even if it's not the one you need the most right now, the help must be proffered.
00:55:57There's got to be some kind of help.
00:55:59A couple of years ago, somebody bought me a ping pong table.
00:56:05And they said... It's called table tennis, John.
00:56:07They said... Oh.
00:56:11A callback to Patrick on the line.
00:56:14But they wanted to help.
00:56:20But they said, I know that there's no room for a ping pong table right now or a table tennis table.
00:56:26And so what this is, is it's like my dad used to give me for Christmas.
00:56:31It's a paper bag stapled once and inside is a certificate for guitar lessons.
00:56:37He would put his last-minute pseudo-gift into a brown paper, like you buy nails in at the hardware store.
00:56:48No, no, no, not that.
00:56:49No, a grocery bag from Cars Grocery.
00:56:52Oh, in that case.
00:56:52Wow, okay.
00:56:54Stapled once.
00:56:56One ka-chunk.
00:56:57Because it was obvious that he thought of this.
00:56:59Now it's birthday.
00:57:01And it said, you know, good for something that I was never going to remember to redeem.
00:57:07And he wasn't either.
00:57:08And it was just like, it's better than taking $50 and throwing it in the wind.
00:57:13It cost only the cost of a staple.
00:57:17And however much the ink on the page was.
00:57:20So anyway, I got this piece of paper that was like good for one table tennis table the day that you finally have cleaned out enough space for a table tennis table.
00:57:32Oh, I see.
00:57:32It's a gift with a catch.
00:57:34And so there's a lot of those.
00:57:36This is like the standing desk that my wife gave me.
00:57:39Which you do or do not use?
00:57:41No, it's perfect.
00:57:42This is exactly the same thing.
00:57:43You know, you buy one of those Ikea kitchens.
00:57:45It's got the sizzly top, and it's got the thing that could be a microwave.
00:57:49You know what I mean?
00:57:50This Ikea kitchen that you buy for every little kid.
00:57:52It's one of the great toys.
00:57:54Well, when my kid had aged out of that, and it had been the Millennium Falcon, it had been whatever Phineas and Ferb are doing today.
00:58:01It had been many things, but then it became a place that I would stand to look out our front window while I typed on my computer.
00:58:09And then one Christmas, I got a standing desk, which is what I like to call John.
00:58:15I think you've heard this phrase from me before.
00:58:16It's called a message gift.
00:58:19I got a message gift, which was, hey, look at this nice standing desk you got.
00:58:24And the message is, I need to not have an Ikea kitchen in the window that my husband stands at.
00:58:30Yeah, right.
00:58:31Time to get rid of the thing and replace it with this thing.
00:58:33It's not what I would have asked for, but it might be what I needed, and now it's what she uses at home.
00:58:37You know what I mean?
00:58:38Circle of life.
00:58:39She's at home three out of five days a week, and that's where she works now.
00:58:46I think people, and by people, I mean the people that surround me, which is weirdly all women, maybe not weirdly, maybe not weirdly.
00:58:55And what I think everyone's worried about is if a table tennis table did come in here, it would immediately be covered with magazine covers that are in like... Next to a treadmill, John, it is the canonical example of something you just put things on.
00:59:09And the thing is, I don't want a table tennis table that's covered with cans of broken pencils.
00:59:14Like, that's not the future for me.
00:59:17It's not the vision, yeah.
00:59:20But, you know, systems elude me.
00:59:22Like, if I look at the dining room table right now, just the number of coats that are hanging on the back of the chairs...
00:59:31Right.
00:59:31This is why I bring up the message gift, because I think a message gift is often ultimately kind of intended as a kind thing.
00:59:39But the brutal take-home message of the message gift is, you need to be different.
00:59:47yeah you're doing it wrong well yeah i mean like you know maybe that you buy you buy your lady lingerie or something you know yeah that's a kind of message gift but like with with with dudes like it could be like well here's a here's a place for you to put all the things that i'm sick of seeing everywhere around the house happy birthday you know not that it's i don't mean it as in like it's it's unkind or something because sometimes it's a message you really one really needs to hear but you know yeah yes
01:00:12But it doesn't match your Weltanschauung, right?
01:00:15You've got a broader Weltanschauung about how all these things fit together that goes way beyond, oh, those are broken pencils in a can.
01:00:20You're like, well, to you, they're broken pencils in a can.
01:00:23Like, to me, they're part of a larger project.
01:00:26Yeah, well, because each one of those broken pencils has the name of some 1970s bank.
01:00:31uh like embossed in it sure and so that's all like not just pencils those are documents of a time but you know all those banks closed in the uh in the subprime mortgage debacle oh that's true you know patty hearse patty hearse was uh was um the bank that she robbed you know that's just up the street from us right
01:00:52I did not.
01:00:53How have you never taken me there?
01:00:55Well, it was a blockbuster video, and then it became a different bank.
01:01:01But yeah, up on Irving.
01:01:02Irving in the 20s.
01:01:04The house that the Green River Killer lived in.
01:01:08Yeah, Gary.
01:01:10He has a name.
01:01:12It's right over the hill.
01:01:14Really?
01:01:14And somebody's living there.
01:01:17They didn't tear it down.
01:01:18That's what houses are for, John.
01:01:20I know.
01:01:20It's just on a cul-de-sac.
01:01:22And it's like, terrible, terrible, terrible.
01:01:24Terrible, terrible things happen to bear.
01:01:25What's his name?
01:01:26Gary River?
01:01:27What's his name?
01:01:27Gary Ridgeway.
01:01:28Gary Ridgeway.
01:01:29You think anybody ever came to his house and helped him get organized?
01:01:32Well, that's the thing.
01:01:34Things could have been different.
01:01:35Ted Bundy or Ed Gein, any of those guys.
01:01:38All those nurses in Boston wouldn't have died.
01:01:41That's what I'm worried about, you know.
01:01:43Me too.
01:01:45I mean, nobody's going to die around here.
01:01:46No, not anymore.
01:01:48I gave somebody a ride home the other night, and I had that bed frame in the back, you know, the bed frame that I bought in Portland that I...
01:01:57it was so heavy that i couldn't get it out of the truck and none of the none of my usual counsel could help me move it yeah yeah i needed like some i needed like a tough guy yeah it ended up being susan she was like i'm a tough guy who are you kidding god i gotta catch up with susan she's burning shit up these days i know but so i was giving somebody a ride home and um and she looked in the back and she was like is that a coffin
01:02:24And I was like, well, I didn't want to.
01:02:26When you say coffin.
01:02:27And I reached over, and I auto-locked the doors, and she was like, oh, hi.
01:02:33It was fun times.
01:02:35We have a lot of fun up here in the Northwest.
01:02:37Right now, it's just a box.
01:02:39It's not a coffin until I find the right person.
01:02:42Yeah, exactly.
01:02:43And then at the end of the night, she was like, do you want me to get in the box?
01:02:47And I was like, oh, come on.
01:02:49I said, no, don't get in the box.
01:02:51That's too complicated.
01:02:52That's going to bring up a lot of feelings.
01:02:54She sounds like she's got a lot going on right now.
01:02:57Well, this wasn't Susan.
01:02:58This was somebody else.
01:02:59Oh, this is your drifter.
01:03:00Yeah, some drifter.
01:03:01Just some drifter.
01:03:03That's funny.
01:03:06Do you want me to get in the box?
01:03:07She was a funny drifter.
01:03:08She was like, you want me to get in the box?
01:03:11Oh, man.
01:03:11Kind of.
01:03:12Man, some of my biggest crushes have been funny drifters.
01:03:15But here's the thing.
01:03:16I'm trying to address the attention deficit disorder without medication.
01:03:22And part of it is asking people for help.
01:03:24And then the problem is that I don't want their help.
01:03:27And so I say, look, this is, I got a call from my mortgage people this morning.
01:03:31Some people like to help with the part of things.
01:03:32Here's the thing.
01:03:33This is way too much for whatever seven or eight minutes we've got left.
01:03:37But like there's, there's, I'm just going to say it because I've been, I've done this as well.
01:03:43I'm not saying this to be unkind to people who claim they're trying to help, although they are often just claiming to try and help, is that
01:03:49This is a very complicated issue.
01:03:52Because first of all, sometimes we need the kind of help that isn't the kind of help that we need.
01:03:55I'm guessing at some point, probably in the 80s, you've probably had certain weekends where the help that you needed was not the help that you wanted, right?
01:04:02We've all had things where, you know what I'm saying?
01:04:04But it's also that there's another kind of problem, which is there are some people, I'm not saying this is Susan or the drifter,
01:04:10Great show.
01:04:11But there are some people who just like to ask and be thanked.
01:04:15They don't really want to help.
01:04:16They want to say, is there anything I can do?
01:04:19Stay safe.
01:04:20And you're like, fuck.
01:04:21But then there's other kinds of people that want to give you the kind of help that they like to give or the kind of help that they think you need, which now gets us right back to, do you want me to find the phone number for the doctor?
01:04:31No, I don't want you to, I know how phones work.
01:04:34I know phone numbers work.
01:04:35What doesn't work for me is everyone around me alighting the fact that there's so much more to getting something done than getting the phone number.
01:04:42And like, you don't understand me if you don't understand that.
01:04:46And this happened to me the other day.
01:04:49I have a bunch of friends up here who are like, you need... That's right.
01:04:54Well, and by bunch, I mean three.
01:04:57Jason's mine.
01:04:58I'm claiming him now.
01:04:59Yeah, I know.
01:05:00Jason belongs to you now.
01:05:01I got nothing to do with him.
01:05:03But although he does want to see King Giz and the Liz Whiz...
01:05:06But that's a different topic.
01:05:07But I have these three friends that were always hassling me.
01:05:10Why don't you ever go skiing?
01:05:11You need to go skiing.
01:05:12You're a good skier.
01:05:13You never go skiing.
01:05:13And I was like, ah, skiing, skiing, skiing.
01:05:16It's a lot of work.
01:05:17It's a lot of money.
01:05:18It's a lot of all this pain in the ass.
01:05:19Why do you fucking care?
01:05:20And then this group of guys I knew in college, they were like, listen, we're going to Canada in January.
01:05:25We're getting on a helicopter and we're going to get dropped off up in the sweet pow of some Canadian Rocky.
01:05:32I want you to come.
01:05:34And I said, the Donner party brought their skis too.
01:05:36And that's the thing.
01:05:37I never, I grew up in Alaska.
01:05:39I never skied any sweet owl.
01:05:41Our ski resort was at sea level.
01:05:43Like it was all just crazy ice monkeys.
01:05:46And they're like, yeah, but this is the thing.
01:05:48And I said, I don't know how to even, I'm not even sure I know how to do it.
01:05:51Can you imagine what that would do to your knees?
01:05:53Like hour one.
01:05:54Well, so you remember the doctor said, um, uh, motion is lotion.
01:05:59Motion is lotion.
01:06:01But skiing is being.
01:06:03Skiing is being.
01:06:04No, I mean, I guess I don't have a bad term that rhymes.
01:06:07I need to work on this.
01:06:09I have these friends and they were like, okay, well, here's blah, blah, blah.
01:06:13And here's what you need and blah, blah, blah.
01:06:14They're putting together a ski, a guy's fun ski occasion.
01:06:19And you are being gang pressed into that because it's something you need to do.
01:06:23They rented some big log cabin and we're going to go up and ski multiple days with a helicopter.
01:06:30And I said, I wrote them and I said, listen, here's the thing.
01:06:34I need boots.
01:06:36I need goggles.
01:06:38I need all these things, skis.
01:06:42And I, you can send me every link.
01:06:45in the world to these things.
01:06:48But I'm going to go on, I'm going to follow your link, and I'm going to go on the ski boot thing, and then I'm going to see that there's a sale on a different kind of ski boot, and then I'm going to find over there, and then they're not going to have my size, and then I'm going to go to this thing.
01:07:01Pretty soon you're putting together a slideshow about ski looks from the 1950s, and you're not sure why, right?
01:07:07You end up going down this rabbit hole where the thing that does draw you in gets the hook in more than the thing that the assignment that you've been given.
01:07:15100 i'm going to start buying moriarty ski hats on ebay instead of doing whatever it is you were trying to get me to do which was buy some boots so i could go heli skiing with you
01:07:27And one of the dudes, who is the publisher of Fretboard Journal, and who is from Sacramento.
01:07:34Sorry, that was me tearing out the new Floyd Rose.
01:07:38And he plays the electric saw, or whatever.
01:07:41Is that at Fretz, John?
01:07:43No, no, no.
01:07:44There's no Fretz on it.
01:07:45It's a fretless saw.
01:07:46Fretboard Journal, but he plays the saw.
01:07:48He said, why don't you meet me for ramen on Tuesday?
01:07:51And I said, okay, I'll meet you for ramen.
01:07:53I can do that.
01:07:54That's a thing I can do.
01:07:55I like ramen.
01:07:55I'll meet you for ramen.
01:07:57I meet him for ramen in Seattle's Fremont neighborhood.
01:08:00And then as we're walking out, he says, oh, look across the street.
01:08:04Weird.
01:08:04It's Evo, the world's coolest ski boot store.
01:08:10And I'm like, what are the chances?
01:08:11I'm like, what did you do?
01:08:12And we walked across the street.
01:08:14You got incepted, my friend.
01:08:15And he had made an appointment with the world famous boot fitter guy that you have to make an appointment six months in advance, but he knows him somehow through fretboard journal or whatever.
01:08:25And I sit in the chair and the guy puts me in these ski boots and he's like, these are the ones.
01:08:31And they're $900.
01:08:32They're $900 for that.
01:08:35That's two of them.
01:08:36You get a pair.
01:08:37Yeah, you get a pair.
01:08:38That seems like a lot of money for footwear, John.
01:08:40It's a lot.
01:08:41I'm a little bit out of the trade, but that seems like you could get a pair of Louboutins for that.
01:08:45Well, yeah, you could get two pairs of Uggs probably.
01:08:47Or Ufos.
01:08:48And I said, I can't do that.
01:08:50And meanwhile, Jason is standing right there and he holds his phone up to the special boot guy.
01:08:55And he's like, is there anything different between these boots and last year's model?
01:08:59And the guy goes, nope, they're exactly the same.
01:09:01And he said, and Jason says, oh, that's funny because here's last year's model for like less than half price, which is still $400.
01:09:09Jason did that?
01:09:11That's incredibly useful.
01:09:13And then he says, I'm forwarding it to you.
01:09:15And then it goes bleep on my phone.
01:09:18And he says, buy it now.
01:09:21And I went, okay.
01:09:24Was it eBay and it was your size or what?
01:09:27No, it was at this very store, but on their online clearance from last year.
01:09:33And I was like, bloop.
01:09:35And then all of a sudden I had ski boots.
01:09:38And the guy was like, come in after you get them and we'll bake them in the ski boot baking oven and then put them on your feet and they'll form.
01:09:48You gotta bake the shoes?
01:09:50You bake the shoes.
01:09:52And I was like, uh, uh, uh.
01:09:54I saw a guy building a log cabin.
01:09:56I like to watch log cabin building videos.
01:09:58I wish he would send those to me because I want to see those.
01:10:01Oh, John.
01:10:01Oh, John, John, John, John, John.
01:10:02And he puts a log in the fire for a while, and then that kind of burns up the log a little bit, and I think it makes it more sturdy to be used as a post.
01:10:11Would you actually like me to send you some of those?
01:10:12Yes, I would.
01:10:13It's like hardening a sword by pounding on it with a hammer.
01:10:16It's forged in fire is the way I look at it.
01:10:18So you're saying you bake the shoes, you get the $400 shoes, and you bake them, and that makes them fit better?
01:10:23Yeah, yeah, yeah.
01:10:25Yeah, they bake to your foot.
01:10:26Do your feet have to go in the oven, too, or is it just your shoes?
01:10:29No, no, it's just the shoes.
01:10:30And then Jason says to me, guess what?
01:10:33I have ADD, too, and I find this stuff impossible.
01:10:36Did he just realize that while he was looking for the boots?
01:10:38No, no, no.
01:10:38He'd known it for a long time.
01:10:40He said, I find this impossible to do for myself, but it's so easy to do for you.
01:10:45Oh, it's like one of those hippie circles where everybody gets a back rub.
01:10:49Pack your own chute, rub somebody's back, that kind of thing.
01:10:54I just built a whole closet system for Ari, and I can't even organize the broken fences.
01:10:59Talk about your hakuna matata.
01:11:01You're saying each according to their needs and others according to their closet or needs, and you help a brother out, is what the program's called.
01:11:09Help a brother out.
01:11:09Yes, yes.
01:11:10So it's like you're handing off...
01:11:13John, if I could say, I'm not going to do this for you because you don't want this, but if you wanted very measured one hour of help with your calendar that would be useful today, I would happily do that.
01:11:23I don't think you want that.
01:11:25But is that not an example of what you're talking about?
01:11:27It is.
01:11:28It is.
01:11:28And you could tell me if the intro to a song is too long or something.
01:11:32I could do that.
01:11:33I could do so many things.
01:11:34I could go, I could clean up your house really well.
01:11:39I'll let Madeline know because I think she'd be pretty into that.
01:11:42I would do a pretty good job.
01:11:43I have good news and other news.
01:11:46You know, John, he's coming to town, so gotta go.
01:11:50Hey, Merlin, I took every post-it note that says, hey, do it today, and I put them all together in a file called the do it today post-it note file.
01:11:58No, no, no, no, no.
01:11:59I know what you would do.
01:11:59You would do the opposite.
01:12:01You would come in where I would come in and tear down all your fucking...
01:12:04ad hoc calendars and have you get one place that you... With mine, I think you would create what I'm going to call ambiguation.
01:12:11You might come in and give me some... Maybe I need that.
01:12:14I need red herrings.
01:12:15I need false flags.
01:12:17I need things that make me think twice about whether I'm being undermined and could I be doing that to myself.
01:12:21You could plant that.
01:12:22You know, Max Temkin hid playing cards in my office that I was finding for years.
01:12:26Similar thing here.
01:12:27Oh, it was amazing.
01:12:28He blew my mind.
01:12:29It was the longest con ever was he'd hidden a playing card.
01:12:32He had me look like six months after he'd hidden it.
01:12:34He had me do it during a podcast.
01:12:36Oh my God, because it was a magic trick.
01:12:38Well, yeah.
01:12:40What card am I thinking of now?
01:12:42Two of hearts.
01:12:43Well, no, what I would probably do is take all of the post-it notes that you have on the wall that said the same thing in various different places and ways, and I'd put them in a frame.
01:12:52I'd put them in a picture frame and I'd hang them on the wall.
01:12:54How would you know what order they go in?
01:12:57But, you know, sometimes one needs to impose order.
01:13:00But what you're saying is, because like I said, I think I've kind of gotten at this from a couple little remarks and angles and noises, is like almost every interaction you have in your life kind of sounds like it might become an intervention.
01:13:12But what if that became, what if we normalize that?
01:13:14What if we say that's okay?
01:13:15What if we say from now on, it's oops, all interventions.
01:13:19Like from now on, you just roll up on people and fix what you think is wrong with them.
01:13:24There it is.
01:13:24It's a human centipede except of fixing it.
01:13:27Why are all these yellow notes in a frame?
01:13:32And John did it.

Ep. 557: "Chatty G."

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