Ep. 449: "Galaxy's End"

Episode 449 • Released January 17, 2022 • Speakers not detected

Episode 449 artwork
00:00:06Hello.
00:00:07Hi, John.
00:00:10Hi, Merlin.
00:00:12You called me a minute ago, and it sounded like you were under your blankie, and then I realized it was me that sounded like he was under his blankie.
00:00:19Calls coming for inside John's blanket.
00:00:22Yeah, I did.
00:00:22I realized that I was making a noise that might be upsetting.
00:00:27Want to hear it again?
00:00:28Want to hear it again?
00:00:29Yeah, go ahead and do it again.
00:00:30It was a little weird.
00:00:34huh yeah do the other one huh is that it mostly yeah it was weird yeah yeah because like if it's you know it's early here i don't know if i assume it's early there it's early it's early here so i'm not even done blowing my nose i'm not done blowing my nose and i and i've only had part of my iced tea is that a multi-stage process blowing your nose oh yeah yeah i mean do you trim a rose bush once
00:01:02I can do better.
00:01:04I never learned why you had hippies.
00:01:07You were lent hippies in your ravine.
00:01:10But I imagine that same kind of thing, you know, wiping, crop rotation, volleyball.
00:01:19All of the above.
00:01:24You got to keep it in the air.
00:01:26And I got to blow my nose real good.
00:01:29Yeah, I really wish I could breathe more, John.
00:01:33I think if I could breathe more, a lot of things.
00:01:35Hey, see, again with the breathing.
00:01:37So if you're not going to use your CPAP, use your CPAP.
00:01:40Can I have it?
00:01:41Well, you know, I talked to my doctor.
00:01:43Looked in my nose.
00:01:47And he said that it was full of scar tissue from all the years that I wasn't able to breathe.
00:01:54He was like, oh, it's all scarred up in there.
00:01:57And that's just making it harder because of all the times you've had a
00:02:03upper respiratory and all the oh my god john you i mean you're a strong man you're you're you're uh you're a great man i can't land on a fraction scuttle across the yes cause cameras hacky sack but having said that comma you uh you get uh i almost said uti i don't think that's what i meant to say no you get up you get you get face uh infections and maybe chest infection you get a lot of chest right yep both of those things
00:02:33Now you got scars in your nasals?
00:02:35Scars.
00:02:36And so what he's saying is you already had no shot at breathing because of your face architecture.
00:02:44Are you like a pug?
00:02:47You never had a chance.
00:02:49Oh, man.
00:02:51This is only screwed it up.
00:02:52So he said, maybe you should go to somebody who can like.
00:02:55The thing is, apparently, there's a way you can get it roto-rooted out.
00:03:00Alex did that, and it didn't help.
00:03:02Alex had that done to them.
00:03:03And apparently, I can hook you guys up if you want to talk about nose.
00:03:06Because I've thought about it.
00:03:07Oh, I've thought about it.
00:03:09I've thought about going in and saying, you know, like that thing.
00:03:12I've never done this because I don't have the stomach for it.
00:03:14There's a thing you can buy to suck snot out of your kid's nose.
00:03:17Oh, yeah, I've seen it.
00:03:18I had it.
00:03:19I had it.
00:03:19I guess we used to do that.
00:03:21You used it on your kid, or it was used on you?
00:03:23No, I think we used it on the baby.
00:03:24Well, I mean, I get it.
00:03:28Okay, but I'm going to out myself, as they say in the community right now.
00:03:31I'm going to out myself.
00:03:35There's a lot of things historically where I've gotten better at something or changed about something.
00:03:40A big one is shots.
00:03:43Did you not like to use shots or have you started to like it less?
00:03:49When I was a kid, I was a very sensitive kid in some ways.
00:03:54Is that difficult to believe?
00:03:56I believe that that is possible.
00:03:57Do you think I'm needy?
00:03:58I was pretty sensitive.
00:04:02And one of the things was like, okay, first of all, I hated blowing my nose.
00:04:05And I thought I could fool my mother by sucking it in.
00:04:07I put Kleenex up to my nose and I'd suck it in.
00:04:10That's a very different sound.
00:04:12Whoa, okay.
00:04:13Yeah, that's one.
00:04:14But hypodermic needles were the worst for me.
00:04:16I lived in constant fear of a balloon popping or having to get a shot.
00:04:21A balloon popping.
00:04:23Yeah, I also worried I'd close a cat in a door.
00:04:25But there's lots of things.
00:04:28We didn't have a cat.
00:04:29We didn't have a cat, but I honestly legit would look behind me when a door closed because I had a compulsion about fearing that I would close a cat in a door.
00:04:40Had you ever seen a cat closed in a door?
00:04:44So you just imagined at some point what it would be like.
00:04:48Imagine a cat scurrying to catch up before the door closes.
00:04:53You don't think you saw this in a comic book or saw it in a movie?
00:04:58I mean, I know.
00:04:58I can imagine that, too.
00:05:00A priest showed me a looping video in his tent once.
00:05:04Of cats getting close to the door.
00:05:07Oh, can you believe that one?
00:05:08That one thought he was going to get true.
00:05:10Ha-ha.
00:05:10Ta-ta-ta-ta.
00:05:12Were you worried that the cat's tail was going to get caught or that the cat itself, like halfway through?
00:05:17Okay, let's focus for a moment because it's important that you understand this.
00:05:21And I do feel like I might need to mute and blow my nose.
00:05:24Okay, so imagine this.
00:05:25Let's think less about cat and more about door.
00:05:29Think about a door that closes automatically.
00:05:33Like a screen door is extreme because they can slam.
00:05:35But a door that has some kind of a mechanism...
00:05:38You know like the way when you urinate in our bathroom and the door opens slowly because you never close it all the way?
00:05:44Remember in the new place, the Cursed, the new-er place, the Cursed Door, where you go in there and you're all together and you're standing and then I can just – my daughter would toddle up and just very slowly watch the door open.
00:05:57I have a closet door like that now.
00:06:00The hall closet.
00:06:02Oh, I hate that.
00:06:03A door should stay where it... Now, there's a difference between a door and a doorway.
00:06:08I'm talking here about the rectangular plane.
00:06:11The door itself.
00:06:12Yes, the door itself should stay where you put it.
00:06:15It's just that everything in our house is a joke and it's built on some kind of a grade.
00:06:20Yeah, it's called San Francisco.
00:06:22Nothing was made to be there.
00:06:24Oh, God.
00:06:24Well, I used to live in Florida, so that's where it started.
00:06:27That's where nothing should be here started.
00:06:30Oh, this is great.
00:06:31It's really, really hot and there's alligators, roaches, and mosquitoes.
00:06:35Let's build a university.
00:06:39So think about the door part.
00:06:41Think about a door, and you open the door, you go through it, and then the door does some kind of an auto-closing thing on its own.
00:06:48Maybe even, for the sake of this illustration, let's think about a screen door.
00:06:53If it doesn't have that nice pressure thing your grandpa puts on there, right?
00:06:58Right, right, right.
00:06:58So you go through the door, and then the door closes on its own.
00:07:02Now imagine that there's a cat...
00:07:04This is, oh, I can get through while the door is open.
00:07:07I'm going to sneak in.
00:07:08I'm going to, as they say, as they say in Silicon Valley, piggyback.
00:07:12Oh, they say that in Silicon Valley.
00:07:16Yeah, yeah.
00:07:16When you run your badge and then somebody comes in with or behind you, that's called piggybacking and it's frowned upon.
00:07:21Isn't there a security guy that keeps that from happening?
00:07:25Or gal.
00:07:26Yeah, sure.
00:07:26I don't know.
00:07:30I've got to blow my nose.
00:07:31It says, stop right there.
00:07:33Isn't there a stop right there?
00:07:34Here, you need to blow your nose.
00:07:35It says, stop right there.
00:07:40Stop right there.
00:07:40I'm very concerned about this cat now.
00:07:44I know.
00:07:44I never even had a cat, John.
00:07:46It's not the type of thing that you would, as you were cycling through a thousand possible anxieties, it's not the type of thing you would typically settle on unless there'd been a triggering event.
00:07:57Well, no, because as I say in my Wisdom Project document, we don't get to pick what we love in life.
00:08:06I see.
00:08:07Right.
00:08:07And I think we don't get to choose –
00:08:11The people or invaginations in life that we love.
00:08:16And I think we have to honor that.
00:08:17And I think with compulsions, you rarely get – that's a little Freudian to think that, like, I don't know, that a cat – the priest, you know.
00:08:26The cat, the priest, sure.
00:08:28I didn't have a priest, John.
00:08:30Right.
00:08:31I was in Scouts.
00:08:32But anyways, I had a few compulsions as a kid.
00:08:37And one of them, I had several compulsions, especially in late elementary school years.
00:08:42Now, that might have been because my life was a little odd.
00:08:44Actually, that was a little bit of a Pax Romana in my life.
00:08:47Sixth grade was a very good year.
00:08:49Fifth and sixth grade, things had sort of settled down.
00:08:52And I had an anesthesiologist.
00:08:58I had an anesthesiologist.
00:09:00I was always afraid I closed the door.
00:09:01You know, they say that's one of the most difficult jobs is anesthesiology.
00:09:05You got to get it just right.
00:09:06My sister was an anesthesiologist.
00:09:08Wait, shut your mouth.
00:09:09Not Susan, the other sister.
00:09:10Oh, one of the other sisters.
00:09:11Oh, the other sister.
00:09:12Okay, okay.
00:09:12There's the other sister, Susan, but then there's the sister, Laura.
00:09:15She was an anesthesiologist for many years.
00:09:17She worked with Dr. Bob.
00:09:19With whom?
00:09:19With whom?
00:09:20Oh, Dr. Bob.
00:09:21Dr. Bob.
00:09:25He was the indie rock doc.
00:09:28I should have blown it all over your keyboard.
00:09:35All right.
00:09:35I'm going to, I'm going to try to mute.
00:09:37Hang standby.
00:09:38I want to hear about the other Susan.
00:09:40Hang on.
00:09:43Oh, God, I hate it.
00:09:45Is that all right?
00:09:46Did you get it done?
00:09:47No, I'm not done.
00:09:48This is the thing.
00:09:49It's like trimming your rose bush, you know?
00:09:51And you can't go too fast.
00:09:53Now, one trick a lot of folks don't know is usually, you know, your nostrils, not your nostrils, but the sides of your nasal breathing alternate every 90 minutes or so.
00:10:06One is more dominant than the other for a period of time.
00:10:10And the key to a good nose blow is it seems like you should start on the difficult side, but you should actually start on the easy side.
00:10:18And that helps free up the difficult side.
00:10:20Oh, you got to free it up.
00:10:22It turns out, John.
00:10:23Sure, sure, sure, sure, sure, sure.
00:10:24uh anesthesiologist i should just rewind for a second i did the thing where i i i slightly anonymized uh the character that i was gonna that i was gonna tell a story oh that's fine uh and i called him dr bob but then i realized well his actual name is also an unknowable you know an untraceable pseudonym his real name was dr john
00:10:47And we never called him Dr. Bob.
00:10:49I was just doing the thing where it's like, oh, should I out him because he's a professional?
00:10:55But yeah, Dr. John, he's a doctor.
00:10:58He worked in Tacoma where my sister Laura was an anesthesiologist.
00:11:02Famous keyboard piano player.
00:11:04Dr. John, right.
00:11:05And he loved indie rock.
00:11:08And he would make the drive up from Tacoma to see all the bands.
00:11:11He was at every show.
00:11:14And he was, you know, a little older.
00:11:15He's a doctor.
00:11:17And so he was at every show.
00:11:19But he was almost certainly younger than you are now.
00:11:22Oh, younger than I am now.
00:11:24And he loved rock music.
00:11:26And then eventually everybody knew him.
00:11:29And so he became, if you twisted your ankle, if you broke a finger.
00:11:33So he's a practicing physician.
00:11:36And you would call.
00:11:37You could actually go.
00:11:38Because I don't even want to pick doctors anymore.
00:11:41It seems like you get assigned doctors a lot.
00:11:43But in this case, you could go down to see Dr. John.
00:11:47Dr. John would come see you.
00:11:51He loved bands.
00:11:52And he was a hotshot doctor.
00:11:56And the thing is, he wasn't a Dr. Feelgood, but he would prescribe you stuff if you needed it.
00:12:04Yeah, I was thinking it was going to be like a Dr. Nick.
00:12:07No, no, no.
00:12:07When you said that, because frequently I feel like, and when we say Dr. Nick, there's a funny character from The Simpsons, but it's also my aunt and uncle's former neighbor in Memphis, who was purportedly the person who gave Elvis Presley a lot, a lot, a lot of drugs.
00:12:23And I think he became prominent after Elvis's death because they did an autopsy and were like, who in the hell put all these drugs in the fat man?
00:12:31And it was Dr. Nick was the answer.
00:12:33It was Dr. Nick.
00:12:34So you hear a doctor in first name, and I think of Dr. Nick.
00:12:38Now, Dr. John sounds like a pretty good egg.
00:12:40He likes indie rock, all the great shows.
00:12:42Yeah, and Dr. John, I think even by his own admission, would acknowledge that he was on the spectrum in a way that was...
00:12:52That was apparent.
00:12:55But he also... A lot of those folks are the best fans, if you ask me.
00:12:59Super fans, right?
00:13:00And he knew every note.
00:13:02He was devoted.
00:13:03He loved Death Cab.
00:13:04He loved The Long Winters and a lot of other bands besides.
00:13:08He was the guy... I was looking up some guy in the UK...
00:13:12Who started seeing shows back in 1971, and he's written down every show he's ever been to.
00:13:18That's right up our alley, huh?
00:13:21He has been this guy.
00:13:23He's got cigar boxes.
00:13:24Cigar boxes of his mind.
00:13:27He does.
00:13:27He has every ticket stub.
00:13:29But he's put it all in a website.
00:13:32where he documents every show.
00:13:35Let's see if I can find him.
00:13:37I had him just here right just a second ago.
00:13:40Is he a pseudonym?
00:13:43Well, I don't think I should pseudonym him because I think there's nothing he would like more than for all of us to read his list of shows that he's been to.
00:13:54It's his early 70s.
00:13:55That's crazy.
00:13:56Yeah, he saw the Sex Pistols 15 times and...
00:14:00The thing is, these days, if you look at his shows that he's going to, he's not going to every show anymore.
00:14:11And the shows that he's choosing are a little weird.
00:14:15So it's RaysGigs, R-A-Y-S, gigs.com.
00:14:19Oh, wow.
00:14:21And RaysGigs, he's got shows.
00:14:25Oh, man, going way back.
00:14:28And I'm not going to try and navigate his thing.
00:14:31Oh, he's seen Kiss a lot.
00:14:34Did you say he's in the UK?
00:14:36He's in the United Kingdom, yeah.
00:14:38And I think at a certain point he realized he was the UK's number one gig goer.
00:14:43And so then, you know, that's a thing.
00:14:45So he says he's been to over 5,500 gigs since 1973.
00:14:48And, you know, Dr. John's the type of guy that might rival him.
00:14:53But I don't think Dr. John's ever seen Kiss.
00:14:57Oh, okay.
00:14:58I don't know.
00:14:58You can never... He's going to more stage shows.
00:15:05He's doing that, but he also is going to metal acts that are on the...
00:15:11State Fair Circuit.
00:15:13Mm-hmm.
00:15:13You know, a lot of, like, White Lion and stuff.
00:15:15Although, you know, I'm not going to denigrate the Rick, what's his name?
00:15:20Ray's Giggs.
00:15:21Ray's Giggs.
00:15:22He's like on the Bunnymen in February.
00:15:24That's cool.
00:15:26So he's still, he's got his hand in the game.
00:15:34God, it's early.
00:15:36We haven't recorded at 10 o'clock in the morning in so long.
00:15:40It's a nonce.
00:15:41It's been years.
00:15:42Ooh, it's out of man.
00:15:44Oh, man, that's cool.
00:15:44It's been out of man many times.
00:15:46He's still performing.
00:15:46Do we know what year this is?
00:15:48Is this the current year?
00:15:49He keeps it current.
00:15:49He keeps it current.
00:15:50He surely does.
00:15:51I like his use of dashes.
00:15:54I think he goes to the Hammersmith Odeon a lot.
00:15:56Oh, I've heard of that.
00:15:58He's a local guy.
00:16:00He's a local guy.
00:16:01He lives in London or is he in the home counties?
00:16:05No, he's there in the London environs.
00:16:08But you know, it's a large city.
00:16:09It's like San Francisco.
00:16:10Yeah, there's London inside of London.
00:16:11Do you know about that?
00:16:12Well, this is what I'm saying.
00:16:13If you were in London right now, Merlin, let's say, and I know this is your worst nightmare, but let's say you're in London.
00:16:18I was in London for a day.
00:16:20And you're sitting there and somebody goes, oh, where are you from?
00:16:23And you live, okay, this is very speculative because what if you lived in Oakland, but you were in London?
00:16:30We're talking about an alternate universe.
00:16:31Oh, okay.
00:16:32This is going on the list of things that need a name because you don't need to know exactly where I live and you wouldn't care.
00:16:38If I say San Francisco, if you want to know more, you'll ask more.
00:16:41Yeah, that's right.
00:16:42It's like saying you're a ceramicist.
00:16:44And it's a way for people to go, oh, we're in San Francisco, thereby indicating that they know more.
00:16:51And then you guys can dive down.
00:16:54You know, when somebody says, when I'm in London and somebody says, oh, I'm from Seattle.
00:16:59And I go, oh, where?
00:17:01And they say, oh, it's a little neighborhood.
00:17:03You wouldn't know it.
00:17:04Oh, I love that experience.
00:17:06Actually, I live in, what's it called?
00:17:08Quisp.
00:17:09You get that wise face.
00:17:12Twisp.
00:17:12Twisp.
00:17:13Twisp.
00:17:14Did you make that up?
00:17:15Is that really a place, Twist?
00:17:16No, it's a place.
00:17:16It's a place.
00:17:17And you're going to be a sheriff there at some point.
00:17:19Yeah, one day.
00:17:20Oh, one day.
00:17:24Biting my time.
00:17:27I live in Seattle.
00:17:28They closed the North Road to Twist.
00:17:30So in the winter, you know, even getting to Twist, you've got to go by the South.
00:17:33Are you turning into an English folk song?
00:17:35Ha, ha, ha.
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00:20:30And all the great shows.
00:20:36You know, that's really fun when somebody says, oh, I live in a neighborhood, you know, and you're like, oh, tell me which one.
00:20:41Because I would never reveal, I never would reveal that I knew more.
00:20:45I would always just say, no, no, no, tell me the name, you know, and they'd be like, I live in Ballard.
00:20:49And I'd go, oh, Ballard, you say.
00:20:51We're in Ballard.
00:20:53You know.
00:20:54And then it's only then that I get to say like, oh, you mean the pink house on the corner?
00:20:58And they're like, what?
00:21:01I love that.
00:21:04You hold up your phone and it's their face on it.
00:21:08Oh, yeah.
00:21:08I park across the street from your house and look in the windows all the time.
00:21:12Oh, yeah.
00:21:12You should get better curtains.
00:21:15I like your hair like that.
00:21:17Speaking about hippies, I had a hippie over here yesterday.
00:21:21Have I ever told you about my original Seattle band, Chautauqua?
00:21:30If you have, I don't remember.
00:21:33Original Seattle band.
00:21:35The first band I was ever in.
00:21:37Chautauqua.
00:21:38Chautauqua.
00:21:39The first band I was ever in was the Truly Awful Band in high school.
00:21:43And I think I've told you about that.
00:21:45The guitar player, Rick Garnett, Rick had learned all these early 80s new wave of British heavy metal songs by Judas Priest and so forth.
00:21:58And then he would play them in practice.
00:21:59But I didn't know the music well enough to recognize that they were songs by other bands.
00:22:10And so I would write my own lyrics to them.
00:22:13And Rick never informed me like, oh, no, that's an Iron Maiden song.
00:22:19Is this the Truly Awful Band?
00:22:21This is the Truly Awful Band.
00:22:23You didn't realize you were writing lyrics for an existing song.
00:22:28And Rick, is that right?
00:22:30Yeah, Rick.
00:22:31I got a lot of names to keep track of this week.
00:22:33And he didn't feel the needs to say, oh, that's a brick in the law.
00:22:39You just wrote brick.
00:22:40We just wrote brick in the law.
00:22:43And it was always, yeah, it was right.
00:22:44It was like the hellion or electric eye.
00:22:46And it was, it was early enough that I didn't have, uh, I didn't have the, the, like, uh, like, you know, comprehensive knowledge of, uh, rock music that I have now.
00:23:01And I would, and I just thought that life was easy like that.
00:23:05And that Richard Winfield Garnett could come up with all these great riffs.
00:23:10And I was like, cool, you know, and I wrote these lyrics to them.
00:23:15It's so weird.
00:23:15It's like a little bit like you're almost in like a the gods must be crazy kind of situation.
00:23:21Like you found a Coke bottle on the savannah.
00:23:24You know, what if I played this?
00:23:25What if I played the part you're playing, but up a fifth?
00:23:29This will really catch up.
00:23:31And Rick was one of those high school kids.
00:23:33And this is back in a time when, you know, learning guitar and being a guitar stud was one of the five ambitions that any boy in high school had.
00:23:43Oh, it's like hoop dreams.
00:23:44I mean, what other options do you have?
00:23:46You could go to college or you could play in a band.
00:23:49I'm not going to go to college.
00:23:51Yeah, right.
00:23:52We're going to play in a band.
00:23:56And I'd be like, come on.
00:23:58And Rick was one of the kids in the school that was good.
00:24:06Right?
00:24:06You've got a million bands.
00:24:08The phrase that I still use to this day, I always think of my friend Stephen Fox.
00:24:13He could play the parts.
00:24:14He could.
00:24:15He knew the right.
00:24:16I played in a cover band with Stephen.
00:24:19It was so embarrassing.
00:24:21Apart from Stephen's band, Flanders, it was the most popular band that any of us had been in, in Tallahassee, was playing 90s covers.
00:24:28Long story short, the bar, the Cow House, which you've probably been to at some point.
00:24:33Sure, the Cow House.
00:24:33The Cow House, which was where we practiced.
00:24:35It's where our friends owned it.
00:24:39And the drummer from Flanders needed a band to open for Bow Wow Wow.
00:24:45Annabella and Bow Wow Wow was coming through town.
00:24:47And at the last minute, it's like, yeah, this is a last minute thing.
00:24:51They have to have an opening act.
00:24:53And, of course, there's no money, but, of course, there's beer.
00:24:57But, so why wouldn't I spend three weeks learning like 20 people?
00:25:0380s covers, most of which I already kind of knew, of course.
00:25:07I could fake it.
00:25:08But then I was in a band with fucking Stephen Fox, who actually tried out for Foo Fighters at one point.
00:25:13He's actually really good.
00:25:14He's a car player from Flanders.
00:25:15Oh, yeah, yeah.
00:25:17He's really good.
00:25:18And Stephen always knows.
00:25:21the part because he learned the part.
00:25:23And to me, it's like, I don't know how you even describe it.
00:25:27I was going to say it's like perfect pitch, but it's way better than that.
00:25:29It's like being able to just like produce iced coffee with your eyes.
00:25:33Like, I don't know how he does it.
00:25:34It's a fucking gift.
00:25:35But meeting the person who knows the parts.
00:25:37Now, the interesting part here is, would you say his name was?
00:25:40Mine's Steven.
00:25:40Yours is Rick, right?
00:25:41Rick, Rick, Rick.
00:25:42But again, now Rick learned the parts, but he never...
00:25:45So he didn't do the classics like dub you a shitty cassette so you could learn the song where you would find out that it's Iron Maiden.
00:25:56That didn't happen.
00:25:59So Rick was one of the rare, rare kids in school.
00:26:06Because I was always the youngest kid in the class.
00:26:09Rick was actually a little bit younger than I was.
00:26:13But he didn't – but Rick was not immature.
00:26:16Rick was raised in a large Catholic family.
00:26:19They were well-to-do.
00:26:21And Rick was an achiever.
00:26:25And he was a handsome kid.
00:26:27And he was popular.
00:26:29And he had in his bedroom – he had his bed.
00:26:33And then he had a drum kit.
00:26:37And then a whole guitar set up.
00:26:41And our friend Jim McNeil, who was a transplant from Arkansas, at some point Jim said in his distinctive Arkansas drawl, I play the drums.
00:26:57And we had no idea how Jim played the drums.
00:26:59But Jim was one of these guys that could, you know, Jim could do anything.
00:27:02Jim was the guy who showed up at Kevin.
00:27:05Jim was working construction downtown.
00:27:06And he would show up at Kevin's house after work.
00:27:10to like hang out and go get a beer.
00:27:12And Kevin at one point said, every time Jim shows up at my house, he's wearing his tool belt and his hard hat.
00:27:21But I know in order to get in his truck and drive here, he had to take off his tool belt and hard hat.
00:27:28Which means that when he... He's a full-time lifestyle construction worker.
00:27:33And he can do the construction, but what it meant was when he arrived at Kevin's house, he got out of his truck and put his tool belt and hard hat back on.
00:27:41Did he play drums while he was wearing these village people up?
00:27:45No, this was before.
00:27:46He played drums before.
00:27:48But so Jim showed up, and he was the drummer, and Rick could play Hellion in an electric eye.
00:27:55And of course, you know, and I got recruited as the singer because I was the only one with charisma.
00:28:02And so, and we would get in there and I would write these songs about how the great Alaskan moose came down from the mountains to bestow his wisdom on all of us.
00:28:11You know, like I was writing some wizard music, except it was all about, you know, Alaska because it was all I knew.
00:28:21And it was – so Rick went on.
00:28:25He's one of these terrible, terrible people who was great at everything, great at music.
00:28:30And handsome.
00:28:31And handsome.
00:28:32And then – oh, and he actually was –
00:28:39He was like one of the king concerns.
00:28:41He was able to cross over.
00:28:42He crossed over and dated a Soch, which was a scandal.
00:28:46Absolute scandal.
00:28:47But Rick, right now.
00:28:48I bet it was a scandal to everybody.
00:28:49I bet it was a regular Montague and Cabula type situation.
00:28:52Well, it absolutely was because from a Soch perspective, like this guy, he's headed to the stratosphere.
00:28:58Yeah, she shouldn't be dating down.
00:29:00Well, or whatever.
00:29:01That was one of the first examples of like, oh, wait.
00:29:05we like the conserves are going to end up being the ones that you know the socias are going to look up to this was this was the moment right this was the crossover before that it was like oh the socias they run they run everything and then it was like no it's actually rick that's going to run everything right now i should say i looked it up richard winfield garnett is the paul j sherry slash fort howard corporation professor of law
00:29:31And a concurrent professor of political science and the founding director of the Notre Dame program on church, state, and society at Notre Dame Law School.
00:29:42Oh, now he's Richard.
00:29:44He's Richard Winfield now.
00:29:46I feel like you might be giving me some kind of a neurology exam.
00:29:51Yeah, yeah, yeah.
00:29:52This is what we, in my house, this is what we call a data dump.
00:29:56Because we have a rule.
00:29:58We have something I learned from my friend Alex.
00:30:00When you get home, it's called DND.
00:30:02It's do not disturb time.
00:30:03No data dumps are allowed for the first hour that I get home.
00:30:07Well, this is all stuff that you should know, right?
00:30:10Because we've been talking for 11 years.
00:30:12I know.
00:30:13Well, it's like, but it really is like, I don't know, like some kind of Meryl Streep thing where you're like trying to jam in everything that I may not know because you never know.
00:30:21No, no, no.
00:30:22You got to get back.
00:30:22You got to get all the way back.
00:30:24But Rick's not a doctor.
00:30:25Rick is a Catholic law professor at a Catholic university.
00:30:29Specializing in Catholic law.
00:30:31He's not just a law professor.
00:30:32What's the name of his chair?
00:30:34He had a corporate chair.
00:30:35Is that right?
00:30:36What is he?
00:30:36Or scholarship?
00:30:38What is it?
00:30:38No, no, no.
00:30:39Let's see if I can find it again.
00:30:41It is the... It was like the Genentech and Bob's Pete Moss Memorial Fellowship or something?
00:30:47That's what it is.
00:30:47No, it's the Paul J. Schieri slash Fort Howard Corporation professor of law...
00:30:54Who loves that title?
00:30:58Notre Dame Program on Church, State, and Society at Notre Dame Law School.
00:31:01Well, whenever he sends me an email, it has all of that in his signature.
00:31:07His signature.
00:31:08And you know, the thing I learned quite a few years back, I used to think, oh, God, all these douchebags and their goddamn signatures, and they're totally toothless.
00:31:17uh, legal warnings and threats.
00:31:20There's not a, it's not a warning.
00:31:21It's a threat, legal threats or, you know, the saber rattling, the bellicose signature.
00:31:26And, uh, it turns out that the IT department does that a lot of times, not the person.
00:31:32Did you know that?
00:31:33Well, somebody told them that makes it legal.
00:31:34If you strap that on, if you strap on this particular codicil, now you could ask, uh, uh, well, he's a JD, I suppose, Dr. Rick about this.
00:31:45I mean, you went to Gonzaga.
00:31:48That's Catholic.
00:31:49Maybe you could get an in.
00:31:51I know Rick really well, and it's entirely possible that he put all this in there.
00:31:55You know, at the very bottom of his email signature, I'm looking now, it actually has a link.
00:32:00It says, download my scholarly papers here.
00:32:04Download my scholarly papers here.
00:32:05Oh, no, that's definitely, I don't think IT did that.
00:32:08Nope, nope, nope.
00:32:08Nope, no, that's something.
00:32:10And he's really something.
00:32:11And he focuses on the law itself.
00:32:14He's very Catholic.
00:32:15And the thing is, his family converted to Catholicism.
00:32:18That's the craziest thing.
00:32:20Oh, interesting.
00:32:22They're, you know, Catholics come lately.
00:32:25Yeah, that's right.
00:32:26But when that Amy Barrett got elevated to the Supreme Court.
00:32:31Kind of hot.
00:32:31Rick was like totally tight with her.
00:32:35And he was like, no, no, no, she's the best candidate.
00:32:37And I was like, Rick, she's not the best candidate.
00:32:40She should not be on the Supreme Court, but she does seem very smart.
00:32:43Rick was extremely offended at all the personal attacks that were levied at her during her confirmation.
00:32:49Did you see this on Facebook?
00:32:50No, no, no, no.
00:32:51He's sending these emails to me because he and I have argued about politics since we were
00:32:5614, because he was conservative then and I was a leftist.
00:32:59And, you know, he's the one that famously said something to me and he shouted down the hall at me something about Ronald Reagan.
00:33:08Or no, no, no.
00:33:10He was a Jack Kemp supporter.
00:33:12Oh, Jack Kemp.
00:33:13That guy looked like he was carved out of a solid piece of elephant tusk.
00:33:17He was going to be president of the United States.
00:33:19Remember how handsome that guy was?
00:33:21That guy looked like a composite sketch of everybody who almost won president.
00:33:24And it was at the time when conservatives still felt like you could be younger.
00:33:30Talking about late 80s, like mid to late 80s.
00:33:32Yeah, mid.
00:33:33People were still high on the Reagan fumes, but there were so many conservatives that you wouldn't even recognize as being in the same world.
00:33:44theoretical party today no no they'd be considered liberal democrats now but rick said something to me that where he was he was shouting something down the hall that i didn't you know that that uh but ron reagan yeah and it was one of these ad hominem attacks that 15 year olds do when they're arguing politics like you know sure go read the constitution and i was like you know what
00:34:08You need to read up on it, I said to him.
00:34:11Oh, no.
00:34:12And it became, no, no, no, it became like, because all of our friends were standing somewhere in the vicinity, and it became a thing that we would all say to each other.
00:34:20Like, friends would say, say it then.
00:34:22It became a catchphrase.
00:34:23You need to read up on it.
00:34:25I was concerned.
00:34:26That it was one of those, like, I'm thinking of a TV show that I like, that you lost your opportunity for a really good catchphrase.
00:34:34Why don't you read up on it?
00:34:35It's got kind of a Brian Regan quality.
00:34:37You should go read up on it.
00:34:39It's a little bit like, what, is this your first day?
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00:36:22At least in our little circle, that actually was an effective scorching burn, but also it was funny because everybody knew that Rick had read up on it.
00:36:33And I was like, read up on it.
00:36:36I get it.
00:36:37You had to be there.
00:36:38No, no, no, no, no.
00:36:39Well, the hallway helps a lot.
00:36:41Yeah, yeah, yeah.
00:36:41We're yelling down the hallway.
00:36:42Yes, yes.
00:36:43It's like today, you know, it's hard to job and jab with people with a mask on, for example.
00:36:50I learned very early on in our ill-fated, poorly thought out trip to Rhode Island over the summer, that if you're in a room with my family, first of all, glug, glug.
00:37:01and I don't know what it is about... I love my family.
00:37:04I actually really love my family, mostly.
00:37:07I mean, I like some more than others.
00:37:08I like some more than others, but I love all of them.
00:37:11I don't know what it is about my family.
00:37:13They seem to really, like...
00:37:16Owning houses that sound basically like the acoustics of a museum, except nobody's whispering.
00:37:25It's just all stone and wood.
00:37:31It's Rhode Island.
00:37:32So glug, glug, everybody's screaming.
00:37:34And we walk in with our masks on and say, we're going to have our masks on.
00:37:38So you're looking at me, right?
00:37:42And I'm wearing a mask.
00:37:42Okay, here's my family.
00:37:43Glug, glug, glug, glug.
00:37:45Here's me.
00:37:47No lip reading.
00:37:49I've already been, as the chuds and thumbs and hogs like to say, it's a muscle.
00:37:55But you can't talk.
00:37:57And of course, everybody's glug, glug, and everybody's screaming with no mask on.
00:38:02It might as well just be like spitting out of the vuvuzela.
00:38:04You know what I'm saying?
00:38:06We were watching Sense and Sense.
00:38:07A hallway can be very loud, John.
00:38:10And I think in retrospect, you in a hallway yelling that, it could have gone a lot worse.
00:38:15Well, and our school had 2,700 kids in it or something like that.
00:38:19So it was one of those enormous, what felt like an urban school, like from one end of the hallway to the other, you couldn't see the other end.
00:38:27It disappeared into the ozone.
00:38:29I forgot.
00:38:29I went to a big school.
00:38:31I had a nice visit with a new friend of mine the other day, my friend Sydney.
00:38:36Sydney went, I think if I heard this correctly, they went to a high school with, I want to say, 4,000 people.
00:38:42And I said, are you sure about that?
00:38:44Because I went to what was, even at the time, regarded as a large high school.
00:38:48And as it turns out, we had 666 kids in the entering 10th grade at that point.
00:38:53Well, that's a lot.
00:38:56600 kids just in the sophomore year.
00:38:59Yeah, that's correct.
00:39:00That's correct.
00:39:01But 4,000?
00:39:02Holy shit.
00:39:03And in this case, oh my goodness, that's a lot, John.
00:39:06That's four years, but you don't always get the same distribution.
00:39:09That's going to be a loud hall.
00:39:11Not as loud as Rhode Island glug glug, probably.
00:39:15But you get points for context there.
00:39:18What is it again?
00:39:19Read up on it?
00:39:20Yeah, read up on it.
00:39:21Read up on it.
00:39:22It's got a Letterkenny kind of rural Canada quality to it.
00:39:26It's a little bit like that, yeah.
00:39:28Read up on it.
00:39:29Read up on it.
00:39:30Figure it out.
00:39:30We were watching Sense and Sensibility and my daughter at some point said... Which one of Tom Wom scans?
00:39:38The one with the Rose... The one with the... What's his name?
00:39:43The...
00:39:44The guy from Succession?
00:39:46No, the other one.
00:39:47Oh, yeah, maybe he is in Succession.
00:39:49Yeah, I think he is.
00:39:49It's the one with Rose McGowan.
00:39:51Oh, the one with the girl from the Pirates movie?
00:39:52Yeah, Rose McGowan.
00:39:54She was in Titanic, right?
00:39:56Rose McGowan?
00:39:57Not Rose McGowan.
00:39:58Are you talking about Keira Knightley?
00:39:59No, the Titanic.
00:40:01Oh, I know what you're talking about.
00:40:02You're talking about the girl that was in that movie with the girl from Yellow Jackets.
00:40:07I know who you're talking about.
00:40:08Kate Winslet.
00:40:09Yeah, Kate Winslet.
00:40:10Kate Winslet.
00:40:11Okay, okay.
00:40:12And my daughter says, why does everybody sound like they're talking to a microphone?
00:40:17And I was trying to figure out what she was talking about.
00:40:20And I listened to...
00:40:22And it was two things.
00:40:25Very echoey homes.
00:40:27Oh, I see.
00:40:29And everyone is enunciating.
00:40:32They're talking loud.
00:40:33They're all talking loud, even when they're talking loud.
00:40:35I don't know if you were raised this way, John, but I was definitely in probably one of the – I don't know if it was one of the concluding areas.
00:40:41I don't know if it was an Ohio thing or what thing.
00:40:43But like –
00:40:44We were very heavily encouraged not to – I think the phrase they used to use was mumble, that you should enunciate.
00:40:50Yeah, exactly.
00:40:51You should – and it's interesting.
00:40:55One of the things I like to watch on YouTube is police interrogations.
00:40:59I'll just watch different police interrogations for hours.
00:41:02You mean real ones?
00:41:03Oh, yeah.
00:41:04Like where the camera is on the other side of the glass or it's up in the corner?
00:41:08It's up in a corner.
00:41:09Somebody handcuffed to a table and they're like.
00:41:12Handcuffed to a table.
00:41:13You want me to get your water?
00:41:14I know all the techniques.
00:41:16I can set you up.
00:41:16Oh, I'll set you up with some good ones.
00:41:18You can see these on the web.
00:41:19I watched one the other day and I don't want to spoil it.
00:41:23But there was a woman who had Munchausen by proxy her kid.
00:41:30And big time.
00:41:33And so this girl, this poor girl, the mother thought that she had basically everything.
00:41:37Cancer, muscular dystrophy.
00:41:40She had her teeth removed and her head shaved.
00:41:42She forced her to sit in a wheelchair.
00:41:45And again, nothing wrong with a wheelchair, but the kid didn't need it.
00:41:48The kid had a minor injury when she was nine and was then kept in a... She was the special parade marshal of the Special Olympics.
00:41:57Like, full situation going on here.
00:42:01It turns out there was a Munchausen by proxy.
00:42:03And this woman would not let her daughter, who was really mostly fine...
00:42:09because that's how the Munchausen by proxy works.
00:42:12She wouldn't let her date this fella, and the fella's on this left side of the spectrum over here.
00:42:17We don't say Asperger's anymore, but he definitely has a situation going on.
00:42:23And so the daughter convinced the boyfriend to stab the mother to death, and then they posted a message about it on Facebook, and they got arrested.
00:42:33They'd gone to Wisconsin from Missouri,
00:42:35But they'd gone to Wisconsin.
00:42:37She had a night.
00:42:37And so there's like two hours of interrogating them separately.
00:42:42That's a pretty good one.
00:42:48But what I notice is, and I think this is something they train people on.
00:42:52You know, you meet somebody like me out in the world, especially in my younger years, after the pronunciation non-mumbling era, and people say, oh, do you want some sausage and biscuits?
00:43:04And I'd say, yeah.
00:43:05But like as I got older, like a lot of people as you get older, you learn to say yes or yes, thank you.
00:43:11Yes, please.
00:43:12I think they train people about this kind of thing in court things and police things to enunciate and say very clearly.
00:43:18And that's why it feels – it always feels like somebody like an Elizabeth Holmes is dissembling a little bit when they say stuff like they can't remember a thing that everybody else remembers.
00:43:28Oh, I see what you're saying.
00:43:29I'll set you up with some of these videos.
00:43:31I think it's a thing that you once said to our friend Asher about the video game threes.
00:43:36I think you said, this is not a game for a vulnerable person.
00:43:42It's not wholesome for a person.
00:43:45It remains true.
00:43:47Yeah, but I think I can handle these interrogation videos.
00:43:50Oh, they're real long, too.
00:43:51You can just let them run in the background.
00:43:54But also, it's a very – I walked in – my wife, who you met, Madeline.
00:43:59Madeline walked into the lounge, and I'm watching one of these like I do sometimes in the afternoon yesterday, Sunday.
00:44:05And she comes in, and she goes, is this the same one?
00:44:07I said, no, this is a different one.
00:44:09And I explained what was going on in it.
00:44:12It's a very low effort type of YouTube video.
00:44:19So I guess this stuff comes out.
00:44:21I want to come back to your anesthesiology and Rick.
00:44:23But I think this is the kind of thing where that comes out and must come out in a public document.
00:44:29Evidence becomes public or something.
00:44:31So basically you get a video from...
00:44:33It's two hours long, and you occasionally make the sound like cluck, like the sound of hitting pause, like on a cassette player, and then you make a commentary on that still, or you circle things, and you say, notice here, and then you put an asterisk up at the top and say, notice that she's changing the subject because she doesn't want to talk about this.
00:44:49In that case, that was two couples in Tallahassee, and the couples had gone to college together, and then they grew apart, and then they...
00:44:58They did the crossover.
00:44:59And one lady went with the other man and they killed the first man.
00:45:02Oh, dear.
00:45:02And she wouldn't talk to the police for 16 years.
00:45:04But then she got kidnapped by her new husband, the other husband, the crossover husband.
00:45:10And they were getting divorced.
00:45:11And that's when she went to report it to the police.
00:45:13And boy, is that ever a good one.
00:45:16I'm going to say you might even want to start with that one.
00:45:18All right.
00:45:19All right.
00:45:19You send that along.
00:45:20Oh, I don't like this tone.
00:45:22I'm about to send you into something that might ruin your life.
00:45:24Please do not be glib about it.
00:45:26Oh, I'm sorry.
00:45:26Read up on it?
00:45:30Yeah, read up on it.
00:45:31Read up on it.
00:45:31All right, well, I'll watch up on it.
00:45:35The thing about Truly Awful Band is we only ever played two shows.
00:45:38This is Rick.
00:45:38We're talking about Dr. Richard here.
00:45:41Yeah, one of them, we moved all of our kit out of Rick's bedroom and into their rec room.
00:45:49And we played a rock show, you know, like five or six songs for his eight-year-old sister and her friends.
00:45:57But you had an audience.
00:45:59Yeah, we were playing all these Judas Priest songs.
00:46:01It's like when a little kid puts on a magic show and everybody sits around and acts like it's good.
00:46:04All these loud Judas Priest songs about magical moose to the little girls.
00:46:10Grindr!
00:46:11And I believe at the time I actually wore... Looking for meat!
00:46:15We were culture jamming enough that I wore one white glove.
00:46:18Oh, boy, they weren't expecting that, were they?
00:46:21No, they weren't.
00:46:21They weren't.
00:46:22Oh, and I think Jim had one of those painter's caps that had the two long flaps in the back.
00:46:28Oh, he had safari flaps.
00:46:29A safari flap.
00:46:30That was a terrific look.
00:46:31It sounded like billabong or something on it.
00:46:33Yeah, it was dynamite.
00:46:35But then our other show, the other show we played was actually in front of teens at the tennis club party for our senior graduation, Truly Awful Band rock show.
00:46:50Who asked you to do that?
00:46:52That's crazy.
00:46:53Even if you were good, which you probably weren't, that's a weird idea.
00:46:57We were absolutely terrible.
00:46:58And you can imagine the shock and awe on the faces of the other teens as they watched us completely earnestly.
00:47:10rocking out these tunes um i'll send you a picture i wish you would people today i think don't understand that you know david letterman did not invent irony but he was its poster child for a long time but the effects the post letterman in the same way that people like you know uh people now make the star wars movies that they wanted to make when they were a kid or taika watiti wants to make a comic movie like i think i think they don't appreciate that people were not always ironic
00:47:38It took a while for that Letterman-ish thing to become so in the culture.
00:47:42But being ironic, I wanted to call my high school band Free Beer because I thought that was really funny.
00:47:48Yeah, but they wouldn't have let us play at the tennis club if we'd been called Free Beer.
00:47:52But they let the Truly Awful Band.
00:47:54Did you call yourselves Truly Awful Band?
00:47:55Well, we called ourselves Tab.
00:47:56We were Tab.
00:48:01And it was a thing among my whole... Like the dietetic drink.
00:48:05Yeah, tab.
00:48:06My whole group of friends, we would sit in class and we would draw, and this was like lots of people, not just people in the band or even like people in the band and our girlfriends, but like lots of people.
00:48:19would sit and doodle tab album covers.
00:48:24And then we would pass them around.
00:48:26No one did that.
00:48:26What are you talking about?
00:48:28I have a whole stack of them.
00:48:29Tab album covers.
00:48:32Are you kidding me?
00:48:33No, no, it was a whole thing.
00:48:35Because it was like, you know, because we were all into rock music.
00:48:38So it was like all these kind of metal logos.
00:48:40The part of this I totally get, recognize, and...
00:48:45is the pageantry around, for example, having a band.
00:48:51Basically, it's a new version of a made-up club.
00:48:53Like in fifth grade, I really liked the idea of Animal House, even though I hadn't seen the movie, so I started a fraternity.
00:48:59And I gave titles and things like that.
00:49:01We had one of those in our high school called Tap-a-Mega-Kega.
00:49:05Oh, that's funny.
00:49:06That's funny.
00:49:07And they ended up going to the University of Colorado, and they actually kept doing it.
00:49:12People in Colorado love beer.
00:49:14And I think part of the reason is that, at least according to my friend Chris, who went to see you, he's from Boulder.
00:49:21He said they got what they call 3-2 beer.
00:49:24So you can kind of grow up underage drinking some kind of beer, developing those muscles.
00:49:29Watered down beer.
00:49:30Watered down beer.
00:49:31Correct.
00:49:32And so all I was going to say was the band, something with Rick, the music.
00:49:38Oh, yeah.
00:49:39Oh, yeah, but it's like having a club.
00:49:41I knew I wanted a punk rock band called Flesh Bullets, and I went so far as to make a stencil, a spray stencil, Flesh Bullets, and there was never really a band.
00:49:53It was kind of my friend Alan and me, and we would tell people that was our band, and we made shirts.
00:49:57That was definitely a thing in high school, and if I'm being honest, when I was 19.
00:50:01Well, a stencil actually plays into this story.
00:50:06No shit.
00:50:08We led parallel lives, I think, John.
00:50:11Yeah, there's a lot of parallels, and there always were.
00:50:15That's fair.
00:50:16But when I first arrived in Seattle, so that would have been November of 1990.
00:50:25I hooked up with these guys.
00:50:26One of them I'd gone to Gonzaga with.
00:50:29He was this young... I'm sorry.
00:50:31Just super quick.
00:50:32This is after high school.
00:50:34After TAB.
00:50:37I'm here in Seattle.
00:50:39Sorry.
00:50:40This friend, Brian, who had gone to Gonzaga with me, who was a drummer, and he'd played in a lot of hardcore bands in Seattle in the 80s.
00:50:49And he had decided...
00:50:50independently that punk rock had run its course and that wasn't the future anymore now little did he know little did he know but at the time he was like i've been playing in hardcore bands since i was 14 this can't possibly continue to still be a thing like it's exhausted we've done it we've done it and hardcore around the country it's just been done there's no nothing new there
00:51:13And this is a thing that a lot of people, when they think back at the grunge era, they don't know because the comprehensive story has not been told.
00:51:21It seems like all those books about grunge, they've all told the comprehensive story, but all they're doing is telling one side of the story.
00:51:29In 1990 and 91, before the Nirvana record and before the Pearl Jam record came out, there were...
00:51:37So many bands in Seattle that were not grunge at all.
00:51:41There were still, of course, like... More like pop, not pop bands, but indie pop was maybe... It's just, it's funny.
00:51:49It's like you mentioned Oakland earlier.
00:51:50It always bums me out that if Oakland was a couple miles away from any other city in America, it would be the crown jewel.
00:51:58It's just that because it's near fucking San Francisco...
00:52:00it's always treated as this, like, second, like, redheaded stepchild thing.
00:52:06Yeah, yeah, yeah.
00:52:06And, like, grunge became the thing.
00:52:08And to me, like, Jangle Pop and a little bit of Paisley Underground became Athens, right?
00:52:13Like, the scene becomes, or Austin, obviously, a little bit of country rockish.
00:52:18But there's a whole bunch of really good, isn't that where, like, the monks are from?
00:52:23Are they from Seattle?
00:52:24Uh, no, no, no.
00:52:25What's that band?
00:52:26What's that band?
00:52:27Uh, the, uh, the Sonics are from there, right?
00:52:28The Sonics are from here.
00:52:30But there's a lot of like really good bands, but it wasn't all just like pre Melvin's, but in, yeah.
00:52:35And in that moment, there were all kinds of bands, the walkabouts, the posies, they were all doing something that wasn't grunge at all.
00:52:431990s, summer of nineties when I first heard posies, young, fresh fellows, they weren't great.
00:52:48And so we had that, we put this band together and we got a guy, I think it was out of the newspaper.
00:52:53to play bass.
00:52:55His name was Tom Roberts.
00:52:57And he showed up at our first practice.
00:53:00It's really rock and roll.
00:53:01Tom Roberts.
00:53:03He showed up and we were rehearsing in Brian's Dad's House's
00:53:10tiny little basement tv room is this the rec room uh this was the rec room okay tom showed up tom was wearing uh tom had very long hair he had big gold hoop earrings and he was wearing a paisley shirt buttoned up to the top can you picture the scene oh i sure can and i think he was in red cross yeah and very tight like does that kind of look though that kind of like red cross sort of look well yes
00:53:35Yes, absolutely.
00:53:35But with like the curly, the mane of hair.
00:53:37The big mane of curly hair, yeah.
00:53:39Maybe a little bit Jellyfish was kind of like that too.
00:53:41He looked like the guy that played extra guitar in Nirvana for a little while before Kirk kicked him out for being too metal.
00:53:48But he wasn't metal at all.
00:53:49He was really into the posies.
00:53:50He was really into jangle pop.
00:53:52And we formed this band called Chautauqua.
00:53:55Chautauqua.
00:53:56And Chautauqua was going, we predicted that this whole sort of Mudhoney thing had all, that was all.
00:54:08Like run its course.
00:54:09Yeah, it was tired.
00:54:10It was just like, oh, you guys playing like punk rock in a high school auditorium.
00:54:14The future.
00:54:16When did that Keep It Out of My Face song come out?
00:54:1888 probably?
00:54:18Yeah, right about then.
00:54:20Yeah, right in there.
00:54:21That's a great song.
00:54:23Such a good song.
00:54:24And, you know, we'd all been influenced by full moon fever or whatever.
00:54:28You know, like, oh no, the future.
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00:56:14The future is rickenbackers, man.
00:56:17Are you kidding me?
00:56:19Like Jingle Jangle because... Let me introduce you to a man called Benmont Tension.
00:56:25everybody come it all comes back around right so it's gonna be the birds again it's gonna be the birds everybody's gonna be everybody's gonna be but these buttoned up shirts are gonna make the 60s look like the 40s that's exactly right and at this point in time of course rem had not become a huge band yet oh they still hadn't done the dum bum bum bum bum that that was 91 that that happened yeah yeah yeah so rem was still a cool yeah they were like they got their
00:56:49orange crush around that time yeah you got your cure you got your you know my friday season love yes right yes right so we had this band and we practiced four times a week we made we went into a studio we made a demo tape the professional demo tape that had five or six songs on it and we made a stencil and
00:57:14chautauqua and it was wait for it a two color stencil what that was designed that's crazy yeah yeah yeah that was designed by my other friend tom different tom okay okay
00:57:27And we would go out at night and put this stencil.
00:57:30And it was big.
00:57:31It was the size of... It was bigger than a pizza box.
00:57:35Oh, really?
00:57:37I found stencil spraying to be a lot trickier than it looks.
00:57:40Well, it was.
00:57:42And we had to have three colors of paint because we did the first color, then we did the second, then we did the third.
00:57:47Did you come back on different nights?
00:57:50No, no, no.
00:57:50It was all like, you know, we had to wait for it to dry or anything.
00:57:53It was all three of us.
00:57:54We had the three.
00:57:55Oh, I see.
00:57:56Real organized like.
00:57:57But one of the things that in 1991, when grunge was exploding around the world, if you lived in Seattle, all over the place, there were these Chautauqua stencils.
00:58:10Oh, my God.
00:58:10We put them right on the pavement.
00:58:12At the crosswalk of Broadway and John.
00:58:15So everybody waiting for the light looks down and there's this orange, yellow and black.
00:58:19Right.
00:58:19Like today, like I'll recognize a tag or like something.
00:58:23Not so much like a signature tag, but like a little, little, you know, two line drawing that somebody will do all over the area.
00:58:30You were like that.
00:58:30You were like an early tagger.
00:58:31We were tagging everywhere.
00:58:32And in fact, we were tagging a building.
00:58:36At one point downtown in the middle of the night, right next to the famous Pearl Jam tag that they also spray painted a stencil of a guy with dreadlocks that was like a little stick figure holding his hands up in the air.
00:58:48It was like their famous pre-fame stencil.
00:58:54There was one on a building and we were stenciling ours next to it as like, take that Pearl Jam.
00:59:00I think they might have even been still Mookie Blaylock.
00:59:03And all of a sudden, this is two o'clock in the morning, a door opens right on the wall, right where I'm standing.
00:59:09Oh, no.
00:59:09The whole outside of the building is painted.
00:59:12The door opens.
00:59:12There's a guy standing in there.
00:59:14And I look in.
00:59:15It's a brightly lit warehouse full of women sitting at sewing machines.
00:59:22You tagged a sweatshop?
00:59:24And the guy opens the door and he goes, what the fuck are you doing?
00:59:26And I was like, uh, and he runs after us and we keep running and we're down in bell town.
00:59:37And it's like this, it's at the time it was a very, it was a very, uh, like scary neighborhood at night.
00:59:43He jumps in a car and
00:59:45And starts chasing us in a car.
00:59:48What the hell?
00:59:49And we're running up an alley and he's coming down the alley and we're like hiding and jumping.
00:59:53And we run out into the middle of 2nd Avenue and he's going the wrong way up a one-way street.
01:00:00And we come up over the top of the hill and there are two cops sitting there.
01:00:04And the guy comes up the wrong way street.
01:00:05And, of course, they turn on their lights.
01:00:07And then it's a big kerfuffle.
01:00:09He says, they tagged my building.
01:00:12Oh, dear.
01:00:13The cops put me in the car because I was the ringleader.
01:00:15I said I did it.
01:00:17So the other guys left.
01:00:19And the cops take me down to the building.
01:00:22And the guy's like, see?
01:00:23And the cop said, did you do this?
01:00:25And I was like, well, yeah.
01:00:26And one of the cops says, that's the best stencil I've ever seen.
01:00:29And I was like, thank you.
01:00:30That's high praise.
01:00:32It was, but then he said, but I have to arrest you for vandalism.
01:00:35Oh, I see.
01:00:36And they arrested me for vandalism.
01:00:38That's a consolation, though.
01:00:39Is there any video of the interrogation?
01:00:41Well, no, but the problem was...
01:00:43Then I had to come back for my hearing, and I skipped it because I was too rock and roll.
01:00:50Oh, no.
01:00:51They hate that.
01:00:52Which turned into a $500 bench warrant, which I ignored.
01:00:56Oh, God.
01:00:58Which turned into a $1,000 bench warrant, which I couldn't pay.
01:01:01Oh, my God.
01:01:02You must have been terrified.
01:01:04And then I was riding in a car with a guy over in Bellevue.
01:01:10He and I had gone to the movies, and he was black.
01:01:15And the cops in Bellevue pulled him over for being black with a white guy in the car.
01:01:21Oh, yeah.
01:01:23They got to be up to some shenanigans, right?
01:01:25Oh, yeah.
01:01:25What the hell are you even doing in Bellevue?
01:01:27And he was a very, like, he and I had met in college.
01:01:32He was a nice guy.
01:01:33But what happened was they ran our things, and then they pulled me out of the car and cuffed me and took me to Bellevue jail.
01:01:41And the guy, Howard...
01:01:44howard had to take uh this all started with the stencil it started with the stencil okay he had to take five hundred dollars out or whatever to bail me out of bellevue jail oh and he any and he bailed me out under his name the five hundred dollars well i paid him the five hundred dollars back but when i finally showed up for the court hearing and i was like can i get my five hundred dollars bail back they were like well that bail belongs to howard wooten
01:02:12Well, I hadn't seen Howard at that point in two years.
01:02:15Oh, Jesus.
01:02:16This is how they get you.
01:02:16What a system.
01:02:17I never did get it back.
01:02:19And that was at a time when $500 would have changed my mind.
01:02:21$500 is a lot of money.
01:02:23I have a fair number of, like, during the daylight hours, that $500 seems like a lot of money to me.
01:02:30Let alone, I mean, boy, that's a real jam up, John.
01:02:34How close is Bellevue to where you were living?
01:02:36Well, it's Oakland.
01:02:37It's the Oakland of Seattle, except that it's where... Did they have a sonic boom at some point?
01:02:43No, they didn't.
01:02:44But it's where Microsoft is.
01:02:46So they have a totally different character.
01:02:47Oh, Kirkland is Costco.
01:02:51Bellevue is Microsoft, is that right?
01:02:53Well, Redmond is Microsoft.
01:02:54Redmond, that's the one I know.
01:02:56And that's just past Bellevue.
01:02:58So all of Bellevue is just – it's just the rich people from Microsoft.
01:03:02Do people from Microsoft, when they go to other places, if they go to London and somebody says, where are you from, do they say Seattle?
01:03:07I bet they say Seattle.
01:03:08Oh, for sure.
01:03:09For sure they do.
01:03:09Nobody's going to know what Redmond is unless they're a computer jockey.
01:03:12Right, right, right.
01:03:14But here's the worst thing about Chautauqua.
01:03:15We practiced four times a week.
01:03:19In the rec room.
01:03:20For all of 1991.
01:03:24Grunge is exploding all around us.
01:03:26Even the worst band in the city is selling 400 tickets a night.
01:03:30We never played a show.
01:03:34We had a demo, a tape, and everything.
01:03:37You had a stencil.
01:03:38We had a stencil.
01:03:39Everybody in the town knew our name because it was stenciled everywhere.
01:03:43Even the cops are talking about it.
01:03:44We never booked a show.
01:03:46Shit, dog.
01:03:49Is that a regret for you?
01:03:51Uh, what would have happened?
01:03:54I mean, I think at that point in time, there were still jangle pop bands in Seattle that were taking themselves pretty seriously.
01:04:03Like, no, no, no, this is still the future.
01:04:05Yeah, when I mentioned somewhere like Red Cross, they're kind of in that weird crossover from whatever Paisley Underground.
01:04:10You know what I mean?
01:04:11sort of L.A.-ish, you know, Steve Wynn.
01:04:16You know, the bands like that, Red on Green, stuff like that.
01:04:18The crossover from, like, the mid-'80s, Paisley Underground, combined with... Another thing that I think got lost in translation outside of Seattle and Grunge Circles was, like, well, yeah, but, like, you really can't overlook...
01:04:32Definitely the influence of heavy metal in grunge, but also of just the slugginess.
01:04:40It wasn't just punk rock with long hair.
01:04:43There was more to it than that.
01:04:44But that's me.
01:04:45I'm going to be like Red Cross.
01:04:46To me, it's sort of like the crossover.
01:04:48And actually, if memory serves, they were in a movie with Ken Stringfellow when they were all young.
01:04:51Oh, yeah.
01:04:52Desperate Teenage Love Dolls, I think it was called.
01:04:55They all toured with each other and stuff.
01:04:59You never played at all?
01:05:01No Chautauqua.
01:05:02That's a goddamn shame, John.
01:05:04If we had 10% more Jane's Addiction in the band and 10% less international pop underground or whatever, if we had been just slightly less Brit pop.
01:05:23Were you annoying?
01:05:25Not you, personally.
01:05:26But, like, it sounds like you guys are a little, as they say in England, too clever by a half.
01:05:31Do you think maybe you were annoying?
01:05:33I've been in a lot of very annoying bands, believe it or not.
01:05:36It wouldn't have been called annoying so much as it would have been not quite self-aware enough about the moment.
01:05:44Like, I actually had a song...
01:05:47That was six minutes long, about an astronaut.
01:05:52Yeah, but the situation of this astronaut was.
01:05:57Does Adam Savage ever play it live?
01:06:00He was, the astronaut was on a spaceship and he was unlikable.
01:06:06And the other astronauts wanted him, wanted to put him in the airlock and put him out.
01:06:11Oh, boy.
01:06:12If John Carpenter had done that in the Dark Star era, oh, my God, that would be so good.
01:06:17Well, yeah.
01:06:19That's really good.
01:06:20It came to me as a plot, right?
01:06:23Like, well, wait a minute.
01:06:24We've got Major Tom over here.
01:06:27We've got this guy over here saying no soup.
01:06:31And what we don't have is the actual real scenario, which is five years into a Mars mission or whatever, or five years into some space station.
01:06:41Yeah, but it's like the worst roommate situation.
01:06:44Everybody's really tired of this guy.
01:06:46Yeah, sure.
01:06:46I love this.
01:06:47And they're like, you know what?
01:06:49Our community is not going to survive until we get this guy out of here because he's causing all this problem.
01:06:55And then so the song is from that guy's perspective.
01:06:59Right.
01:06:59Mm-hmm.
01:07:01Six minutes long.
01:07:02Well, that is not – you put that next to Touch Me, I'm Sick.
01:07:06Oh, sure.
01:07:06Which is two minutes long.
01:07:08And we would have just been – I think we would have gotten beer bottles thrown at us.
01:07:12We would have been like rolling, rolling, rolling.
01:07:15Well, of course.
01:07:16I mean, let me just make the subtext text and say from one angle, the log line is similar in some ways to –
01:07:25The Commander Thinks Aloud, which is a great song, and as everybody knows, but it's very meditative.
01:07:31It repeats that three-chord figure most of the way.
01:07:34It builds up with these different sounds.
01:07:36It's almost like, not hypnotic, but it is very, that repetition becomes part of what makes you love that song, is it just keeps going back around in a circle, like a fugue or something, or a round.
01:07:49This song, which was called... Yeah, how does that compare?
01:07:52It was called Galaxy's End.
01:07:53And it was in the style of songs I wrote at the time, which had like 14 chords.
01:07:57You know, it was not... Oh, I see.
01:07:59Wow, there's little tastes of the stuff that would make your music career less successful for a while.
01:08:06Yeah, but it was... It was already happening in some ways.
01:08:08It also, it was 14 chords, but it also had a drone.
01:08:11Yeah, yeah, it was a total drone.
01:08:14Anyway, the other day, because the hippies have taken over the ravines,
01:08:19They have basically put a set of little flags in the ground, and they've said...
01:08:25We've taken over the ravine.
01:08:26It's now a critical wetland habitat.
01:08:29And you're no longer allowed to go down in there and mess around.
01:08:33You can walk around.
01:08:34Do they have the authority to do that, John?
01:08:36Well, yeah, because they put a thousand new plants down there.
01:08:39And they're part of this program that's actually saved me from the city of Normandy Park shutting me down.
01:08:45Oh, it sounds a little bit like some kind of local hero style jam up.
01:08:49Well, but what they've done is they've filled out all the paperwork.
01:08:52Oh, I see.
01:08:53The hippies.
01:08:54Yeah, but part of what they do when they fill out the paperwork is they say, we're going to keep him out of there and he can't monkey around and screw around.
01:09:01Because it's a critical wetland.
01:09:02And I'm like, you know what?
01:09:03That's fine.
01:09:04Because the alternative was— Well, I bet your neighbors are going to hate that.
01:09:07Well, they do.
01:09:09But the alternative was the Corps of Engineers was going to put me in rendition somewhere in Dubai.
01:09:14They would put you in a Dick Cheney container somewhere?
01:09:17They would.
01:09:17That was their plan.
01:09:18Because were you not in compliance?
01:09:20I wasn't in compliance.
01:09:22And I hadn't filled out the paperwork, and I hadn't gotten the critical wetland study done.
01:09:26Oh, and that's where the hippies come in.
01:09:29That's where the hippies come in.
01:09:30Well, so now the rest of my yard, what would be called the domesticated quadrant of my yard, which I had just been covering with wood chips because I wanted to kill the grass and get the moles out of there while I was down in the wetland.
01:09:45I mean, you know, it's a bio.
01:09:50There's a lot happening.
01:09:52Oh, I mean, I was growing mushrooms you wouldn't believe up here in the wood chips.
01:09:56And I didn't believe them.
01:09:57I'm like, you can't tell me that's a mushroom.
01:09:59I bet the hippies like those, huh?
01:10:01I'd kick it with a shoe and it would send up black spores.
01:10:04Oh, boy, I love that when it goes like cock.
01:10:06It has a nice report to it.
01:10:09I love to be had a mushroom.
01:10:10And I had yellow spores.
01:10:11I had all these mushrooms.
01:10:12No shit.
01:10:13That's great, man.
01:10:14But the moles.
01:10:15Did the moles eat them and die?
01:10:16No, no, no.
01:10:17Well, I covered the whole yard in a foot of wood chips.
01:10:20I don't know what the moles are doing.
01:10:21Does that mean they can't get out, John?
01:10:23What do the wood chips do?
01:10:24No, the moles just keep going.
01:10:25No, the wood chips kill the grass because I didn't want the grass.
01:10:28Oh, I see.
01:10:29And the moles eat the grubs that eat the roots of the grass.
01:10:32So you have basically an old lady who swallowed a fly type situation.
01:10:36Exactly that.
01:10:37But so now I have to turn my back on the ravine and start focusing on the yard.
01:10:45I had this kind of plan.
01:10:47I was going to do this neo-Chinese garden, which was mid-century Seattle style.
01:10:54Oh, wow.
01:10:55That sounds neat.
01:10:58I like to buy my plants at the nursery on sale.
01:11:01Anytime I'm at the nursery and there's a pallet of plants for $5 marked down from $50, I'm like, I'll buy them and I'll find a place for them.
01:11:10I'm trying to do it with native plants, all this stuff.
01:11:12What happened
01:11:13I got overwhelmed because I realized, in the same way that you realize that publicity or graphic art is actually a real thing,
01:11:22Like a graphic artist is a real job.
01:11:25Oh, right.
01:11:26My mom used to always, I think my mom never understood when she was saying, I wish I could get a job in public relations.
01:11:31I think she thought that meant like selling things in retail at a store because you have relations with the public.
01:11:38I didn't learn until like maybe late high school what that actually meant.
01:11:42You're right.
01:11:42And it's like a lot of those, the people in computer math, they think of that as a job.
01:11:48Well, and all the people that learned, you know, that spent six months working in a job where they used Photoshop and they're like, I'm a graphic artist.
01:11:55Oh, you're talking about a graphic designer.
01:11:57A graphic designer, right.
01:11:58Oh, designer and artist.
01:11:59But, you know, it's like a lot of, again, a little bit of a cock up.
01:12:02It's like the whole interior designer, interior decorator.
01:12:06All right.
01:12:06I think that's exactly right.
01:12:09And so I realized— Poor Chautauqua.
01:12:10You guys had such good press, good public relations, as they say, but you never got out there, and you practiced four times a week but never played?
01:12:19We were so good.
01:12:20That's really weird, John.
01:12:22So I'm looking at my yard, and I'm thinking—
01:12:26I need a garden artist and also a landscape architect.
01:12:32I need a consultation because this is over my head.
01:12:36Like I understand.
01:12:38Somebody who could do both big picture and detail.
01:12:41A big picture of, like, here's how the biome is going to evolve, as John Siracusa says.
01:12:45But also, again, we've got designer versus decorator.
01:12:48But you could, yes, certainly somebody, there'll be some kind of a stout lady in Wellington boots carrying potted plants at some point.
01:12:55Probably wearing a kerchief, I'm thinking.
01:12:57Or maybe safari flaps.
01:12:59But before we get to that, you need a mind.
01:13:01You need a Frank Lloyd...
01:13:03right of garden because a garden is not just not because i used to plant gardens and it was always along a fence so it was like a linear it was a two-dimensional thing but this garden needs oh it's more cattywampus it needs to be four dimensions because oh shit three dimensions but also plants grow no no no that's above your pay grade that's above your pay grade my friend you can fuck that up good
01:13:26What, five years from now?
01:13:27What's this going to be?
01:13:28You put it in here and then five years, it's too close to that?
01:13:30No, a pallet of plants on sale is not going to fix that situation.
01:13:34You're doing some Christopher Nolan bending the scenery type shit.
01:13:38So I'm over at a friend's house who's a great rock musician who has just started an artisanal...
01:13:43uh the delivery pizza service where he makes artisanal pizzas and then he drives around in a van and drops them off to people i'm over i'm over at his house we're outside we're outside in the front yard we're talking about something music but also he's like you know if you want these pizzas and i was like i definitely you know bring me four pizzas a week or whatever artisanal pizza yes please a guy walks out of the house next door and he says hey john
01:14:10And I look, and it's Tom, bass player of Chautauqua, whom I haven't seen in 20 years.
01:14:17No, 30 years.
01:14:19I haven't seen him since 1991.
01:14:19He instantly recognized you?
01:14:22Oh, yeah.
01:14:22Well, because I'm in the newspapers this whole time, right?
01:14:24He knows who I am because he lives in Seattle this whole time.
01:14:28And so he's been following my career.
01:14:29Wait, is this when you're running for office?
01:14:30No, this is just recently.
01:14:32Why in the paper?
01:14:33And so, well, no, but, you know, he's followed me all along, right?
01:14:37Oh, I see.
01:14:38I get it.
01:14:40I get it.
01:14:40It's like when I saw Lisa Lisa and Cult Jam at the Rock and Roll McDonald's.
01:14:44I get it.
01:14:45And you were like, oh, I remember you from when you were playing at the first time.
01:14:48No, somebody said, I think that's Lisa Lisa and Cult Jam.
01:14:50I said, oh, that must be why they're signing autographs at 2 a.m.
01:14:52at the Rock and Roll McDonald's.
01:14:54We'll see.
01:14:54There it is.
01:14:55Well, so he says, so I say to him, hey, Tom, amazing.
01:14:59You know, and he used to have the long hair.
01:15:00And we know he reads the paper because that's how he joined the rock and roll band.
01:15:03And I say, what have you been doing?
01:15:06And he says, I'm a landscape architect now.
01:15:09Shut your whore mouth.
01:15:11What are the chances?
01:15:13And I said, do tell.
01:15:15I have a situation.
01:15:17The hippies have taken over my ravine.
01:15:19I got a yard.
01:15:21I need a landscape architect.
01:15:22And so yesterday he came out here and we walked around.
01:15:27We spent all day walking around the garden where he was like, well, right over here you could put a tall Oregon grape and right here you could put a wax myrtle.
01:15:36From your mouth to God's ear.
01:15:37He sends this gentleman, he sends this basement to you.
01:15:41This is what you needed, John.
01:15:42And even if you don't end up hiring him, it seems to me that he could still guide you in the spirit of Chautauqua.
01:15:49Well, and that's what I said.
01:15:50I said, look, you're hired.
01:15:53Did he want to be hired?
01:15:56Yeah, he did.
01:15:57I just think it's worth clarifying that.
01:15:59He's got a job where he's landscape architecting big parking lots places.
01:16:05But he's like, on the weekend, I'm going to come up with a plan for you, and it's going to be one of these plans that you and your mom can buy plants by the pallet at the discount rack of the, whatchamacallit, and I'm just going to tell you where to put them.
01:16:20Wait, so he's also, such an important word as one gets older, he's integrating.
01:16:26He's integrating these two things.
01:16:29Setting aside the hippies just for a moment, but you can still continue your family tradition of buying cheap plants at a store?
01:16:36He's integrating that into this larger space folding process.
01:16:40As we're walking around, he's interviewing me.
01:16:43And he said, OK, you need this for so many things.
01:16:46I know.
01:16:47He said, I can do a landscape architecture thing here where you would hire a crew of 15 people and it would cost $250,000 and it would all get done in the space of a month.
01:16:57You know, and I say that knowing that no contractor ever gets done in the space of a month.
01:17:03But he said, what I hear you saying, what I hear you saying is that you like to buy cheap plants by the pallet at the nursery and plant them yourself.
01:17:13What you need is some guidance and I will provide that and then you can keep doing what you do.
01:17:20See, if this guy were a doctor, I would start going to the doctor.
01:17:24Right, right, right, right.
01:17:25I want somebody who is solutions-oriented and is not going to get hung up on the past and doesn't have anything to fucking teach me about how to be better.
01:17:37This person is an implementor, an integrator, and in some ways, the truest physician, which is the friend who listens and then finds a way to honor your family tradition of buying cheap plants and pallets.
01:17:47I love this guy.
01:17:48What's his name?
01:17:49Tom Roberts.
01:17:50Tom Roberts.
01:17:52And so my mom is here when he gets here, and she says, Tom, I just want you to know we've never met, but for 30 years I've been listening to Galaxy's End, and I just want to compliment you on your baseline.
01:18:09And Tom says, for 30 years I've been waiting for somebody that had ever heard Galaxy's End.
01:18:16to tell me that they liked my baseline.
01:18:20Oh, my God.
01:18:22You just lived a children's book.
01:18:25That's incredible.
01:18:27And your mom, over 80 years of age, she just pulls that out of nowhere.
01:18:33That's Tom, Baseline, Galaxy's End, Chautauqua, a band who somehow found a way to rehearse four times a week and record songs but never played.
01:18:44You're like Washington Steely Dan.
01:18:47What the fuck?
01:18:49He must have been thrilled.
01:18:51Had they met before?
01:18:51No, they'd never met.
01:18:53That makes it even better.
01:18:55And he was like, that was, for me, the pinnacle of my rock years.
01:19:02Making that Chautauqua tape and practicing four days a week.
01:19:04I would love to be complimented on things I did in the 90s.
01:19:08But he said, you know.
01:19:09It bums me out that more people don't compliment me about that.
01:19:11Because sometimes you're like, you know, that was a good baseline.
01:19:13Tears and rain.
01:19:16And she could have hummed it to him.
01:19:17She knows it so well.
01:19:18God damn it.
01:19:19Well, she's very thorough.
01:19:21She is.
01:19:22She is.
01:19:23John, is this a work in progress?
01:19:24I mean, is this happening?
01:19:26Oh, yeah.
01:19:27He was here yesterday.
01:19:28He left.
01:19:29Are the hippies done?
01:19:30Did they take their flags?
01:19:32The hippies are done, but they didn't take their flags.
01:19:35They left the flags.
01:19:36And I said, hey, about all these flags.
01:19:38And they were like, that's the thing.
01:19:39We got to leave the flags.
01:19:40And I bet you're not supposed to touch them.
01:19:41No, no, no.
01:19:42For the next three years, I got to look at the flags.
01:19:44Because it's a wetland?
01:19:46They made a wetland out of your yard?
01:19:48No, it was already a wetland.
01:19:50I made it.
01:19:51I discovered.
01:19:52Oh, you're the invasive exotic is what they're saying.
01:19:54But I, but my, but so mom went around yesterday and she came in here and she said, look, I know we're not supposed to touch anything, but we got to move a couple of these plants.
01:20:03And she said, we'll just move the flags.
01:20:06Mm-hmm.
01:20:07You move a plant, move a flag.
01:20:08Move a plant, move a flag.
01:20:09She said they're never going to know.
01:20:11What, do you think they're writing all that down?
01:20:13Taking photos on their phone camera?
01:20:17Because they're young hippies and they planted plants.
01:20:20This is the crazy thing.
01:20:21They're walking along a trail that I made, and they're planting plants in the middle of the trail behind them.
01:20:27It's like they're painting themselves into a corner.
01:20:29I don't even know how they got back to the house.
01:20:31You know, I haven't played D&D in a while, but one of the things I remember is that, like, as you go up and experience points and so forth, like, there are opportunities to, like, you know, it's the equivalent of a major, where you could say, well, I, you know, it's difficult to be a paladin.
01:20:47You know, I might be able to go, I might be able to become, like, a fighter thief, where you can kind of fork your branch a little bit, do some different things.
01:20:53You can't use spells, though.
01:20:55Well, you got to rest a lot.
01:20:56Clerics need naps.
01:20:57It is known.
01:20:58But for example, and you know, and they derive their magic from different things, magic such as it is.
01:21:04The cleric's power comes by virtue of the fact that the god that they worship or what have you gives them that power.
01:21:10A magic user, an illusionist, that's a different thing.
01:21:12That's more practical, right?
01:21:14Practical magic.
01:21:16But here's what I know.
01:21:17Most hippies reach a juncture where they decide if they're going to single major or double major.
01:21:23So they're either going to become freeloaders or they're going to become bullies or possibly both.
01:21:31Now, it sounds like you got some hippies that majored in bully, right?
01:21:36They love that shit, John.
01:21:38They love telling other people what to do.
01:21:40They don't act like it.
01:21:41That's the irony.
01:21:42The selfishness, the basic selfishness of the hippie belies or is belied by life itself.
01:21:50And then you see they've double majored.
01:21:51They're the fighter thief of the ravine.
01:21:54And you better not touch their flags or what.
01:21:56What are you going to do, throw tempeh at me?
01:22:00Oh, no, no, no.
01:22:01It's all a suggestion.
01:22:02But the difference is when we were— Yeah, I get it.
01:22:04They're probably good hearts, good-hearted hippies.
01:22:06When we were in high school, you remember how everybody wanted to be a marine biologist?
01:22:10Well, a lot of— That was an up-and-coming job.
01:22:13It was like wanting to be a designer.
01:22:15One year, you'd never heard of that job, and the next year, you heard about it a lot.
01:22:19A lot of the majors now in college, there are whole colleges devoted to hippie majors that didn't even exist when we were kids.
01:22:27Like Habitat Restoration and Creek Hydrology and Invasive Species and Watershed.
01:22:39Those – you know, you ever look at a list?
01:22:41I imagine you do.
01:22:42I've looked at it maybe once.
01:22:43I imagine you've perused these annually.
01:22:46The list of – what's the phrase?
01:22:48It sounds so crass.
01:22:49Highest-paying majors.
01:22:50Like if you – people with this particular concentration, this degree, and this area of study make the most money full stop.
01:22:58And for years, it's been geology or engineering, right?
01:23:02Because they're working for the oil company.
01:23:04Yes, precisely so.
01:23:06And that becomes – you don't just kind of accidentally become a petroleum engineer.
01:23:11No, that's right.
01:23:12You studied the shit out of that.
01:23:14Well, and that's these guys.
01:23:15They all have – they came down into this and they're like, oh, all this work you've been doing in your ravine, I have a master's degree in it.
01:23:22They have a master's degree in ravine.
01:23:23I have a master's degree in restoring your backyard ravine.
01:23:27And so all the stuff you're doing –
01:23:30By just putting some boots and some gloves on and like throwing stuff around.
01:23:35This is a thing that like I've spent years like working out the geometry of it.
01:23:41And they've all been very nice and very complimentary, but they've basically gone to college.
01:23:46This is the hippies, not the bass player.
01:23:48No, this is the hippies.
01:23:49They've gone to college precisely to wear Carhartts every day to work and have big muddy boots.
01:23:56You can do drywall or ravine restoration.
01:23:59Well, and it's a big job.
01:24:00But I mean, like I say, you buy the dress for the Carhartts you want.
01:24:04There you go.
01:24:05They have all of these teenage hippies from the Civilian Conservation Corps.
01:24:10Who are walking around looking for work to do.
01:24:14And so these big shot hippies from up here, they grab 30 Civilian Conservation Corps kids that are wearing Healy Hansons.
01:24:22And they're out there cutting trail.
01:24:24And I don't know.
01:24:25They're paying them 10 bucks an hour or whatever.
01:24:26And they're all college kids that couldn't get the job sitting up in the fire watch tower in the mountains of Oregon.
01:24:32Or whatever.
01:24:34They wanted to be down doing this.
01:24:35And so all the kids down in the ravine, and every single one of them a hippie, but they're nice.
01:24:40They're nice hippies.
01:24:43I'm sorry.
01:24:44I reacted, John.
01:24:44I overreacted very emotionally because I don't like hippies.
01:24:48yeah yeah i know but you know the thing is like when you quit smoking and then you hate everybody who smokes and you're always yelling at them i i used to be a little bit of a hippie if i'm being honest you see me in a tie-dye shirt my mugshot i'm wearing a tie-dye shirt um and i have chicken grease on me and a cold sore it was really a high point 1988 um but uh but but uh but i i feel bad bad now and i i well i feel like you gotta watch out for a hippie though
01:25:13You know what I'm saying?
01:25:14These are like Northwestern eco-hippies.
01:25:16These are the ones that go up into redwood trees and tie themselves up there.
01:25:20Oh, put bike locks on monkeys or something.
01:25:23Yeah, so they don't cut down the trees.
01:25:26In a way, they're honorable.
01:25:27They're lovely people, you know?
01:25:31They just like this.
01:25:33They like to be in the creek.
01:25:35And I like to be in the creek.
01:25:37We're the same.
01:25:38But you better not go touch those flags.
01:25:40It's their ravine now.
01:25:41We'll see about that.
01:25:43Well, yeah, and you get your bass player on it.
01:25:45You know what?
01:25:45I'm glad, though, that they are not in opposition to each other.
01:25:50You know what I mean?
01:25:50It sounds like your guy... Now, what does he officially call what he does?
01:25:53He's a landscape architect.
01:25:55Landscape architect.
01:25:57And I took him around the ravine, and he said...
01:25:59This is my fantasy.
01:26:01This is my fantasy.
01:26:02And because he's a little forward.
01:26:04Well, he's touching every leaf on every plant.
01:26:06And he's like, oh, this is the fast.
01:26:08Oh, he's saying he's a druid.
01:26:10He's a druid.
01:26:11He knows everything.
01:26:12He knows he's a druid and a bard.
01:26:14He's a I don't know if you can do that.
01:26:16He's naming that.
01:26:16Yeah, that's right.
01:26:17He's a he's a cross member.
01:26:19He's naming all the mushrooms.
01:26:21Name it all the mushrooms.
01:26:22This one's Phil.
01:26:23Everybody that names all the mushrooms.
01:26:25I was like, you know all the mushrooms?
01:26:27And he was like, hey, hey.
01:26:27That's where he derives his power.
01:26:29He derives his power from the biome.
01:26:31He says, don't eat anything because I said so.
01:26:34And I'm like, what the hell good is it to know every mushroom if you can't tell me which ones I can eat?
01:26:38And he's like, no, no, no, no, no.
01:26:40I'm not going to tell you which ones to eat.
01:26:42Now I sound like a regular doctor.
01:26:43Also, you know, if he's a monk, he's got that quivering palm, which is nice.
01:26:46He's got a lot to do.
01:26:47I'm not looking to him for mushrooms.
01:26:48Touches every leaf.
01:26:50He's communing.
01:26:50He's communing, probably.
01:26:51He knew every plant.
01:26:52He's probably met your dresser before.
01:26:55You know?
01:26:57Hello.
01:26:58Hello.
01:26:58Hello, Phelium.
01:27:02Holy shit, John.

Ep. 449: "Galaxy's End"

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