Ep. 529: "Not Everything is Everything"

Episode 529 • Released March 18, 2024 • Speakers not detected

Episode 529 artwork
00:00:08I think my scooter's beeping.
00:00:11Oh, it's definitely beeping.
00:00:14Wait, this isn't the show.
00:00:16Let me make sure I'm recording.
00:00:17Wait a minute.
00:00:18I hear you.
00:00:19I do hear you sound fine.
00:00:20It's recording.
00:00:20Stop recording.
00:00:21Yes, please keep recording.
00:00:22I hope this works.
00:00:23It's definitely beeping.
00:00:24I know.
00:00:26Scooter's beeping.
00:00:28Scooter's definitely beeping.
00:00:30Okay, this is the show.
00:00:31If I had a way to turn...
00:00:33The scooter's beeping.
00:00:36Oh, boy.
00:00:36Oh, boy.
00:00:37Oh, boy.
00:00:38Oh, boy.
00:00:39Oh, boy.
00:00:40Oh, boy.
00:00:40Can't record a podcast.
00:00:42Scooter beeping.
00:00:43Scooter beeping.
00:00:44Oh, scooter beeps seven times.
00:00:48I'm not ready.
00:00:50Oh, my God.
00:00:51What a... Oh, my God.
00:00:53You still have the blue man staring at me.
00:00:56He's bad.
00:00:57He's a bad man.
00:00:58Well, can I tell you something ironical about the blue man?
00:01:01He's a scary, scary blue man.
00:01:03I've been watching... I was watching... Well, I came... I woke up late.
00:01:07My kid woke up this morning, and as normal kids... As kids do, my kid woke up and decided, I'm going to make bagels.
00:01:14Now, you're saying...
00:01:15Kids don't say that.
00:01:16Yeah, I know.
00:01:17Well, no, no.
00:01:18All kids, that's a very normal thing to do is to wake up and decide you want to make bagels.
00:01:22Now, I want to make a point here.
00:01:23No one in our house has ever, quote, made bagels.
00:01:26I don't know how to make bagels.
00:01:29I'm led to believe that because of some anti-Semitic laws about, you know how bagels started?
00:01:35You know, that started because Jewish people weren't allowed to touch white people's food, so they had to make their own bread.
00:01:40Really?
00:01:41Make your own bread, they said.
00:01:42Yeah, they were so afraid of blood libel and making Christian babies into crackers.
00:01:47Oh, that's right.
00:01:48They're going to make the matzah out of the Christian babies.
00:01:52They always get you with that.
00:01:53There's two dozen everything bagels that have been made at my house.
00:01:59You're kidding.
00:01:59I woke up at 10, 14 a.m.
00:02:01An hour and 12 minutes ago.
00:02:03And my wife says, yeah, Billy decided to make Montreal bagels.
00:02:07He went and he got a recipe.
00:02:09What the what?
00:02:10I know.
00:02:10This is the kind of thing that happens now.
00:02:12You made it sound like, oh, Billy wanted bagels.
00:02:16So he like heated it up.
00:02:17He asked permission to turn on the oven.
00:02:19All that.
00:02:19Right.
00:02:21But in fact, figured out my whole life.
00:02:23I've never known a person that made a bagel.
00:02:26Well, Billy's just making bagels.
00:02:28I don't want to be unintentionally anti-Semitic because, as you know, I only ever want to be intentionally Semitic or anti-Semitic.
00:02:34But what had happened was – here, I'll send you photos.
00:02:37This is you.
00:02:40Well, okay.
00:02:40Here come the photos.
00:02:41Got to see that.
00:02:43Nobody knows how to do this, and I just assumed – I don't want to be anti-Semitic.
00:02:46I just assumed it was some kind of a generational secret how a bagel gets made.
00:02:50You mean like an ancient Chinese secret?
00:02:53It's Calgon.
00:02:55You boil it in Calgon.
00:02:56Take me away!
00:02:58Calgon, take me away!
00:03:00So you've got like a test kitchen kind of going on here.
00:03:03No, it's a very modest rental.
00:03:05But there's my 16-year-old kid.
00:03:07I woke up.
00:03:07My kid's wearing an apron and making bagels.
00:03:10Why is Billy in a modest rental?
00:03:15Oh, because that's where we live.
00:03:16Oh, I see what you're saying.
00:03:18Unfortunately.
00:03:20There's a lot of things.
00:03:21You got no place?
00:03:23No, there's a lot of things in life I change, John.
00:03:25But as you know, we're at a point where there's not that many things that can change except getting way worse.
00:03:32Now, if I found an immodest rental, should we take it?
00:03:37I don't know.
00:03:37You know, that kitchen could use an update.
00:03:42That's what they say.
00:03:42The real estate agents will tell you.
00:03:44You know, Congress just dealt them a blow today, Merrill's.
00:03:50The real estate agents.
00:03:51Is it because of Trump's bond or because of gas ovens?
00:03:53What is it?
00:03:54No, it's something else.
00:03:55I woke up an hour and 14 minutes ago.
00:03:58No, it's, uh, they can't, they, American real estate agents take too large commission.
00:04:04Oh, cause, yeah, Gnar, Gnar got nailed.
00:04:06Yeah, yeah, yeah, yeah.
00:04:07Gnar, Gnar got nailed.
00:04:08Because of their rent-seeking usurious behavior?
00:04:11Mm-hmm, and so.
00:04:12What are you telling me?
00:04:13Is it law?
00:04:13Is it law?
00:04:13Is it law or custom?
00:04:14What is it?
00:04:16Uh, well, uh, well, you mean the new law?
00:04:18Yeah, yeah, why was everybody mad?
00:04:19What happened?
00:04:20Well, it's just, it's one of these things.
00:04:22It's a, you know, it's a Biden's America.
00:04:24They're cracking down.
00:04:25Cracking down on all the people that are, that are.
00:04:27Trying to earn an honest living.
00:04:30Well, no, it's, well, that's right.
00:04:31It's that.
00:04:32Modest living.
00:04:34No, I understand.
00:04:34Like just, just because I'm a racist who cleans pools in Gainesville, Florida, doesn't mean that I shouldn't be able to make bagels if it pleases me, you know?
00:04:42I didn't even understand the last part of that.
00:04:44And I totally agree.
00:04:47I mean, you're not going to do it in a Christian home, right?
00:04:50Not in a small town.
00:04:51In this economy?
00:04:52I mean, you should just try it.
00:04:54Try it in a small town.
00:04:54Now, I have a little bit of a problem here, which is that I have well-documented problems with my neighbors, but I also have neighbors that I like a lot.
00:05:06And one of the neighbors that I like the best, just like them the best, little couple, little kids.
00:05:13He has gotten on the leaf blower train.
00:05:19And love him.
00:05:20Love him to death.
00:05:21Has he not been reading the same papers that we are?
00:05:23Does he not know that that is synonymous with bad neighbor?
00:05:26They went out to the suburbs.
00:05:28They got themselves a house.
00:05:29They lived here for a while.
00:05:31They're like, how do we bump up our suburban experience?
00:05:35How do we manage all these leaves?
00:05:3615%, 20%.
00:05:38And he's like, I'm going to get the biggest leaf blower.
00:05:42But, you know, they're young enough people that they're like, it's got to be electric.
00:05:46It can't be a gas one.
00:05:47Thank you.
00:05:48But, you know, it's the most obnoxious electric one you've ever heard.
00:05:52It's probably high-pitched.
00:05:53It's very high-pitched.
00:05:55It probably sounds like somebody who has a clipboard and works for Greenpeace, right?
00:06:04And so I was talking to my mom, and I was like, oh, man, I don't want to start anything.
00:06:09But this thing, you know, and his leaf blower vibe is, first, he's wearing earphones.
00:06:17He's probably listening to a podcast.
00:06:19He's probably listening to The Daily with Michael Barbaro from The New York Times.
00:06:23But he does the thing where he does it for a while, and then he stops.
00:06:27and you think he's done and then he starts it up again it's like a it's like a like a four or five hours that he's it's like an asian american water torture so it may it may come on again and it's going to be kind of like the road work outside of your uh workspace except crucially i don't have a mute button in fact i eschew them i eschew mute buttons yeah i know that about you like you always feel like whatever whatever is in the microphone is in the microphone
00:06:56Whatever's in the microphone is in the microphone.
00:06:58What we have not yet addressed is that your Zoom caricature avatar here is a scary blue man with a scare.
00:07:05I didn't even notice the scary blue baby until.
00:07:07That's called a bamf.
00:07:10Can't you change it to like a nice picture of Pamela Anderson without her makeup on?
00:07:15Oh, good.
00:07:16Thank you.
00:07:17I promised you last week I would change it, and then I didn't.
00:07:19And then this morning I woke up.
00:07:22And Billy was making bagels.
00:07:23I woke up this morning.
00:07:24No, no, no, no.
00:07:26Those bagels look so good.
00:07:28Okay, and here's the thing.
00:07:30You know you can buy everything bagel stuff in a can.
00:07:33You can get a jar of everything.
00:07:35I didn't know that.
00:07:36Can you just eat it out of the can without having any bread?
00:07:39I put it on everything.
00:07:40So think about that.
00:07:41People won't understand.
00:07:41And also because language is a virus, it's difficult to explain.
00:07:45But you can buy something in America called an everything bagel, which is a huge misnomer.
00:07:49See also the movie Everything Everywhere all at once.
00:07:52You get a bagel and you won't quote everything on it.
00:07:54And that's what?
00:07:54You got salt, garlic, poppy seed, different kinds.
00:07:57It's all different kinds of stuff.
00:07:59But you could also buy a jar of everything in the title bagel.
00:08:03You can also buy a jar of everything in the sense of the things that go on an everything bagel can be purchased on the black market in a can, and then you can sprinkle them on what you want.
00:08:15This is the thing where everything, the definition of everything now is recursive.
00:08:20What is everything?
00:08:22It's what's on an everything bagel.
00:08:23What is on an everything bagel?
00:08:25Everything.
00:08:26It's probably like, in logic, I don't know, I don't understand anything about the sciences, like a squiggly equals sign, maybe with arrows on it.
00:08:33I'll design that.
00:08:35But something that would be like, it would be, but you know what I mean?
00:08:37Let's see where you got like, you got the epistemological argument, you got the ontological argument.
00:08:43This is the everything argument.
00:08:44Which is that a priori, everything squiggly equals everything.
00:08:50Right.
00:08:50Everything is everything.
00:08:52Everything is everything.
00:08:53Now, you know what I like to say, John Roderick?
00:08:55I have two phrases I coined last year that I like to say a lot in talking about the discourse.
00:08:59Is this part of Merlin's compendium?
00:09:03Well, yeah, it's implicit.
00:09:05One of the implicit things is try not to be an asshole.
00:09:08It's actually easier.
00:09:09And the other thing that's implicit in my compendium is that, depending on how you look at it, everything is not everything.
00:09:17And also, not everything is everything.
00:09:20And everything is not everything.
00:09:22Is one a corollary to the other?
00:09:24You want an example?
00:09:25Can I give you an example of this?
00:09:27Yeah, please.
00:09:28Say something about...
00:09:30like an album you liked and still like.
00:09:33Like if there's an album that you like, like Eliminator or something.
00:09:36Like say something about- Yeah, let's say Eliminator is ZZ Top's best album.
00:09:43Do you know how many Donald Trump supporters have beards?
00:09:48Because here's the thing.
00:09:49Uh-huh.
00:09:50That's the internet.
00:09:51You say something.
00:09:52Oh, the internet.
00:09:52Oh, yeah.
00:09:53You're not allowed to like this guy because he left his wife for somebody, I heard.
00:09:57Mm-hmm.
00:09:58Right?
00:09:58Because on the internet, everything is everything.
00:10:01There's only one place where everything is everything, and that's in the can of everything in my child's kitchen.
00:10:07Not everything.
00:10:08Do you follow me?
00:10:09Yes, I do now.
00:10:10Oh, hey, you know what?
00:10:11There's this band I like called Rock Pile.
00:10:13A lot of you who genuinely like rock music,
00:10:16probably are not aware that at least one song that I can promise you like, if you like pop music, and like a hundred others I'm pretty sure you'd like, it might surprise you to know that there was these four guys that recorded a bunch of records in the mid to late 70s, and because of label restrictions, they were only ever able to record one album under their real name,
00:10:39but they recorded like five classic albums under different names.
00:10:44And I would love to tell you guys about this rock band.
00:10:47It's called Rock Pile.
00:10:49Let me tell you about Rock Pile.
00:10:50Do you go door to door in your neighborhood with Bruce Hurts?
00:10:53Yeah, the witness just wants to talk to you, right?
00:10:55I'm just going door to door.
00:10:56And I say to people, hey,
00:10:58Hey, brother, have you heard the good word about cruel to be kind?
00:11:01You mean cruel to be kind in the right measure?
00:11:02It's a very good sign.
00:11:04Yeah, yeah, yeah.
00:11:04You ever heard that?
00:11:05It's a very, very, very good sign.
00:11:07It's a really good sign.
00:11:08I don't know.
00:11:08Maybe you've ever heard the guitar solos of Albert Lee on the song Sweet Little Lisa by Dave Edmonds.
00:11:13Or maybe you've on and on and on.
00:11:15Did I ever send you the video of Dave Edmonds' face as he watches Albert Lee play the solo for Sweet Little Lisa?
00:11:28I've seen it, yeah.
00:11:29It's absolutely amazing.
00:11:31You can see him loving it.
00:11:34It's almost like the Donovan face during Love Plus One.
00:11:37No, Love Plus One's a higher cut 100 song.
00:11:39Yeah, that's right.
00:11:40Oh my God.
00:11:43Hang on.
00:11:43Hang on.
00:11:44This is actually, this show will never come out.
00:11:46First of all, I meant Love Minus Zero.
00:11:50No Limit?
00:11:52What's the song?
00:11:53Love Plus One is the song.
00:11:57Remember, I used to think that shapes sounded a little bit like Haircut 100 and you get mad.
00:12:01You remember that?
00:12:02I'm not talking about Love Plus One.
00:12:03I'm talking about- Style icons.
00:12:06But not the Style Council, because that was the jam.
00:12:09I'm talking about... You were the jam, too.
00:12:10And by the way, that new Rarities record's great.
00:12:13Oh, thank you.
00:12:14So here's the thing.
00:12:15They're backstage.
00:12:17This might have been in the Penny Baker.
00:12:18This might have been in the Scorsese.
00:12:19They're backstage at a Dylan thing.
00:12:21He's like, yeah, this song I'm going to be working on.
00:12:25And he goes, my love is like... One of his great songs.
00:12:28And you can see Donovan, six feet away, smoking a cigarette, watching him, going...
00:12:34You'll never catch him, Donovan.
00:12:36Exactly.
00:12:37No, I know they're dear friends, but he's like, I keep thinking I've caught up.
00:12:41I keep thinking I've got it.
00:12:43I got this one about smoking bananas.
00:12:45It's going to kill, you know.
00:12:47There's one about a girl who's a juniper, and her name is Jennifer.
00:12:51It's going to be huge.
00:12:53One day, my daughter will tie up John Roderick in a music video.
00:12:57A lot of people don't know that.
00:12:59a lot of people don't there's you know what i'm saying is when you get up and speak at my funeral yeah well did you already arrange that let's come back to that but anything what i'm trying to say is that anything can everything can't be everything and that love minus everything is undefined
00:13:13Is that right?
00:13:14Or is it love times everything?
00:13:16See, this is rock and roll math, and I've never known anybody that was good at it.
00:13:21Except you.
00:13:21Except you.
00:13:23It's one of those things, you know, I hate to say it.
00:13:25I would like to say that I'm, gosh, witch trouble genius.
00:13:29I would like to say that I'm an Oppenheimer, but I'm really more of an act one danger.
00:13:32Dangerous Mind is Chuck Ferris.
00:13:34I'm more of an act one beautiful mind, which also has Paul Bedney in it.
00:13:40And Paul Bedney plays Vision in the Marvel movies.
00:13:43And this morning, my kid woke up and made Montreal bagels.
00:13:46By the way, Wolverine is from Canada.
00:13:49He made bagels this morning.
00:13:52And then we watched part of our favorite X-Men movie together.
00:13:55Does it have this blue man in it?
00:13:56And that's where the blue demon is from.
00:13:58Is that... Because you did bring it around.
00:14:01Are you asking me?
00:14:02Actually, the blue man is not in this particular one, but his retcon father is in it.
00:14:08His name is Azrael.
00:14:09And he's a red man.
00:14:10Well, not that kind of red man.
00:14:12Not like red man and their wives.
00:14:13No, not daughter.
00:14:16No, no, no.
00:14:17Don't call me daughter.
00:14:20Asriel is on a boat.
00:14:22What was on that everything bagel?
00:14:24It sounds like there was more than everything.
00:14:26I just woke up one hour and 15 minutes ago.
00:14:32Asriel is on a boat with Kevin Bacon, who used to run Auschwitz.
00:14:35Oh, jeez.
00:14:38Kevin Bacon ran Auschwitz.
00:14:40I'm only one kiss away from him, you know.
00:14:42It's just a kiss away.
00:14:43I'm just a kiss away.
00:14:45Kiss away.
00:14:45Kiss away.
00:14:46Kiss away.
00:14:47Kiss away.
00:14:47You ever seen that scene of him watching the footage?
00:14:49Yeah, yeah, yeah.
00:14:49You ever seen him watching the footage at Altamont?
00:14:51I keep thinking, well, he seems like he should be a lot more upset when that guy gets stabbed.
00:14:54Asriel is on a boat.
00:14:56They were doing something else that day.
00:14:58I think I might be making a mnemonic for this.
00:14:59Yeah, right.
00:14:59They were busy.
00:15:01I have a mnemonic for this.
00:15:02Asriel was on a boat with Kevin Bacon and January Jones from Mad Men.
00:15:07Asriel is Nightcrawler's father.
00:15:10Understand now in the movie Alan coming plays Nightcrawler and he's very very good.
00:15:17Yeah, um, Alan coming was also in cabaret, which takes place in Germany Sure, sorry.
00:15:22Nightcrawler's from Germany.
00:15:23He was in the Munich circus.
00:15:24Should we start?
00:15:25I see I'm with you so far So what do you think about that everyone could talk about everything for a minute?
00:15:31Don't you think it's kind of important?
00:15:34Because here's the thing.
00:15:35I feel like we're in a slide.
00:15:36I feel like there's an inflation of lots of things.
00:15:38There's a lot of MILF inflation.
00:15:40There's a lot of people today that we're calling MILFs who are, for reasons I can't get into, that are neither M's or F's.
00:15:47Wait, do you stand on a narrow definition of MILF?
00:15:49Oh, I've had it.
00:15:50I've had it.
00:15:51I'm somebody with a much broader definition of MILF.
00:15:52You show me a lady, and I'll tell you whether or not she's a MILF.
00:15:55I don't care about the F. I care about the M. You understand.
00:15:58Bob's mom?
00:15:59Yes, absolutely.
00:16:01She lives in a bookcase and listens to NPR.
00:16:03She's a MILF.
00:16:04Exactly so.
00:16:06Okay, here's the thing.
00:16:08But her MILFness was relative to my 15-year-oldness.
00:16:11As it should be.
00:16:12See, I've made this diagram here of a squiggly equal sign with greater than... I think I've either invented a new emoji or something that will appear in some kind of a courtroom about... But it's a squiggly equal sign that has arrows in it, is the one you described to me.
00:16:26Everything goes both ways, doesn't it?
00:16:29Uh-huh.
00:16:29Approximately.
00:16:31So, and Jennifer Lawrence.
00:16:33She's a beautiful woman.
00:16:34Is that the plus in LGBTQ plus?
00:16:35Everything goes both directions.
00:16:36Well, the thing is, no, no, no.
00:16:37You ever been on a website and you click the hamburger icon or the plus and then a lot more menu shows up?
00:16:42If you hit anywhere you see LGBTQ, A, I, O, U, and you hit plus, it will actually do a drop down menu that never ends because what does it contain?
00:16:52All of the things and what are everything is everything it has everything be careful what you click Okay, wait a minute.
00:17:00I didn't know that you could click on individual Well, I mean L's B's G's T's and Q's well, you can only click on the click on the whole thing No one can just click on the plus people rarely think to click on the plus because you know why they don't want to know and Then when they find out that everything is under there, but do you understand what I'm saying?
00:17:16That's how you get a virus though
00:17:18Oh, you mean like a McAfee?
00:17:20Yes, absolutely.
00:17:21By the way, your warranty's expired.
00:17:23I just checked.
00:17:24Oh, no.
00:17:24Everything is not everything, right?
00:17:27And not everything is everything.
00:17:29ZZ Top that John listened to in 1983.
00:17:33That's not one of them.
00:17:38ZZ Top, when you hear my Eliminator in first session, ready?
00:17:43We got legs!
00:17:45We got legs!
00:17:47And that's when John first picked up a tennis racket and played it like a sequencer.
00:17:51No, I'm not doing that part.
00:18:01You know, he plays a guitar with a peso.
00:18:03Yes, he does.
00:18:04A stepped on peso.
00:18:06Don't you agree?
00:18:07Please say you agree.
00:18:08He's up here all the time.
00:18:08Not everything.
00:18:09I want to hear about that.
00:18:10Not everything is everything and everything is not everything.
00:18:12So did I make a silly example?
00:18:13Yes, I did.
00:18:14I'm having a very big Alan Watts phase and it's helping a lot.
00:18:17One thing I'm trying to say to people who have the ears to hear it is that not everything is everything and everything is not everything, regardless of the fact that there's a can of everything in my kitchen that my kid used this morning.
00:18:25What I'm trying to say is...
00:18:28When I make a list of Rockpile songs, like my Rockpile list on one of the streaming services.
00:18:33When you make a list, I'm assuming you have made all the lists.
00:18:37You make it sound like you're currently making lists of Rockpile songs.
00:18:39I was going to stick with Rockpile because I started with Rockpile, but let me go to a different kind of example.
00:18:44Why don't you pivot?
00:18:45This is about me.
00:18:46You're pissed.
00:18:48I love music, John, more than people should love music.
00:18:51It's true.
00:18:54Tooting about your record Like I was out because I'm as you know, I'm a fan and I was talking about like I've never heard this fucking Huey Lewis cover.
00:19:03Holy shit I had no idea that this existed because it's my favorite Huey Lewis song.
00:19:07Yeah Featuring featuring Rachel Flotard who is currently the manager of Nico Case
00:19:12The vocal on that is beautiful.
00:19:15Yeah, she's terrific.
00:19:17She's amazing.
00:19:18Just real quick.
00:19:19It's a pain in the ass.
00:19:20Yeah, sure.
00:19:20Well, you know, it's music.
00:19:22I like sharing with people, but I like sharing in a functional way.
00:19:27Of course, I wish I could just sit with somebody and go, I wish there's somebody I could just sit with and go, can we just, this is going to sound so outside my remit, but can we just sit and listen to all of...
00:19:41The song Wish You Were Here.
00:19:43Because I don't think people fully understand.
00:19:46First of all, it's got the two.
00:19:48It's got the two solos.
00:19:49Well, it's got the two solos.
00:19:50Comfortably Numb's got those two great solos here.
00:19:54Also, it's got the two best chords.
00:19:57And importantly, they're both... I have a playlist that's nothing but great songs that have a C with a low G. Oh, yeah.
00:20:04We were discussing this just the other day.
00:20:06Two greatest guitar chords.
00:20:07The greatest guitar chord is D with an added F sharp.
00:20:10And the most underrated guitar chord is C with an added low G, a C slash G. I agree.
00:20:16And not only does Wish You Were Here have both...
00:20:18But if you go back and listen, they both have a critical role in the song.
00:20:24They're both... Now, how did you discover that this chord was in this song in a critical role?
00:20:29Do you hear it in your ears?
00:20:31I've accidentally... Even though I don't play guitar, I pick up a guitar twice a year now.
00:20:37But a funny thing has happened over the years.
00:20:39Let me ask you this.
00:20:40If you hear a C with a low G...
00:20:42just out in the wild, not always, but if it's, especially if it's something you like and have heard, can you kind of, aren't there chords you can kind of recognize?
00:20:49And ordinarily you go like, oh, I understand the relationship.
00:20:52Like, obviously I understand that's a five to a one, right?
00:20:56I understand that that's a, that's a, that's a, you know, that's like a, an E7 in A, right?
00:21:02Right.
00:21:02You know what I mean?
00:21:02Like, you're listening and you go, like, I understand the relationship between these two chords, but I couldn't tell you the key.
00:21:07Well, there's certain chords played open that I can instantly recognize.
00:21:13And I feel like, don't you kind of feel like C with the adage?
00:21:16How did you describe, when I texted you, if you don't mind saying, how would you describe, when I said, hey...
00:21:21I made a list of songs with that chord.
00:21:25I don't think I learned it from you, but I learned about its power from you.
00:21:29And what did you say when I said, hey, here's a bunch of songs that have the C with a G?
00:21:33What did you say?
00:21:35I don't remember.
00:21:35I must have thought a lot of things.
00:21:37I think you said something like the entire career of the Long Winters is based on that chord.
00:21:40It is.
00:21:42I never play a C without the G.
00:21:45There's times when, in all the songs I put on that list that include improbable things like Don't Stop Believin', like all the songs on that list, when you play a regular C, it can often be pretty but a little anemic, because you're relying so heavily on three to get the C-ness of an open C chord.
00:22:04Hey, listen, if this is boring for y'all, it's okay, but some of you will get this.
00:22:08If you play an open C, like say you've been playing an open C for five years or more.
00:22:11Open C for five years.
00:22:13Hold it as long as you can.
00:22:14Hang on, hang on, just a second.
00:22:15I happen to have right here a probably out of tune guitar.
00:22:18Okay, but don't overdo it, but... I don't know.
00:22:21This is the guitar that I wrote all the songs.
00:22:23I think I've got my little guitar here.
00:22:24Oh, the little guitars.
00:22:26Okay, but here's what I'm asking of you.
00:22:28What you're saying is here's the C. Here's the trick for our listeners.
00:22:31In order to show the power of the C with a G, don't play.
00:22:37I want you to fake out our listeners.
00:22:39Play like a regular C like you would when you were 20, where you're kind of playing mostly the A through the B strings.
00:22:47You're not going hard on either of the E strings, right?
00:22:51Because it sounds fucked up.
00:22:52It sounds weird and flabby with a regular open C, just a regular strum.
00:22:58If you let the low and high E ring, it competes too much with what you're trying to get out of the sound of a C chord, correct?
00:23:05Yeah, I'll put that high E in there.
00:23:09It's not coming across great.
00:23:11It is or is not?
00:23:13Oh, you can't hear it.
00:23:14Well, it sounds like it's being played through somebody's phaser with a battery that's dying.
00:23:19Oh, what about now?
00:23:20Get close.
00:23:21Still can't hear it, fuck.
00:23:23Okay, here's the thing.
00:23:25One plays that kind of C, and any of you guitar players, I think you'll know what I mean.
00:23:30I like playing C. Yeah, really pretty.
00:23:34I don't think it's going to do the effect, but try it with the low G. Okay.
00:23:42It's not coming through.
00:23:42Oh, no, this is terrible.
00:23:44It's really hurting my case.
00:23:46Oh, I'm sorry.
00:23:47I wonder why this mic... Oh, you know what it is, this microphone.
00:23:51That's not what you would put on a guitar.
00:23:55It's the wrong microphone.
00:23:58SM7B, that's not a guitar recording microphone.
00:24:01No, it's a voice recording.
00:24:02When you play a regular C, what you're trying to get out of that C chord in terms of the work that it's doing in the song is going to necessarily mean you're focusing on getting the most, whether you're
00:24:14picking or strumming do you don't you agree like because you're fretting that third fret uh c on the a right so but it's really those little middle those wimpy little strings which i would also note are the strings that usually go out of tune on a guitar if your guitar is out of tune it's probably because of the b and if it's not because of the b it's probably because of the g anyway it sounds great it's a c chord it's the basic chord
00:24:37But when you add that low G on the E, you can hit it as hard as you fucking want, let it all ring out.
00:24:44And suddenly that C chord just went from, it just became like a smart bomb.
00:24:51It just became like a little running around guy in Defender that just turned into an actual mutant.
00:24:56You've just made something incredibly powerful with that G.
00:24:59And because of the relationship to the C root with the G, it ends up creating a slight tension, but also, the way I described it to you, I think, it's like dropping a boat anchor when you hit that low G, don't you think?
00:25:15A boat anchor.
00:25:16Absolutely.
00:25:18Kaboom!
00:25:19There's this band, Hopalong, I've been listening to a lot lately, and they have this...
00:25:23I think it's called Throwing Horseshoe Crabs at the Sun.
00:25:27And they use C with low G in exactly that way.
00:25:32How about this, John?
00:25:32You ever heard the song Take the Skinheads Bowling by Camper Van Beethoven?
00:25:36What is that song, that dumb sound, song so cool?
00:25:38It's because they're doing the C to F riff.
00:25:41Right?
00:25:44It's a basic 1-5.
00:25:46But they're doing it, the C has the special G. The G. And that's why I feel like, so that becomes very important in Wish You Were Here.
00:25:59Which part?
00:26:01It's when he first hits the chord and starts actually playing.
00:26:08But ready for this?
00:26:09He's psyching you out, because now guess what chord he's going to go to after C?
00:26:12It seems like he would go to F or G, but he doesn't.
00:26:14So, so you think you could tell.
00:26:17He's going to what?
00:26:19D. And when he hits that D, he hits the D with a low F sharp.
00:26:25All right, hang on.
00:26:29Let me get mine.
00:26:40Can you really not hear that?
00:26:41Oh, boy.
00:26:42Or I am.
00:26:45I have not played this.
00:26:46Give me your low E. Low E. Okay, here we go.
00:26:54Did you play that?
00:26:56Oh shit, this is gonna be a problem.
00:26:58This has a tuner on it and everything.
00:27:00Anyway, my E is just tuned to to nature as God intended it hasn't seen a tuner.
00:27:07Yeah, but see the problem is the problem is because of things like the seasons and rotation by the time it gets Yeah Yep, but so he goes so so you think you can tell and then he hits the D But listen guys go and listen to it and why does that give you shivers when Dave Gilmour does that because he's hitting a D and
00:27:27with a low f sharp and it creates this astonishing tension now i use that most in the walk down right from g g f sharp you know that one the walk down
00:27:42And I want to say to somebody, hey, check this out, right?
00:27:48And so I point them to something.
00:27:49In that case, now that and the rock pilots don't count because these are outside.
00:27:52Now, there's a series that I do called A Gentle Introduction.
00:27:55And I say, this is a gentle introduction to this band.
00:28:00This is a gentle introduction to Ted Leo.
00:28:01This is a gentle introduction to Richard Thompson.
00:28:06Or this is a gentle introduction to the police.
00:28:08Now, in the case of the police, I'm not going to play you every song you've ever heard by the police.
00:28:13That would be a lot of songs.
00:28:14You know what one of the rules of the gentle introduction series is, John?
00:28:18The gentle introduction is a series?
00:28:20Seven and only seven songs.
00:28:24I need to pitch you.
00:28:24It's how to gently introduce somebody to something.
00:28:26Let me go pull it up.
00:28:27If I want to introduce somebody to something that I like a lot from a certain angle, and the angle part does become important, I'm not just going to make the five songs of theirs I like.
00:28:37If I want to introduce you to Richard Thompson, how do I...
00:28:41How do I beguile you?
00:28:43How do I... A gentle introduction to Richard Thompson.
00:28:45Which means, like, you don't need to listen, it means several things.
00:28:47It means you don't need to listen to an entire album by that person.
00:28:51Which I consider their best album.
00:28:53No, you don't have to listen to a thousand songs.
00:28:56My case is that I think I can make a case to somebody that in seven songs, I'm going to pitch you on what I think is special about this band.
00:29:05And I want to do, because if I say to you, I promise you on the general introductions, it's going to be seven and only seven songs.
00:29:12So, like, here's one.
00:29:14Okay, you know the band XTC?
00:29:16How do you gently introduce somebody to XTC?
00:29:19That's rough.
00:29:20And mine goes, believe it or not, you know what it starts with?
00:29:23That's really Super Supergirl.
00:29:26That's really super, super.
00:29:27That's really super, super girl.
00:29:30Into Love on a Farm Boy's Wages.
00:29:32Vanishing Girl from Dukes of Stratosphere, When You're Near Me, I Have Difficulty, Towers of London, The Loving, hugely underrated song, and then maybe the greatest XTC song, Then She Appeared from Nonsuch.
00:29:44Wait a minute!
00:29:45Wait a minute!
00:29:47Where's Dear God?
00:29:49Where's Generals and Majors?
00:29:50Where's Mayor of Simpleton?
00:29:53It's like, no, no, no, no, no, no, no.
00:29:54That's not the point of this.
00:29:55This needs to be seven songs that, like, by the time you get to that seventh song and you go, I think you should be able to at least say, wow, this is really not for me.
00:30:04But what I'm hoping is by the second song, you go, holy shit.
00:30:08This is... Okay, how about this?
00:30:11Even if it's not for you, you at least know.
00:30:14Well, the point of recommendation in some ways is for people to be able to know whether it is for them.
00:30:19I don't want you to have to watch a season of a TV show.
00:30:21And that's why Syracuse and I put it in terms of BFF.
00:30:25What's the best episode of this show?
00:30:26What's your favorite episode of this show?
00:30:29And what's a good first episode?
00:30:30Now, Cheap Trick.
00:30:31How do I introduce you to Cheap Trick?
00:30:32That's tough.
00:30:33I start with Hello There and Come On, Come On from Budokan.
00:30:37then go into She's Tight, Dream Police, I Can't Take It, If You Want My Love, and then finally, Live Surrender.
00:30:45Right?
00:30:45See, I would start with Dream Police just because I feel like... I know.
00:30:48You also have to be careful, though.
00:30:50It's like, remember, you're making mixtapes, and you've got to be careful not to blow it all on the first one.
00:30:55But let me give you, I'm going to give you one.
00:30:56Oh, my God, I have so many playlists for Roderick on the line in here.
00:30:59Oh, my God, this is crazy.
00:31:01Here's one that I think you might find interesting.
00:31:04Playlists for Roderick on the line or playlists of Roderick on the line?
00:31:07Because I know there are people with the seven... Oh, right, right, right.
00:31:10Playlists of I don't do.
00:31:12But there's a lot where I've done every song we mentioned in an episode.
00:31:15And then there's some... One of my favorite lists, John, and just so you all listeners know, I'm always pimping my playlist to you guys.
00:31:21John doesn't know any of this.
00:31:22John's not involved.
00:31:23John doesn't even, I think, have Spotify.
00:31:26But for example... But wait, when you make a list of all the songs that we mentioned in an episode, do you also make all the lists... Do you put the songs on that we allude to or make like...
00:31:36Glancing reference the same way that like some of my favorite podcasts or youtubers do this like a youtuber that does like a 25-minute history of power pop Will then like make a Spotify list of every song mentioned whether he played it like a lot or not Okay, so like for example, do you remember when we first coined the phrase you first coined the phrase that song is made of cocaine?
00:31:58I don't remember but okay.
00:31:59Do you remember having done that?
00:32:00I think so and I can tell you off the dome I think my immediate response was well that would have to be almost anything by Bob Welch
00:32:07Who, who, who was amazing in Fleetwood Mac, but who, for whatever reason, and again, Billy Joel and Big Shot.
00:32:17Like, Big Shot, I'm not saying he was on cocaine when he wrote it.
00:32:21I'm not saying he's on cocaine in the video.
00:32:23But if you've never seen the video for Big Shot, it's fucking made of cocaine.
00:32:28Now, even more so, a different kind of cocaine, like cleaner cocaine, Pressure by Billy Joel.
00:32:34That song is also made of cocaine.
00:32:37Oh, that's a tense song.
00:32:39Yeah, yeah.
00:32:40You used to call me paranoid.
00:32:41I can give him pressure.
00:32:43I'm almost, well, I may be almost done.
00:32:44I don't really care.
00:32:45I'm going to give you one here.
00:32:46Now, was there ever a time?
00:32:48Here's one.
00:32:48Okay, so I'm just going to burn through a fuse.
00:32:49It was torn in half.
00:32:50That's definitely not gentle.
00:32:52Oh, Fit Them Where They Belong.
00:32:54seven songs to introduce you to Ted Leo, a million heartstrings.
00:32:57These are all, you have to find the lyrics.
00:32:58See if you can always find the lyric that I picked for the title.
00:33:01These are the ones you have made.
00:33:02Oh yeah.
00:33:03These are all me sticking your spokes, which of course, you know, seven songs to introduce you to super chunk.
00:33:07This is one you might like in a nutshell, seven songs to introduce you to Michael Penn.
00:33:12This is one of my, this one's essential.
00:33:14Um, old 97s, uh, a list called no more than a thought, which is seven songs to introduce, you know, why seven songs Merlin?
00:33:21I'm getting to that.
00:33:22and here's the thing, I just woke up.
00:33:23This is Leonardo da Vinci now.
00:33:26We're getting there.
00:33:28So we kid, but wasn't there a time, say, because I think you like the album Synchronicity, right?
00:33:35Oh, yeah.
00:33:37I'm going to speak for myself.
00:33:39There were ways in which over a three or four year period, there was kind of nothing cooler than the police and not just because of how they looked.
00:33:49The more I listened to the police, especially pre-
00:33:52synchronicity but this is a fine album but like you go back what i'm trying to say to people is here's here's here's the thing hey hey you remember how we all were into the police and like maybe you were a little too young for the police or maybe you were a little too old for the police probably a little too young but like you know wrapped around your finger you know roxanne you know those songs this is a playlist called and and if i if i mentioned police songs i'm not you're gonna know what you're
00:34:20Generally.
00:34:20This is called Always Talking to Myself, A Gentle Introduction to the Police.
00:34:25And then the deck is, were you aware that the police were once one of our most vital and exhilarating rock bands?
00:34:29No, really.
00:34:30I get it.
00:34:31But if you never got that into them before from those songs, maybe try these seven songs.
00:34:36You start with Fallout.
00:34:38Right?
00:34:39The punk rock song.
00:34:39You start out with Fallout.
00:34:40Number two, Omega Man.
00:34:44I'm so tired of the Omega Man.
00:34:50Number three, truth hits everybody.
00:34:52Number four, man in his suitcase.
00:34:54Number five, we're coming a little bit from left field.
00:34:57Who's that?
00:34:57Oh my God, is that Stewart?
00:34:58Yeah, because he's doing On Any Other Day from Regatta de Blanc.
00:35:02You want something corny?
00:35:03You got it.
00:35:04I used to think he was saying he went Sunday morning.
00:35:07Number six, Canary in a Coal Mine.
00:35:11And number seven, the song to which I lost my virginity.
00:35:13What day is today?
00:35:15Oh, John.
00:35:18You remember the date.
00:35:19Yeah, go, go, go.
00:35:20Is it the anniversary?
00:35:22Are you saying?
00:35:22Eight days from today, it'll be exactly 40 years.
00:35:26Are we going to have a party?
00:35:28Wait a minute.
00:35:29Next week's Roderick on the Line will be the day before.
00:35:32Can't stand losing you.
00:35:34Called you so many times today.
00:35:37Did you lose your virginity to Can't Stand Losing You?
00:35:40Yeah, that was the actual song.
00:35:41It was on when we achieved penetration.
00:35:42Can't stand losing.
00:35:44Yeah, well, you know the thing where you could move the tone arm, not the tone arm, where you could do the record changer thing.
00:35:48You could pull it up and out, and then we'd just play that side over and over.
00:35:53Yeah, so we would do that.
00:35:54trying to achieve penetration.
00:35:56Seven songs.
00:35:57Now listen, Fallout, Omega Man, Truth It's Everybody, Man in a Suitcase, On Any Other Day, Canary in a Coal Mine, Can't Stand Losing You.
00:36:03Seven songs.
00:36:04And if you still think the police are, whatever, the guys in the candle video,
00:36:09On any other day.
00:36:10Yeah, and it might be.
00:36:13And I didn't even put some of their super best songs in there.
00:36:17Yeah, I know.
00:36:18What's the book by the man Nabokov?
00:36:22Don't Stand So Close to Me isn't even on there.
00:36:24Awesome.
00:36:24Invisible Sun, not on there.
00:36:27Because I want seven songs to get you in.
00:36:29Why am I saying all of this, John?
00:36:30You made the playlist that was playing on the back of my school bus in ninth grade.
00:36:35Nobody appreciates this except a handful of people.
00:36:38But if one person gets into Ted Leo or Michael Penn, really, I think vastly, especially Michael Penn, I mean, what I'm about to say, vastly, like, not just underrated, just unknown.
00:36:52In a nutshell, I don't try.
00:36:53Every Michael Penn song is a complete symphony.
00:36:56It's a complete work.
00:36:57Have you seen the video for Try?
00:36:58Of course.
00:37:00I mean, do you understand that it's while they were shooting, I think, Boogie Nights.
00:37:05Magnolia, right?
00:37:05It wasn't Magnolia or Boogie Nights.
00:37:06But while they were shooting one of those movies, Paul Thomas Anderson shot a Michael Penn video as a oner in a hallway that was, at the time, the longest hallway in North America.
00:37:19And he shot a one-er, and it's got Philip Seymour Hoffman in it.
00:37:23He looks like Scotty, and he's wearing a Planet of the Apes shirt.
00:37:27Oh, right.
00:37:27So it does feel Boogie Nights-y.
00:37:30Well, you told me the story about the music stuff.
00:37:32So Boogie Nights came first.
00:37:35That's when he learned about Amy, right?
00:37:39And then Amy did Magnolia two years later.
00:37:43Seven songs.
00:37:45And Michael Penn was scheduled to do it.
00:37:47That's wild.
00:37:48Let's go back, though.
00:37:49Please.
00:37:49Why'd you do this?
00:37:50Why'd you do this?
00:37:52Sorry.
00:37:52Not you, not you, not you, not you.
00:37:53But here's the case.
00:37:55John, I'm pointing at this symbol.
00:37:57Not everything is everything.
00:37:59I've just explained to you.
00:38:00Did you send me the symbol?
00:38:01Well, it's just written right now.
00:38:03I'll send a photo.
00:38:05Also, boy, this is really embarrassing.
00:38:08I also have written part of the word everything here.
00:38:10This is really not good.
00:38:12This is like the time I still have a notebook in my office that has the words Jeff Goldblum written on it and circled.
00:38:19And to this day, I still don't know what it's for.
00:38:22What it's worth or what it's for?
00:38:24I don't know why I wrote down Jeff Goldblum and then circled it.
00:38:28I still don't know why I did that.
00:38:30What is it in relation to this show or is it just no, I think it was probably while I was doing the show with Dan But I don't know I'm texting this to you I've told this the story The first time that I saw your office Back when you were still transitioning from PCs to Macs you had both systems running I had a PC that was running on a big piece of plywood literally between two saw horses That's exactly right, but you were that desk was stolen, too
00:39:00Wait a minute.
00:39:01Your plywood desk was stolen?
00:39:04Well, the desk I'm on right here I stole from New College in 1988.
00:39:07I work on a cafeteria desk from New College still.
00:39:11That one was, I think, probably a stolen piece of plywood and two stolen sawhorses.
00:39:17And if I recall correctly, you were not 100% untethered from the PC.
00:39:22You were like, well, you know, you got to keep one of these up.
00:39:24You met me at a time when I was an unusual time.
00:39:27I've actually been only on a Mac my entire life and career, except for a year or two where I had to use a PC half the time because I was programming.
00:39:36You were programming, right?
00:39:38Oh, this was before Web 2.0.
00:39:41Technically, yeah, yeah.
00:39:42This is still like, I mean, maybe Web 1.2.
00:39:46But what I tell people is that at that time, and maybe this is still true, but at that time, your walls of your office, and I'm not just talking about the wall behind the desk.
00:39:58I don't know what this is, and I hate it.
00:39:59I already hate it.
00:40:00I don't know what this is, and I hate it.
00:40:01It's so many Post-it notes on them.
00:40:04And they were, and other kinds of cards.
00:40:07Oh, the index cards.
00:40:09You're probably at the point when I had that.
00:40:10I had acquired this stuff that looks like felt.
00:40:14You put it on your wall, but actually it's just barely lightly adhesive.
00:40:18I discovered I could put big strips of gray tape on the wall and then tape all of my index cards to it.
00:40:23Like a Synecdoche New York type situation.
00:40:25And some of them said things like Jeff Goldblum and then circled.
00:40:29That's true.
00:40:30No, that is true.
00:40:30That is true.
00:40:32And I would stand, I mean, this is one of the things that, you know, maybe one of the reasons that we liked each other immediately, but I definitely more than once went in and stood and looked at the things on the wall.
00:40:42No yarn.
00:40:43No yarn.
00:40:44And I put them together.
00:40:45We're not at the time of yarn yet.
00:40:47We're still figuring out what the connections are.
00:40:49It's one thing to have Jeff Goldblum on a three by five card sticky taped to the wall.
00:40:54But it's another thing to have circled it.
00:40:57The circling is actually kind of the interesting part.
00:41:02And but there were many things.
00:41:03Some of them appeared to be complete equations.
00:41:06Some of them were just were isolated thoughts.
00:41:09Some of them were placed next to other ones where there seemed to be significance.
00:41:13I don't know if I have a beautiful mind, but I think I have a mind that's like an Idaho 7.
00:41:17I have like an okay mind.
00:41:19I think what happened was I started to reflect on that when people were like, oh, Merlin is organizing my life.
00:41:25Oh, I mean, I'm 100%.
00:41:27Now that Merlin has explained how to organize my life, 100% it's changed my life.
00:41:32And I'm like, well, you know, Marie Curie.
00:41:35Was it Marie Curie?
00:41:36Who is it that ate all the radium?
00:41:38Who ate the radium?
00:41:40Was that Marie Curie?
00:41:41It was Marie Curie's, yeah.
00:41:42Yeah, because you know what they used to do?
00:41:44You know, when they would paint the radium onto watch dials, women would do that thing we do when we're painting.
00:41:49You put the paintbrush in your mouth.
00:41:51Eat the watch?
00:41:52No, to make a point on your paintbrush.
00:41:53Oh, I see what you're saying.
00:41:54So women were basically eating a little bit of radium all day, every day.
00:41:58What I'm saying is- That explains women.
00:41:59You're not- Am I right?
00:42:01God, I wish we could high five.
00:42:02Actually, I literally just put my hand up in the air.
00:42:05This guy gets it.
00:42:07This guy gets it.
00:42:09But, you know, you're not going to cure radium without eating a little bit of watch.
00:42:13No, that's true.
00:42:14That's me.
00:42:14You can't even cure radium.
00:42:15Until I figure out, it's like Ron Swanson, the man who kills me will know.
00:42:19When I figure out why I circle Jeff Goldblum, you might learn things about your productivity.
00:42:23And until then, just be great.
00:42:24Just be grateful.
00:42:25That's what I'm saying.
00:42:26That's what I'm saying.
00:42:27What I would tell people is- It sounds crazy when you say it.
00:42:30It's like matrix code falling from the sky.
00:42:33Yeah, yeah, yeah.
00:42:34It allows you to avoid bullets.
00:42:35It's Tetris with letters.
00:42:37I've seen the code.
00:42:38Like, I've seen the code running.
00:42:40Oh, the code runs.
00:42:40Don't worry about that.
00:42:42It's Jeff Goldblum on a three-by-five card taped to the wall.
00:42:45My name's Alan.
00:42:45Welcome to the Knott Store.
00:42:46You got inbox zero, but there's a reason why.
00:42:50Okay, okay, let's keep it friendly.
00:42:52Okay, I woke up a little while ago, and my kid made bagels, and here's the only thing that I want to say is this.
00:42:59Okay, for example, you enjoy the Band of the Police.
00:43:01You heard me just make the case...
00:43:03For Merlin Mann, what I'm trying to say, and I even said it in my mission or my thesis statement, this is about trying to encourage people.
00:43:10Maybe you rediscovered The Police.
00:43:12Maybe you loved Synchronicity.
00:43:14I mean, were you aware that they also had these other songs that are super good and very police-y?
00:43:20When you listen to, for example, something like Can't Stand Losing You, right?
00:43:26It's like, oh my God, that is such a police-y song.
00:43:33Or especially Omega Man.
00:43:35Like, go back, you guys, and listen to Omega Man.
00:43:37It's got a little bit, maybe a little more chorus and phaser than I'd like, but... It's just, it's such a good police song.
00:43:44Seven police songs.
00:43:46Wasn't there at least one point in that list where you kept saying to yourself, I bet he's going to say this song.
00:43:51Or, hmm, that's a good song.
00:43:53I bet he'll say that song.
00:43:54Wasn't there at least one song, as a police enthusiast at one time, wasn't there at least one song in your head that you kind of can't believe I didn't put on that list?
00:44:03Legitimately?
00:44:04Because I'm flying with you.
00:44:05I'm like, Merlin's got a plan, and I'm on board 100%.
00:44:08But when I told you there was this playlist of the police...
00:44:12Just in general, there must have been at least some part of you that goes, for example, oh man, knowing the premise of this, I would put Synchronicity 2 on there, for example.
00:44:22I think Synchronicity 2 is such a cool, it's kind of the coolest song on the album to me.
00:44:28Very cool, yeah.
00:44:29Synchronicity 1 is the, how does that one go?
00:44:32There's a lot of sounds.
00:44:34Synchronicity 2 is the fast one, right?
00:44:36There's only three guys in that band, but there are a lot of sounds.
00:44:40But it's the one that's faster, and it's much more like Stuart Copeland-y.
00:44:43I thought Synchronous City 2 was the one where the... The pretty one?
00:44:48There was a... I don't have it in my collection, so it's going to take a second.
00:44:52With the guy in the lock, with the monster.
00:44:55I might have them backwards.
00:44:56Stand by.
00:44:58No, Synchronous City 2.
00:44:59Forget it.
00:44:59Fuck that.
00:45:00I got them backwards.
00:45:01Not Synchronous City 2.
00:45:02Synchronous City 1 is...
00:45:03Oh, yeah, well you will know synchronicity that song that's the one I meant that's the one not the one with the No, not the one with the video.
00:45:12That one's fine.
00:45:14Is that the one where they're dressed in rags?
00:45:16Justin rags and tatters probably probably that's that's thing pre Road Warrior 3.
00:45:22Well, I'm not making this point Well, you're not you're not playing well
00:45:24Because there's every single person who loves the police.
00:45:28The second I say, I made a list, here's the thing.
00:45:31Okay, let's put it this way.
00:45:36The problem is I haven't made a mixtape since 1985.
00:45:40And I don't have Spotify or anything.
00:45:43But I don't know.
00:45:43You're telling me you did not make any mixtapes in 1988?
00:45:49No, I didn't even have a tape player in 1988.
00:45:521985, I was making crazy mixtapes.
00:45:58I put on Animotion.
00:45:59I put Animotion as the lead-off track.
00:46:02You are an obsession.
00:46:03My obsession.
00:46:05What do you want me to be to make you sleep with me?
00:46:08There's going to be Deep Purple on this.
00:46:09Don't you worry, but we're starting with Animotion.
00:46:12Old Deep Purple or new Deep Purple?
00:46:15I made a mixtape with Perfect Strangers on it.
00:46:18We will remain perfect strangers.
00:46:22But that was 85.
00:46:23You can really hear John Lord on this one.
00:46:25I haven't done it since.
00:46:26I never had a tape player.
00:46:28If I say to anybody in the world, I was hoping I could do this with specificity.
00:46:32Instead, I'm going to do this with the abstract.
00:46:33If I say to you, here is, I made a playlist of seven.
00:46:36Here's a police.
00:46:37I would have put synchronicity too on it.
00:46:39Right.
00:46:40Exactly right.
00:46:41And then you get to the seventh song, which is a fantastic Bergman movie.
00:46:44You get to the end.
00:46:45Seventh song of a seventh song.
00:46:47Right.
00:46:47Songs from the seventh song.
00:46:49And then you find out that that's not on the list.
00:46:51You might go, because you're my pal, you might go, huh, that's a cool list.
00:46:54I definitely would have put synchronicity on there.
00:46:57Or maybe something like... What's the Regatta de Blanc song?
00:47:05It's alright for you.
00:47:06Something like It's alright for you is such a fucking good song.
00:47:11I'll bet you at one point, given that that just came straight to mind for me, I start out with a list...
00:47:16Of somewhere from 10 to 40 songs.
00:47:19And then I pare it down.
00:47:20And I'm just adding all the songs I love.
00:47:22But then I pare it down.
00:47:23I kill all of my darlings.
00:47:25And I get down to the seven songs.
00:47:27And you get this, John, more than any person I've ever met.
00:47:30They have to be in the right order.
00:47:32Of course.
00:47:33That's what makes.
00:47:33It's the whole game.
00:47:34It's the whole game.
00:47:35That's one third of what makes Pretend to Fall one of the great albums.
00:47:38As I said.
00:47:38Take him on a journey.
00:47:39but certainly it's very normal at the end to go like, well, why didn't you include It's All Right For You or Roxanne or whatever?
00:47:45And I said, well, yeah, those are like really great songs.
00:47:47They just, and I really, I could have, I could have put those on.
00:47:51You put this on the internet and there are people who are not your pal and maybe they're just wanting to play along and every, you know what they say?
00:47:57They say, you forgot.
00:47:59Oh, no, what they say is, oh, that guy left his wife, is what they say.
00:48:04Sure, but they absolutely do.
00:48:05But you also get, you forgot, oh, you forgot Blade Runner.
00:48:08Or you forgot 2001.
00:48:09Or you forgot Alien 2.
00:48:12Like, you forgot, you forgot.
00:48:14And you're like, no, I didn't forget, I had 35 of these.
00:48:16I understand why you put it that way, but I don't know you.
00:48:19And when you say it that way, it sounds like you're saying I'm an idiot and don't know that.
00:48:22But your only response can be, I intentionally left it off.
00:48:28No, my response is, that's a good one, too.
00:48:31But to quote The Simpsons, don't make me tap the sign.
00:48:35Go read the premise of this.
00:48:37The premise of this is, I want to get you into the police by taking five songs from my greatest hits.
00:48:44I mean, I could.
00:48:45I could.
00:48:46I could pick five, but the thing is, here's the thing.
00:48:48Okay, let me put it a different way.
00:48:49You give me any greatest hits collection by somebody that we both love, and I'll bet you there's a pretty good chance, let's say five instead of seven, I bet you we might pick five different songs.
00:49:01If we give you the raw materials of...
00:49:03Okay, let's really make this hard.
00:49:06I don't know if you remember this one of my all-time favorite It's out of print, but you can make your own Harvest by Neil Young, which is how I imprinted on Neil Young It's a three-album set of stuff from Buffalo Springfield up through like Lotta Love Wait a minute, Harvest is out of print?
00:49:22Not Harvest, I'm sorry, I apologize
00:49:24Wrong word.
00:49:25You're talking about the next one.
00:49:28Decade.
00:49:29The companion piece to Harvest.
00:49:30I meant Decade.
00:49:30I meant Decade.
00:49:31I'm sorry.
00:49:31Yeah, Decade.
00:49:31Decade is the, sorry, sorry.
00:49:33That's the three-album greatest thing.
00:49:34He's flying through the desert with a guitar.
00:49:36He's got a guitar on the cover.
00:49:37Yeah, and it starts out with a really great selection of Buffalo Springfield songs.
00:49:42And you're like, this is weird.
00:49:43Is this a rock opera?
00:49:44What's that Mr. Soul theme that keeps going through this?
00:49:46But then you get up through the fucking cowgirl in the sand stuff, and you get all the way up to a lot of love.
00:49:51which most of us know as a Nicolette Larson cover.
00:49:56If we each took that amazing three-album set, here's the challenge.
00:50:00We're on some kind of South Korean game show, and they say, you have to make a five-song list
00:50:05Based on these, what?
00:50:07How many songs would that be?
00:50:0850 songs?
00:50:0940 songs?
00:50:10From these songs, I want you to pick five.
00:50:12Harvest has got 30 plus songs.
00:50:14Decade, yeah.
00:50:14Or Decade has 30 plus songs.
00:50:15How are you going to get somebody interested in Neil Young?
00:50:19Let's take one angle.
00:50:21Neil Young as progenitor to 90s indie rock.
00:50:24Cortez the killer.
00:50:26Well, you're getting Cortez the killer.
00:50:28Well, there's those three E minor songs, right?
00:50:30You got cowgirl on the sand, Cortez the killer, and down by the river.
00:50:35Those like, which are also kind of the same chords as Keep on Rockin' in the Free World.
00:50:42It's one of those classic E minor CD songs.
00:50:45I feel like Neil Young invented indie rock with A Man Needs a Maid.
00:50:49oh man oh he invented because he kind of invented built the spill too that's it well that's what i'm saying no it's not just it's not just it's not just everybody's gonna go yeah yeah dinosaur right you're like yeah of course dinosaur of course sonic youth but also like a lot of fucking weird stuff you bought on vinyl in the 2010s it would blow your mind how much this songs ohio stuff is like influenced by neil young in a way you don't
00:51:14Did I ever tell you the story?
00:51:16My indie rock girlfriend that was such a snob that wore sleeping bags with the arm hulk cut out, and she was the one that was all like, oh, Bonnie Prince Billy invented the world.
00:51:24And I'm like, no, Bonnie Prince Billy did not.
00:51:26It's big or open for him.
00:51:28I'm sure.
00:51:29I'm sure.
00:51:30Right.
00:51:30We wore capes covered with moss down there.
00:51:33But but but she I gave her.
00:51:36I am a cinematographer.
00:51:38I am a cinematographer.
00:51:39She was the one that was always telling me I didn't know anything.
00:51:41And I was like, I'm in a band.
00:51:42I'm literally in a band.
00:51:43I have to know something.
00:51:44And she was like, not really.
00:51:45And then I gave her harvest.
00:51:48and then all of a sudden she became within within sorry harvest okay within within three hours i think but certainly within three months she was a full-on like scarf wearing for me that's after the gold rush i had somebody a copy of after the gold rush your life's going to change yeah there it is
00:52:07A man needs a man.
00:52:10So if we had that challenge and you had to get it down to five songs, it would be really hard.
00:52:14But you understand what the goal of this mission is, right?
00:52:17You understand like what, you know, like for me, if I was trying to get somebody, I'll tell you another one.
00:52:22Here's one I could do today is Dead Kennedys.
00:52:24which is one of my favorite bands in the mid-80s, and it would be very difficult to do, but I have a pretty good idea what I would put on that to make the case that I want to make.
00:52:33And just to be clear, here's where we differ.
00:52:35Here, let me tell you all the things that a 5 or 7 or whatever song playlist aren't or not.
00:52:41One thing it's not is...
00:52:42every good song that person has ever done because what are the good songs?
00:52:46Okay, fine.
00:52:47Like, we can all agree.
00:52:48Like, if you did one for Led Zeppelin, like, we might argue about that.
00:52:51There's a couple I'm pretty sure most people would put on.
00:52:53Most people, I think, would put the Immigrant Song on there.
00:52:55Um, like, you know, a lot of stuff.
00:52:57Zeppelin 3.
00:52:57Zeppelin, I was just about to say.
00:52:59I was just about to say.
00:53:00The one that's actually the good one, which is Led Zeppelin 3, the really good weird one, 4 is great, but like 3 is.
00:53:05Like, don't sleep on 3.
00:53:07Um, what's that?
00:53:09Dancing days?
00:53:10Probably put dancing days.
00:53:11But anyway, you get my point here.
00:53:12It's like, well, what's the point that you want to make?
00:53:14Would it include all of my love?
00:53:16Would it include something from Led Zeppelin 1 when it was still like a little bit rough and almost totally stolen?
00:53:21It's the case that you want to make.
00:53:23And so number one, it's not every good song that band has ever done.
00:53:27Number two, just let's be super clear.
00:53:29It's not every song that person has ever done.
00:53:33If you want me to use all of the words...
00:53:36Let's say I'm in a list of my five favorite words and somebody says, well, you forgot moist, sandwich and robot.
00:53:42I'd say what you want is a dictionary, not a list.
00:53:44Moist is not on your list of even 10 things.
00:53:47That's actually on my bad words list.
00:53:48But the point is, cellar door.
00:53:51The point is, if I made a list of five words, there would still five whatever words.
00:53:54I could say five words that rhyme with plaintiff or five words that I always mispronounce or five words I always misspell.
00:54:01Because you know what?
00:54:02Then a person would say, you forgot misspell.
00:54:04I'd say, no, I didn't forget misspell, although I should have put misspell, because I do misspell misspell, and it is funny, and I guess it would have saved me some trouble, but I'm Merlin.
00:54:14Carissa's weird.
00:54:15I'm Merlin.
00:54:15Carissa is weird.
00:54:16That's spelled weird.
00:54:17I am Merlin Mann, and that was two.
00:54:19Yes, you are.
00:54:20You know five words that I'm a plaintiff?
00:54:23You're feeling so fucked up.
00:54:24You need it.
00:54:25It's all gone.
00:54:26You need it.
00:54:27Can you send it?
00:54:31Are you brave or are you scared straight?
00:54:37Do you like it when people sing your songs to you?
00:54:39It hardly ever happens.
00:54:41I'm not a fan.
00:54:56Here's the point.
00:54:57The point is this no matter what you do and this is understandable because this is why it works.
00:55:01I'm the weird one here
00:55:02I'm the one who I see now.
00:55:04If it were me, if somebody else were doing that, I would say, oh, my God, that's so perfect.
00:55:09The only thing I would have changed is I would have swapped position two and three.
00:55:12And somebody could go, you know, I thought about that, but I did.
00:55:14Because now you're having a conversation about what you're having a conversation about.
00:55:17What you're having a conversation about is like, I fucking get what you're trying to do here.
00:55:21Like, if I'm trying to get you into Ted Leo, I mean, yeah, it's going to have bottled and cork on it.
00:55:25Like, how is it not?
00:55:27What am I going to start with?
00:55:28Can I give you my Ted Leo?
00:55:31You've heard him.
00:55:32You're pretty familiar with his music, right?
00:55:35I have stood on the side of the stage and watched Ted Leo perform many times.
00:55:38Now, this is admittedly a little bit narrow, but I go parallel or together.
00:55:43Right, I go parallel or together, me and Mia, six months in a leaky boat, dial up, bottled in cork, Goldfinch and the Sparrow, or Goldfinch and the, what's the name of the song?
00:55:55Goldfinch and the, whatever that's called, and it's cut off here, and then end with The Mighty Sparrow.
00:56:02Now, I mean, that's quite, it's the song placement that makes that.
00:56:07It does be, and this is one of the ones I'm least, I'm least, you forgot.
00:56:13Right, but don't, okay, but do you feel it?
00:56:15Don't you already feel the impulse?
00:56:17Because this is actually one of the ones I'm least proud of.
00:56:19Because I'm not as familiar, I know three Ted Leo or four Ted Leo albums.
00:56:23I know several Ted Leo albums very well.
00:56:25I don't know Ted Leo's albums as well as I know, for example, The Police.
00:56:30Or like, for example, with Super Chunk.
00:56:31Like, I know three Super Chunk albums, backwards and forwards.
00:56:35I'm not as familiar with the recent stuff.
00:56:37Like, to me, Precision Auto feels kind of a late Super Chunk.
00:56:40I was into like very, very, very, very, very early Super Chunk.
00:56:44But so I understand if somebody goes, how could you not put driveway to driveway on there or whatever?
00:56:49It's just that the point I'm trying to make with this symbol, John, is that read the thesis statement for life.
00:56:56Like figure out what it is somebody's trying to get at.
00:56:59And before you decide that somebody doesn't know things,
00:57:02or before you try to stipulate that everything is actually everything, understand what it is we're trying to do here.
00:57:08And can I tell you the reason I care about this and I've been talking about it for so long?
00:57:12Because I think it gets to something you care about.
00:57:14We can't really talk.
00:57:20Can you tell that I'm using the voice when I'm talking about a very big, broad thing that applies to a lot of things?
00:57:24I do, I do.
00:57:24You've dropped it down.
00:57:26It's very difficult to talk with any clarity, specificity, context, honesty about a very small set of things if we constantly let everything become factored into it.
00:57:44Is there a way that we can just talk about how we feel about the one scene in this movie without it also being about Putin?
00:57:51Because because because the thing is and that's the problem with the internet and it's not that anybody's doing this to be mean or weird It's just that whatever first take best take like if I just I spent a really long time making a really good I mean, you know, I made met the greatest pond of my life this weekend You know, I hate puns and I was making Beatles count and my friend was making a Beatles calendar joke about how it's a leap year and I said remember that John Lennon named his son Julian not Gregorian and
00:58:16Now, that's a very, very, very smart joke that requires a lot of context.
00:58:22Sure, you have to be there.
00:58:23I mean, in that world, yes.
00:58:25But somebody, yeah, right.
00:58:26And it took me four minutes to explain it to Madeline, and it still wasn't funny.
00:58:29Because I have to explain who Cynthia is.
00:58:32And not Cynthia Plastercaster.
00:58:35No, no, that's a whole different thing.
00:58:37Pamela DeBar, not involved yet.
00:58:40But if I want to make such a specific point, you know this, right?
00:58:45You do this.
00:58:46You want to make such a specific point, or in some cases, such a specific joke.
00:58:49And it's like, I have all of the same hats that you could put on this hat.
00:58:54I'm not going to make the most obvious joke.
00:58:56I'm not going to say the most obvious thing.
00:58:58And I'm not just going to demand that people listen to 35 songs that I think are the best
00:59:02New Radicals songs or whatever.
00:59:07I'm trying to make a very specific point.
00:59:08Now, what I might do, I don't know New Radicals, but if you gave it to me as a challenge, I would love a challenge, and I'm not going to do it because I don't have time.
00:59:14Pick seven songs to introduce somebody to New Radicals that don't include You Give What You Get.
00:59:20Now, that's a challenge I think would be interesting, but I don't want to talk about Donald Trump for any reason.
00:59:27I don't want to talk about, in some cases, ableism.
00:59:31I want to talk about all of those things at some point, but I don't want to talk about that.
00:59:37Well, no, honestly, like, all that shit matters, but can't we just talk about Ted Leo for a minute?
00:59:45And, like, can we constrain... No, the New Radicals only have one record.
00:59:48You would be hard-pressed to pull seven songs and not... I think I would probably...
00:59:53Just because this is the way my brain works, I would punk the person by also including Steal My Sunshine by Len, because I think of those as being out at the same time.
01:00:02But do you see why?
01:00:02Doesn't this get to your itch as well, which is like, it's not that I don't ever want to talk about everything.
01:00:08It's just that I don't want to...
01:00:11Always talk about everything.
01:00:12And almost every conversation, and I'm using the word every here, but almost everything we talk about, you know, haha, the discourse.
01:00:19When we talk publicly about anything, I cannot believe the way people dive bomb in to be like either the professor or Debbie Downer in the way that they think is important.
01:00:30Like, I go, oh, my gosh, two different couples met.
01:00:33Two different really cute couples met doing the show Fargo.
01:00:38Like, did you know that Jesse Plemons and Kirsten Dunst met while doing that wonderful season of Fargo?
01:00:43How cool is that?
01:00:44I did not know that.
01:00:48And the girl who plays Ramona Flowers, the Canadian girl in Scott Pilgrim.
01:00:54So Ewan McGregor and her met and got married.
01:00:56And I was like, oh my God, you guys, I just realized there's a second cute couple that met doing Fargo.
01:01:01Somebody comes in and goes, oh yeah.
01:01:02You know, he left his wife and his children to go be with her.
01:01:06Oh, he left his wife and children, Merlin.
01:01:08So, you know what?
01:01:10Do not make your comment.
01:01:11Here's what I'll do.
01:01:12I'll keep the tweet up, but I'll fix that.
01:01:15I'll go back and fix that.
01:01:16And where will you fix it?
01:01:18Oh, however I can.
01:01:20Will you fix their marriage?
01:01:21Can you do that?
01:01:22Oh, my God.
01:01:23You just linked to a podcast episode that has an audio glitch.
01:01:27And you know what I say?
01:01:28I say, oh, sorry, I'll fix that.
01:01:30But you don't?
01:01:32And you know what a lot of the Buddhists would say is, you know, when I point at the moon, please quit staring at my finger.
01:01:39And don't make it all about everything.
01:01:42All I want to do is talk about the moon.
01:01:43I don't want you to talk about whether the nails on my finger are clean.
01:01:47And I don't want to talk about Donald Trump fans with beards.
01:01:50Can't we just, and I keep coming back to that because those are common reasons.
01:01:54Like, oh, somebody's a sex man or whatever.
01:01:55I'm like, oh, yeah, that's a bummer.
01:01:57But no matter what you do, it feels like there's somebody who comes in who's utterly uninterested, incurious about the premise of what you're saying, the context of what you're trying to communicate, to painfully communicate about the splendor of life.
01:02:17And all people want to do is turn it back into some kind of an internet thing.
01:02:22Or like the classic, I studied for the wrong test thing, where you're like, well, I don't know anything about that, but I do know about this, and I want to yell at you about that.
01:02:30Like, I don't know anything about when Jesse Plemons played Landry on Friday Night Lights, and you first imprinted on him as a great actor, but I do want to talk about how half of the couples who met on Fargo were homewreckers.
01:02:42You're like, tell me how this turns out great.
01:02:44What conversation do you want to have here?
01:02:47What conversation like this have you had in the last month that the other person enjoyed also?
01:02:54Are you giving what you get is what I'm saying?
01:02:56Are you an old radical?
01:03:00John, that's why I say not everything is everything and everything is not everything.
01:03:04I'm not saying we can't talk about difficult things.
01:03:06What I'm saying is- What do we talk about when we talk about love?
01:03:09I mean, you know, it's where I'm calling from.
01:03:13I don't know.
01:03:14Where's my fucking bell?
01:03:15God damn it!
01:03:16That would have been perfect!
01:03:18Oh, shit!
01:03:19Oh, shit!
01:03:20Oh, shit!
01:03:20Oh, shit!
01:03:21Your bell's on fire!
01:03:21No, I got some new paints.
01:03:23I got some new... Oh, no.
01:03:24John, where is it?
01:03:24Do you have one?
01:03:25Knock over your paints?
01:03:26Oh, I found it.
01:03:26I found it.
01:03:27Are you ready?
01:03:27Let's go.
01:03:28You want to do another take?
01:03:30Wait, wait, wait.
01:03:31Is this in the show?
01:03:31I think we were at...
01:03:33Oh, so what do we talk about?
01:03:38What do we talk about when we talk about love?
01:03:40Raymond Carver!
01:03:45So anyway, you see what I'm saying, right?
01:03:47No, I do.
01:03:47Well, the thing about you is that you're the one, you're not just making a list of seven songs to introduce somebody to Ted Leo.
01:03:54I'm giving you seven pieces of my fucking heart.
01:03:56Well, but that's the thing that's important is that you think that it will benefit them to know about Ted Leo.
01:04:04You're not just doing this as an exercise.
01:04:06You know the older brothers.
01:04:08You know the older, I think it's usually people who are older than you.
01:04:12Somebody in college, my friend Michael.
01:04:14Somebody who was like, oh, check out this Buzzcocks record, Singles Going Steady.
01:04:19It might be a little bit weird for you, but you like Green Day, so check it out.
01:04:22right somebody hands you singles going steady which is just an improbably good record and you go like well how is it that every song on here is the greatest song of this type that i've ever heard but that person just had an effect on you like the first time that somebody like again my friend michael like he knew i loved rem so he made me like a bunch of weird athens bands i would never in a million years hear that's the first time i heard the original version of crazy by pylon which he almost didn't put on because it was too on the nose
01:04:52But I'm glad that he did.
01:04:53Do you know what I mean?
01:04:54The people who say, hey, check this out.
01:04:56And again, I don't want to get into this part because it's not everything.
01:04:59At the time when we didn't have access to everything.
01:05:01It was like you had that.
01:05:03I had that.
01:05:04Actually, at the time, I did have a Rolling Stone subscription when I read the review for Reckoning that made me want to listen to R.E.M.
01:05:11And I went out and researched it for months before buying.
01:05:15But you know what I mean?
01:05:15Somebody who hands you something, a guy who handed me his vinyl copy of Nevermind the Bollocks.
01:05:21Like somebody, and you get that.
01:05:22And like, now I can make what I want out of this mentally.
01:05:26Like somebody who gave me, what's it called?
01:05:28Like Masters Volume 4, like the Black Sabbath albums.
01:05:31Like I didn't know what to make of this stuff.
01:05:34So I had to like figure it out.
01:05:35And like it became special.
01:05:37And it's not that I want to be revered and remembered.
01:05:41But in the same way that I want to be kind because I know what it means when people have been kind to me, I also, I don't care if I reach everybody.
01:05:50I don't want to reach everybody.
01:05:52I want to reach the two people for whom this song could be as big a deal as it was for me.
01:05:59It will never be, just songs in general will never be as big a deal to other people as they were to me.
01:06:04You will never understand what my relationship with the Adam and the Ant song Stand and Deliver was like.
01:06:09I could have said a cooler song, but I didn't.
01:06:13You have no idea what my relationship... Every single note of that song thrilled me for, like, two years.
01:06:21I know what that feels like.
01:06:22And so when I make you a list... Like, yeah, I did not put every Super Chunk song in the world.
01:06:26But, like... No!
01:06:27When you hear New Low or Cast Iron...
01:06:32You might go, whoa, holy, holy shit.
01:06:35Or, you know what, you might hear Brand New Love and go, that's really good.
01:06:38And then I could go, you know what, actually, Superchunk did this crazy thing where they put out a single, and both sides of the single were a cover by the same band.
01:06:48Both sides of the single were covers of the same band.
01:06:53band's album.
01:06:55They covered two different Sebado songs and put it out as a 7-inch because that was the 90s.
01:07:00And both are incredible.
01:07:02You know what I'm saying?
01:07:02Like, Brand New Love and... And what's the other one they do?
01:07:07They do two in a row.
01:07:08And it's... They do the other one.
01:07:11But like...
01:07:12And then now you're into Sebodeau.
01:07:13And you start listening to Sebodeau, and you hear Vampire.
01:07:17And you're like, this is really cool.
01:07:20It's like, well, you like this?
01:07:22You like this guy?
01:07:23You should check out this man from Boston called Dinosaur Jr.
01:07:26You might want to check out this album called You're Living All Over Me.
01:07:28Oh my God, who sings that first song?
01:07:30Yeah, believe it or not, that's Lee Rinaldo, and he's from a band called Sonic Youth.
01:07:34Oh, okay, hang on.
01:07:35We should check out this album called Evolve.
01:07:38Oh, wait, isn't Daydream Nation their famous one?
01:07:40Yes, it is, and it's very good, but I would start with Evil.
01:07:42This is my life.
01:07:43This is my dream.
01:07:44Oh, I know.
01:07:45You need six people like me who are very, very, very different, because I'm how I am, impossibly like how I am.
01:07:52You need somebody else who, like a Lester Bangs kind of person, who's impossibly like— Who didn't like Sabadeau.
01:07:57Who probably didn't like Sabadeau, and even though he claimed to like Lou, he liked Lou Reed's music.
01:08:04But yeah, I think he was probably hard to get along with.
01:08:07Last Great American Whale.
01:08:10Wait, is that a Richard Brodigan book?
01:08:14But if we, I don't know, say something, John.
01:08:17What's crazy is that I absolutely cannot tell when a band is using a C chord with a G on top.
01:08:25I have never listened to an album or a song.
01:08:28Did I send you that list?
01:08:30You sent me the list.
01:08:31Some of those are surprising because you go, let me pull it up.
01:08:36Obviously, Don't Stop Believin', you wouldn't think of, but you forget how much work the bass is doing.
01:08:42It's such a great song.
01:08:45Other ones.
01:08:45Let me do.
01:08:46Can I do this real quick?
01:08:46Number one, of course, there's a song by the Long Winter.
01:08:48It's called It'll Be a Breeze.
01:08:50Take the Skinhead's Bowling.
01:08:51Horseshoe Crabs by Hopalong.
01:08:52Oh, fucking A. The original.
01:08:54But I think it's very important to note that you hear it, identify it, and know it.
01:08:58And I, who uses the chord all the time professionally, cannot hear it.
01:09:03My ears do not hear it.
01:09:04I do not know it.
01:09:04Does it sometimes read as a G, open G chord, do you think?
01:09:08I don't.
01:09:08But you know what I mean about that thing.
01:09:09Like, you know what an open E minor sounds like versus one played at the seventh fret.
01:09:14In spirit, I do.
01:09:17Okay, when you listen to Cowgirl on the Sand or similar, do you imagine he's doing an opening?
01:09:22I don't know if it's E minor or A minor.
01:09:24It's definitely an open minor chord.
01:09:26But you hear that as an open, low-down-the-neck chord.
01:09:30minor chord right but i wouldn't notate it i mean i wouldn't by notated i mean i wouldn't note it i don't mean notate it but i also i know what you mean but i i when i hear it i go i'm thinking about i'm thinking about the song
01:09:45Even though I think all the time about guitar, guitar, guitar, guitar, guitar, but your ear, you have trained your ear, and your native... I think my ear has trained me.
01:09:56I couldn't have done this 20 years ago when I was playing guitar, and now I can.
01:09:59My ear has trained you.
01:10:00You know what I mean when I talk about the heartbreaking walkdown, for example?
01:10:05Think about the opening of Gardening, or... Think about... Is that Gardening at Night?
01:10:10Think about the jangle of... Ding, ding, ding.
01:10:13depending on how you play it.
01:10:14But the line is G, F sharp, E, D, C. You know what I'm talking about?
01:10:20The walk down.
01:10:20I mean, I know the song.
01:10:22But you know the jangle walk down of like the way you do a G and then you do a D with the F sharp.
01:10:28You play an E minor open or with the B string.
01:10:32Then you play a C and then a D and then maybe you jangle on and do a D7 or a D7 sus.
01:10:38Play G...
01:10:42I can play the bass line at least.
01:10:44So like... Play the bass line?
01:10:50Let's see.
01:10:51Like that.
01:10:52So it's like... It's totally out of tune.
01:10:54I can't do it.
01:10:57I think it's also because we think about this stuff so differently, probably.
01:11:03You and me.
01:11:04Or us.
01:11:04Just to be clear here.
01:11:05Yeah, yeah, it would be fun.
01:11:06If we're doing this on the internet right now, some fucking idiot who thinks everything is everything would dive bomb in and say, well, Merlin has more of a music theory approach and John has more.
01:11:16And it's like, no, no, no, no, no, no, no.
01:11:17John and I are equally shit.
01:11:19at all of this.
01:11:20John and I, no, listen, you're the first one to say, what was the one thing you said in our backyard pilot?
01:11:26You didn't bother to get good at guitar till you were 30, I think you said.
01:11:30You didn't bother getting good at guitar till you were 30.
01:11:32Absolutely, absolutely true.
01:11:34And you do the funny thing where my fingers can't do things.
01:11:36I don't know how to play fucking anything.
01:11:38You know I learned my D chords backwards.
01:11:39You probably won't remember this about me.
01:11:41Because I learned from my book, I play my D chords backwards.
01:11:45I've only seen two other people, I think, ever do it.
01:11:48I think it's physically impossible to do, but you somehow pull it off.
01:11:51Here's why.
01:11:51Because this is actually such a Merlin story, which is I had a book of Beatles songs and I had a book of chords.
01:11:58The Book of Beatles songs were impossibly, you know, as they would say, easy Beatles.
01:12:02Like there weren't a lot of like, you know, augmented chords.
01:12:05All of the chords, all the banjo chords that Paul is putting on top of everything.
01:12:09Well, just, yeah, like the, especially, you know, augmented and that stuff.
01:12:13And like, I could learn how to fake it later.
01:12:14And you could do a lot of faking with what the bass line plays.
01:12:17But point is, I was learning those basic chords.
01:12:20But what else was important at that point?
01:12:22I really wanted to learn them fast.
01:12:24And so I saw the little book, and I saw that precious little triangle that you make with those three strings.
01:12:31Well, four.
01:12:32Four, including the open.
01:12:33The golden triangle, they call it.
01:12:35It's not Bermuda.
01:12:36It's not... Bermuda!
01:12:40How you going to Bermuda?
01:12:43Excuse me.
01:12:46You know, to make it... We're never releasing...
01:12:50Now that I'm making the D chord upside down backwards, it works.
01:12:55Well, describe to get both your fingers in there.
01:12:57So the thing is, normal D chord, you put your middle finger on the third string and your forefinger on the high E string, right?
01:13:05Third string?
01:13:06What are you even talking about?
01:13:07You're talking about a D chord?
01:13:09Yeah, yeah, playing like an open D. I just want to illustrate to our listeners that, like, my D chord is backwards.
01:13:16So my middle finger is on the G.
01:13:19My middle finger is not on the high E. I play it backwards.
01:13:23But I would also like to point that going from D to D minor in that terrible show.
01:13:28That's beautiful.
01:13:29All you do is go down.
01:13:30Just change one little note.
01:13:32Oh, it's so smart.
01:13:34You know, Jonathan Colton, when he plays the G, he plays the G, and Amy Mann does this too.
01:13:39I already know.
01:13:39They add a D on the B string.
01:13:42Well, they do, but they play the G upside down.
01:13:46Instead of playing the G with your middle finger on G on the low E string.
01:13:52Oh, no way.
01:13:53They play G with their ring finger on the low E or the low G. What?
01:14:01That looks like a jazz chord.
01:14:03And I was like, that's dumb.
01:14:05It looks like a fakakta D.
01:14:06It does, but then they both were sitting there laughing at me, and they were like, watch now what the index finger can do.
01:14:13What that enables?
01:14:14And that index finger is free.
01:14:16Oh, that index finger could go to the G string if it needed to.
01:14:20That index finger, and then he does it, and he's like, watch, and he plays every other chord in the, he's like...
01:14:29Can I just point out that's not entirely fair for a number of reasons?
01:14:32No, it was total bullshit.
01:14:33And I was like, oh.
01:14:34I don't want to make a classist argument here.
01:14:35Why did I do this wrong?
01:14:37First of all, he's talented.
01:14:38He went to Yale.
01:14:39I wasn't going to say it.
01:14:40He went to Yale.
01:14:42He's very naturally talented and he works hard.
01:14:45That's not fair.
01:14:46That's not fair.
01:14:47But here's the thing.
01:14:48Here's the thing.
01:14:49Here's the thing about him.
01:14:50His dad was a lawyer who liked Gordon Lightfoot.
01:14:53And so he grew up listening to.
01:14:55I was thinking like Dan Fogelberg, like the stuff he covered on that album.
01:14:59Yeah, the smooth sounds of the 70s.
01:15:01He didn't grow up listening to rock.
01:15:02He doesn't believe in rock, frankly.
01:15:04Honestly, doesn't believe in it.
01:15:05It sounds to him like guys that believe in it.
01:15:08Was his dad his primary sort of influence in the family?
01:15:10I guess.
01:15:11I mean, there was a record player and his dad had a bunch of like, you know, the wreck of the Edmund Fitzgerald.
01:15:17Sundown, you think you're the same.
01:15:18He was like, now this is music.
01:15:21He's very Canadian.
01:15:22You know, somebody, and then Cheap Trick came on and he was like, oh.
01:15:25Oh my God.
01:15:26Oh, this is hurting my feelings.
01:15:28She's giving me the high sign.
01:15:30He was like, no, no.
01:15:32It references a girl.
01:15:33It references a girl that's not also the name of a chef.
01:15:36People at church camp said not to listen to this.
01:15:39Oh, if you're going to talk about girls, you know, make them abstract girls.
01:15:44Abstract girls.
01:15:46That sounds like a Ren's song.
01:15:48It is a Ren's record.
01:15:50Abstract girls.
01:15:51I want it now.
01:15:53I'm stealing that abstract girl.
01:15:54That's a Kevin song for sure.
01:15:56Put that right down here in my... John, John, do you know what I'm saying?
01:16:00I do know what you're saying.
01:16:01And I'm not trying to make anybody be different.
01:16:03I'm not trying to start an argument.
01:16:04This is something you've been...
01:16:06struggling with fighting about just tearing yourself apart about for five years and like i i just agree i agree but kind of in a different way which is i'm like everybody try harder do better like i have stopped here here's one thing i have and it's not just about the discourse it's just about the general hardening of our ability to be curious about what it is someone's actually fucking saying i have stopped taking pleasure in reading
01:16:30other people's internet arguments like a long time ago i stayed out of them long time ago i was like this is not my this is not my you learn pretty fast that that's even when i'm even when i have something in it even when i'm angry about what they're saying but lately but i used to but i still took pleasure in watching two people go at each other or watch somebody in there snarking at somebody else
01:16:52Or watching somebody sarcastically say, well, why didn't you go?
01:16:56Why are you filming instead of going in and rescuing the dolphin?
01:16:59Oh, my God.
01:17:00John, can I just do a couple off the dome?
01:17:03If this is new to you, you haven't been paying attention.
01:17:06Why didn't you say this about X?
01:17:08Are these some of the ones that we can expect to hear?
01:17:10Yeah, these are all wonderful, wonderful.
01:17:13And then all the things are only worth things.
01:17:15Listen, everybody, just so you all know, things are only worth knowing if you knew them before I did.
01:17:20If you learn anything after I did, you're a fucking piece of shit and you should die in a fire.
01:17:26But all the world knowledge is in me right now.
01:17:29And if you don't know that, you're dumb.
01:17:31I go to all the specialty websites, right?
01:17:34If some guy's talking about a Corvette, I'm like, I'm going to go to the specialty website where there's only Corvette people talking about Corvettes.
01:17:40And where they have a specialty forum, perhaps?
01:17:42They have a specialty forum always.
01:17:43And I go and I read down the things and it's like, oh, nice Corvette.
01:17:46Did you do this?
01:17:47And oh, it's a fuelie, you know?
01:17:49And then as soon as I get to the guy that's like,
01:17:51Well, you know, if you knew anything about it, that's a 54 manifold.
01:17:56And I'm like, out.
01:17:57I'm gone.
01:17:58Like, I've been to your specialty place long enough to find the dick.
01:18:01Because of what they said, but also what it sort of implies, right?
01:18:04What you say is like, and I see this like, and I'm like, I'm going to say something slightly less cool than Corvettes.
01:18:11Whether that's about 3D printing or like whatever, you go in somewhere and like, of course.
01:18:15Also very cool.
01:18:16Yeah, very cool.
01:18:16There's always that same kind of guy there.
01:18:18There's one guy who's like, actually, all these questions are answered in the FAQ.
01:18:21I understand.
01:18:22I understand why you say that to people.
01:18:23It's really frustrating.
01:18:24Like, I'm not sure who you want to come to your forum.
01:18:27There's already a thread about this.
01:18:28There's actually, you know, that kind of thread.
01:18:30I've moved this.
01:18:31Hey, welcome to the forum.
01:18:32I moved your thread.
01:18:33Love, Bob.
01:18:35But...
01:18:36But I do find myself sometimes asking the question, like, well, maybe the second question is, what did you come here expecting when you're yelling at everybody like that?
01:18:45But maybe the bigger question is, what did anybody expect by coming here?
01:18:49And that's not a question we find ourselves asking a lot.
01:18:51And we saw this even on your forums, where there would be, like, four people who were fucking mad about everything, four people who were doing all the work, one person who says they've been shadow banned.
01:19:00Like, there's always so much that you're contending with in a community like that, and...
01:19:06You know, it's always been like that.
01:19:08But I feel like there's been relatively few lessons learned at scale about interrogating our own point of view about these things and saying, well, why did I say that?
01:19:18Because I'm not trying to say like to like feel guilty, but why did I go and like bomb into that person's conversation and say something stupid like that?
01:19:25Like, I think you fundamentally don't understand Heidegger or whatever.
01:19:29The question I find myself asking a lot is like... You don't understand postmodernism, Merlin.
01:19:35You don't understand what it is.
01:19:36I know the difference.
01:19:38Also, you don't know what brutalism is.
01:19:40You don't know what either of those things are.
01:19:41You're right.
01:19:42Are you talking about man against man?
01:19:44Are you talking about gnawing on shin bones?
01:19:47You don't know what these things are, so don't comment on them.
01:19:50Don't talk about them.
01:19:51Oh, God, I wish I had a pun here.
01:19:52You know, whenever Ken and Jennings and I talk about alcohol on our show, Ken has never had alcohol because of his Mormonism, and I have had all the alcohol and don't drink it anymore.
01:20:02But we talk about alcohol all the time.
01:20:03So you're both non-drinkers.
01:20:04You must be exactly alike.
01:20:07When we talk about alcohol, and this is why we talk about alcohol when we talk about alcohol,
01:20:12See, now that's funny, and four people will get it.
01:20:16Thank you.
01:20:16What we talk about when we talk about alcohol.
01:20:18That's right.
01:20:19And there are always people, and they're good-natured people.
01:20:22They're people that love the show.
01:20:24But when we talk about alcohol, they either get triggered or threatened or that's their realm or that's their problem or whatever it is.
01:20:32And they say, generally, there's always one that says, you shouldn't talk about things you don't know about.
01:20:39And I always say, that is 100% the premise of this show.
01:20:43So, you don't mind when we... I assume you're not doing this to make a particular, like, you're not doing a straw man here.
01:20:51There are people who do say things like, you shouldn't talk about things you don't know about.
01:20:57Implying that you don't know about what?
01:21:00With alcohol, for example.
01:21:02Well, I don't well I and I'm the first like Like you yell I can because Ken's never had alcohol therefore It's like when people say to me well How can you say you hate Facebook if you don't like use it and I'm like well?
01:21:14Like I don't think I've eaten cigarette butts more than once in my life and I'm good for that like yeah Even if they updated the flavor profile of cigarettes cigarette butts, I still don't want to eat them
01:21:24That's the thing about eating cigarette butts is very specific.
01:21:28Alcohol, there's 700 ways you can talk about it, right?
01:21:31You can talk about it where you're like, these are the 14 different kinds of heat.
01:21:35You can pick a make-believe straw man argument for any aspect of that that makes the other side look, that you just made up, look foolish.
01:21:42Yeah, and I only know 680 ways to talk about alcohol.
01:21:46There are 20 ways I don't know anything about.
01:21:49I have no idea about single malt whiskey.
01:21:51I don't know anything about it.
01:21:52I do have an associate's degree, John.
01:21:54Anyway.
01:21:57Hey, listen, I went to college for 30 years.
01:22:00It's called life.
01:22:01Read a book.
01:22:06I can't take it anymore.
01:22:08I can't take it anymore.
01:22:09The internet is really gone.

Ep. 529: "Not Everything is Everything"

00:00:00 / --:--:--