Ep. 465: "Cocktail Goats"

Episode 465 • Released June 13, 2022 • Speakers not detected

Episode 465 artwork
00:00:00That means... Hello.
00:00:08Hi, John.
00:00:09Hi, Marilyn.
00:00:10How are you?
00:00:12I'm fine.
00:00:14I'm fine.
00:00:15I'm fine.
00:00:16Sounds like you've got a little cold.
00:00:17How are you?
00:00:18I'm fine.
00:00:19You sound like you've got a little cold.
00:00:21Well...
00:00:22I, you know, yeah, no, no, no, no, no.
00:00:28I wish I slept better, but you know, even I'm tired of hearing about it.
00:00:33I woke up at six 30 this morning and I said, I could get up.
00:00:36I could just get up.
00:00:37I could bound out of bed.
00:00:40Bound.
00:00:41And you were awake enough that that's a thought that went through your mind and you processed it, turned it over a little bit in your mind.
00:00:47I did.
00:00:47I could bound out of bed.
00:00:50Before you go further on this, did you have something in mind that if you were to bound out of bed, that would let you do X?
00:00:57Or is it just the idea of bounding the pass through?
00:01:00No, I didn't.
00:01:01You could just bound out of bed.
00:01:03I could, but I also had a thing.
00:01:05I had a thing.
00:01:06Right now, I have a thing that I could get up in the morning and do.
00:01:09This ain't no 6 a.m.
00:01:10thing.
00:01:11I could bound out of bed and get right to work on it.
00:01:14You could just be sitting there the whole time, right?
00:01:1710.57, 10.58, 10.59.
00:01:20I could, you know, when you, when it was time to do Roderick on the line, I could have looked at the clock and gone,
00:01:29oh, wow, I've already had a full day.
00:01:32I'll just talk to Merlin now, and then I could eat ice cream sundaes the rest of the day.
00:01:37Because you bounded out of bed, which enabled you, it really kind of changed the size of your various strictures and keyholes.
00:01:44It changes the shape of the day, maybe not of the year, but it changes the shape of the day.
00:01:48I always think of that very memorable ad for the Army, I want to say, in the 80s, that said, you know, we do more before breakfast than most people do all day.
00:01:58Do you remember that ad?
00:01:59Yeah, I sure do.
00:02:00And I think about how rarely I've done that.
00:02:01I don't even really eat breakfast, so I don't really have a stake in the ground for that.
00:02:07I just interacted a lot with the U.S.
00:02:09Army, as you probably remember, because I just went— They don't ask for experience, they give it.
00:02:15That's right, and a lot of them— Could you sing it for me?
00:02:17If you don't sing it, I will.
00:02:18No, I don't remember.
00:02:19We don't ask for experience, we give it—
00:02:24I had forgotten that jam and buzz skagsy.
00:02:27They had so many good.
00:02:29They had so many, many good.
00:02:31They continue to have very good catchphrases and pretty good songs.
00:02:35But here's the thing that I, that I, and I said this to someone in the army, formerly in the army, not very long ago.
00:02:42I said, you guys have good jams, you know, good jingles, but you have freedom, but you have bad graphic art.
00:02:50Their graphic art is not good.
00:02:52I think it seeks, I want to hear, I want to hear, I'm just killing time because I figured this will be the rest of the show.
00:02:58But the, but you know what?
00:02:59I always feel like there's a little bit of a disconnect and whenever there's a disconnect at the age of 55, I tend to think it is I that is having the disconnect, not the world.
00:03:07Their jams are good.
00:03:08Their graphics are a little bit on, I think for the visual people who like seeing the sort of like a sticker you'd put on your footlocker, they go for that really basic look.
00:03:19But then for the really soulful folks like you and me, that's when they drop a jam.
00:03:26They go for a basic look because the army is all about, and I know a lot about the army now.
00:03:31The army is about, they really like symmetry.
00:03:36So if they're going to put a yellow star on a green background, they're going to put that yellow star right in the center.
00:03:42Oh, like a very sort of deliberate contrast.
00:03:45Yeah, but it's in the center.
00:03:46There's no asymmetry.
00:03:47The star is never off to the side.
00:03:50Oh, almost like, you know, when I first got started, I mean, it's not like I ever became an even halfway decent designer, but I would tend to favor centered alignments for things because I found it pleasing.
00:04:01Center alignment.
00:04:01And now as I get older, I like a little bit of, a little offset.
00:04:06As you beeped me this morning, I was preparing to make a parody of a Smiths album cover using the face of Donald Trump's former campaign manager.
00:04:18Because that's a thing I do once a year or so.
00:04:20And I was thinking about how, I'm saying what you will about the Smiths, and I wish you wouldn't.
00:04:23But I think they're very successful.
00:04:26I hate this word.
00:04:27Their branding was amazing.
00:04:28The Smiths, yeah.
00:04:29Well, I used to say this to your friends at Barsouk.
00:04:31I said, you guys need the equivalent of, like, what it was like to be a Smiths fan in 1983.
00:04:37Like, there needs to be a club where you say, look, whatever you make, I will buy.
00:04:40Because I love this band.
00:04:42And they did that so well.
00:04:44Of course, it's England, and it's all about the singles there.
00:04:46But, you know, that the Queen is Dead contrast of colors is pretty daring, but it really works.
00:04:53I think of the Army as being yellow and black in my head.
00:05:00But is yellow still prominent?
00:05:02It's got green.
00:05:03They all like yellow.
00:05:03They all like yellow.
00:05:05Yellow pops.
00:05:05My computer is really trying to get me to upgrade to Mac OS Monterey.
00:05:10Uh-huh.
00:05:10And I really don't want to do it, and it's really not... It would be inconvenient to do it right now unless you want to take a commercial break.
00:05:15No, it's really trying to get me to do it.
00:05:17Actually, it would help me a lot if you took a commercial break.
00:05:19Do you want to go update your OS?
00:05:21It's like, stop it.
00:05:22Stop it.
00:05:23Stop it.
00:05:23Well, in any case... If you look at the movie... I need a clean one here.
00:05:28And then John's about to update... This episode of Roderick on the Line is brought to you in part by Truebill.
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00:06:54Truebill.com slash SuperTrain.
00:06:57Our thanks to Truebill for supporting Roderick on the line and all the great shows.
00:07:02And we're back.
00:07:02And John is on ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma-ma
00:07:09Couldn't play with me in this space a little bit there.
00:07:13All right.
00:07:13No, because Merlin, if I start to pretend that I have upgraded to Monterey, then that's going to kill me later on when I have all that additional Monterey material.
00:07:22And I'm like, I still can't upgrade to Monterey.
00:07:24And you're like, wait a minute, in the canon you did before the commercial break in that episode back in the night.
00:07:29John Dickerson says, why eat bait if you have all this delicious food on the table?
00:07:32Exactly.
00:07:33Why eat bait?
00:07:34Why eat bait at all?
00:07:35And there's a reason he's on CBS.
00:07:37He's pretty smart.
00:07:40All right.
00:07:41Well, John.
00:07:42If you look at the Marine Corps logo, right?
00:07:44Should I be going on the global public internet for this?
00:07:47Oh, I don't know if you have to.
00:07:49No, no, no.
00:07:50See, I'm playing with you in the space now.
00:07:53The earth is asymmetrical, right?
00:07:57The earth is not symmetrical.
00:07:58It's not like the earth is not.
00:08:00Even a star isn't.
00:08:02Oh, as in like... It's like left-right symmetrical, but it's not like... AT&T logo, back in the day, depending on who you ask, was a little like the Earth, but more like the Death Star.
00:08:11But it's got a certain kind of like a... But the United States is all cattywampus in a lot of ways.
00:08:17And the oceans.
00:08:19Oceans are a cattywampus.
00:08:20They're cattywampus.
00:08:21Everything is cattywampus.
00:08:23Everything is cattywampus.
00:08:23The Marines lean into it.
00:08:25Their logo is an earth with an eagle.
00:08:27Oh, shit, dog.
00:08:27I don't even have to look.
00:08:28It's got the eagle.
00:08:30And it's got a lot of stuff like you find on your desk, right?
00:08:32It's got like a globe and a belt.
00:08:34And I always like to... And you know what?
00:08:36The number one thing.
00:08:37Number one thing I always noticed that bugged me about Marines.
00:08:41I'm sorry.
00:08:41Thank you for your service.
00:08:42Is the way that the pants, the trouser...
00:08:45And the jacket were different colors, and I thought they should be the same color.
00:08:50You know what I'm talking about?
00:08:52And now I think it's kind of a hot look.
00:08:54It's a very hot look.
00:08:56Do you want to describe their logo to the listener?
00:08:59Well, the Marines and the Navy, they have the advantage of wanting to put anchors in things, and anchors aren't
00:09:11Anchors are different than stars.
00:09:12Let's just start off with that.
00:09:14And I think historically, I learned this from the television program, if memory serves, Gomer Pyle USMC.
00:09:20And I learned when I was a child that the Marines are, some people wouldn't say technically, are part of the Navy, or at least they were.
00:09:29And that this led to a huge sort of competition and a lot of like, you know, oh, we're tougher than you are stuff between Navy and Marines.
00:09:37Is that correct?
00:09:39Their provenance is through the United States Navy.
00:09:41Is that correct?
00:09:42I believe so.
00:09:46So there's a globe with some, what would you call it?
00:09:50Stippling?
00:09:50Maybe a little bit of, and the one I'm looking at, and I'm sure this has changed over time.
00:09:54By the way, I don't know if you ever look at the show.
00:09:56I don't know if you noticed that in the last program, I did put the seal of the United States Navy behind a wreath in our show art.
00:10:02I don't know if you noticed that.
00:10:03Why did you do that?
00:10:04Because I miss your father.
00:10:06Oh, because of dad, of course.
00:10:07And the laying of a wreath.
00:10:10It's a little bit hat on a hat.
00:10:12A cap on a cap.
00:10:13And so you got an eagle.
00:10:15Is it saying, is it E pluribus unum?
00:10:18It was fun because Susan... Yeah, I think it is.
00:10:25Sorry, I'll come back to the logo.
00:10:29Susan...
00:10:32posted a picture of, of the, of my dad's gravestone last week on her social media and the way that social media is now, um, you know, you post something and then other people see it.
00:10:45That's true.
00:10:47And, uh, and so all of a sudden, because, because I'm not, not on social media anymore.
00:10:53I was looking at, I was, you know, looking at the internet scrolling.
00:10:58Right.
00:10:59And then I kept seeing pictures of my dad's gravestone on other people's social media accounts.
00:11:05I would have mixed feelings about that.
00:11:07Because they were like, they scraped it from Susan's post.
00:11:12And probably more than a couple of people who were like, oh, did he just die?
00:11:17Well, no, there was a lot.
00:11:18I mean, I think everybody knew what it was because, you know, we talk about it a lot and it was like, hey, look, here it is.
00:11:23It's fine.
00:11:24This is it finally.
00:11:25And so there was a lot of, I think it was all celebratory.
00:11:29It was just a little bit weird to be scrolling along, you know, oh, it's pictures of people's cats, pictures of people's cats.
00:11:35Oh, look at that.
00:11:36That looks just like my dad's gravestone.
00:11:39I thought they couldn't find Dave Roderick's headstone.
00:11:41That's weird.
00:11:43But now, now it's all over.
00:11:45So eagle, eagle holding.
00:11:47Um, I see I'm way out of practice on my, uh, heraldry.
00:11:51Um, uh, did you know, is there a, is there, do you have a man coat of arms?
00:11:57I think, I think you suggested one to me the week we met.
00:12:01What did I say?
00:12:02I think he said, if I had a t-shirt, it would say, uh, scared of everything or something like that.
00:12:10Um, this doesn't have an anchor on it.
00:12:13Well, I'm, I would buy that t-shirt.
00:12:15Well, this is okay.
00:12:17So, and I'm telling you, I'm looking at the one on the internet science site, which looks like it was drawn by somebody in, in Corel draw, but whatever.
00:12:23You got a Semper Fi.
00:12:26What do you call that?
00:12:26When it's like a ribbon with words on it?
00:12:29You know, like it says mayor.
00:12:30It says mayor or, you know, like, you know.
00:12:34A blaze.
00:12:36Miss Pasco County.
00:12:38Yeah, I love all those words.
00:12:39Anyway, Semper Fidelis holding, the eagle's holding that.
00:12:42That's not going anyplace.
00:12:43On top with its claws at the Arctic Circle.
00:12:49And there's a globe.
00:12:50And it's looking to our left.
00:12:54What are you describing now?
00:12:55Oh, the Marine Corps logo.
00:12:57Oh, yeah.
00:12:58But it's got an anchor behind it.
00:13:00It looks like the man coat of arms has a helmet and some feathers.
00:13:06No, leaves.
00:13:08Lee, I don't know what those are.
00:13:10I think the man coat of arms would be a slight misunderstanding rampant on 50 years of regret.
00:13:17Well, here's one that's got three goats.
00:13:22And then there's one that's got three lions.
00:13:26Is this the show?
00:13:27This is the show, Family Crest?
00:13:29Yes, Mr. Show.
00:13:30Now, this one has two cavemen on it.
00:13:34Got the deer in the back, not me.
00:13:36Sorry.
00:13:38Go anywhere you want with this.
00:13:39Your dad.
00:13:40Oh, John, we didn't record last weekend.
00:13:43It was two separate independent cock-em-ups, but in a brief message last week, you said to me that you were somewhere off campus.
00:13:52Where'd you go, John?
00:13:54Oh, I went on a little journey.
00:13:56I've been on a couple of journeys, but you said that it was a Mac, some kind of Mac release date.
00:14:03And I always feel excluded because everybody I know that does a podcast on Mac Day
00:14:10which is like Life Day.
00:14:12You're greatly, deliberately misinterpreting every aspect of what I said.
00:14:19What I said was, I forgot as of last Monday, and I don't need to defend myself, I'm broken inside.
00:14:25I said, oh, I forgot there's an Apple event today.
00:14:29Exactly, a Mac event.
00:14:30Apple event I'd like to watch.
00:14:31Can we record at noon instead of 11?
00:14:34That's what I said.
00:14:35And so that's what I was working on at the time.
00:14:39And then what did you say?
00:14:40But I'm always... The thing is, what I'm always sad about is that I never get to play in those Mac events.
00:14:48You can watch it.
00:14:49It's free.
00:14:49You can watch it anytime.
00:14:50But I don't know what they are.
00:14:52I don't know why I would...
00:14:53And you guys are so excited about it.
00:14:56You're confused about what you're even not being excluded about.
00:14:58What's happening?
00:14:58I know.
00:14:59This is the thing.
00:14:59I thought about that the other day.
00:15:01Last episode, I was talking about not getting invited on some not-a-surf tour.
00:15:05And then I was like, wait a minute.
00:15:06I think those guys might listen to Roderick on the line.
00:15:08And they think I'm sending them secret messages.
00:15:11Do you remember what I said afterward?
00:15:14Because you're my friend.
00:15:15I said a thing.
00:15:15I said, and I don't think this is saying too much.
00:15:18If you hate this, I'll cut it out.
00:15:19No, it's okay.
00:15:20I think what I said was, John, are you shh?
00:15:22Are you sure you want to go from doing what you're doing every day right now to touring in a rock band?
00:15:28Or do you just want people to star your tweets?
00:15:33Because one is a lot more work.
00:15:37I mean, do you even know how to tune a guitar anymore?
00:15:39I don't.
00:15:40Well, that's okay.
00:15:41Neither did Jimi Hendrix.
00:15:42I saw Mike from Orangerhead to come out and tune Elliot Smith's guitar, but that was for different reasons.
00:15:47That was for a lot different reasons, yeah.
00:15:49Yeah, 2.45 in the morning.
00:15:51I always wanted to be so famous that I could forget how to tune my guitar, and now I've just forgotten how to do it without being famous.
00:15:59Oh, you accidentally succeeded.
00:16:01I did, I accidentally, good job, famous enough.
00:16:05But no, what I want to know is, is there something new in the Macverse that I should be excited about?
00:16:12Do you want to talk about it?
00:16:14Yes, I do.
00:16:14You don't really want to talk about it.
00:16:16First of all, you're invited.
00:16:17If you want to do an annual podcast.
00:16:20Uh-huh.
00:16:20Where you and I watch, as you call it, the Macintosh event, and then we talk about it.
00:16:25I would be happy to do that.
00:16:26This is way outside the portfolio of this program.
00:16:29You're fine to have missed it.
00:16:31And going and thanking people for their service was a much more valuable use of your time.
00:16:35Do you feel like if you and I watched... But you didn't get to the punchline, which is when I said, can we start an hour later?
00:16:41You said, I guess I should have told you.
00:16:43I'm out of town.
00:16:44And you're at the remedial war night school or something?
00:16:47Yeah, I was at the remedial war night school.
00:16:49No, no, no.
00:16:49No, I don't have it in front of me.
00:16:50I'm not going to quote it.
00:16:50But you went to like a college of armies or something, right?
00:16:54Yeah, that's right.
00:16:55Yeah, something like that.
00:16:57Jesus Christ.
00:16:58It's like you're in my fucking family.
00:17:01Yesterday.
00:17:02Let me fast forward to yesterday.
00:17:04A little bit.
00:17:06So you remember Long Winners drummer, Nabil Ayers.
00:17:11He's been sending lots of email about a book.
00:17:14He's written a book.
00:17:15Pretty regularly.
00:17:16He's written a book and he's sending, for the first time in his life, he's never promoted anything really before.
00:17:20Nabil's got a good head.
00:17:21I mean, at first you would look at it and go, is it the eyebrows?
00:17:24Is it the facial hair?
00:17:26Is it his particular tonsure that he has?
00:17:29But like the whole thing is, Nabil has an outstanding head.
00:17:31He's outstanding in every way.
00:17:33And a good guy.
00:17:35And he wrote this nice book.
00:17:36It's not nice.
00:17:37It's a complicated book.
00:17:38It's a wonderful book.
00:17:39Is it about his history in rock and roll with the label?
00:17:42With 4AD, right?
00:17:43No, it's about, you know, his father is jazz vibraphonist, legend of jazz, legend of jazz, Roy Ayers.
00:17:50Are you scatting?
00:17:52Unfortunately, Neville's father's name can only be scattered.
00:17:56He's a legend of jazz.
00:18:01His father, Roy Ayers, and he never really, well, never met, I don't think, until he was in the Long Winters, until he was in his late 30s.
00:18:14And that's what finally did it.
00:18:16His father said, blink, blink, blink.
00:18:19I want to meet my son in the Long Winters.
00:18:21Yeah, he was driving out in the South somewhere, listening to indie rock.
00:18:25And he was like, this band is jamming.
00:18:26Who's the drummer?
00:18:28No, it was just one of those that finally came together.
00:18:31And so he wrote, Nabil wrote this book about, it's a, it's about identity.
00:18:34It's about discovering who he is.
00:18:36Oh, that's cool.
00:18:36He's a mixed race kid.
00:18:38He grew up in Salt Lake and, and up between Salt Lake and
00:18:42And Greenwich Village, the two.
00:18:44Then he ran a label.
00:18:46Total polls of the cultural universe.
00:18:49He still is.
00:18:50He's the director of whatever, Baker's Banquet.
00:18:53I don't remember exactly.
00:18:54Well, one of those.
00:18:54They put up pixies and stuff like that.
00:18:56They're all the same.
00:18:57They're all the same now.
00:18:58It's all English.
00:18:59They all got bought.
00:19:00They got bought by England.
00:19:01Cocteau twins, mountain goats.
00:19:04It's all the same thing.
00:19:06Yeah, yeah, yeah.
00:19:07Right.
00:19:07It's all the same.
00:19:08Did I say cocktail goats?
00:19:09Cocktail goats and mountain twins.
00:19:13The Cocktail Goats is going to be my new Cocktail Twins cover band.
00:19:18In the style of the Mountain Goats.
00:19:22So he was on tour.
00:19:23He was out here.
00:19:24He's doing a book tour.
00:19:25That's what he's sending you all those messages about.
00:19:29And he was out here in Seattle.
00:19:31We met for lunch and we're hanging out.
00:19:33It's a very successful book.
00:19:34He's doing a... It's a very fun tour.
00:19:38It must be such a good feeling after all that work.
00:19:40I know, right?
00:19:42And most of the time I would be just envious enough that I would be mad.
00:19:50Yeah, yeah, you walk right up to the edge of it being a little bit difficult to cover up that you're envious.
00:19:54Even participating in the conversation would let out too much.
00:19:57But Nabil is so great.
00:19:59He's one of those friends that when he has success, you don't begrudge it at all.
00:20:03They're the worst.
00:20:05Yeah, I know, I know.
00:20:06You just want him to die, right?
00:20:07Because it's like, I love that you're having such a great time.
00:20:10Honestly, I do.
00:20:12I think about that movie Bob Odenkirk was in last year called Nobody.
00:20:17And I would say it's very much like it's supposed to be like a funny John Wick, right?
00:20:21So Bob Odenkirk, it plays this guy who's like an ex-spook who is like John Wick level, I could beat your ass.
00:20:28But he totally feels like cucked out by life and he's really beaten down and all this stuff.
00:20:33And anyway, then he has a John Wick movie.
00:20:35And supposedly Bob Odenkirk spent at least a year getting in fantastic shape for this movie.
00:20:41And the movie comes out, and like, Bob Odenkirk was really good at it, and the fight scenes are good.
00:20:45The movie's kind of terrible.
00:20:48And I just think, I do think about that now, where it's like, he worked so goddamn, it's one thing to be Chris Pratt and get ripped, and then get to be in like Guardians, and be in Guardians of the Galaxy or Jurassic, whatever.
00:20:57But like, it must suck to work that hard for that long.
00:21:00Think about how much of his time was getting in the right kind of shape and training for that movie.
00:21:05And then the movie just came and went, and people were like, meh, you know, fine.
00:21:08It'll be on basic cable, I'll catch it later.
00:21:11But Nabil didn't have that.
00:21:13Well, I mean, I, I was reading a thing, uh, s somebody like not actually this, it's, it's weird that that ties in.
00:21:22There's a, uh, well, I'll, I'll just tell the, I'll just tell it from the start.
00:21:29Why don't I please?
00:21:31Uh, so Nabil and I are hanging out and, uh, and we had lunch and he's like, I have to go to this book signing event.
00:21:36And I was like, I'll drive you.
00:21:37So I drove him there.
00:21:39It was at a record store.
00:21:40He goes in signing books.
00:21:43I'm leaning on the door outside.
00:21:46Enough people that I know are coming and going that I'm, that I'm the guy that's standing out, leaning on the, on the wall of the record store, talking to people.
00:21:54I'm, I'm standing there talking to people long enough that Nabeel's book signing has, has concluded.
00:22:00He's, he's gone the whole thing and he has another book signing downtown at the sub pop store.
00:22:07And so he comes out and he's like, you know,
00:22:11Job well done.
00:22:11And I said, well, since I'm standing here, I don't know.
00:22:15I watched the first episode of the English office yesterday.
00:22:18So I've been thinking about you because you're the one that showed it to me in the first place.
00:22:23My most quoted line from that episode, nobody ever has any fucking idea what I'm talking about from the beginning.
00:22:29Remember this?
00:22:30It's going to be perfect.
00:22:32Remember when he says that?
00:22:34So when my family says, hey, you want to get far for dinner?
00:22:36I go, perfect.
00:22:37Perfect.
00:22:38You can type up your CV.
00:22:40But I've got David Brent's voice in my mind.
00:22:42So I'm just like, you know, like, yeah.
00:22:45Anyway, I can't do, I cannot imitate it, but.
00:22:48But so he comes out and I'm like, well, I'll just drive you to the sub pop thing.
00:22:51Then I'm still standing here.
00:22:52If I had a life, I should have gone an hour ago, but I was standing here talking to people, people coming and going.
00:22:57And now I'm here.
00:22:58Now I'm here freaking taxi.
00:23:00Am I right?
00:23:00And he's like, great.
00:23:02It works for me.
00:23:02And I'm like, great.
00:23:03So we drive down to the sub pop store.
00:23:05We get there.
00:23:05He, you know, we pile out.
00:23:08He's signing books.
00:23:09I'm again, leaning against the wall, talking to people, bought a couple of t-shirts and then a
00:23:17a good friend from the Northwest music community that had graduated a long time ago to becoming like a, like a political operative in, in the, in the Northwest culture world breezes in.
00:23:34She's going to, she's trying to buy a book before she goes to this event.
00:23:38And she sees me and we have this wonderful reunion.
00:23:41And she says, Hey,
00:23:43there's a seat at my table tonight at the event.
00:23:47I want you to come.
00:23:48What are the chances?
00:23:50And I said... God, that's... I mean, this is like... John, this should be in the second chapter of a million stories in your life.
00:23:59Is it not?
00:23:59This is not the perfect John Roderick anecdote?
00:24:03This is how it often goes.
00:24:06And I'm standing there, but I'm like, so this event...
00:24:09is one of these big fundraisers that happens every year for a local, uh, for a local operation that everybody loves.
00:24:17And it's an event that I have been to for a dozen years and I have performed at it and I've hosted it.
00:24:25It's an auction, you know, it's a, it's a, it's a, one of these events on the calendar that, but very much an event that I did not expect to be invited to.
00:24:39because of recent history.
00:24:41And it's an event where everybody's very, you know, socially aware and very conscious and it's a part of the community.
00:24:47It's like, it's very inclusive and it's a place where... It's a fundraiser for a local politician, a local political group, a cause.
00:24:55Well, so I guess I can say what it is.
00:24:58There's a youth music art organization in Seattle called Vera Project.
00:25:07And Vera Project is based on
00:25:09a venue in Groningen, Netherlands called Vera.
00:25:14And it's now, it's now been in Seattle for 21 years and it was started by friends of mine.
00:25:20It's a, it's like a youth punk rock art space.
00:25:26it was kind of one of the first that said, you know, rather than, rather than try and squash kids and rather than, than force them to put on shows in, in, uh, well, where we used to have shows.
00:25:38I mean, that used to be the outlet for that when I was a kid was church.
00:25:41Right.
00:25:41And when I was a kid, it was abandoned warehouse where the floor was covered with glass.
00:25:45Right.
00:25:46And I think that's where most people.
00:25:48Probably one of the top five reasons that people do abandon a warehouse is all of that broken glass.
00:25:54And church.
00:25:54Right.
00:25:54In Seattle, half the music scene came out of Jesus Rock and half of it came out of.
00:26:00If you stumble across the church, you notice that all that stained glass broke.
00:26:04squat take it over that's right if you come out of a show and there's not a hypodermic needle sticking into the sole of your boot like you haven't it wasn't a real good show you don't get it man so this venue vera project it's just been it's like really cool it is and it's the hub of a whole universe not necessarily like it's not necessarily that vera produced a a ton of bands that anybody heard
00:26:30But it's the hub of an awareness, like a consciousness.
00:26:34Not even necessarily a scene, although I guess if you were 15, it's probably a scene.
00:26:41But it was much more from the perspective of people my age.
00:26:44Like, this was a place that we did good work, and we would have these fundraisers.
00:26:49And it's also a big Seattle Gen X community.
00:26:55social, uh, social event.
00:26:58Like a, it's like a gala, whatever a ball.
00:27:01Right.
00:27:01But not one that, but it's a punk rock.
00:27:04I get it anyway.
00:27:05So I'm standing there and she's like, you know, I want you to sit at my table, come to the event with me, first of all.
00:27:13And, and, and I said, no, I was like, I, I'm not ready for that.
00:27:20I don't think, I don't think I'm ready for it.
00:27:22You know?
00:27:23And at her table, there's like,
00:27:25a very big local politician sitting there at the table.
00:27:29They're there.
00:27:32It's a prominent table at the front of the room.
00:27:35And I'm like, I don't think so.
00:27:37And, uh, and she's like, no, really, I want you to come.
00:27:39I want you to sit at my table.
00:27:41And you know, there's incredible generosity on her part and just like affection.
00:27:46But this is the first of any of these that I've like, I haven't done anything.
00:27:51I haven't been anywhere.
00:27:53And I'm standing here leaning against the wall, holding it up while Nabil signs some books.
00:27:57And all of a sudden here it is.
00:27:59And she's like, and also it's a punk rock dress code.
00:28:03So you're dressed fine.
00:28:04You don't have to go home and put on a tie or anything.
00:28:06And I'm just wearing a flannel shirt.
00:28:07She's like, it's fine.
00:28:10And I'm like, I don't think so.
00:28:12And she's like, oh, okay, well let me know if you change your mind.
00:28:16And she walks out the door and I'm standing there and I'm just like, I don't think.
00:28:22I can, you know, this is exactly what I've always, I've always gone to these events.
00:28:26This is, this is precisely where I would be.
00:28:29This is, it is, it is categorically your retinue.
00:28:34And if, and if nothing had happened a year and a half ago, I would already be going to this event.
00:28:38Right.
00:28:40But I didn't know about it, you know, like, and, and, and who knows whether that's, well, I know.
00:28:46So I'm standing there and I'm like,
00:28:48uh, you know, I'm kind of as the, as the, as the young people would say, I'm a little shook.
00:28:54I would say I was shaken.
00:28:56But, but younger people might say I was shook.
00:29:00So I'm standing there shaken and Nabeel says, what are you doing?
00:29:04Dumbass.
00:29:05You have to go.
00:29:07And I said, I don't know, no, no, no.
00:29:09I don't, I don't think so.
00:29:10And he was like, it's freaking kismet.
00:29:12Why are you even here?
00:29:13Why are you leaning against the wall at this sub pop store?
00:29:15You're not supposed to be here.
00:29:17You're just here because you're following the day as you always do.
00:29:21And here's where the day takes you.
00:29:23It took you to here.
00:29:24I'll have a little of your own medicine, Scarecrow.
00:29:27Exactly.
00:29:28He knew how to get that photon torpedo in.
00:29:31He did.
00:29:33He's a smart guy who has a lot of thoughts about things.
00:29:36Who knows me.
00:29:38Show me an example of something that's more your shit.
00:29:41And he's like, you garbage person.
00:29:42Go to this.
00:29:44Fuck you.
00:29:44Get in your car and go, you know, text her right now.
00:29:46Tell her you're going, go to the thing.
00:29:50Oh, I'm so I'm pacing back and forth like, but, but, but, you know, cause, cause in my mind, I'm, I'm imagining all these, you know, all these terrible situations, little scenarios where I'm standing, standing next to the bar, getting a decaf coffee and somebody goes, yeah, or whatever.
00:30:07From nowhere in particular, you're hit by a can of beans.
00:30:10Yeah, exactly.
00:30:12Or, you know, or I sit down at the table and somebody stands up and silently walks away or turns their back.
00:30:17I don't know.
00:30:18Somebody from the stage.
00:30:18Played by Margaret Dumont.
00:30:20Exactly.
00:30:21Somebody says, well, it's great to be here tonight, except for one thing.
00:30:26And so as one, all the spotlights sweep.
00:30:32Exactly.
00:30:33Five spotlights converge on a very disoriented looking John Roderick.
00:30:37Everybody stands and turns their backs and I'm there.
00:30:41But you know, the, the woman who invited me is a matriarch of the, of the whole community and, and a beloved one, right?
00:30:48Like no one, uh, no one can.
00:30:53I, yeah, I get it.
00:30:54And so.
00:30:56so I go, you know, so, and I, so what I say is, well, I'll give you Nabeel, I'll give you a ride to where you need to go after this sub pop event.
00:31:05And I'll think about it.
00:31:06And so the, on the drive over to wherever I was taking him, he was just like, you know, there's no way that you, there's no way that you can't go.
00:31:14You just have to go.
00:31:16And that's how that's, you know, it's, it's what Jesus wants.
00:31:20Right.
00:31:20And so I dropped him off and I looked at my watch and I, and I realized I had exactly, it was another one of these, like it takes 28 minutes from here to there and it's 28 minutes from now.
00:31:31And so I just said, okay.
00:31:33And I drove to the, to the venue and it was a big fancy ball, but Seattle fancy ball.
00:31:39Right.
00:31:39So everybody looks like, you know, they work.
00:31:41It was punk rock casual.
00:31:43Yeah, exactly.
00:31:44But except some people are wearing fancy hats and ball gowns.
00:31:47It's punk rock casual.
00:31:49Exactly.
00:31:49It's like a Courtney Love album cover.
00:31:53And I walk in and I'm standing there just sort of like a hand in pocket.
00:31:58Again, leaning against the wall, looking around.
00:32:01I know everybody.
00:32:03And one by one, every single person that I encounter...
00:32:08Gives me a huge hug, a big, like, oh my God, it's so great to see you.
00:32:12And it's loud in there.
00:32:13So it's just, in a way, it's great.
00:32:15It's loud enough that no one can really have a long conversation.
00:32:19Oh, that's nice.
00:32:20You know, they can't be like, tell me how, you know, what's been going on.
00:32:23You couldn't begin.
00:32:23It would be very much like, let's restrict our, our, our conversation to well wishes.
00:32:28Cause we don't, there's not, it's too loud to go into any depths.
00:32:31But there was, there was tremendous, like,
00:32:35concern and feeling in people's faces like big, you know, like they're giving me like big, big eyes or wet eyes even like, but, but I was, I mean, you can never know who you're not embraced by because, but nobody made a point to walk over and then turn and walk away.
00:32:57A pile of lambskin slapping gloves accumulates beneath John.
00:33:05This episode of Roderick on the Line is brought to you in part by Squarespace.
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00:35:38off your first purchase of a website or a domain once again please squarespace.com slash super train offer code super train they've been great to us they're going to be great to you um and our thanks to squarespace for supporting roderick online and all the great shows but a lot of the people you know a lot of the people that i saw you know when i first saw them i was because i know all their politics i know everybody in there's uh you know in life in and out
00:36:06And there were people that probably, uh, well, that would have had every, they could have gone either way.
00:36:13In other words, right?
00:36:14Like it would, it would, it would have been a choice in that moment between, am I going to make a political statement or am I going to treat this person like a human being?
00:36:23And in every case I got treated like a human being.
00:36:27And, uh, and it was really, uh, profound or not profound, even just like, uh,
00:36:36scary you know i'm still scared a little um i mean about that event afterwards like i absolutely i opened my email like waiting because you never that's the thing you never know when they're when it's it all goes great and then the next day there's never an official end to the latent period between when something is super intense and when it is god willing mostly blown over like you're never really done with anything in life
00:37:00but but there still is that like a certain period that we i don't know that i put on myself of like i'm gonna stay out of this place oh i don't even i i even mean like like last night like somebody i i of course since i'm not no longer not on social media i went on twitter and somebody tweeted i never really noticed how much john roderick looked like dr
00:37:27Cali Calgary.
00:37:29Who's the, who's the, what in the cabinet of Dr. Caligari, Caligari, right.
00:37:34How, how much he looked like Dr. Caligari.
00:37:37And, and I didn't understand the reference.
00:37:38And I looked at a picture of Dr. Caligari and I didn't, I still didn't understand what they were talking about.
00:37:44It's a very, very old movie.
00:37:45And, and I, uh, and then I, and I, of course I thought, wait a minute, is that a, is, is that person in the room at this event?
00:37:56and tweeting that as like, I'm looking at him right now, and he looks like Dr. Caligari, and that's a compliment, or just a note, or is it a flag?
00:38:12He's a deranged medical guy who hypnotizes people and holds them in his sway, and then makes them move through a German expressionist film set.
00:38:21Sure, so that sounds like me, for sure.
00:38:22I mean, it's not you.
00:38:24So they so they know they know whoever they are.
00:38:26It's a knowing reference.
00:38:28It went over my head, which is which which speaks to the fact that it's possible that they were there in the room.
00:38:34But you know what I mean?
00:38:34Like, it's not even the big picture blow over, which I don't think it will ever blow over.
00:38:39I mean, I don't like to provide bait at the dinner table, but that's one part of feeling like when you get creeped out or gaslit.
00:38:46is the whole like, you know what I mean?
00:38:48When you start getting weird about something, and there's lots of things in life to be weird about, but if you're suspicious about something for a while, and then two things happen, and you're like, wait a minute, is this related to that?
00:38:59Like, is this, there's that lady, I'm trying to think of an example that I can abstract, but like, there's that lady who always gives me the stink eye from her window, and like, could this be something involving her?
00:39:11But like, where your brain is,
00:39:12like crosses some kind of circuit and you just, you find, you feel just crazy enough that you're wondering if these two unrelated things could possibly be related.
00:39:22I, I, I'm not saying you're doing that, but I, I would like to think that of the many ways I'm very unhealthy in life.
00:39:27That's one way in which I am fairly healthy.
00:39:29And I don't generally, well, maybe I do over connect things that are clearly unconnected, but in an instance like that, you'd be like, wait a minute, is this person like sitting there at the next table looking at me right now?
00:39:40Exactly.
00:39:41And I, and, and for all I know they were, and I think it's passed now, but like I, when I woke up this morning, I looked on Instagram and it was entirely possible that somebody would have taken a covert picture of me and been like worst thing that ever happened or who knows, but, but it seems to have passed.
00:39:56It seems to have passed.
00:39:57And the entire event, the entire event from the moment, uh, Kate breezed into the sub pop store to now when I'm telling it to you,
00:40:11it was all positive.
00:40:12It was all, it was all nice.
00:40:14It was, it was all, it all felt, um, everybody I met felt generous and loving.
00:40:21And, and that was, that was sort of not,
00:40:26what my catastrophizing mind would have expected, right?
00:40:30I would have expected at least one person.
00:40:32And you're like, but again, maybe this is not you, but I know if I'm getting into that situation where I find myself feeling like I'm bracing for a blow, like somebody taking a swing at me, essentially, just a life swing.
00:40:44And then it doesn't happen.
00:40:46It's weird.
00:40:47That doesn't mean that all that adrenaline goes away.
00:40:49It doesn't mean that it feels resolved.
00:40:52It could just be like, you go, I'm glad that hasn't happened or hasn't happened yet.
00:40:56But, you know, it does feel good to get over a hump in what felt like a thing that could go catastrophically wrong.
00:41:03It hasn't gone catastrophically wrong yet.
00:41:05Well, and this bracing for a blow, that's a perfect way of putting it.
00:41:08Because I've been bracing for a blow for 18 months, you know, just like ready and ready.
00:41:13every time I put my head out the door to get hit really hard.
00:41:18And so I have that adrenaline going all the time.
00:41:22And, and the, and the other part of it, you know, the, the, the flip side of it is as soon as you stop, as soon as you do five things and you're like, Oh, I guess I'm not going to get hit.
00:41:33That's when it comes right.
00:41:35Or at least that's another way.
00:41:36That's how they get you.
00:41:38Another way of keeping yourself clenched all the time.
00:41:42But so a guy, a friend of mine, a long, an old friend of mine comes up to me at the event and, and he has, he's a very political dude who has been very close to me over the years and very definitely distanced himself from me, not publicly, but just distanced himself.
00:42:04And he came up and he said, did you see
00:42:10uh, last year.
00:42:11Oh no, he didn't say last year.
00:42:12He said, did you see that Kumail Nanjiani was talking about you?
00:42:18Oh boy.
00:42:19The actor.
00:42:21And I said, and again, this is like loud over the thing.
00:42:25And I said, what?
00:42:27And he's like the guy from, from Eternals, the actor.
00:42:31Another guy who got in really good shape for a movie.
00:42:33Nobody noticed, but I love the actor.
00:42:34That's exactly the, how I'm tying it in.
00:42:37Oh shit, dog.
00:42:39Oh no.
00:42:40And he said, and I'm like, you what now?
00:42:43Now he said something about me today.
00:42:45And he was like, no, no, no.
00:42:46Back a long time ago.
00:42:47And I was like, oh, I didn't know, but I, I know a lot of people did say things.
00:42:53So it's not like I'm keeping a list.
00:42:54And he was like, no, no, no.
00:42:56And so I woke up this morning and he had sent me a link.
00:42:59Oh, come on.
00:43:00A thing that I didn't need, but a link to an article where, uh, Kumail, uh,
00:43:08Was saying that he had gotten in really good shape for eternals.
00:43:15And he had gotten dragged.
00:43:18He was like trending.
00:43:21for some reason that his buffness was getting... Yeah, wasn't he considered like, oh, you're... Well, I could be misremembering, but it took a long time.
00:43:31And I think he was justifiably, he and his wife were very proud of his effort.
00:43:35I mean, it's not without effort to get like that.
00:43:37And was it one of those lookism kind of things?
00:43:40I don't remember.
00:43:41I have zero memory of it.
00:43:43Um, but he was later in an article saying, I, you know, it was a really rough time for me because the internet turned on me because I got buff and I was the subject of a lot of like jokes and, and
00:43:58but also getting ripped on all the, all the time.
00:44:01And I was getting ripped on for days.
00:44:04And the only thing that, that stopped it was being dad.
00:44:08And I'm so grateful to that.
00:44:09That's kind of funny.
00:44:10Well, kind of funny, but he didn't, he never like, he's not like, I love that dude.
00:44:15He was, he was just saying that took the pressure off me.
00:44:18And then I guess later somewhere he said, you know, it made me realize that,
00:44:23if the internet can go after this guy for nothing, like I shouldn't care about what they're going after me for.
00:44:29I don't, there's no lesson.
00:44:30There's no lesson to be learned.
00:44:32There are no lessons, Merlin.
00:44:33It's all, it's all just turtles all the way down.
00:44:35You think so?
00:44:38No, I'm not sure.
00:44:40Me neither.
00:44:42Do you feel, how are you feeling?
00:44:45Oh, you know, I'm doing pretty well.
00:44:48I'm thinking about a lot of aspects of this.
00:44:52So anyway, I'm also thinking about Nabil.
00:44:55And I like the guy.
00:44:56I was just looking at some photos.
00:44:57I don't have that many good photos of him because I wasn't just as happenstance would have it.
00:45:05I mean, I did see you guys touring with him.
00:45:07When did he join the band?
00:45:08How long was he in?
00:45:09He was in it for a lot of the kind of the big-ish years, right?
00:45:13You know, you were so involved in the long winters during a period when... It's called being a fan, John.
00:45:19Look it up.
00:45:20I know.
00:45:20But you were really involved.
00:45:21Like, you were the fifth winter...
00:45:24for a while there, even when there were five people in the band, there was a guy in the band.
00:45:31I'm the son of the rich record store owner who gets caught in the woods, uh, cottaging with other men.
00:45:37I'm the Brian Epstein of the group.
00:45:39But like you, you met us when, uh, Michael Schilling and Sean Nelson were in the band.
00:45:43And then you were with us through the Michael shore, uh,
00:45:45And then you... I was there through the Michael plays, the other Michael plays.
00:45:53Michael, right?
00:45:54Who's the kid who shoots the gun and plays 12 instruments?
00:45:59Who shoots the gun and plays 12 instruments?
00:46:00No, the kid.
00:46:01The kid.
00:46:01Oh, yeah.
00:46:02You're talking about Jonathan.
00:46:03Jonathan.
00:46:03I was in the Jonathan years.
00:46:04I was in some of the Nabeel times.
00:46:05Cool, cool.
00:46:06And yeah.
00:46:08But anyway, he always... And he used to manage Sonic Boom before he was...
00:46:13he owned sonic boom sorry and they had like they had several that was a really cool record store it was and when nabeel joined the band you know he had been in a band called the lemons which was like a punk rock
00:46:26black leather jacket band in the 90s no kidding yeah like and is it in the rat king of murder city devils things uh even before them i mean but that kind of like that kind of like i would they would bristle at me saying this but i think of like you know those kinds of like post post punk glam oriented or was it more like diga diga diga diga kind of punk rock
00:46:47Hey, it was before all, it was before the whole like.
00:46:51Like four guys wearing tight pants look.
00:46:52It wasn't that.
00:46:53It was that, but it was before the like, we are all painting our fingernails with, with the, you know, with whiteout now.
00:46:58It was, um, I mean, they opened for like Danzig.
00:47:03Like it was that era of.
00:47:05You're kidding.
00:47:06It was.
00:47:07Jesus.
00:47:07That's pretty cool.
00:47:08It was like Mike Ness.
00:47:10He wants your skull.
00:47:11Era punk rock.
00:47:14Pompadores.
00:47:15Just to be clear, not Mike Nesmith, whose mother did or did not invent Whiteout, but Mike Ness, who was in that funny documentary where his band leaves him on tour.
00:47:25Social D, we called him.
00:47:27Mom, we got any more Social D?
00:47:29Way to bring in the Whiteout connection.
00:47:31That's so good.
00:47:32god you're you're really like ukraine you're so amazing yeah i wish i could turn it off okay um white out white out okay um so he was in that band and i remember what every time here it is all right all right but but every time you know every time you'd go to see uh drive by drive like jehu or whatever the lemons would be playing and so i saw him a bunch of times
00:47:59And he owned the record store.
00:48:01He was always nice, but I didn't know it.
00:48:03I didn't know him, and I didn't know anything about him.
00:48:06One of my dearest, dearest friends in Florida, Mike Coleman, the other guy, really the artistic genius in Bacon Ray, managed the Vinyl Fever store in Tallahassee and was very learned.
00:48:21One of my favorite people ever.
00:48:22But the way Mike was when he was at work at a record store was pretty different from the way he was...
00:48:29I mean, he was still really a nice guy and a kind guy and try and help you out and sit through, you know, it's like working in a camera shop or whatever, or a comic store where you got to sit through a lot of experts coming in and telling you stuff and dealing with theft.
00:48:40But he was so different outside.
00:48:42But running a record store, you really have to get a certain, you got to carry yourself a certain way or you're going to get eaten alive.
00:48:50Yeah, but he was like, Nabil's always, well, and so when he finally joined the Long Winters, it was through Squire's.
00:48:57That was the era when Squires was in the band.
00:49:00And he knew Nabeel because they were in a band called Alien Crime Syndicate with Joe Mies from the Mises.
00:49:07I know that band.
00:49:08I didn't realize they were in that.
00:49:10Squires and Nabeel were both in Alien Crime Syndicate.
00:49:14And they were, that was way more show business rock, right?
00:49:17All those bands, they were all, even though they were punk bands,
00:49:22A lot of those bands, and when I say Motor City Devils, I remember they had a branded bus when they came to Bottom of the Hill.
00:49:28And that's why they are, for whatever reason, I think of bands that have, and this sounds like I'm slagging, and I guess I probably am, but when you'd see bands, like your van looked like something that a clown would use to pick up kids.
00:49:42Some of these bands, they would drive around in this thing, and you're like, where did you get a budget for this kind of transportation?
00:49:49I mean, you might as well be like opening for Celine Dion.
00:49:53Like this, you seem like to be in a very fancy, organized operation with some money.
00:49:59Well, and that's, there's so much, there were so many tours we did where we would, we would, we'd be playing in a venue and across the street, there was a much larger venue and it was a punk rock show.
00:50:13And out front of the venue, there were four,
00:50:17Brand new white Ford E350 vans pulling brand new, very large, like double axle trailers.
00:50:26Are these like, like, like, um, I'm trying to think of like that band is on Canada AFI.
00:50:30Is this like a kids wearing black punk rock kind of thing?
00:50:34Exactly.
00:50:34Go ahead.
00:50:35All the, all the bands were wearing Stan Smiths.
00:50:37They all had exactly the same black Les Pauls.
00:50:39And it was a, it was a, it was a universe of,
00:50:42And you never would have heard of any of the bands, but they were huge within this very small subculture of teens in... Oh, and like people would go... If they could go to a show, they'd go to five shows.
00:50:54They might follow them a little bit, stuff like that.
00:50:56Yeah, and there would be... There's like six bands on the bill, and every one of them plays for 45 minutes, and it's all hard, fast rules, right?
00:51:03Every song is a minute, 30 seconds long.
00:51:06And from our standpoint, although, you know, nominally punk...
00:51:12And for the kids, uh, and paren, um, it was such a, uh, uh, commercialized, like packaged money making.
00:51:24It felt like a franchise and who the bands were did sort of who cares.
00:51:30And it was just, it was, it was franchised and it, oh, and the other thing it was, it was, it was, um, what, what did they call it?
00:51:36Scene kids emo.
00:51:38There was that emo scene thing that also, it was the same.
00:51:41And bands adjacent to that, I mean, I didn't, Madeline and I did not go out of our way to see bands like that very often, but I can tell you, for example, we just took my kid to see a show, believe it or not, dude, at Great American.
00:51:52Yeah, yeah.
00:51:52Oh, yeah!
00:51:54Yeah, where?
00:51:54God, I mean, where do we begin?
00:51:56How did they like it?
00:51:57Oh, it's great.
00:51:57It's a guy, Ricky Montgomery, who's really good.
00:51:59But anyway, I mean, I don't even need... It would sound like a flex if I told you the experiences I've had with John Roderick at that place.
00:52:05But I do remember also seeing Ted Leo there.
00:52:10And I go back with the music of Ted Leo to, like, the 90s.
00:52:14Like, when he was in the band with one name...
00:52:18spacing on the name of his band.
00:52:20But when he was in that band, but like, I was almost, and I love Ted Leo, don't get me wrong.
00:52:25It was called Ratchet or something, right?
00:52:26Yeah, it was like, and they had that really good song, 8 a.m.
00:52:29all day or something like that was the album.
00:52:31Anyway, the point being that I was almost a little bit put off, not by him, to quote, your favorite band, Sloane, it's not the band I hate, it's their fans.
00:52:39Speaking there of Consolidated.
00:52:40But yeah,
00:52:42It was one of the most, first of all, the, the Ted Leo and the pharmacist put on one of the most like, holy shit, paint peeling shows.
00:52:49You're like, how are, how is this number of people making this sound?
00:52:53And not just loud, but like, it's, it's very emotional.
00:52:56It's really good.
00:52:57But the entire, in a way I've never seen, not with the Wrens, not with They Might Be Giants, not any other band.
00:53:03Not with Lamb Chop.
00:53:04Did I ever see so much stomping?
00:53:06And it felt like the entire place was going to come down with fucking emo, weirdo emo kids who were so into it.
00:53:14It felt like something from the early 80s again.
00:53:16It felt really intimidating.
00:53:18I think those kinds of bands, one reason you can run them like a business, is those kids are so dedicated to the genre.
00:53:26in an almost English way.
00:53:28You know what I mean?
00:53:29In an almost, like, British way.
00:53:30They're so into these bands.
00:53:31They love the bands.
00:53:32They love the songs.
00:53:32But they're, like, very dedicated to this particular flavor of genre rock music.
00:53:39Doesn't that seem like that's part of it?
00:53:40And, like, you can have these F-350s and trailers and... I don't think that you can have it absent the internet in the way that it was.
00:53:48And this was pre... This was before I understood what was happening on the internet.
00:53:52Mm-hmm.
00:53:52But, like, the money...
00:53:55where the money was coming from and who was funding it.
00:53:59It often felt like churches, you know, like who, what bunch of 21 year olds can buy a brand new van.
00:54:08Um, and, and it, it always felt weird.
00:54:11And this was, this happened to me, uh, this happened to me a lot during that era where it was like, I'm the one playing power pop.
00:54:19I'm like the old, the older dude playing.
00:54:22Which you could read as post bubblegum or, or like you're playing music that appeals to young people in some ways.
00:54:29And, but also like, I'm the one that's, that's got a song on the OC.
00:54:33Like I'm, I'm at one level, the, the one that's more,
00:54:39I mean, no one would ever accuse us of being sellouts, but like... Marketable to somebody who's got a sweet tooth for pop music.
00:54:47Right, but across the street, there's tens and tens and tens of thousands of dollars worth of equipment, and way more people, and the energy is way higher, but it's repping...
00:55:03a kind of street thing that, that doesn't even exist anymore.
00:55:07Or if it ever did, it was just, it was always a very strange.
00:55:11And there, that was always true at some level, the, the major label or, or the label that was a subsidiary of a major that focused on punk that had a lot of money.
00:55:24Mm-hmm.
00:55:27When I first met Nabil, I really, you know, like the lemons opened for the dwarves.
00:55:32Like they were, they were punk, but they were, they were smooth.
00:55:36They were polished.
00:55:38And I thought Nabil was smooth.
00:55:40I thought he was polished.
00:55:43And when he... He's powerful, but ultimately also just very subtle.
00:55:47You can't... That's hard to find.
00:55:49But that smooth polish was not a compliment in our day, right?
00:55:53You weren't supposed to be smooth.
00:55:54You were supposed to be like, I don't know what.
00:55:57You're supposed to cry.
00:55:58You're supposed to cry.
00:55:59If you ever stopped moving, Merlin, you were supposed to take a knee and start crying because that's how sad you were.
00:56:05So sad.
00:56:07My daughter said, my daughter, the other day we were sitting in a restaurant and she was like, I want you to tell, I want you to say three good things about me and three bad things about me.
00:56:15I'll go first.
00:56:17And I was like, you'll go first.
00:56:19I didn't agree to this.
00:56:20And she was like, so three bad things about you.
00:56:24And one of the things, you know, she was like, you're a teaser or whatever.
00:56:29But the, the, the third one of the, of the three was you,
00:56:35um, you are sad, but you don't admit that you're sad.
00:56:41And I was like, I don't know if that's a bad thing.
00:56:44I don't know if you could say that that's a bad thing.
00:56:47And she was like, well, it's my game.
00:56:48I'm making up the rules.
00:56:50Thanks, honey.
00:56:51Sad, but won't admit that you're sad.
00:56:53You know what?
00:56:54Well, okay, fine.
00:56:56I'm going to do you.
00:56:57You tell people things when they didn't ask, know it.
00:57:00It's your problem.
00:57:00That's the parental advisory on all my records.
00:57:02Sad, but won't admit that he's sad.
00:57:04Two, three, four.
00:57:06Anyway, Nabil was the guy that made the long winters the best thing that ever happened to me.
00:57:12He really was because when he joined the band, it was right when things were getting good for us.
00:57:18And he was the first adult I'd ever met.
00:57:20Honestly, the first person that never got upset,
00:57:25but not because he was crushing his emotions under a rock, although maybe he was, but he did not take stupid shit personally.
00:57:34He knew what the, he would walk into a room and he would understand what the most important thing to do next was.
00:57:40And he would do it without being asked.
00:57:42oh that's a gift i mean can you imagine i well especially i mean in that it's great in any situation but and this is not a slag on anybody in the band but just in general it's a it's just one chaotic bummer thing after another and to have a focus that lets you instantly see okay here's the next thing we need to do like it is i don't know it's like having a manager who's also really good at drums in in most in most music situations
00:58:09in most bands I've been in, when you walk in the door, at least one of the people walks in the room, looks around, and says, how can I make the next moment about me the most?
00:58:20Like, what sound can I make right now that will direct everyone's attention to me and my... That's a really good way to put it.
00:58:26And my sadness.
00:58:28And then there are always two guys in the band that appear to, when they're not being directed, to immediately shut off like a droid.
00:58:39Like, sit down on a bench and you see the light.
00:58:41Pick up a handheld video game and just basically, like, see 3PO.
00:58:45Like, you're not going to need me for the narrative in this scene, so I'm going to take an oil bath and be quiet.
00:58:49Exactly.
00:58:49I'm going to say battery power.
00:58:50And it's like, well, actually, you know, there's all this stuff that needs to get done.
00:58:54And it has to get done every- You grab a broom instead of powering down.
00:58:58Like, every night at this time of the day, we're in exactly the same situation.
00:59:02It's just a different venue.
00:59:04And we have to do the same things every time.
00:59:06Move these things to there.
00:59:07There's never a time when we don't have to do these things.
00:59:09But the, you know, but there's always somebody that's just like, well, I guess no one's looking at me.
00:59:13But Nabil was the one that just walked in and he was like,
00:59:18If there was somebody that needed to be talked to, he would go talk to them.
00:59:21If there was something that needed to get put somewhere else, but also capable of doing it at a very high level.
00:59:27Like he could talk to the owner of the bar and not make the owner of the bar go, what's wrong with that band?
00:59:33He had the most remarkable, I don't know how this is all about Nabeel, but he really did come off as if I were somebody in a position of responsibility, I would instantly get that he's used to dealing with adults.
00:59:43There it is.
00:59:44And he made me feel like an adult for the first time.
00:59:47because when I would be driving into a town and I'd be like, well, okay, so here's what we, you know, here's what we have to do.
00:59:55And he would say things like, oh, I already took care of that.
00:59:59And I would just sort of stare out the window for a minute, like, oh, great.
01:00:07Because it was, it like was, it validated that
01:00:12that it actually needs to be done.
01:00:13Right.
01:00:15That I wasn't just like, that I wasn't picking five random things out of a basket of 50 possible things.
01:00:21It, I actually knew what the five things were because he did too.
01:00:25And he just made the last year, the last three years of the long winters, just so great.
01:00:31And one of the things he did, and that, and that, and then I won't talk about Nabil and ever, ever again, one of the, one of the things he did was,
01:00:39During that period, he was so Merlin Mann in this respect, because this was during the time when you would buy a new camera every 36 hours?
01:00:50Yeah, more or less, yeah.
01:00:51And every time you bought a new camera, it had a whole new suite of capabilities, but it also needed a different kind of memory stick.
01:01:01And the old memory sticks weren't compatible with the new memory sticks.
01:01:04And you were always like, oh, check out this camera.
01:01:06This is the camera.
01:01:08And Nabil was doing that too.
01:01:09And he had a digital camera at a time when all I had was a flip phone.
01:01:15And everywhere we went, he just had the camera out and had it.
01:01:20inconspicuously kind of at chest level.
01:01:23And he was just moving it around.
01:01:24Just getting candidates, just getting easy, easy candidates.
01:01:27Pictures out the window.
01:01:28Every time we sat down to a meal, he took a picture of the table.
01:01:31Oh my God.
01:01:32I love that guy.
01:01:33Took a picture of the, you know, every time I'm standing talking to somebody, he took a picture from the side.
01:01:38And then at the end of the tour, he just sent a CD brom or whatever to everybody that had every picture.
01:01:46And in a way, those two years of pictures,
01:01:51are going to be the thing that, um, I can already tell that they have affected my actual memory of my own life.
01:02:01So that when I look back at the period between when I'm 70 and I look back at the period between 1991 and 2015, I'm going to definitely over remember that two year period, which thankfully is a happy time.
01:02:19And it's going to,
01:02:21It's going to kind of bleed over on both sides to make that whole period of my life feel like it was really productive and good.
01:02:32That sounds like that's not terrible.
01:02:35I mean, the pictures that you took of me when I was in San Francisco do the same thing.
01:02:42You took all these candid pictures.
01:02:44You were going through that Charles Peterson phase where you were like, what if the flash comes?
01:02:49stays on or I don't know how you did that stuff.
01:02:51I like to have fun.
01:02:52And I love, those pictures are some of the best pictures.
01:02:55And they remind me of that time in a way that colors like, it does, it ends up coloring your memory until it becomes your memory.
01:03:07Compared to the pictures I was taking, which were
01:03:09Flip phone pictures of it looks like you've gone to the Vaseline museum and plunged your phone into a big sample.
01:03:17Where the lighting source was, was the sun.
01:03:23So I guess we're pro Nabeel.
01:03:27Yeah, he just, he, you know, he swung through town.
01:03:31It'd be nice if he was easier to hate.
01:03:33Not hate, hate's a strong word.
01:03:34If he's easier to despise.
01:03:35He's very successful right now.
01:03:38And that makes somebody really easy to despise.
01:03:43I'm actually sitting here trying to think of reasons to be mad at him because I don't like how successful he is.
01:03:51But I can't because I keep coming back to all these nice things.
01:03:55I mean, he was in the lemons.
01:03:57Mm-hmm.
01:03:57Lemons.
01:03:59So, anyway.
01:04:01Lemons?
01:04:04Come on!
01:04:06It's so funny.
01:04:07All right.

Ep. 465: "Cocktail Goats"

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