Ep. 440: "Sur La Sac"

Episode 440 • Released October 4, 2021 • Speakers not detected

Episode 440 artwork
00:00:05Hello.
00:00:07Hi, John.
00:00:10Hi, Merlin.
00:00:14Sound good.
00:00:16Well, it's early.
00:00:18How'd you sleep last night?
00:00:23I got some sleep.
00:00:28Today is the day that my sleep oxygenation mission is scheduled up in Issaquah.
00:00:37Is this where you... It's early.
00:00:44You finally got the right thing scheduled with the right people at the right time for the right thing?
00:00:48Apparently, apparently.
00:00:50Let's see.
00:00:51This is without respect to the Craigslist black market items.
00:00:54Nope, nope.
00:00:54This is a 3 p.m.
00:00:56appointment today.
00:00:56I'm headed up there.
00:00:57I was just sitting here reading an article in Psychology Today that someone sent me about
00:01:07Highly sensitive people.
00:01:12Were they trying to help?
00:01:13Oh, yeah.
00:01:15Was it a commentary?
00:01:16Everybody's trying to help.
00:01:18And I'm wearing a sweatshirt, a zip-up hoodie, but without a shirt on underneath it, which is completely unprecedented.
00:01:27Why are you doing that, John?
00:01:29Well, you know, I looked in the closet.
00:01:33You know, we're in a transition period right now, of course, because it's... Because of the seasons?
00:01:37The seasons are changing, yeah.
00:01:39Yeah, yep, yep.
00:01:39They're always changing.
00:01:41I took the short-sleeved shirts out of the closet and put them in a bag.
00:01:45And so it's just long-sleeved shirts now.
00:01:49But there's part of me that's just not ready.
00:01:52I'm just not ready to go into long-sleeved shirts.
00:01:57And so this felt like a compromise, and I don't know why.
00:02:00I don't know why it felt like it's not a compromise.
00:02:03We have a lot of actual things to talk about here, so I don't want to open up a new thread.
00:02:09But at some point, I would like to discuss, for me personally, the importance of personal climactic and environmental management.
00:02:18Oh, yeah.
00:02:18And I feel like the long sleeve shirt is a big piece of that.
00:02:20I think we should each, you know, you know what they say on the planes.
00:02:23What they used to say is put on your own mask, you know, before you help anybody else.
00:02:27Oh, of course.
00:02:28Of course.
00:02:28And I think a long sleeve shirt.
00:02:29Like the American planes.
00:02:32Oh, you mean like where the deer and the antelope play?
00:02:35Is that a thing that they said out on the planes?
00:02:36Put on your own mask first.
00:02:38Put on your own mask.
00:02:40Eddie Fisher used to be out there.
00:02:41I was like, wow.
00:02:43What an ancient phrase.
00:02:45I guess I don't know how they meant it.
00:02:47It can mean a lot of things.
00:02:49Yes, transition.
00:02:51No so far to Craigslist.
00:02:54No so far.
00:02:55Was there any special prep?
00:02:57Did you have to, like, you know, sometimes when they check your butt, you got to drink something or you got to not have breakfast?
00:03:03Apart from appearing shirtless under a sweatshirt, is there any other prep for your 3 p.m.
00:03:10appointment?
00:03:12Well, you know, the last time I had an appointment,
00:03:15I followed all their protocol.
00:03:17They sent me an email, check into your appointment now.
00:03:19And I was like, okay.
00:03:21You know, I did all the stuff.
00:03:22Go to your MyChart.
00:03:23Okie dokie.
00:03:23And this time when I started getting those emails...
00:03:28Sign in for your appointment.
00:03:29I was like, fuck you.
00:03:32And so now, you know, because they lost my trust, Marlon.
00:03:37They lost your trust.
00:03:38The people in my chart lost your trust.
00:03:41The good people in my chart lost my trust.
00:03:43And so now here we are.
00:03:45Maybe better if they just called it their chart.
00:03:47Yeah, that's how I feel at it.
00:03:49I feel it's their chart or my chart.
00:03:51You can call it my chart all day, but that doesn't make it my chart.
00:03:54I mean, it sounds to me like basically you've agreed that if I agree to the terms and conditions of the EULA, then I'm allowed to, you will lend me your chart.
00:04:04But I don't get to like have my own chart.
00:04:07Really, it's the chart you feel like giving me this week.
00:04:09That's right.
00:04:10If it was truly my chart, we would have started way back upstream.
00:04:14But also if it were my chart, it would be incomplete.
00:04:17And it wouldn't.
00:04:19Yeah, but that's part of it being your chart.
00:04:21I mean, if somebody handed you your Subway card and it was already all punched, then it wouldn't be a card.
00:04:26It would just be a free sandwich.
00:04:28Free sandwich.
00:04:29It's your journey.
00:04:30And it should be your chart.
00:04:32I don't, I'm sorry.
00:04:32I don't mean to derail this.
00:04:33No, no, no.
00:04:34It's okay.
00:04:34Let's go.
00:04:35Okay, so they're not going to put the wires on you.
00:04:38This is the preliminary pre-check-in where somebody strokes their beard and asks you questions about your sleep patterns.
00:04:46Do you know?
00:04:46What do you anticipate happening at 3?
00:04:49I'm going to drive up to Issaquah.
00:04:51Mm-hmm.
00:04:52Issaquah used to be a charming little mountain town about, what is it, 45 minutes to the east, right in the foot of the mountains.
00:05:04It was a cowboy town, and then it became a bedroom community for Microsoft employees.
00:05:10And so it ended up being like those towns up there north of Sausalito where it's like, this looks like a little town, except, boy, there's a lot of money here.
00:05:19There's no money in a little town.
00:05:22No money in a little town.
00:05:24And then there were all these crazy housing developments where they took a bunch of forest and they chopped it all down and they built McMansions right close to each other.
00:05:37It's the whole, it's the American story.
00:05:40And this is Redmond adjacent?
00:05:43No, it's further up.
00:05:44There you go.
00:05:47Maybe it's sort of similar, and I'm not going to try to drop too many names because you're way better at it than I am, but there's a thing that happens in the Bay Area or has happened, as you can imagine, for some time, which is these charming small towns or these growing mid-sized towns or whatever suddenly get this influx of people because for this month anyway, they could afford a house there.
00:06:09Mm-hmm.
00:06:09or a rental there.
00:06:10Like there were cases, there was an article in the paper 20 years ago about a janitor at Stanford who lived in like, I want to say like Contra Costa County, but, but also that could go for, I mean, you know, like San Jose, that used to be a nice little quiet, quiet town.
00:06:28No, not so much.
00:06:30So it's called Issaquah, is that right?
00:06:33Issaquah, yeah.
00:06:35I feel like the area around the bay there, the city that rocks, the city that never stops, the city by the bay,
00:06:44the city that you literally built on rock and roll did you know that originally that song was about los angeles whoa i mean they're kind of from the marina journey yeah yeah but uh or pack heights maybe but uh no they're mostly an la band and you know the original lyric i'm gonna blow your mind ready
00:07:06When the lights go down in the city and the sun shines on L.A.
00:07:16Oh, dear.
00:07:17How about that?
00:07:17How do you feel about that?
00:07:19It's terrible, but I was actually referencing the song by Jefferson, Starship, or I'm sorry.
00:07:24Well, you were later, but at first you were talking about the city by the bay.
00:07:27Oh, the city by the bay.
00:07:28Yeah, that's the city that rocks and that never stops.
00:07:31Talking about Cleveland?
00:07:33That's also a city that rocks that they built on rock and roll.
00:07:36But no, I'm talking about your own city.
00:07:39The city was gone.
00:07:40It was.
00:07:41That's a different city.
00:07:42No, that's true.
00:07:43That's the same.
00:07:44No, it's a different.
00:07:45Boy, it's really hard to tell what she's talking about there.
00:07:48I mean, they should be clearer about all this stuff.
00:07:51But you're not going there to meet Steve Perry, I think.
00:07:54Does he have the Dennis DeYoung thing where he's afraid of lights?
00:07:57What's the thing where they had to get the Filipina fella to come in and be Steve Perry?
00:08:01Didn't they have to do a little switch him up?
00:08:03Because Dennis DeYoung's the one who's scared of lights, right?
00:08:07I thought Dennis DeYoung got kicked out of Styx because he was too difficult to work.
00:08:15He was their Peter Cetera.
00:08:17That was part of the problem.
00:08:18Yeah, he was just a bad, I thought he was a bad bandmate.
00:08:22If you don't know who the Cetera in the room is, it's definitely you.
00:08:26Ooh, God, what a curse.
00:08:28Well, let me talk to Pete.
00:08:30You know what I'm saying?
00:08:31I feel like the thing about Steve Perry was just that, as happens to all of us, he couldn't hit the notes anymore.
00:08:39Oh, is that right?
00:08:40He didn't want to go out and transpose all the songs down a step and a half.
00:08:45He had his millions and he wanted to just go gently.
00:08:50So he'll always have Oh Sherry.
00:08:54You can't sing that stuff when you're 70 years old.
00:08:58It's too high.
00:09:00Yeah, it's too high.
00:09:01I'm doing the head voice thing where you switch to a falsetto.
00:09:06Steve Perry didn't used to always have to do that.
00:09:08He had that cool sleeveless shirt with like a tiger pattern on it.
00:09:12That was a good time for them.
00:09:13I never liked him as a thing to watch, but I did like him as a thing to listen to.
00:09:21They had that one record, a couple records where they crossed over.
00:09:25I think by the time they got to Escape, things were getting a little bit silly.
00:09:28But they had that period where they go from, I don't know the names of them.
00:09:32It's like, you know, they all have a name.
00:09:36The names are always like a noun, right?
00:09:39You know, my deep, deep knowledge of journey is not that deep.
00:09:43I go, I go sort of, I, I, you know, I love the singles.
00:09:47I love the singles.
00:09:48Oh, I'm telling you, man, you could go, you could go and put on one of those late seventies, early, early eighties.
00:09:54You could go, uh, let's see.
00:09:56No, what's the good one?
00:09:57What's the good one?
00:09:57What's the escape is the escape is the pretty good one.
00:10:00That's the one with open arms.
00:10:02But before that you got when Greg Raleigh still thought he was the singer.
00:10:05And so they do that one, two punch of, um, of any time.
00:10:11And, uh, what are the two songs?
00:10:13They do the two songs.
00:10:14I got no, I honestly have the zero, zero.
00:10:18I'm sorry.
00:10:18I'm sorry.
00:10:18I'm sorry.
00:10:19I brought it up.
00:10:19I just, I had a terrible night's sleep, John.
00:10:22I'm drinking three.
00:10:22No, no, no, no.
00:10:24Oh, that explains so much.
00:10:26The very wholesome topic.
00:10:27You wanted to talk about the sleep study and it's you you want to talk about.
00:10:32It was a backdoor topic.
00:10:35Oh, tell me about your night of sleep.
00:10:36No, it's okay.
00:10:38It's just that.
00:10:39Did a lizard crawl on you?
00:10:40Did somebody drop a pan in the kitchen?
00:10:44No, no, no.
00:10:45That only dropped a pan.
00:10:48Only British people can fly.
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00:13:13Um, here's the thing.
00:13:15Hot tub's too hot.
00:13:16It's not funny.
00:13:17It's not funny when the hot tub's too hot.
00:13:18He's got this little chair for you.
00:13:20Mm-hmm.
00:13:21Go on.
00:13:21All this wicker.
00:13:23God damn it.
00:13:23Nice pull.
00:13:25I didn't think you liked comedy.
00:13:27Um, no, it's just that the last two nights I've been having the dream, uh, the kind of, uh, there's, most of my dreams are pretty, and don't worry, I'm not going to tell you my dream.
00:13:37Um, it's, uh, it's, uh, well, I,
00:13:40Well, I'm always happy to share my dreams, but there's a kind of creative dream that's fun where something happens.
00:13:48But then there's a kind of what I want to call a functional dream where even as I'm stuck in the functional dream and it's usually the latter part of the night, I could tell because my sleep app tells me how badly I'm sleeping at this time.
00:14:01And I'm not getting any deep sleep.
00:14:03And I know it's because I'm having a functional dream and a functional dream.
00:14:07Hang on just a second.
00:14:07Does the sleep app cause you, does the sleep app contribute to your, your anxiety about sleep?
00:14:15Are you performing for your sleep app?
00:14:17No, it doesn't.
00:14:18I think that is, it's a very good question.
00:14:20I think it absolutely can cause anxiety, especially for people who like come in, the snorks who come in and are like, ah, I'm pretty sure my sleep is terrible.
00:14:30I should get an app.
00:14:31And then they obsess over the app.
00:14:33They can, they may choose to maybe unintentionally.
00:14:36I've been doing this for years and it just runs.
00:14:39So I mainly use it as a way to like, before I even look at it, I say to myself, I say, huh, I wonder how I slept last night.
00:14:45And I make a guess.
00:14:47Oh, good.
00:14:47Oh, good.
00:14:48That seems fun.
00:14:48And that can confirm that.
00:14:50But anyway, you had a maintenance dream.
00:14:51Oh, functional.
00:14:52I had a maintenance dream.
00:14:53It was very functional.
00:14:54And that's the kind of dream where even as I'm in it and I can't get out of it, I have to do something impossible that's impossible in an impossible way.
00:15:05And it's impossible for me to do.
00:15:07I don't know if you ever have these, but like a puzzle or, or like, Hey, carry this, uh, that's very large, uh, engine block up a hill or what?
00:15:16Yeah, it sure could be.
00:15:17But like, no, the problem is like, even if I explain it to you, you're either going to get it or you're not going to get it.
00:15:22Or, you know, once you know, you know, you know.
00:15:24And so night before last, for example, I had a classic, which is that, uh, I had to, um, Oh wait, I think I might've actually written this down.
00:15:32You may be,
00:15:33You may get the bad fortune of me actually having written this one down.
00:15:37Wait, do you keep a dream journal?
00:15:39Oh, yeah.
00:15:39I write down.
00:15:40Anytime I have a dream that I can remember, I write it down.
00:15:43Oh, interesting.
00:15:44And then when you go back and read about them, does it all sound like gibberish or do you go, oh, right.
00:15:49Oh, no.
00:15:50Well, I would love to talk about this because my thing is, and a friend of the show, John Syracuse, said it's just brain garbage when you have a dream.
00:16:00I accept that a dream is brain garbage, but I think the way it made us feel, even though it's brain garbage, is important.
00:16:07And I think what we take away from a dream...
00:16:10You know, okay, so here's a dream.
00:16:12Let's see.
00:16:13This was, oh, yeah.
00:16:15Okay, so, yeah, this was the 10-3, so Sunday morning I wrote this down.
00:16:19Ready?
00:16:20Were you coming down?
00:16:22Sunday morning coming down, clean his dirty shirt.
00:16:24Yep, yep, yep, yep, yep.
00:16:26Professional poster printing apparatus is sharp, hot, and way too heavy to take on a plane, plus the posters have to always be sung in odd numbers, and the printer itself can't print posters without also printing all printers themselves, and this cannot be turned off.
00:16:40The Paris airport pretzels giggle and the ATM's giving you the stink eye.
00:16:44You've been on the flight since at least yesterday.
00:16:46That's the dream.
00:16:47Wow, there's a lot going on.
00:16:49There's a lot going on there.
00:16:50I'll tell you why I think me writing my dreams down is special.
00:16:53If you listen to you, you out there, the listener, the global you, you tell me a dream with too much of a story and I say, fuck.
00:17:01I say that's a story.
00:17:02That's you putting together a thing that you could tell as a story.
00:17:05If it makes too much sense, it's not a real dream.
00:17:07For it to be a real dream, you have to lean into, you can't say stuff like it's your house, but it's not your house.
00:17:12You got to say what it was in the dream as closely as you can.
00:17:16And the less it makes sense, the more likely I am to believe that it's a dream.
00:17:19Now, in this case, you could tell somewhere in there, and it's a loop.
00:17:23I've been on the plane since at least yesterday.
00:17:25There's a professional poster printing apparatus, and it's sharp, hot, and way too heavy to get on a plane.
00:17:29Now, you can't print the posters without also printing all the printers.
00:17:32Yeah, I heard that.
00:17:33And you can't turn it off.
00:17:35That's very good.
00:17:35So that does not make any sense.
00:17:36Here's the thing, though.
00:17:37What you're doing to me, though, what it sounds like to me is not informational.
00:17:42It's all language.
00:17:44You came up with five incredibly...
00:17:48uh, like, like visceral, profound images there.
00:17:53They don't need to be connected to one another for them to, I mean, they're wonderful lyrics.
00:17:57And that's what makes it art.
00:17:58If I'm being honest.
00:18:00Here, read your, read your, read your, read your dream thing again.
00:18:03And I'm just going to give you like, yeah, I'm just going to say it's a little bit like you look at like a German expressionist.
00:18:08You look at a, look at an Edvard Munch's The Scream.
00:18:11I think he might be Swiss.
00:18:12You look at a Munch.
00:18:14And, like, that evokes a very strong feeling, even though it's really just a bunch of marks on paper.
00:18:19Do you know what I'm saying?
00:18:22So here we go.
00:18:22Ready?
00:18:23Well, my name is Poster, and I'm here.
00:18:26You're going to read your dream.
00:18:27Professional poster printing app.
00:18:30Professional poster.
00:18:31No, no.
00:18:32No, you can drop a sick beat if you want.
00:18:35Uh, professional poster printing apparatus is sharp, hot, and way too heavy to take on a plane.
00:18:41Plus the posters have to always be sung in odd numbers and the picture itself can't print.
00:18:49I don't know why you're not putting out records, John.
00:18:52Can't print posters without also printing all printers themselves.
00:18:55This cannot be turned off.
00:18:56That's the main meat of it, yeah.
00:18:57Yeah, but there was a... Yeah, I mean, it's like... Oh, Paris Airport pretzels giggle?
00:19:01Yeah, there you go.
00:19:02Well, yeah, the Charles de Gaulle Airport figures have... I've never been there, but if that...
00:19:07Wait, you're communicating truths about the pretzels at the Charles Cagall Airport and you've never even been there?
00:19:13No, God no.
00:19:14I think you need to read this Psychology Today article on highly sensitive pizza.
00:19:18Send it to me, FedEx it to me.
00:19:19But the thing is, here's the thing, is I have classes of dreams.
00:19:22I've always had classes of dreams.
00:19:24I have the new college dream.
00:19:26I have the military school dream.
00:19:28I have the airport dream.
00:19:30I have the museum dream.
00:19:31And in the last couple of years, the airport dream and the museum dreams,
00:19:36have been uh much to my chagrin joining forces so you go into a mall you start out in the good mall you walk a little bit and then you're in the old mall you take a right and you enter a museum because there's a museum you walk into that museum and it will not surprise you to know there's a increasingly smaller malls and musea the deeper in you go and then you're in an airport and then you're in a hovercraft no then you're in a dark ride like the uh like like it's a small world
00:20:03Oh, now, did you ever go through a long period where you didn't remember your dreams or have you always been able to take 10% of your dreams and, and, and remember them well enough to put them down?
00:20:14It's a very good question.
00:20:14When I was a younger person, I feel like I remembered them pretty well.
00:20:17And let's be honest, they were closer to stories anyway.
00:20:20I think as I got older, I remembered fewer dreams.
00:20:23I'm not sure exactly why, but the ones I do remember usually have some flashbulb moments, uh,
00:20:31And there's recurring themes.
00:20:34A rectangle in the middle of the frame appears a lot.
00:20:37Sometimes that's a dorm room in Sarasota.
00:20:39Sometimes that's a painting inside the museum mall.
00:20:43But a centered rectangle, almost like, but like, you know, with right angles.
00:20:47It's not like a Wes Anderson movie.
00:20:49It's not like a 40 millimeter, you know, that I'm looking at.
00:20:52Anyways, that happens.
00:20:53Now, do you feel that having recorded your dreams and thought about them has improved your ability to remember your dreams?
00:21:01Oh, really?
00:21:03I don't... It's not a thing you've practiced and now can do?
00:21:06Well, I don't... I mean, it would be like... I think if you were to meet a real fortune teller... That's probably racist.
00:21:13If you were to meet a real teller of fortunes or some media...
00:21:17you know, and they're too specific.
00:21:20Well, then that's probably just a core.
00:21:21A teller of media?
00:21:22Is that what you meant?
00:21:23Well, a media.
00:21:23When you get more than one medium, I think that's media.
00:21:26Oh, I get what you're saying.
00:21:27Like if you go to the mall, like a comic book store that I used to love, Two Cats Comics, 320 West Portal Avenue, has turned into a medium.
00:21:35So no more Fantastic Four, just tall, dark strangers.
00:21:38Do you, and I don't, you know, this may be a sensitive topic, but do you have bad dreams?
00:21:43No, no, no, I'm an open book, you hope.
00:21:44Do you have dreams where they're,
00:21:46where they trend into bad and then how bad do they trend?
00:21:51You mean in terms of like danger and fear and something bad's going to happen?
00:21:56Um, yeah, no, no.
00:21:57I'm pursued a lot in dreams.
00:22:00Um, you know,
00:22:01I mean, I guess like anybody, probably I get some of the classic, like I couldn't make a fist or I tried to scream and that kind of stuff.
00:22:07But it's more like last week there was one where a strong and persistent person kept poking me in the ear in a way that was painful and I couldn't get away from them.
00:22:19They poked me in the ear.
00:22:20Oh, poked in the ear.
00:22:22Mm hmm.
00:22:23here's a good one this one this one's one of my favorites i return to this one a lot this is from a couple years ago um let's see this is from actually this is from um march 12 2017 and i this is a rerun for some of you but this one's one of my favorites all the rage was the scarlett johansson branded protective helmet it's a colorful helmet and it is a planner with 11 specific draining holes and it's an important crucible for ideas we met at a media event held at a junior high scarlett was polite but perfunctory
00:22:52Then there was a small hotel room with glass walls and doors stocked with herbal bourbons.
00:22:56Ice machine didn't work.
00:22:57Scarlett said, no way am I drinking that shit.
00:23:00She was serious and smart.
00:23:01It might have been Las Vegas.
00:23:04Almost certainly was Las Vegas.
00:23:05That's exactly where I was transported.
00:23:0711 specific training holes.
00:23:08I have Las Vegas streams.
00:23:09Now the Las Vegas streams heavily track.
00:23:11Las Vegas streams are almost always in a counterclockwise circle.
00:23:15Um, as though I were going through like, you know, like if you're in Las Vegas and you go to like one of those, uh,
00:23:21You know, it's like a Caesar's Palace.
00:23:22You can kind of do like a loop.
00:23:24Yeah, they're made to be a loop.
00:23:25Yeah, but there's also art there.
00:23:28So that could be the museum dream and the mall dream, because let's be honest, Las Vegas is really just, it's a mall.
00:23:34It's a mall for losing money.
00:23:35Yeah, it's an Ouroboros.
00:23:37It's a Mobius strip.
00:23:38It's an Ouroboros eating its own tail, for sure.
00:23:41So now you say some people might have heard about this before.
00:23:46Are you saying that there are other shows that you do where you talk about your dreams?
00:23:49Because you've never done it here.
00:23:50No, I've done it other places.
00:23:53I do it mostly to provoke John Syracuse because I knowing I think it makes his logic, his logic bolt that the Jawas put on him.
00:24:02Yeah, stressed out.
00:24:03Meat moop.
00:24:04Can't understand meat moop.
00:24:06How much of your how much of your show with John Syracuse is is you provoking him?
00:24:13Oh, ironically enough, it's very much the opposite.
00:24:17Oh, he provokes you.
00:24:18Oh, he pretends like he doesn't, and that's what makes the gaslighting so effective.
00:24:22He has all these flying monkeys that are always happy to congratulate him on how right he is about everything.
00:24:27And you know I love him.
00:24:27He's one of my dearest and worst friends.
00:24:29But yeah, people love to agree with John Syracuse.
00:24:33If you can't find a personality, you could do that.
00:24:36But the CPAP thing is what's come up now, I believe, in at least three different places.
00:24:41Because of our discussions here, this is really catching fire in the community.
00:24:44I'm hearing a lot from friends of mine.
00:24:46I've heard from Matt Howey, of all things.
00:24:48He couldn't get his garage door open because of his snoring.
00:24:51is this one of these things where then pretty soon people are going to be like, Oh, all the great shows.
00:24:55And they're going to like copyright it and make it into the brand of their network.
00:24:58And I'm going to be like, yeah, it's going to be like Griffin McElroy eating a banana sideways all over again.
00:25:04So, um, so, uh, uh,
00:25:08I remember when I first started doing a, or I was about to start doing a podcast with Dan and you said, oh, this is going to be great because you're going to challenge Dan every time he says something about vitamins or about radio waves or whatever.
00:25:23Radio waves.
00:25:24Yeah, exactly.
00:25:26Or like anything basically like, you know, the queen is stealing his thoughts through the radio.
00:25:31Right.
00:25:31Through Wi-Fi, radio.
00:25:34What it turned out was that the dynamic on that show is when Dan starts talking about that stuff, I just, like, put on a green visor and listened very patiently and attentively to his theory.
00:25:48So it did not turn out that I was the necessary corrective that brought fun into it.
00:25:54To Dan, I'm just like the rest of us, just buckled in for the ride.
00:25:59Exactly.
00:25:59Would you rather listen to two middle-aged men argue or would you like to hear them, you know, hear each other out?
00:26:05And you've got the visor on.
00:26:07You're the existential accountant.
00:26:10Well, this was the problem.
00:26:11You know, I think back to that time when you wanted...
00:26:14uh, John and me to, uh, to be on a podcast together.
00:26:19And then he spent the whole show telling me that Lamborghinis were better than whatever, you know, he had some thing that he was mad about.
00:26:25He was mad at me about.
00:26:27Would you take a McLaren over that?
00:26:29No, but also he was mad that I thought that I didn't understand evolution or whatever it was.
00:26:35And I look back at that moment and I feel like, oh, that was a missed opportunity for me.
00:26:39I should have listened more patiently.
00:26:42He could have explained things to me.
00:26:44And instead, it's not like I argued with him, but I was definitely like...
00:26:50Oh, but you got to be careful.
00:26:53I don't think I'm a very defensive manly man about these things, but I do believe in self-preservation.
00:26:59So like opening the door to something as seemingly innocuous as pasta as a food that people eat and enjoy.
00:27:07I got to even after he'd beaten me into the ground after two weeks about how I pasta wrong in every way.
00:27:14It's still continued week after week for almost two months.
00:27:19He pummeled me about the right way to put sauce on pasta.
00:27:22And no matter what, it's like it's like being in French class.
00:27:25No matter how you pronounce it, it's wrong.
00:27:26No, no, no, no.
00:27:28I got two months.
00:27:29I got two months of I'm saucing the pasta wrong.
00:27:31Is this a thing where he, where you put the pasta, where you do the Sopranos thing and you make the pasta in the water and stuff, but you put pasta sauce in the thing and stir it up?
00:27:40You put pasta in the water.
00:27:42Pasta sauce into the water.
00:27:43And then you filter the water out somehow and the sauce is thicker.
00:27:45Paul, he didn't move fast.
00:27:46He didn't have to move at all.
00:27:49This episode of Roderick on the Line is brought to you in part by Mack Weldon.
00:27:54You can learn more about Mack Weldon right now by visiting MackWeldon.com slash R-O-T-L.
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00:29:50You never know when you're going to have to feed a lot of guys.
00:29:53So here, watch me make the gravy or whatever.
00:29:55He's a, you know, he's an Italian, right?
00:30:01So doesn't he know?
00:30:03I mean, I don't, I might be making the pasta wrong.
00:30:06I'm almost certainly making it.
00:30:08Are you making the pasta category here?
00:30:10I make the pasta so wrong.
00:30:12I don't think that, I think it's indefensible how I make the pasta.
00:30:17I made some last night.
00:30:18I think it was indefensible.
00:30:20But, okay, here's the difficult part of this.
00:30:22And I don't want to say that John is like a crazy person who corners you on a long subway ride.
00:30:28You've said that exact thing to me many times.
00:30:30Well, I don't mean to imply that he is a crazy person on the subway.
00:30:35But John cares.
00:30:37And I guess we probably all have these things.
00:30:39Bless us, everyone.
00:30:41But he has things that he cares about so intensely that I could not care any less about.
00:30:47He might be a highly sensitive person.
00:30:49This article in Psychology Today.
00:30:51Is that an HSP?
00:30:51Is that what that's called?
00:30:52About, yeah, highly sensitive people.
00:30:53It sounds like he's got some of the traits.
00:30:56He's a super taster.
00:30:57Does that count?
00:30:58Well, it's right in there.
00:30:59It's like, do you have intensity?
00:31:01Do you have intensity?
00:31:03Do you feel like other people?
00:31:09I kind of want to talk about this article now.
00:31:10You might be a highly sensitive person.
00:31:12The reason I ask is because somehow things that happen on this program with our 17 to 35 listeners, it does catch fire in certain communities.
00:31:22It's a lot like what Brian Nino said about the Velvet Underground.
00:31:25They're not as good as everybody says.
00:31:28But the...
00:31:34Only 10,000 people ever threw this album away.
00:31:38The second album's so much better.
00:31:40He made the trains run on time.
00:31:42That was the thing.
00:31:45Brian Eno, he couldn't even get his haircut to run on time.
00:31:48What are you talking about?
00:31:50Looks like he got shot with a bald eagle gun.
00:31:52That's a famous quote.
00:31:53The thing is, though, we like the Velvet Underground.
00:31:57Well, I mean, I don't know if we like them, but as with them.
00:32:08You better watch your step.
00:32:14I'm kidding.
00:32:14I love that band.
00:32:15I just like the second and third albums a lot better.
00:32:18Cheryl, you've always been a Doug Ewell fan.
00:32:20You talk about him.
00:32:21Doug Ewell.
00:32:23Underappreciated Doug Ewell.
00:32:24Who loves the sun?
00:32:25I love the sun.
00:32:27Now, actually, that movie does look pretty good on Apple.
00:32:30The Capulets are hunter-gatherers.
00:32:33Oh, I see.
00:32:34And what are those, the Romulans?
00:32:35It's the Romulans versus the Capulets.
00:32:37The Romulans versus the Capulets.
00:32:39The one of them are the hunter-gatherers.
00:32:41The other one are the-
00:32:43Russians.
00:32:44Where I fear to tread.
00:32:46That's exactly it.
00:32:47You got it.
00:32:47Teaspoon.
00:32:48You say it different.
00:32:48The spoon is different.
00:32:49The tea is different every time.
00:32:51Every time.
00:32:52How's that feel?
00:32:53You like that getting thrown in your face?
00:32:54You like having a super fan on your fucking podcast?
00:33:00Yeah, no, no, no.
00:33:01But in our Velvet Underground community, things do spread.
00:33:04And I just want to tell you that, you know, I'm still fighting the good fight.
00:33:08And I mean, I would be willing to be the one who buys the black market CPAP.
00:33:11But to a person, like almost everybody is saying the same kind of shit.
00:33:15Which is like, oh, like my beloved wife, whom I love.
00:33:19It's like, oh, you have good insurance now.
00:33:21You should go to the doctor.
00:33:22And I says to her, she says, you don't listen to my podcast, do you?
00:33:25And she says, of course I don't.
00:33:26I said, well, if you did, and I'm glad you don't.
00:33:28But if you did, you'd have heard the saga of one John Roderick spending two years trying to utilize the medical system.
00:33:36Mm-hmm.
00:33:36And sometimes a fella thinks maybe I should go up to Puala, or whatever the fuck it's called, and buy a dead man's dick meningitis infested CPAP.
00:33:46And so on the one hand, everybody goes, oh, just go through the, oh, don't be a maverick about medicine.
00:33:52Go get in the system and let them tell you when to schedule things.
00:33:55And then the other thing I hear from people, John, is at least to dear friends,
00:34:00have told me that I am absolutely going to die if I use a black market CPAP, that I will suffocate to death in my bed the first night.
00:34:08Oh, my goodness.
00:34:09I have always felt and still feel, we've been doing this show for 10 years, and I still feel like there is a fan community or rather a large group of people that listen to this show and then talk to you on LiveJournal about it.
00:34:22People text me, John.
00:34:23People text me.
00:34:24And when I say, what is happening?
00:34:27You say, like you did that one time when I said,
00:34:30People are talking about me on LiveJournal.
00:34:32Well, what are they saying?
00:34:33And you said that's between me and the LiveJournal community, and it would be a betrayal of their trust for me to tell you what we're talking about on LiveJournal.
00:34:41What do you suppose Dave with the brother in the book in Marin?
00:34:45What's his name?
00:34:47Dave 826.
00:34:48What's his name?
00:34:49Dave Eggers.
00:34:50Dave Eggers.
00:34:50Now, what would Dave Eggers say to you in that situation?
00:34:53What would he say?
00:34:53Oh, would he say you should know what they're talking about you on LiveJournal about?
00:34:58I think he'd say that's not for you.
00:35:00Well, I don't think Dave Eggers is aware that there ever was a LiveJournal.
00:35:04But he has a little bit of a... Well, he's got a surprise coming his way.
00:35:07Well, he's got a little bit of a Wes Anderson-ness about him where he's like, you know, LiveJournal.
00:35:14But the thing is that I do absolutely, even when you don't tell me about it, we'll talk about something on the show and then...
00:35:22And then I eventually hear about the conversation that's happening because somebody will reference somebody else's reference about a conversation that has been going on for a long time about something we said.
00:35:37And I'm like, where are these conversations happening?
00:35:39And I guess you're all on a text thread with each other or it's all happening somewhere.
00:35:44No, I mean, it's very much, I don't know.
00:35:47Did you ever read The Fan of Tollbooth?
00:35:50I love that book.
00:35:52I don't know which side of anything to look at, protested Milo.
00:35:54That's how I feel a lot of the time.
00:35:56I feel like Milo.
00:35:58I feel like, I'm not even sure what I'm supposed to be confused about anymore.
00:36:01And then I found myself going, was that a reference?
00:36:02Because I feel like I'm losing my goddamn mind.
00:36:04But, you know, we have a high level of engagement with an, like the Velvet Underground, we have a high level of engagement with an extremely deranged number of people.
00:36:15Last night, I went to the grocery store, and there's a big freezer there.
00:36:23I got three drinks, John.
00:36:24No, no, no, no.
00:36:25There's a big freezer, and they've got a new thing.
00:36:28It's a new thing.
00:36:29It's a new one of these fancy grocery store things where somebody has made beef bourguignon.
00:36:35Beef bourguignon.
00:36:37And put it in a bag.
00:36:38No, no, no.
00:36:39No, no.
00:36:39It's Bouff Bourguignon in a bag.
00:36:43Uh-huh.
00:36:43And for $9 or $8.50 or whatever, you can buy... Surlesac.
00:36:47It's Bouff Bourguignon Surlesac.
00:36:49Surlesac.
00:36:50Mm-hmm.
00:36:50And you take it home, and it's just like a... It's just like a... It's just... It's just like a sack.
00:36:56And you empty it into a skillet.
00:36:57You put a lid on it.
00:36:58You cook it for nine minutes, and then it's better... It's better quality.
00:37:02It's better tasting.
00:37:03It's better food.
00:37:05then you would get from Stouffer's or whoever you're... If you told me you could go to the Wegmans and buy a bag of beef, I would be skeptical.
00:37:12But what I'm hearing from you is, word on the street is, boeuf bourguignon sur le sac is a good bag of meat.
00:37:19Well, so this is what I didn't know, because I've seen it in the grocery store a few times, and it's one of those things that has an installation at the grocery store.
00:37:28It has its own freezer, and there is... Like a Paul Allen style in-house.
00:37:32This is the first thing that I, the first time I've ever seen it, it had its own accompanying video system where someone was on a screen going, you're going to love our Beef Borgie Young.
00:37:41Oh my goodness.
00:37:42And I, and I walked past it for, for a few weeks, you know, I would look at it and go, hmm, I'm not so sure.
00:37:49I don't know.
00:37:50Right.
00:37:52But then the last time, last night I was there and I was like, all right, okay.
00:37:56Let's, you know, let's look, let's try it.
00:37:59And I got it, and I came home.
00:38:00I threw it in a skillet.
00:38:01I cooked it for nine minutes.
00:38:02But, of course, I made pasta to go with it because everything is made better with a little egg noodle.
00:38:09Wide noodles.
00:38:09Get your paparadal or whatever it's called.
00:38:11Get some big-ass wide egg noodles.
00:38:13Wide noodles.
00:38:14You get them.
00:38:14You put me on to that, and I never look back, John.
00:38:16Well, that's the thing.
00:38:17I was talking to a friend about this camping trip we're going to go on, and I was like, look, here's the only...
00:38:22The only caveats are I don't eat potatoes, I don't eat olives, and I want egg noodles with every meal.
00:38:26So as long as you can, you know, facilitate that up at 10,000 feet or whatever, then, you know, we're fine.
00:38:33I love that you've made that so clear.
00:38:35No, no, no, I'm dead serious.
00:38:38And also you should probably also don't touch my feet.
00:38:40But in that instance, you say to somebody, hey, look, here's the deal.
00:38:43And this is non-negotiable.
00:38:44But, like, this is the way that this is going to go.
00:38:48If you can meet my terms on this, I will trek to 10,000 feet.
00:38:52Here we go.
00:38:53Like I'm off.
00:38:54Like we'll, we'll go to the end of the earth.
00:38:55You can carry egg noodles.
00:38:57But so, so I make the perfurgeon.
00:38:59I got the egg noodles.
00:39:00I drained the noodles.
00:39:02I got them in the pot.
00:39:04I got the beef perfurgeon in the skillet.
00:39:07I look at the two of them and what I hadn't considered was how do I plate this meal?
00:39:12And so what I did was I just poured the skillet into the pot.
00:39:17And then I stirred it, and then I poured the whole thing into a bowl.
00:39:20This is after you drained the noodles.
00:39:22I drained the noodles.
00:39:23I didn't pour the skillet into the water.
00:39:25You're probably going to get a note about how you're saucing it wrong, just FYI.
00:39:28Well, so that's what I'm wondering.
00:39:29I know I did that wrong.
00:39:31Oh, dear.
00:39:32This is terrible.
00:39:33And as I was eating it, I was like, there's a lot of ways I could have done this better than just put it in a mixing bowl and eat it with a salad fork.
00:39:44And so you'd have a giant spoon.
00:39:49I thought about saying that I ate it with the actual super large fork that I did eat it with, but that sounded crazy.
00:39:57So I changed it.
00:39:59I changed it in the moment because if you'd seen it in reality, it would have been a, it would have been a bridge too far and people would stop.
00:40:05Imagine a bite sounds like this.
00:40:06Like a python.
00:40:11And that ding-dong Mike Squires was in Seattle for some reason I can't understand.
00:40:15And he was like, I'm on my way to the airport.
00:40:17I'm coming by your house.
00:40:18And I was like, how are you even in Seattle?
00:40:20He was here.
00:40:20I was only here for 24 hours.
00:40:23So then he's sitting in the chair watching me eat my beef bourguignon out of a mixing bowl.
00:40:28Hey, listen, if you don't call ahead, you get what you get and don't get upset.
00:40:32That's right.
00:40:33And I said, do you want some beef bourguignon?
00:40:35He was like, I just ate.
00:40:37Do you want some burf and a salad pork?
00:40:41He said, I just ate my weight in barbecue.
00:40:42And I was like, and you're getting on an overnight flight?
00:40:46Yikes.
00:40:47Have some consideration for others.
00:40:50I would want to follow that up with like maybe a cake dusted with Imodium.
00:40:56Anyway, so now you have been warned by all of your people not to get a used CPAP machine, but nobody's warning me.
00:41:04All of these people are, you know, I'm going to get dick meningitis and then I'm going to die.
00:41:08And you're going to get a thousand texts about it where people are like, oh, he should have listened to me when I said that.
00:41:14I'll get a lot of texts.
00:41:15It'll be nice stuff.
00:41:16It'll be like, how are you doing?
00:41:18Like, oh, I heard John's dick got meningitis.
00:41:20So, well, no, it's in his spine, like all meningitis.
00:41:23He got it through his dick.
00:41:24Through his dick.
00:41:25Because a dead man fucked his CPAP up in Puala or whatever it's called.
00:41:28I'm going to go today, and they're going to put some thing on me, and I'm going to come home, and I'm going to try to—I'm going to have a thing.
00:41:36I don't know what it is.
00:41:37Some kind of—it's like one of those little black boxes that Jewish people wear when they go to the whaling wall.
00:41:43Oh, I know what you're talking about.
00:41:44It's called Tevye, I think.
00:41:45There you go.
00:41:47What's his name?
00:41:47Zero Mostel.
00:41:48Yeah, it's called Zero Mostel.
00:41:50And then I'm going to try to pretend.
00:41:56Because the thing is, how does the box work if problem number one is that I don't want to go to sleep and I don't want to go to sleep.
00:42:07And maybe the feeling, if I read this highly sensitive people article and I really think about my feelings, maybe it is that I'm afraid to go to sleep.
00:42:17I don't want to go to sleep because I'm afraid to go to sleep.
00:42:20Oh, do you think this is a MacGuffin, John?
00:42:22Well, I don't know.
00:42:23I don't know why I'm afraid to go to sleep.
00:42:26It's like a Solomon-type thing.
00:42:27Sorry to go Old Testament, but some kind of thing where there's a MacGuffin.
00:42:30We're like, there's a thing, and I want to convince you that this is the thing and why we're doing the thing.
00:42:35And I get you to buy into that.
00:42:36This happens a lot in those placebo kind of mix-em-up 60s, 70s experiments.
00:42:40In this case, what if we find out that just because John has Tevye on his head, that's when he finally realizes...
00:42:47You know, it was the friends you made along the way.
00:42:50You're scared to sleep.
00:42:51And it wasn't until you got a head box that you were forced to confront that.
00:42:55Is that a possible thing they're trying to prove?
00:42:58Well, I don't think they're trying to prove it because I think that I've just stepped in.
00:43:02I've got a toe into the medical industrial complex and they don't know anything about me or care anything about me.
00:43:08They're just running me through.
00:43:10But I'm wondering to myself, because I definitely have sleep apnea, because when I lay down on the couch to go to take a five minute nap,
00:43:16I do this thing where I'm like, and I wake up and I have a, you know, half a second of panic.
00:43:23And then I'm like, come on, all you're trying to do is take a five minute nap, please.
00:43:26You hate that, John.
00:43:27You don't want to suffocate.
00:43:28I don't want to, I don't want to trigger you.
00:43:29But like, there's a whole bunch of notional anecdotes you've offered about things you don't want.
00:43:34You don't want to be in a hole.
00:43:35You don't want to be in the back of a police car.
00:43:37You definitely don't want to go.
00:43:38No, I don't want any of those things because they're all in the same family.
00:43:41You're right to have identified those as in the same family.
00:43:45I don't want to back on my head.
00:43:46I don't want to be in the trunk of a car.
00:43:48I don't want to be in a hole.
00:43:50And, um, and so, but, but I think the fear of going to sleep is a different thing because I don't have nightmares.
00:43:55I'm not afraid to go to sleep because they're, because Freddy Krueger is in there waiting for me.
00:43:59And I'm not, I'm not afraid to go to sleep because I, because I'm afraid of suffocating or anything like that.
00:44:06I have no fear.
00:44:08I have no, I have no top level fear about going to sleep.
00:44:11I look at the bed and it's not like I go, Oh, it's just that I look at the bed and go, not yet.
00:44:19And then I go the other way.
00:44:21I go over here.
00:44:22I sit and I have a mason jar full of rusty nails that I need to sort or whatever.
00:44:28And it's like, oh, all these photographs.
00:44:30Right now, my dining room table is covered with light bulbs.
00:44:34I've been going through a de-rusting and polishing phase.
00:44:37Oh, isn't that fun?
00:44:38I've discovered de-rusting and polishing.
00:44:40So I de-rust and then I have Brasso and I have a set of rigid brushes and that's how I unwind at night.
00:44:46Oh, that's nice.
00:44:48It's so nice.
00:44:49John, I found, we live in an old house.
00:44:51There's a bunch of weird shit in the garage.
00:44:52I found a bunch of old like brass screws.
00:44:55I found, I found a, um, a thing of, I found a box, a metal box that used to have cocoa in it for probably the thirties or forties.
00:45:02Smell like cocoa.
00:45:03No, it smells like, I don't know what they put in it.
00:45:05There's a lot of macabre shit going on at our house.
00:45:07But no, I discovered a good de-ruster because I was watching, you ever watch that guy on YouTube that like fixes up old tools?
00:45:15He gets like a butcher cleaver that's totally rusted through and then he makes it nice.
00:45:19No, but I did find a show about a guy who goes around the Midwest and finds tractors that are like in fallen down barns.
00:45:26You know how you drive around the Midwest and you're like, look at that rusty old tractor.
00:45:30It's like David Reese in tape recorders.
00:45:31Like some people like fixing up nasty stuff.
00:45:34But this guy, it's a great show because he wanders into the barn.
00:45:37The farmer comes out.
00:45:37He's like, yeah, hasn't run in a long time.
00:45:40Don't help her stick in that hole.
00:45:42Don't talk to my daughter.
00:45:45And the guy like goes and he, you know, he pops open the thing.
00:45:49He looks at the thing.
00:45:50He throws, you know, he shoots a little bit of this into that.
00:45:53He blows on the, on the spark plug.
00:45:55And then he gets these things, that kind of thing.
00:45:58Well, I don't, he just sort of got to be heavier stuff.
00:46:01Right.
00:46:01I mean, these motors are, are built.
00:46:03I mean, you could crawl inside these motors and he's like,
00:46:07Gets it going.
00:46:08And the tractor hasn't run in 30 years and he got it going.
00:46:13I mean, it's a show.
00:46:16Magic.
00:46:16So it looks like it took him five minutes.
00:46:19But it seemed, I mean, he did it.
00:46:21How long would it take you or me to get a whole tractor running?
00:46:23All the time, all the time ever.
00:46:25That's right.
00:46:26And he's just like, and then all of a sudden you got it.
00:46:29You got a tractor.
00:46:30The tractor's back.
00:46:31You got it.
00:46:32Even if you're just improving, I've often said that sometimes when I feel like I, I can't exactly say we all have these moments where we need to like get centered.
00:46:43And my, the super pattern for that for me is what I would call controlling a small space.
00:46:48And often that means cleaning something or cleaning a small area or it could be, you know, whatever it is.
00:46:52It doesn't have to be your whole house.
00:46:54Maybe you dye your hair, but you want to control a small area.
00:46:57I cut my hair in the middle of the night.
00:46:59Three o'clock in the morning, I'm always in there cutting my hair.
00:47:01You got to get on this machine, John.
00:47:03I'm telling you.
00:47:03It's a tiny little thing I can do.
00:47:05It's okay.
00:47:06Oh, this little hair.
00:47:08Oh, even it out.
00:47:10I love my last haircut, but my kid says I'm not allowed to have short hair anymore and I'm hating it.
00:47:14I've been saying the same thing.
00:47:15I'm not going to have short hair anymore.
00:47:16I said to my kid, because, you know, she let me cut her hair.
00:47:19It's so itchy.
00:47:20It's so itchy.
00:47:21I hate it.
00:47:21Well, I said, I'm going to grow my hair longer.
00:47:23She said, no, don't do it.
00:47:24And I was like, as long as you're growing your hair, I'm growing my hair.
00:47:27So you keep telling me that you're going to grow your hair down to your waist.
00:47:30Well, what if I join you and we both have
00:47:32hair down to her waist and i really got to her she that i could hear the gears metal band in 1985 well she was like i she because she's thinking to herself i was going to grow my hair down to my waist because that was going to be my gesture and now he is taking my gesture and turning it into something terrible so you swiped her gesture well and she now it's
00:47:54Does she want to be responsible?
00:47:56Because I'm going to be the embarrassing dad with long hair.
00:47:59And it's like, I'm just going to say, well, that was your choice.
00:48:03It was your choice that my hair grew long.
00:48:05You fucked up, honey.
00:48:07Oh, yeah.
00:48:07So she's really thinking about it now.
00:48:09I don't know what she's going to do.
00:48:10It's her decision, though.
00:48:11It's going to take us four years for it to play out.
00:48:13You're going to come home with Tevye on your head.
00:48:16I think we should think about putting out a sleep appliance called the MacGuffin.
00:48:20What do I do if my real problem, because I have a secondary problem where I need a CPAP machine, and it's going to put oxygen into me in the night, and I'm going to wake up, and I'm going to feel strong, and I'm not going to have ennui anymore, and I'm not going to have angst.
00:48:35You're going to wake up with a light heart like you've always wanted.
00:48:37I'm going to have a light heart.
00:48:38But also, why do I not...
00:48:44In the morning, all I want to do is stay in bed.
00:48:46So in the night, why don't I rush to bed?
00:48:49It's one of my favorite places to be in the morning.
00:48:52Oh, I see.
00:48:53Something happens in the nighttime hours.
00:48:57At first, you're reluctant to go to bed, but then at some point, I guess you nod off.
00:49:01And boy, in my case, like today, I really needed to capture some bonus sleep.
00:49:04So I got a little bit of light double bonus sleep that I definitely needed.
00:49:10But of course, I sleep in my wife's office.
00:49:12It is known.
00:49:14So I got to get out of there for meetings and stuff.
00:49:17Your wife's office used to be my bedroom.
00:49:20Let's see.
00:49:20This gets confusing because you're usually in the middle bedroom.
00:49:23You're on the one with the taco.
00:49:25Anyways.
00:49:27No, tell me this, because right now, as soon as we get off this show.
00:49:30You sure?
00:49:30Because I feel like you're close to realizing something.
00:49:32You want to keep going.
00:49:33I feel like you're about to really realize something.
00:49:35Well, you know, I need a little hand-holding here.
00:49:38That's fine.
00:49:38When we get off this show, I will have to struggle not to walk down the hall and go immediately back to bed.
00:49:45I would love to do it.
00:49:47You know, like the bed is calling me even right now.
00:49:49Come back.
00:49:50You don't like going to bed.
00:49:51You like going back to bed.
00:49:53If it was three o'clock in the morning right now and I was, and I was struggling to keep my eyes open, the bed would be back there and I would be like, no, thanks.
00:49:59You know, Hey friends.
00:50:00Crack open a new Brasso.
00:50:02But I'm going to go, that's right.
00:50:03I'm going to go polish some, some nails or I'm going to go downstairs and sort through 35 years of rock posters that I have all stacked in a, you know, in a, like a ziggurat of memories.
00:50:19Oh, you just stepped on a roller skate, didn't you?
00:50:26Ziggurat, I don't even know how to spell that.
00:50:28Ziggurat of memories.
00:50:30And that might go down in the books up there with Seven Sighted Light.
00:50:36I mean, what do I do with these rock posters?
00:50:39That's another thing.
00:50:40I've got so many rock posters.
00:50:41I could wallpaper the house in rock posters.
00:50:45And what am I supposed to do with them?
00:50:46They're not small.
00:50:47I'll do one better.
00:50:48I've got a poster signed by the 2003 Long Winters.
00:50:51I've got a pretend-to-fall poster.
00:50:53And I got to find a place for it.
00:50:55What are you going to do with it?
00:50:56I mean, you know... I'm going to frame it and put it up.
00:50:57I don't want it to get all... All of our Fillmore posters got, like, bleached by sunlight.
00:51:03And I'm not sure I really want to go into, like, polarized.
00:51:07But I've got a... Right here next to me, I've got a This American Life poster signed by Sarah Vowell.
00:51:12I've got a...
00:51:14They got a lot of Wilberforce.
00:51:15But I treasured that.
00:51:17I treasured that Long Winners one.
00:51:20I've got the copy of the Seattle Times from 1969 that says, Man Walks on Moon.
00:51:25And it's sitting right here.
00:51:27It's on the table.
00:51:28And...
00:51:29I looked into putting it in a frame, and I went on all those archivist sites where people are like, how do I put a newspaper in a frame?
00:51:39And all of the consensus is, no matter what you do, a newspaper is going to fall apart as soon as you expose it to the light.
00:51:45Yeah, my John Lennon paper, my St.
00:51:48Petersburg Times from December of 1980 was pretty yellow by the time I graduated high school.
00:51:54And so what they say is make a photocopy of it and put that in a frame and put the paper itself in a bag and put it in the bottom of your closet.
00:52:02And I'm like, that's kind of not the point.
00:52:04I could go to a poster shop and buy a poster of Man Walks on Moon.
00:52:08Let's go look at the Xerox of your wife.
00:52:10I mean, it's not really exactly the same.
00:52:12I mean, the ways in which it is exactly the same are not the ways that are important.
00:52:15Sure, that's her, but that's a mimeograph of my lady.
00:52:20If you smell a Xerox, it smells like a Xerox.
00:52:23It doesn't smell like a newspaper.
00:52:24Take one, pass it back.
00:52:25That's what they say.
00:52:26I mean, half of it is smell, right?
00:52:28If somebody put a blindfold on you and said, here, smell these five women, you'd be able to pick your wife out of the lineup.
00:52:35Would they all definitely be women?
00:52:37Or would they try and McGuffin me up a little bit?
00:52:41They might fake you out.
00:52:42They might put another person and give that person your wife soap.
00:52:47Interesting.
00:52:49Somebody recently, before my wife had surgery, she had to do special ablutions and she got some dial.
00:52:55I had not used dial since college.
00:52:57Dial's the soap I would steal from my friends in college.
00:53:00Because you hadn't afforded?
00:53:02Well, no, I couldn't.
00:53:04I used to wash my dishes.
00:53:05That was 15 cents.
00:53:06What are you talking about?
00:53:07Well, I used to wash my dishes with laundry detergent and that caused me to have a lot of cognitive problems for a while.
00:53:13I think so.
00:53:14But I was in the liberal arts and nobody noticed.
00:53:16I, uh, my, uh, my, uh, daughter's, uh, mother partner.
00:53:21I showed up yesterday.
00:53:22And, you know, if you read this article on highly sensitive people.
00:53:26You gotta send this to me.
00:53:27It says a lot about, uh, it says a lot about, uh, sensitivity to light, sound, smells.
00:53:34Oh, like Dennis DeYoung.
00:53:36Well, yeah, or Steve Perry, depending.
00:53:40But, you know, for me, not to say that I that reading this article that, you know, that there was anything in it that I was like, hmm.
00:53:48But, you know, I like sight sounds like I love big, loud noises, fireworks and and hot rod cars and rock and roll.
00:53:58But I don't want them all the time.
00:54:00I just want them in short bursts, and then I want it to be very, very quiet and no other sounds.
00:54:05No noises, right?
00:54:07No alarms and no surprises.
00:54:10And it's the same with food.
00:54:11Like, sometimes I want beef bourguignon in a pot, and sometimes I want not that.
00:54:19And so she walked in the door, and from the door, I was like, are you wearing men's aftershave?
00:54:24Really?
00:54:24And she said...
00:54:26No, but I have this new deodorant and I wonder if it's too much.
00:54:31And she came over and I was like, whoa, whoa, whoa.
00:54:34You know, like I've been in truck stops that smell less than.
00:54:38Send me some of her clothes.
00:54:40I want to see what it's like.
00:54:41And so and she was like, oh, I'll send you some of my wife's clothes.
00:54:44But like, you know, just on the DL, just dude to dude.
00:54:47You know, I'd like to see what other people smell like.
00:54:49I'm never going to get that again, John.
00:54:51Well, sometimes we get sponsorships from companies that have scented man products.
00:54:58Well, but what about a box service that sends you just, not in a creepy way, but sends you a woman's clothes?
00:55:06Not women's clothing, but the clothes of a given woman.
00:55:10And I'm not talking about that girl who sells her bathwater.
00:55:12Isn't that 15% of the Japanese economy?
00:55:19One time I had a girl left a sweatshirt or not a sweatshirt, a flannel shirt in a car.
00:55:26And I used to have very mixed feelings about Jovan Musk.
00:55:29But after after I smelled that shirt, the feelings all like like all like poles on a magnet all started pointing the same way.
00:55:37And that was up.
00:55:38Well, you know, Maureen Irwin used to wear a CK1, but she really lathered it on.
00:55:44Well, I think sometimes... I can't even smell that stuff, you know, from across the street.
00:55:48My primary college girlfriend was an Obsession user, and that's not my favorite scent, but that Marlboros will always remind me of Orientation Week.
00:55:58But see, this is the point of our service, John, MacGuffin Box, which is we're going to send you something, and you don't know what it's going to be.
00:56:03It might help you sleep.
00:56:05It might be something that smells like a pretty lady, or it could be neither because it really is our service.
00:56:11If I can go to sleep...
00:56:14And so the box isn't going to tell them anything.
00:56:17What does the box say?
00:56:18The box is going to sit there, you know, strapped to my head and it's going to say, well, you didn't go to sleep.
00:56:23And they're going to go, maybe it's malfunctioning.
00:56:25You need to go to sleep in order for this to work.
00:56:28Oh, I see.
00:56:29All right.
00:56:30Well, then I got to wear this box for 48 hours because, you know, like I'm going to sleep when I'm, I'm going to sleep when I finally.
00:56:36So we can offer a third box.
00:56:38Now I would prefer just to get the ones that smell like a pretty woman.
00:56:41And I don't mean Julia Roberts.
00:56:43Or do I?
00:56:45Let me just tell you a little bit.
00:56:47Be sure to use that offer code.
00:56:49Smelly lady.
00:56:50I'm going to put this box on my... I'm going to put this box on me.
00:56:53Strap it on.
00:56:54Strap on your prayer box.
00:56:55If it touches my feet, I'm going to be like, get out.
00:56:57You know, you should write down all your demands for the trip.
00:57:02Make sure people really understand.
00:57:03Because I want to just say once again that I think it's very admirable that you tell your family the importance of your ziggurat of noodles.
00:57:11I think you need to make sure that they super understand and that you will not be afraid to bring the hammer down if they try to cut corners.
00:57:20So here's the thing.
00:57:21I buried the lead a little bit.
00:57:23go my uh my friends my motorcycle friends have reached out and you know after the last time i did that that last motorcycle trip yeah i really spent a lot of time kind of sitting uh sitting on my couch having made it back alive
00:57:41And I said, all right, you're a man in your 50s.
00:57:45You never rode dirt bikes before.
00:57:46Now you've gone on two week-long dirt bike expeditions over mountains and in the snow and across logging roads.
00:57:53And you have fulfilled that.
00:57:58And now you don't need to do it anymore because you are...
00:58:01Because you have done it and you don't have to become it because it just seems like, you know, on the plus side, it's seven days where you are really living in the moment because on a motorcycle, you cannot not be in the moment at any given moment.
00:58:20Absolutely.
00:58:21Absolutely.
00:58:21That doesn't need to become who you are.
00:58:23To paraphrase, I think it was Pima Chodron, you're the sky and not the weather.
00:58:27Well, yeah, because the entire time it's like seven straight days where I am just on the absolute, like, bleeding edge of total terror at all times.
00:58:38Because you're, I mean, just to be clear here, also, you're saying something that I think might go by too fast that I think is important.
00:58:45And I'll tell you why this is important.
00:58:47My lady friend just got into a car and caused it to move for the first time in a month because she's been recovering from her knee surgery.
00:58:55But everything you do in a situation like that is double exhausting because you're not only doing a thing, but you're having to think a lot about the thing.
00:59:04Walking is difficult because you have to walk with a purposefulness, mindfulness awareness, not to put, you know what I'm saying?
00:59:10Don't put any weight on that knee.
00:59:13In your case, John, the way you've described this.
00:59:15You're doing lots of those crazy turns, like those crotch rocket turns.
00:59:18You don't just unwind and amble down the blue highways, as Billy Idol would say.
00:59:24You have to actively think about what you're doing.
00:59:27Plus, you're basically riding a horse, which is exhausting.
00:59:29Yeah, right.
00:59:30The thing itself is exhausting.
00:59:31And then in my mind, there is this like, don't fuck up, don't fuck up, don't fuck up, don't fuck up.
00:59:37Just like a constant... Mm-hmm.
00:59:41But...
00:59:41So, you know, Ben King, architect Ben King, friend of the show, and Gregor, who Gregor has decided that he's going to now, he's done enough of these long rides that he's going to convert and turn this into a job.
00:59:57He's going to start leading adventure bike tours of the wilds of Oregon.
01:00:02That's fun.
01:00:03And he's going to do it a little bit better.
01:00:04He's going to have a sprinter chase vehicle that meets us on the plier or up in the trees.
01:00:11Like if you carry your bags or your turkey or whatever?
01:00:14Well, and then he's going to make gourmet meals.
01:00:16I love this.
01:00:17Eat with bourguignons.
01:00:19So the sack.
01:00:20And hand, or, you know, wood-fired pizzas and stuff.
01:00:25Oh, hand-turned noodles.
01:00:26Hand-turned noodles.
01:00:27And there's going to be, like, these deluxe cabins up there.
01:00:31It's so stupid.
01:00:31hot, hot springs.
01:00:33There's going to be, you know, he's, he's doing a whole thing.
01:00:36And, uh, and then, and then there's the adventure bikes and off we go, you know, and, uh, and over the mountains.
01:00:42And it's, and so this year, so they write me and they say, look, Gregor's going to do this.
01:00:47And I, you know, and the thing is they don't, they, when they were seven years old, they were throwing 125 Kawasaki's around flat tracks that they built themselves.
01:00:57And they're like, you know, uh,
01:00:59Oh, this is just as, you know, all you have to do is just get on it and ride.
01:01:02And I'm like, yeah, except you guys don't have like 700 buffalo right behind you trying to gore you like I do.
01:01:11And they're like, ah, we all have buffalo.
01:01:13Oh, everybody's got their buffalo.
01:01:15I don't think so.
01:01:16I don't think you're buffalo.
01:01:17What's your buffalo?
01:01:19Buffalo, buffalo, buffalo.
01:01:21The back tire of my motorcycle is six inches from the horn of the first buffalo.
01:01:27And so they're like, no, no, no, you got to do this.
01:01:31They don't say you got to do it because they're not that kind of guys.
01:01:34No, that's the whole point.
01:01:35The point is you got to want to do it.
01:01:37It's like being a Marine.
01:01:38But they're like, here, you know, Gregor's starting this new business.
01:01:41This is his trial run.
01:01:43He wants to make the pizzas.
01:01:45He wants to make the B4 unions.
01:01:47We're going to go out.
01:01:48We're going to try this out.
01:01:49Gregor, it's a new role for Gregor.
01:01:51He's going to try very hard not to break his motorcycle.
01:01:53So for real, what do they call that when you take out a ship for the first time?
01:01:55Not breaking it in.
01:01:56What do they call that?
01:01:57There's a term for that.
01:01:59So this is not a dry run exactly, but this is one of his early, let's see how this would go if I made this into a business.
01:02:06What could I learn from my dumb friends if we did this?
01:02:08Right.
01:02:09And one of the things I think he learned in talking to people was typically most of your clients are not going to necessarily have been throwing 125 Kawasaki's around a track from the time they were six years old.
01:02:21They're going to be closer to John Roderick in terms of tone and temperature.
01:02:27Time and temperature.
01:02:28And so maybe like chill out a little bit on the single track ride through shale over like a cliff that falls in.
01:02:39Yeah, the vetting process for deciding, what are we talking about?
01:02:41Like probably five, maybe five people on one of these trips?
01:02:44Yeah, five, seven probably.
01:02:45But like, boy, you really, you're the John Roderick of this trip and you're very concerned that the buffalo are going to get you.
01:02:51Like, I imagine your friend, what's his name?
01:02:53Gregor.
01:02:54Gregor.
01:02:54Gregor.
01:02:54that he's going to want to do some serious vetting and maybe even like a competence test to know, like, can you get out of a slide and stuff like that?
01:03:02Well, in the past, I think all of the, everybody else on the motorcycle trip is like there because they're being sponsored by a motorcycle company or whatever.
01:03:10They're just like, you know, like, Hey, you know, we're on the third floor of the hotel.
01:03:13Why don't I just wheelie up the stairs?
01:03:16And I'm out there like, yeah.
01:03:19And I'm trying to get, I have to try six times to get the kickstand down.
01:03:23And it's like, all right, all right, okay.
01:03:25And I'm just, I've always felt like a drag on everybody because, because, you know, I'm just like granny-ing.
01:03:31I mean, you know, I'm not granny-ing.
01:03:33We're still on logging roads, but I'm just like on my, I'm on my path, right?
01:03:37I'm doing my thing.
01:03:38But now I feel like maybe this time I'm actually, I'm going to be the tentpole because everybody's going to be going, well, now what is Roderick one?
01:03:48No kidding.
01:03:48You're the tentpole.
01:03:49How about that?
01:03:49I don't know yet.
01:03:50I don't know.
01:03:50I think they're going to forget about that.
01:03:51But you're ready for that if you're called tracking around.
01:03:54Anyway, I agreed to do it.
01:03:56And so.
01:03:57And that's where the noodles come in.
01:03:58So I'm leaving on Saturday.
01:04:01For, for nine days of going down to like where.
01:04:04Hold the phone.
01:04:05You're doing a sleep thing on Monday.
01:04:09Or Tuesday.
01:04:10Or no, Monday.
01:04:11Going on a sleep thing on Monday.
01:04:13The people from the King Conservation District are coming to kill all the laurels and hollies in my ravine on Wednesday.
01:04:20And then I'm going to drive down and get on a motorcycle...
01:04:23And then I'm on a hovercraft.
01:04:25But then we're going down to where Eamon Bundy thinks that his sheep should be able to graze.
01:04:31Oh, yeah.
01:04:31He just wants grazing rights.
01:04:33And then there was a big fire down there, too.
01:04:35But, you know, that eastern—southeastern Oregon is just a crazy universe.
01:04:40When they were trying to do the moon landing, I think they went out there and said—
01:04:44This is as close on Earth as you can get to the moon, but there are other places that are like, oh, these canyons and all this stuff.
01:04:51So we're going down there, and I'm, you know, and I'm not in good shape right now, Merlin.
01:04:56I'm a big chubbins.
01:04:58Well, you're not going to sleep as you'd like.
01:05:00Don't say things like that.
01:05:02Well, you know, all I have to do is— You should get one of those fat guy motorcycles with three wheels.
01:05:06If I get—when I get up from this couch right now and go and limp down the hall to go back to sleep,
01:05:13You would be able to hear my muscles strain just like, oh, okay, here I go.
01:05:19Well, make sure you allow time to get to your appointment.
01:05:22Well, yeah, but how am I going to, I'm going to climb on a motorcycle.
01:05:25I'm going to be on this giant horse and I'm going to be like, you know, and it would be, it would be hard for me to walk from the motorcycle to the hut.
01:05:32Oh, you need a second smaller motorcycle, more of an assistive device.
01:05:38Yeah, I need a second smaller motorcycle.
01:05:41You need a ruggedized rascal.
01:05:43Yeah, a ruggedized rascal.
01:05:45Now, that could be three reels, and that would be kind of cool, you know?
01:05:49So here we go, right?
01:05:51It's another one of these things where it's like, all right, well...
01:05:55Because it always boils down to the question of, what are you going to do?
01:05:58Not do it?
01:05:59Well, what are you going to do?
01:06:00What are you going to do?
01:06:01Not do it?
01:06:02Well, I wouldn't know.
01:06:04Gregor wants to make wood-fired pizza for you out on the playa.
01:06:07And all you have to do is ride a motorcycle for nine days.
01:06:10What are you going to do?
01:06:10Keep an eye on that guy when he wakes up in the morning, by the way.
01:06:15Don't break a leg.
01:06:16Don't die.
01:06:17Don't suffocate on a motorcycle.
01:06:19This is one of these don't break a leg moments.
01:06:21No, well, this is definitely going to be one of those fill out your card because how does John perish by October 11th?
01:06:28No, no, no.
01:06:29Well, it could be a buffalo, buffalo, buffalo.
01:06:32They're right behind you.
01:06:33Buffalo.
01:06:33They're right behind you.
01:06:35You know?
01:06:37Anyway.
01:06:37Well, stay safe.
01:06:38don't fuck up don't fuck up don't fuck up don't fuck up

Ep. 440: "Sur La Sac"

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