Ep. 327: "Old Sunshine and the Bear"

Episode 327 • Released March 9, 2019 • Speakers not detected

Episode 327 artwork
00:00:05Hey folks, how you doing?
00:00:10Good hands together for Roderick on the Line!
00:00:49We got some certificates of attaboy.
00:00:54I don't know.
00:00:56Merlin may not display this prominently in his home, but I will.
00:01:01Maybe you can take both of ours.
00:01:04No, but it's nice because it's got the headphone-y right on there.
00:01:07You've got a 20-sided die.
00:01:09There's a 20-sided die?
00:01:11I'm going to see some of the sides because it's not 3D.
00:01:14It says something in... This is nice.
00:01:17Sometimes you need an attaboy.
00:01:18I do need an attaboy.
00:01:19I need one every damn day.
00:01:23I totally agree.
00:01:24There should be somebody there.
00:01:25You should have an attaboy boy.
00:01:27Have an attaboy boy.
00:01:28Have an attaboy boy.
00:01:31I could make him wear a fez.
00:01:33He could be any size.
00:01:34He'd be from Nebraska.
00:01:35He'd be 29 years old.
00:01:37He just needs to speak clearly.
00:01:39A lot of these millenniums, you know, they bought all the avocados and now they need employment.
00:01:43You could hire an attaboy, attagirl.
00:01:45You could get whatever anybody could accommodate your needs.
00:01:47Just give them an attaboy.
00:01:48Atta boy.
00:01:49It would be like Liberace's chauffeur.
00:01:52I would have him dressed beautifully.
00:01:55And he would just stand his attention.
00:01:56In fur.
00:01:57In fur.
00:01:58When I came through in my robe, he would hand me my sword.
00:02:02And he would say, Atta boy.
00:02:04Oh, Quincy, Quincy, where's my sword?
00:02:06Go get him.
00:02:06Go get that neighborhood dog.
00:02:08Isn't this nice?
00:02:09Isn't this nice to be here?
00:02:10Boy, we've been doing this show live at Sketchfest for...
00:02:14Two decades.
00:02:15At least there's tonight.
00:02:17There was tonight, and yeah.
00:02:19Did you get the cheese platter?
00:02:20Did you get some of the cheese?
00:02:22I've never seen anything that looks so much like a thing for trapping human beings than the cheese platter back there.
00:02:27You know how you buy the mouse traps?
00:02:28This is not a bit.
00:02:29You buy those mouse traps with the plastic thing that looks like cheese on it, and you're like, I mean, how is that going to fool a mouse unless they're from Switzerland?
00:02:36That's so strange.
00:02:36I'm not going to fool a mouse.
00:02:38a sweet but not very bright person might grab that cheese because they say, hey, look, it's cheese.
00:02:43It's like the world's most dangerous charcuterie.
00:02:45I think that that cheese on the mousetrap is meant to help people know where to put the cheese.
00:02:51You think it's for people?
00:02:53I think the people look at it and they're like, where does this
00:02:54cheese go because you could you could not make a convincing fake peanut butter personally i put peanut butter on there you put this because you made a dookie on there yeah you're saying the cheese and as an indicator put the peanut butter here yeah but the cheese in the back so we walk back there's a bullachex mix they're really nice place nice people in there it's so nice bullachex mix some water
00:03:12And then, like a... A lot of water.
00:03:17Like a surpassing amount.
00:03:19Like a kidney-damaging amount of water.
00:03:22But then there was a thing that wasn't quite a cutting board.
00:03:24It wasn't quite a Coke mirror.
00:03:27And it had eight slices.
00:03:34Foking slices of cheese in three rows.
00:03:37Nothing else.
00:03:38If I was in QAnon, I would think that it's something very meaningful, probably.
00:03:42It seemed to be telling us something.
00:03:43Three strikes, you're out.
00:03:44What does it mean?
00:03:45Get it.
00:03:45Seven means three cheeses.
00:03:46You know what I'm saying?
00:03:47Merlin stared at it for a while, trying to figure out what the sub-message was.
00:03:51Yeah, what the sub-message of the cheese was.
00:03:53And then he said, I'm not going to touch that.
00:03:55Other people touched it.
00:03:57How long we got out here?
00:03:58I think, well, we've been about 45 minutes, so let's go to questions.
00:04:06Remind me to stop doing the show in 70 minutes.
00:04:13I'll tap you when I'm ready.
00:04:18Mine says hang on.
00:04:19This is not going to be taken from the time of the performance.
00:04:24I'm sorry, I apologize.
00:04:25Go ahead.
00:04:26Remind me to stop doing the program in 70 minutes.
00:04:30Call Merlin.
00:04:36This one.
00:04:39Tell John I'm busy doing the program.
00:04:42No, stop.
00:04:43Alexis, stop.
00:04:43Siri, stop.
00:04:46Tell Hot Rod I'm doing the program.
00:04:52You go for Merlin.
00:04:55Hi, Merlin.
00:04:55It's John.
00:04:55I'm calling you from my watch.
00:04:57Okay, okay.
00:04:57I still like it on the timer, so...
00:05:01Remind me to stop doing the show in 70 minutes.
00:05:05Oh, geez, now I'll get disconnected.
00:05:07Call John Syracuse.
00:05:13Tell Max Temkin to call John Syracuse.
00:05:14Tell Max Temkin to call John Syracuse.
00:05:19I hate this.
00:05:23She's going to tap me when she's ready.
00:05:25She heard me say, I hate this, and she said, I hate this.
00:05:29I promise you none of this is going to be a take.
00:05:31That doesn't sound good.
00:05:33Oh, no.
00:05:36Tell Matt Howey John Syracuse hasn't called me back.
00:05:40This is the best content.
00:05:44No, no, no.
00:05:46She didn't understand that one.
00:05:47Okay, hang on.
00:05:48Can you guys remind me when it's been 70 minutes?
00:05:51Did you mean Matt Dresner?
00:05:53No, not Matt Dresner.
00:05:55Trent Rezner?
00:05:57Call Trent Rezner.
00:05:59Here are some movies matching Kong.
00:06:04She's trying to get me to watch King Kong.
00:06:07Call Matt Howie.
00:06:09Wait, she doesn't know what Howie, because Howie spells his name Hoggie.
00:06:13Call Matt Hoggie.
00:06:15Uh-oh, I don't have a phone number for Matt Hoggie.
00:06:19Open Matt Howie's garage door.
00:06:23Anyway, I've been trying to use my watch instead of my phone.
00:06:26Yes, we have not caught up on this.
00:06:27How has that been going?
00:06:30It sounds like it's been great.
00:06:33The problem is if you want to use your watch instead of your phone, you can't bring your phone.
00:06:37But if you don't bring your phone, there's going to be that 10% of the time when your watch isn't equal to the task.
00:06:44But if you bring your phone...
00:06:4510 to 29% of the time.
00:06:48But if you bring your phone, you're not going to ever really commit to learning how to use your watch.
00:06:54Right?
00:06:55So I'm constantly in this thing where it's like, if I really believe I'm going to force myself to use this watch even when it doesn't work,
00:07:02Or the watch is just a gigaw.
00:07:04It's just a gizmo, and I don't need it.
00:07:06That would kill you.
00:07:07You would hate that.
00:07:08It wouldn't kill you.
00:07:09I spent the money on this thing.
00:07:09I don't want to leave it in a drawer.
00:07:10That's too much fucking money, John.
00:07:12So you're on the horns of a dilemma.
00:07:14I'm on the horns of a dilemma.
00:07:15You've got to decide, am I going to really commit to this and really, really accept what a piece of shit this entire rat king of technology actually is by forcing myself to stick with it when it doesn't work?
00:07:26So you're going to really learn the limitations.
00:07:28My laptop burned out.
00:07:29Is that your video card?
00:07:30My video card burned out on my laptop.
00:07:33And my iMac bricked.
00:07:36And when I told John Sircuso that my iMac bricked, he said, so it won't boot up?
00:07:42And I said, no, it boots up.
00:07:43It just sucks.
00:07:44And he was like, that's not what bricked means.
00:07:48But it effectively bricked.
00:07:52It's so nice to be friends with John Sircuso.
00:07:54Everything went to shit all at once.
00:07:56And the only thing that really still works is this watch, which only works 71% of the time.
00:08:01And it doesn't really work.
00:08:02It just taps you when it feels like it.
00:08:04It's super frustrating.
00:08:06And then they'll, yeah, and then you call it the wrong name and you feel bad.
00:08:09But, I don't know.
00:08:11Alexa, play Smashing Pumpkins.
00:08:16Call Trent Reznor.
00:08:17Sorry, I couldn't find Smashing Pumpkins.
00:08:20I don't see Trent Reznor in your contacts.
00:08:23Wait, yours is British?
00:08:26Aw, I didn't know you could make it British.
00:08:28Yeah, yeah.
00:08:29It's problematic.
00:08:30I'm not living my best life.
00:08:33You remember last year at this show, I was like so sick.
00:08:38You were so sick.
00:08:38Is that when your child barfed on you?
00:08:40Was it around that time?
00:08:41Everyone was barfing on everyone then.
00:08:43I think there was a short period.
00:08:44Does anybody remember this?
00:08:46I feel so much better now.
00:08:48It's been a year.
00:08:50It's been a slow recovery, but I feel good now.
00:08:53A lot of fluids, forcing yourself to rest.
00:08:55It's so good to do Roderick on the Line.
00:08:57You know, you and I don't see each other in person very much anymore.
00:09:00Until you make me come to things like this.
00:09:03And I get on Muni, and an hour and a half later, I find my way here.
00:09:08Somewhere along the line, you morphed into John Fogarty in 1987.
00:09:11Yeah, this is... I'm super into it.
00:09:18Center field.
00:09:20Come in, coach.
00:09:23I don't do things or go places.
00:09:29When you learned that House of Prime Rib would deliver to your home, I think that was the final straw.
00:09:35I just duct taped all the doors and windows.
00:09:37Just put it through the slot.
00:09:39One slice at a time.
00:09:41But I would like to point out that you've started shining your shoes.
00:09:44I started shining my shoes, and this has changed everything.
00:09:46In a way, that's kind of antithetical to the whole world that we grew up in, where we're just dirty.
00:09:51Oh, anything goes.
00:09:52Bring your dog with you.
00:09:54Everything's different.
00:09:55But now you're like Mr... I'm a throwback.
00:09:57I look like a fucking cop, man.
00:09:58It's like having a ski rack on your car for feet.
00:10:02But that seems like one of those paint jobs that you would get if you were a member of the lowrider culture.
00:10:07You put more than one layer of...
00:10:09I do a two-part process.
00:10:10I also just realized as you're speaking that I think these shoes are the only thing I'm wearing that's not related to podcasting.
00:10:22What, you mean everything else is schwag?
00:10:23Fucking every single stitch of what I'm wearing is because of podcasting.
00:10:28Schwag, schwag, schwag.
00:10:29So let me guess.
00:10:30Well, now what?
00:10:31Who wants to venture?
00:10:32It's got just the right, what?
00:10:34What brand is your underpants?
00:10:40Oh, shit, dog.
00:10:41What brand is Merlin's shirt?
00:10:45Now this one's going to be a little bit tricky.
00:10:48How do you get a free shirt in podcasting?
00:10:50I never got a single free shirt.
00:10:51It's not a box service.
00:10:53It's said right there in red letters to not refer to it as a box service.
00:11:00Bombfell.
00:11:01Bombfell.
00:11:02My shirt was chosen by Bombfell.
00:11:04My socks are from the company that makes socks in your size.
00:11:10And the jeans?
00:11:12I had to buy them for Dubai Friday.
00:11:14The challenge?
00:11:17Buy pants.
00:11:19Oh, if anybody remembers, anybody listening to Dubai Friday?
00:11:22These are the ones Max likes to wear when he's riding his cool skateboard.
00:11:26And apparently this is reflective.
00:11:28I don't have a flashlight, but apparently these are reflective because they're commuter jeans.
00:11:33Call Max Temkin.
00:11:36Max Temkin.
00:11:37Tell Hot Rod to stop fucking around during the show.
00:11:40Here we go.
00:11:48Hello?
00:11:48Hi, Max.
00:11:49It's John Roderick.
00:11:51Hi, John.
00:11:52How are you?
00:11:52Merlin is here on the show and he's bragging about some jeans you made him buy.
00:11:58Wait, some jeans that I made Merlin buy?
00:12:00Yeah, is that true?
00:12:01Can we verify this story?
00:12:04Well, I had noticed earlier this year that I knew a lot of cool people were wearing black jeans.
00:12:08Oh, hi.
00:12:09I'm sorry.
00:12:09I'm on stage with Roderick.
00:12:11You want to say hi to everybody in the audience at Roderick on the Line?
00:12:14Hi, everybody in the audience at Roderick on the Line.
00:12:19Well, thank you so much.
00:12:21Max, Merlin is trying to steal our thunder over on the other side of the stage.
00:12:26Is he wearing black jeans?
00:12:30Millennials don't like getting calls like this, do they?
00:12:32Is he cooler?
00:12:33He's much cooler.
00:12:34He looks like John Fogerty.
00:12:36Listen, I'll let you go.
00:12:37Thank you so much for doing it.
00:12:38I really appreciate all the work you've done on Merlin Max.
00:12:41I can't thank you enough.
00:12:44I like that long winter.
00:12:44It's been a really, really long time.
00:12:45Alex likes the long winter.
00:12:46Thanks, buddy.
00:12:47I'll talk to you soon.
00:12:48Okay, well, everyone here in the room says hi.
00:12:50Say hi to Max.
00:12:53Okay, we'll talk to you soon.
00:12:54Bye, John.
00:12:56Tell Max Temkin to quit fucking around with my program.
00:13:00Oh, this is a good bit.
00:13:02It's really great.
00:13:04Who were you talking to?
00:13:05I was talking to Alex, my co-host on Dubai Friday.
00:13:07Where I got my pants!
00:13:08Do you think Alex and Max were in the same room?
00:13:12I really doubt it.
00:13:13I always think of podcasters as all living together.
00:13:15Like in a treehouse, right?
00:13:17That would be really gross.
00:13:19There's nobody that I want to live with, especially a podcaster.
00:13:24How big would the house have to be for you and me to live together?
00:13:29Imagine the house.
00:13:31Now you want it to be as small as possible.
00:13:32B, I think it's a trick question.
00:13:34A, how big would it need to be?
00:13:36How much of your stuff is there?
00:13:42Let's say I committed to reducing my stuff by 60%.
00:13:4660% of what?
00:13:48I only had 40% of my stuff there.
00:13:51Oh, 40% of your stuff.
00:13:52Well, that is a percentage.
00:13:55Would it be a treehouse?
00:13:56Could be a treehouse.
00:13:59But you're saying, is it connected by a Disneyland-style rule plan?
00:14:04I'll allow it.
00:14:05Okay, all right.
00:14:06I don't know.
00:14:07I think we could, I think there's a, what do they call math?
00:14:10Logarithmic scale.
00:14:11I think there's an amount of time we could spend in a small space and the longer the time was, the more we just couldn't be in the same space.
00:14:19So a hotel room, we could do it for like an afternoon.
00:14:21We could do it.
00:14:21An afternoon?
00:14:22Like where there's no, you got pants on?
00:14:25We share a backstage pretty healthily.
00:14:27I think so, yeah.
00:14:29But like a year.
00:14:31A year.
00:14:31A year.
00:14:32How big would it be?
00:14:33Let's say that NASA,
00:14:36asked us to go to Mars because no one else could quite communicate the experience to people the same way that you and I would.
00:14:46You think it would take about a year?
00:14:47Take about a year to get to Mars, then some time on Mars, walk around, see the sights, and then we'd have to take a year to get back.
00:14:56Oh, boy, that's going to need to be a big ship.
00:14:58Yeah, it'd be a big ship, wouldn't it?
00:15:00Because, you know, you're going to want the comforts of home.
00:15:02We need our privacy.
00:15:04Yeah, I really need my privacy.
00:15:05You would get tired of hearing some of my theories.
00:15:08Would we become lovers?
00:15:09Not in a bad way.
00:15:10Okay, I imagine there's a way to turn off the radios.
00:15:14The thing is, it feels like you would be scratchy to kiss.
00:15:18And that's bad how?
00:15:21Well, but I mean, you know what?
00:15:22I'm soft.
00:15:25It would be like caressing a scallop?
00:15:30Yeah, like a cell.
00:15:32Maybe that would be my pet name for you.
00:15:34Lay down on a bed of de-shelled scallops.
00:15:39Very soft.
00:15:41If it was in the sun, it would get lame.
00:15:44So moist.
00:15:46It would be like humping in a hothouse.
00:15:49But it feels like you'd be bristlier.
00:15:52I'm not that bristly.
00:15:53I shaved a little today with a Harry's razor.
00:16:00Oh, God.
00:16:04I've started to get very panicky about being put in confined spaces.
00:16:11The devil you say.
00:16:12A little panicky about just the prospect of being put in confined spaces and the idea of being put in a spaceship even without you there.
00:16:19causes me to get a little bit anxious if I think about it for too long.
00:16:25This is tangentially related to being hooded in the back of a cop car?
00:16:30Every single situation.
00:16:31If NASA wanted me to go to Mars, I would assume the first thing they would do is put a hood over me and throw me in the back of a cop car.
00:16:41And that cop car would take me to a spaceship.
00:16:44And I would be put on the spaceship.
00:16:45Ignition.
00:16:46It would suck.
00:16:48I don't like things I can't get out of.
00:16:52Because sometimes I just need a bathroom.
00:16:55And it doesn't matter why.
00:16:56That's the thing about this yearly live.
00:16:58You're like, I can't get out of it.
00:17:01He asks me to do it in May.
00:17:02But they would not have asked us unless they really needed us.
00:17:06They probably have more qualified people who can handle it, but obviously they got to us.
00:17:09Maybe there's some kind of a plague type situation, but they get to us.
00:17:12Maybe it's the drug that makes your arms rot off.
00:17:15You guys seen that yet?
00:17:16Have you seen that?
00:17:17What's it called?
00:17:19Crocodiles?
00:17:20You don't want to Google this.
00:17:21You don't want to Google this.
00:17:22But let's say the crocodile has made everybody's... Go look at it.
00:17:25Crocodiles?
00:17:25Don't look it up.
00:17:26Don't use your phone.
00:17:27That's very rude.
00:17:28Oh, Jesus.
00:17:31What is crocodiles?
00:17:37Sounds like a diner on the Sunset Strip.
00:17:41Crocodile?
00:17:42Crocodile?
00:17:43Call crocodiles.
00:17:47I don't see crocodiles in your contacts.
00:17:48Well, that's not what I asked for.
00:17:51I said crocodiles.
00:17:53but in any case uh for whatever reason let's just say that a lot of the normal spacemen and space persons space ladies all the space persons i would do it if i had to no i don't know i i don't i don't like getting on muni i just don't have that much ambition and i really would not want to be that famous and then a lot of people are talking about you and asking questions what's going on in space when we play a lot of board games
00:18:17With the people that would go to space for a year, you absolutely would.
00:18:22They would leave food behind.
00:18:23Actually, clerics now can use them.
00:18:25Bring settlers of Catan along.
00:18:29We bought that and we never opened it.
00:18:32You ever do that?
00:18:34Sometimes I decide, well, certainly all of you, for me, it's all about the books because you love your books.
00:18:40Book people.
00:18:41I'm a book person.
00:18:43Yeah, yeah.
00:18:43One day I decided I was a board game person, and I bought The Settlers of Catan, and I bought The More You Make the Choo-Choo Go Around, and I bought all of those.
00:18:51I bought Lords of Waterdeep, which is apparently a board game of Dungeons and Dragons.
00:18:55It took my daughter and I three hours to take all the pieces out of the game.
00:19:01Stops and ends at Candyland.
00:19:02That's all you need.
00:19:03We do jigsaw puzzles at my house because we live in an illustration from the Saturday Evening Post.
00:19:11How many pieces?
00:19:12Well, I try to get the ones with a lot of pieces.
00:19:151,500 pieces.
00:19:16Take up the whole dining room table.
00:19:18Nobody can do anything for a week and a half.
00:19:21You have to eat sitting on the floor.
00:19:23Just like in space.
00:19:26Everybody in the family has a different methodology.
00:19:29There's the person that likes to do the outside.
00:19:32There's the person that starts with major themes.
00:19:35I'm somebody that really wants to focus on the areas that I think no one else wants to play with.
00:19:40Really?
00:19:41Yeah, all the stuff.
00:19:42Because it's like, oh, there's one red balloon in the middle of the painting.
00:19:46Of course, somebody's going to be like, I'm getting all the red balloons.
00:19:49And I'm like, no, no, no.
00:19:50Get me where the ocean meets the sky across the entire back of the puzzle where it all just is indistinguishable.
00:19:57no one knows how far it goes yeah yeah so i'll just sit and work on that just contentedly never got into those my mom would make my mother had a very memorable puzzle this is not a good story but it's a memory she had a i think many many hundred piece puzzle of a coin of a coin of a coin of a coin of a coin it was a very large round puzzle of coin oh it was a round puzzle oh it was a big round puzzle of a coin now ask yourself yeah say to yourself
00:20:24If you have a Liberty Head Nickel, ask yourself how much contrast you got on those pieces.
00:20:30Liberty Head Nickel?
00:20:31Liberty Head Nickel.
00:20:31It's all the same color.
00:20:32It's just silver.
00:20:33I don't understand these things.
00:20:34It's got little words on it, though.
00:20:36I mean, very small.
00:20:37A little Liberty, that kind of thing.
00:20:39Yeah, a little Liberty.
00:20:39I don't know.
00:20:41So your family is brought together by a puzzle?
00:20:42Does your mom get in on it?
00:20:43Oh, yeah.
00:20:43Everybody loves a puzzle.
00:20:45Everybody loves it.
00:20:45I mean, one time I got a 1,500-piece puzzle of Van Gogh's Starry Night.
00:20:51Oh, man.
00:20:52Which is an impossible puzzle to do because every brush stroke is the same.
00:20:58It's like you got blue parts, yellow parts?
00:21:00It's just blue parts, yellow parts.
00:21:01And they're all, but it's not like... You got little check marks, but... It's not like you can look at a sworg and compare it to any other sworg or connect it to any sworgs.
00:21:10And so we studied this thing.
00:21:11It was on the dining room table for a month and a half before we had, as a collective unit, our family had to surrender.
00:21:18And we all, each of us, just was like...
00:21:21I give this to you, puzzle gods, and we put it all back in the box and got it out of the house.
00:21:28And now that's got to be like a Ludovico thing for you.
00:21:30Now you go, you see Van Gogh, you must get all twitchy.
00:21:33Do I have to put that together?
00:21:34I see Van Gogh.
00:21:35So you go into those puzzle stores or children's stores that are for advanced children.
00:21:41You know, like, oh, this is a store for advanced children.
00:21:44Like, here's a toy that sucks.
00:21:46Here's a toy that no kid would want to play with.
00:21:47Where people who don't have kids go because they need to buy an $80 toy as a gift.
00:21:51Yeah, right.
00:21:52Do you have anything wooden that has the shape of food?
00:21:55Yes, we do.
00:21:56Let me introduce you to the world of Melissa and Doug.
00:21:58This is a car that no child would ever enjoy playing with.
00:22:01This tomato is velcroed together and comes with a false knife that's not sharp.
00:22:06How much is it?
00:22:08Yes, please.
00:22:10The advanced child store.
00:22:11You see these puzzles at the advanced child store, and there are a few that I look at and go, hmm, this is a puzzle meant to make even the smartest child develop some humility.
00:22:22These are intentionally unsolvable things.
00:22:26Oh, that's good.
00:22:27It was like in sixth grade when my teacher got tired of me interrupting, and she said, you can sit in the corner and read, here's Tale of Two Cities.
00:22:36And it felt like I was being given a gift until I opened and started to read Tale of Two Cities.
00:22:41The beginning's catchy, but then there's the rest.
00:22:43Then I realized, oh, this is a giant teacher hammer, and I'm not going to surrender first.
00:22:50I'm going to fucking tough it out.
00:22:51The phrasing is so important.
00:22:53What was the phrasing of the teacher?
00:22:55You can sit here and pay attention, or you can go back and read Tale of Two Cities.
00:22:58There was never any in-between time of like, do you want to look at Nancy Comics or Encyclopedia Brown, right?
00:23:05No, it was not a recognition that I had special needs.
00:23:08It was an acknowledgement that she could no longer handle me, but she knew I would be fooled.
00:23:13She would put a chair over there, a soft chair even.
00:23:16Almost the opposite of special needs.
00:23:18It just caused unspecial problems.
00:23:21Just problematic John.
00:23:22I sat back there, never having heard of the French Revolution, just like, I will not stop.
00:23:27I will read this.
00:23:29It traumatized me.
00:23:30I don't think most people read books, especially the famous books.
00:23:34I just don't think most people read them.
00:23:35Because I don't.
00:23:36How many people, by applause and don't lie, have read Moby Dick?
00:23:43That's about right.
00:23:45In a room this size, that smattering of applause feels legitimate, right?
00:23:49There are a lot of people in here.
00:23:50I had it for a class, and I read it.
00:23:52We know the story of Moby Dick.
00:23:54I skipped some of the extensive chapters about the whaling industry.
00:23:57Ooh, postmodern.
00:23:59No, not good.
00:24:00By applause, have read Billy Budd.
00:24:01Billy Budd.
00:24:03A much smaller smattering.
00:24:05That's a Melville?
00:24:07What's the other one?
00:24:08Tycoon?
00:24:08Give me another one.
00:24:09Typhoon?
00:24:10What's another one?
00:24:11What about Tristram Shandy?
00:24:13Tristram Shandy?
00:24:16That's all the books.
00:24:17That's pretty much... No, I just... What do you got?
00:24:23Oh, you brought a book.
00:24:24It's the... Oh, John Scalzi from... You know him from the Cruz.
00:24:27Oh, I do.
00:24:28And that's Gabriel.
00:24:29I know Gabriel from all around.
00:24:31John Scalzi is a science fiction author.
00:24:33Science fiction author.
00:24:34He's very popular.
00:24:35Did he do red shirts?
00:24:36I know him well.
00:24:37He did.
00:24:37He did red shirts.
00:24:39Not bad, huh?
00:24:39He's a nice man.
00:24:40Ask me if I've read it.
00:24:43I read Night Shift by Stephen King.
00:24:45Did you?
00:24:45I saw Night Shift starring Henry Winkler.
00:24:48I saw...
00:24:49That's a terrific movie.
00:24:50It is a great movie.
00:24:51It's very unusual.
00:24:52I haven't read it recently.
00:24:55I haven't read Night Shift recently.
00:24:59We're just having fun.
00:25:01This is not going to cut into the time for the actual performance.
00:25:04Merlin will cut this all out.
00:25:06I'm trying to think of the actual last big boy book that I really read, read, read.
00:25:11I've purchased a lot of books.
00:25:13I had a friend that worked at one of the Seattle internet book retailer companies.
00:25:20Where you order books online and then they're sent to you.
00:25:24You order them online.
00:25:26And they're sent to you.
00:25:27And they're physically sent to where you live?
00:25:28It was a Seattle company.
00:25:29It's a Seattle, okay.
00:25:31And he had... Is Powell's in Portland?
00:25:33Powell's is a Portland company.
00:25:34Okay, it's a mnemonic.
00:25:35Powell's is in Portland.
00:25:36Powell's in Portland.
00:25:37And then Washington reads.
00:25:38Washington, the other company.
00:25:41You let them know there's a book you want to read, and then they send it to wherever you live.
00:25:45Yeah, in the mail.
00:25:46And you use a computer for this.
00:25:49Right, or a phone or a watch.
00:25:50I'm not sure about the watch part.
00:25:53Do they follow up to make sure you read it?
00:25:55Not sure.
00:25:55Sounds like it could be pretty successful.
00:25:57They're not bugging you about it.
00:25:59He worked in a part of the company where he had access to all these books.
00:26:04Galleys.
00:26:05He had galleys.
00:26:06Lots of galleys.
00:26:07And he took all the ones about history and old biographies and Hitler and the Beatles and
00:26:15And he put them all over to the side in a box.
00:26:19And then he would periodically bring me a box full of all these books.
00:26:22A galley is what they call uncorrected proof.
00:26:25It's like when you're just about done with the book.
00:26:27And then people read it to make sure there's no errors.
00:26:28And they're like paper bound.
00:26:32Perfect bound, I think.
00:26:33Anyway, so I got in the habit of reading the first quarter.
00:26:39of like 80 books, right?
00:26:42I would just, I'd read into it until I'd get the gist.
00:26:44That makes you very broadly almost well-read.
00:26:46Yeah, exactly.
00:26:46I'd be like, ah, John Adams.
00:26:48I know the, I know the first quarter.
00:26:51Well, let's just say that I'm pretty familiar with a lot of people up to their 20s.
00:26:55But I couldn't man I could never get the I don't know what it is the intestinal fortitude or the attention span to just power through To ever get to the end of a single one of these grown-up adult books that I what does it get you?
00:27:08It's not like you get a treat.
00:27:10I mean, it's I just think that I'm sorry.
00:27:13I know this is not a popular point of view I think you people are scared to say it I think you're scared to say y'all buy a bunch of books because it's cool to have books I think a lot of people don't read books.
00:27:21They don't read them
00:27:21They don't, okay.
00:27:24Is there a way they could make sure that if you bought a book, you actually read it?
00:27:27If you start to read an article in Wired.
00:27:30About some.
00:27:30Which article?
00:27:31Five a month.
00:27:32How many have I got left?
00:27:33About, that's right.
00:27:35So you're on your third article of Wired.
00:27:36Oh, shit.
00:27:37But you've already clicked through, so you've already burned the read, right?
00:27:40You don't get to go back and say, I didn't really want to read that one.
00:27:43Okay, okay.
00:27:44So you click through accidentally or whatever.
00:27:46You're into it.
00:27:48If you bail, you've already used it up.
00:27:51It's a feature article in Wired about something that you didn't know about the internet.
00:28:01It's a turns out.
00:28:02It's a turns out article.
00:28:04Turns out.
00:28:05That's something I would almost read.
00:28:06Right.
00:28:07That's something I would add to Instapaper for sure.
00:28:08But this is a long one.
00:28:09How often do you read it all the way to the end?
00:28:13Well...
00:28:13We're talking about five pages.
00:28:15All the way through the end.
00:28:16Five pages of somebody writing about a thing that you are interested in in Wired.
00:28:22All the way.
00:28:23Right to the end.
00:28:24All the way to the last sentence.
00:28:27You never pull back on the joystick and fly out of the pattern.
00:28:30Well, it for sure gets added to Instapaper.
00:28:35So I have an app that I use for collecting all the articles that I... Instapaper, which was designed by our mutual friend Instapaper designer.
00:28:43Is Marco on your phone?
00:28:44Can you call him?
00:28:45Let me check.
00:28:47No, please don't.
00:28:50Call Marco Arment.
00:28:53Did you mean Marco Collins?
00:28:56Marco Collins?
00:28:56You mean the famous rock and roll DJ from 107.7 The End?
00:29:06He did that Silkworm record.
00:29:09Oh, and now she's just, she's faded.
00:29:11Where's the band Silkworm?
00:29:15I can search for who is the band Stilkram on your iPad.
00:29:18Stilkram?
00:29:20Are fans still Graham?
00:29:25Is Graham being one of your daughter's friends?
00:29:26We love Graham.
00:29:27In fact, we just had a play date with Graham.
00:29:29Oh, I love Graham.
00:29:30You know, my little girl is kind of struggling this year.
00:29:32Second grade is hard.
00:29:34She's encountered at her new school some mean girls who are trying to exclude her from play.
00:29:40We were having a tough time right around Christmas, and I was like, what can I do to make this any better?
00:29:46She said, can we have a play date with Graham?
00:29:49That sounds centering.
00:29:51We hadn't seen Graham in several months, and so I called Graham's mom, and Graham's mom said, we have been wanting a play date with Marlo for so long
00:30:01and they got a play date together, and they went right back at it, super tight, super friends, and it reminded her that she is not just living in a new world where everybody shuts her out.
00:30:14Because the mean girls, they're like, come play with us.
00:30:16You're our new best friend.
00:30:17Now you can't play with us.
00:30:19Now we never want you to
00:30:20to play with us.
00:30:21Yes, and it's this Petri dish where they are learning how to, they're basically learning how to be mistreated by others so that they can weaponize it against other people.
00:30:33It's a very important laboratory of crashing children.
00:30:36The children are all, everybody feels like, certainly like they're aggrieved.
00:30:40I know I do.
00:30:41But like, they're just banging into each other all the time.
00:30:43And it's just constant power dissemination.
00:30:47And like, you're right.
00:30:48But that's the crazy part is like, in this context, we're super good friends.
00:30:51And in that context.
00:30:52Oh, no.
00:30:52Once Kayla gets here, you are out, Missy.
00:30:55Once Kayla's here, I do not know you.
00:30:57But Graham still had a lot of love for Marlo, and she had a lot of love for Graham, and it made a big difference.
00:31:04And then, immediately, she wanted to audition for the local community theater production of Jack and Annie.
00:31:10And I said, I said, sweetie, there are going to be a lot of people at this audition.
00:31:14Is Graham in the theater?
00:31:15Graham's not.
00:31:16This is something that she decided she was having trouble at school, and so the way to deal with social awkwardness is to become a theater person.
00:31:25LAUGHTER
00:31:25I'm not sure how the cart and horse on that works, but I think the story checks out.
00:31:30And I was like, oh, sweetie, theater.
00:31:34On the list of things that I don't want you to do, the number one thing is don't marry a skater.
00:31:40Or a chuckle.
00:31:41But the next thing is be very careful about entering the theater in any capacity.
00:31:47And she was like, I want to audition for the play.
00:31:49And so we got to the audition.
00:31:51It was that easy?
00:31:52What did her mom say?
00:31:54Well, so her mom was in the theater.
00:31:57Surprise.
00:31:58She was one of the black jeans.
00:32:00She was production.
00:32:02She was like the one on the curtain or whatever.
00:32:04She was like a maglite.
00:32:06Okay, okay.
00:32:07Pulling on the curtain and like... She's like a Leatherman girl.
00:32:10Yeah, with the little thing.
00:32:12She's like, okay, and you go.
00:32:15Oh, God, that's sexy.
00:32:16That's a good part of the theater.
00:32:17That's a sexy role.
00:32:17It's a sexy fucking role.
00:32:19It wasn't the part... I never played that role.
00:32:21I was always standing there in a newsboy cap going like... I remember my line.
00:32:25I remember my one line.
00:32:26And then there's another thing at the end where you go... Because you're out of breath at the end.
00:32:33My goodness.
00:32:38That's not even your final form, right?
00:32:41What Pokemon are you?
00:32:44You can't handle my final form.
00:32:45Nobody knows what Ice Bear is capable of.
00:32:48So we went to this audition.
00:32:49There were 80 little girls there.
00:32:52Was it like all that jazz?
00:32:55They had to learn this whole routine.
00:32:58They had a song.
00:33:00They had a long, long dance.
00:33:01I couldn't have remembered it.
00:33:02Oh, the answer to bullying is to join the very competitive world of theater.
00:33:06So it was seven-year-olds to 14-year-olds.
00:33:09And there were these girls at 14 years old who had all the jazz hands.
00:33:14They could do everything.
00:33:15They already had a handkerchief in their hair.
00:33:18They had to flourish already.
00:33:19Already.
00:33:20And so we go through this multiple-hour audition process where I'm sitting up there in the stands.
00:33:26Oh, and the director said to the little girls,
00:33:29um we're watching you the whole time you're here not just when you're auditioning but if you're sitting over waiting to audition and we see you look at your parents in the audience look at your at your parent for and communicate with them we'll know that you're not independent
00:33:47And I was like, fuck.
00:33:51And she blessed me.
00:33:52Did you out of force of habit look at her?
00:33:56And then she like turned into ashes?
00:33:57No, we know the deal.
00:33:58You know.
00:33:59And so for, bless her little heart, for two and a half hours, she sat on the side of the stage and did not look at me the entire time.
00:34:05And I was like, I'm not looking at you either.
00:34:06We're cool.
00:34:07We're cool.
00:34:08And she went through this.
00:34:09She learned the whole thing.
00:34:10She did this dance and sang the song.
00:34:14And then as we're in the car driving home, she says,
00:34:16I'm pretty sure I'm going to get the role of Annie.
00:34:20And I was like, sweetie.
00:34:21The titular Annie?
00:34:22And I said, sweetie, you know, there's like 80 other kids auditioning.
00:34:25Some of them are teenagers in high school.
00:34:27The director may have a different idea.
00:34:29And she said, well, no, I look like Annie and I'm pretty perfect as Annie.
00:34:33I can't imagine they would cast anyone else.
00:34:36And I said, well, the director might want to do something.
00:34:39You know, the director might want to cast a little boy as Annie.
00:34:42Like the director could do a lot of things.
00:34:45And she thought about that and she said, if I get any one of the top four speaking roles, I won't be too disappointed.
00:34:53She's being realistic.
00:34:54And I said, sweetheart, one of the things about the theater is that it's there to crush your soul.
00:35:04And this is a good learning experience, right?
00:35:06This is a thing that you need to be aware that when you try, life will slap you down.
00:35:15First it'll make you weird, and then if you're lucky, it'll make you feel good about being weird.
00:35:20Right, right, right, right.
00:35:21And I said, you know, I reached in my pocket, and I was like, this is a clove cigarette.
00:35:26It doesn't mean it has cloves in it.
00:35:28It's clove oil on the cigarette.
00:35:29Just smell it.
00:35:29Just hold it in your hand.
00:35:30Get familiar with it.
00:35:32It may reappear in your life at a later date.
00:35:34This is a CD by the Cocteau Twins.
00:35:38You're going to want to smoke your clove to this.
00:35:40But we just got the letter from the theater people that she did not get cast in the play.
00:35:45And the letter suggested that if she wanted to audition for a future play that maybe she should take some classes.
00:35:52because I don't know if you know about people that direct community theater plays but they're pretty serious pretty serious just about the whole theater thing they're pretty serious about what's happening they don't want seven year olds just auditioning over and over until they've had some classes
00:36:13Maybe that's part of the process.
00:36:14I think it is.
00:36:15I don't know why my shoulder's doing this, but I'm thinking maybe that's part of the fun, is that you get rejected a few times, and you get a scarf.
00:36:22You become more and more colorful.
00:36:23Did you do plays?
00:36:26Some plays.
00:36:26Some plays.
00:36:27Yeah, no.
00:36:28What was your big moment?
00:36:30Well, no, I mean, it wasn't musical.
00:36:32I mean, it was musical, but not musical.
00:36:35Bacon Ray was great, though.
00:36:37Thank you.
00:36:40He's memorized one thing about me.
00:36:43He taught me that on the guitar.
00:36:47I had a very large banjo that I could play.
00:36:49He was like, you've never ever, he did baritone banjo.
00:36:53I was like, how the fuck did you play that?
00:36:55And he's like, let me show you.
00:36:56He showed me a riff I played every time I pick up the guitar.
00:36:58that's right for 15 years oh that one sure i touch on three riffs uh uh no but i was in drama club in uh 12th grade but like i did not like being yelled at 12th grade i was put into mini i was instructed to be in many things uh because my mom wanted me to be decent and well-rounded i had to take accordion lessons when i was 10.
00:37:23When I was 10... Your mom really had her finger on the pulse.
00:37:27She could see.
00:37:29The Decembrists were not on the horizon, but the problem was... She was like, if you're ever going to play at the Ukrainian workers' hall, you're going to need to know a few things.
00:37:43You can always fall back on oud.
00:37:46No, it was really just a trail, not a trail of tears.
00:37:50It was a trail of terrible music.
00:37:53Then another one was, I think this one fell in the end of the ages of like, it'd be good for you to have some order.
00:37:59She put me into this drum and bugle core run by this psychotic, made the whiplash guy look like, you know, Michelin man.
00:38:07This guy was rough.
00:38:08He was mean.
00:38:09And they didn't teach you anything.
00:38:11They just yelled.
00:38:12That was one.
00:38:13What is the drum and bugle?
00:38:15Well, there's two instruments.
00:38:17It's a thing.
00:38:18But is it a thing that happens at firemen's funerals?
00:38:22It depends.
00:38:23Who's hiring?
00:38:24Who would like some very, very sad fifth-grade children with hats?
00:38:30Bum bum.
00:38:31Bum bum.
00:38:32Horns up.
00:38:33Bum bum.
00:38:35They didn't mention the flags.
00:38:36They should have really called it Drum and Beagle and Flag Corps because there were flags, but this man was very, very angry.
00:38:42Maybe it's just me.
00:38:43Music teachers, they get very, very angry.
00:38:46Did Dad have played trombone for a while?
00:38:48The bugle is the angriest instrument.
00:38:50Really, it's like a little pipsqueak.
00:38:52It's like Bonaparte.
00:38:54Like your mother says, Bonaparte.
00:38:55It's the Bonaparte of instruments.
00:38:57It's small.
00:38:58It feels a little bit.
00:39:00But it ends up taking over all of you.
00:39:02A little fire plug of an angry fucking instrument.
00:39:04And were you drum or bugle?
00:39:07I mean, theoretically, I had a borrowed bugle.
00:39:10I had a used mouthpiece.
00:39:13Did you ever put lip to bugle, or did you just stand there and get yelled at?
00:39:17Yeah, but you have to understand, imagine the dreams that you have had.
00:39:21The literal nighttime dreams where something impossible happens, where you could explain it to somebody, where you go, well, I imagine that there was two circles and one of them was blue, but they were impossible to reconcile or explain.
00:39:32And then somehow I was in the mouse, but I was the mouse.
00:39:36It was like that for like two hours a week.
00:39:39Hit the sea, the sea.
00:39:40And I'm like, I don't know which one of them.
00:39:42Am I the mouse or am I the mouse?
00:39:44I don't know if I'm the circle.
00:39:45But they didn't teach us anything.
00:39:48There wasn't even a thing with, I don't know, some kind of finger thing or something to show you how to make it.
00:39:54They just came in assuming you knew how to play a trumpet.
00:39:57But is it a bugle or a trumpet?
00:39:59It was a trumpet.
00:40:00It was Ohio.
00:40:00We have different names.
00:40:01Bag, sack, that kind of thing.
00:40:03But no, it's very, very unpleasant.
00:40:05Almost all of my experiences with a formal, like, go be entertaining atmosphere has been abysmal, all terrible.
00:40:14Choir, church choir was nice.
00:40:16So your mom said, I want my son to grow up to be well-rounded.
00:40:19I want him to play the accordion.
00:40:21Any variety of extremely loud instruments.
00:40:22I want him to be able to play the trumpet or the bugle in an organized fashion with a lot of other kids marching.
00:40:30He should be in church choir and as a senior in high school, join theater.
00:40:38As you can see, she had a plan from the beginning.
00:40:40Did she want you to be able to throw or catch a ball?
00:40:42Did she want you to... A ball.
00:40:45The other children had balls.
00:40:47I didn't envy their balls.
00:40:49I'm glad they're happy with what they have.
00:40:51She let you make a ball out of wax?
00:40:53I mean, I could draw a ball on my music staff paper.
00:40:58No, I just, I don't know, man.
00:41:00It just seems like, see, I don't want to say anything unkind.
00:41:04I don't want to do anything that's going to hurt anybody's feelings.
00:41:06But a lot of the people who get into the arts aren't happy.
00:41:10I mean, there's a lot of extremely happy comedians, I'm sure.
00:41:14But there are so many people in the arts that are just really not very happy.
00:41:19Have you ever encountered this at all, John?
00:41:20You were in a band.
00:41:21Yeah, I was.
00:41:22And you've traveled.
00:41:23You've done comedy.
00:41:24I know comedians.
00:41:25You've got several podcasts.
00:41:27You've met a lot of people.
00:41:28You've met Reggie Watts.
00:41:29I've met a lot of people.
00:41:30You've met a lot of people.
00:41:31I've met a lot of Reggie Watts.
00:41:33How many people are here for the entire Sketch Fest going to see many shows?
00:41:38Really?
00:41:39Oh, so it's really mostly just a Roderick on the Line audience that's come in from Mendocino.
00:41:46Oh, look at that.
00:41:47Oh, no, I'm really sorry.
00:41:49How many of you live in Mill Valley?
00:41:51Mill Valley.
00:41:53Whoa, see?
00:41:54We're a podcast of the people.
00:41:55Okay, what about Kent?
00:41:56Anybody from Kent?
00:41:57All right.
00:41:58Where?
00:41:58Other cities in the North Bay.
00:41:59Oh, other cities.
00:42:00Doesn't matter.
00:42:01East Bay.
00:42:02East Bay.
00:42:02East Bay.
00:42:03Yeah, see?
00:42:04We're the real deal.
00:42:06Going to do your East Bay dance?
00:42:08Where are you going?
00:42:11Why is your microphone sticky?
00:42:17Oh, Golden State Warriors.
00:42:20This is the jersey that you're talking to me about, about the guy that he throws the basketball really well.
00:42:27Oh, look at that.
00:42:27Durant.
00:42:29Kevin Durant, basketball sharpshooter.
00:42:32Six foot 11 and agile, just like KD.
00:42:36Well, but as you were saying, I mean, I've been here for the weekend doing Sketchfest.
00:42:40I've met a lot of comedians.
00:42:42One of the things that powers comedy is inner suffering, self-loathing, right?
00:42:49Enjoying as well as producing.
00:42:51Yeah, right.
00:42:52But you really need it to produce.
00:42:53No, I think a lot of people enjoy comedy just because it presents itself as fun.
00:43:00And so you don't have to go into it saying, like, I hate myself.
00:43:04I'm going to go watch another person who hates himself.
00:43:06You're right.
00:43:06People who like comedy are way better than people who make it.
00:43:10People that like comedy are pretty well adjusted.
00:43:12People that make comedy are terrible, terrible, terrible.
00:43:14But if you met somebody who made food, like for a restaurant,
00:43:19there's probably a chance that they genuinely enjoyed eating as well.
00:43:23So why are comedians terrible?
00:43:26Why are they all so bad?
00:43:27You know, doing comedy is like... It's a form of... It's anthropological.
00:43:34It's philosophical.
00:43:35They're looking at everybody.
00:43:37They're having a take.
00:43:40And as you know, anybody can have a take now.
00:43:42But to have a good take, you have to be coming at it from a place.
00:43:46And if you're coming at it from a place...
00:43:48You have to have been some places.
00:43:50You have to have seen some things to be in a place, to speak from that place.
00:43:56And in order to do that, you have to have not wanted to be in the place you were before.
00:44:01And that goes all the way down.
00:44:04And that's made all the difference.
00:44:06Yeah, that's right.
00:44:08And then you have to go out from a bunch of strangers and fundamentally change the way they feel.
00:44:14You have to have some kind of insight into the human psyche to be able to come out there, obviously just filled with a lot of personal pain and turmoil.
00:44:21And then you're going to entertain these people with some japes.
00:44:23You have to reach down and pick the crowd up.
00:44:29Is that R. Kelly?
00:44:30What is that?
00:44:31Reach down and pick the crowd up.
00:44:36It's a, that's that one.
00:44:41It's the record that, uh, that Chris Cornell wrote about, uh, Andrew Wood.
00:44:48This was before Eddie Vedder was famous.
00:44:53He was new to town and Chris Cornell very generously said, Hey, new guy, come sing on this record.
00:44:59I'm making for my best friend and former roommate, Andrew Wood.
00:45:01Is that right?
00:45:02It's called Temple of the Dog.
00:45:04Temple of the Dog.
00:45:05And I feel like the song, the big hit from it, which was That's not the good one.
00:45:21That's not the good one.
00:45:22The good one is... So that's the song.
00:45:35Are you saying they're happy?
00:45:36None of them were happy.
00:45:39For different reasons.
00:45:40Almost none of them survived.
00:45:42But Eddie Vedder lives on.
00:45:45He seems nice.
00:45:45He seems nice.
00:45:47And he's nice.
00:45:48He seems happier than most comedians for shizzle.
00:45:50He's pretty happy.
00:45:51Why are they all so sad?
00:45:53They're so sad.
00:45:55You know what?
00:45:56This is the wrong place to talk about this.
00:45:57You guys came out here to laugh, not to hear about society and culture.
00:46:00Yeah, and you picked the right two guys to make you laugh.
00:46:04Old sunshine and the bear.
00:46:08Well, it looks like old Sunshine the bear got themselves into quite a pickle of the bear.
00:46:17You got to get this course.
00:46:18Oh, shit, it's smoky.
00:46:21Oh, you got to pedal the... No, I'm Bill Cosby.
00:46:26I can't.
00:46:26We've got the pedal to the metal with the situation and the truck is moving with the beers.
00:46:33My wife Camille is making the face.
00:46:3525 years, that was the most hilarious go-to impression you had.
00:46:38It's so hard.
00:46:39And now it's gone.
00:46:40You can't use it.
00:46:41The chocolate cake behind you.
00:46:42No, you can't do that.
00:46:44Oh, you laughed.
00:46:45You remember.
00:46:46You don't think Bill Cosby himself was good?
00:46:48It was really good.
00:46:49Come on!
00:46:49It was so good.
00:46:50All that's left is a Christopher Walken impression.
00:46:52It's the only one you can do.
00:46:53Oh, man.
00:46:55Please let us have Christopher.
00:46:56Do you have a Christopher Walken impression?
00:46:58No, not that I would do.
00:47:01Gosh, but you sure do look at everybody and go, no, please not him.
00:47:05Captain Kangaroo.
00:47:06What I appreciate about people that come to our shows is that they tend to be, I think, shy.
00:47:14They sure don't laugh.
00:47:16How many people... A lot of them are very... You guys can't see yourselves, but you're very fucking still.
00:47:21I know some of this is funny, at least.
00:47:23No, no, don't laugh now.
00:47:25There's no point.
00:47:26You've already ruined it for everyone.
00:47:27By applause, how many people in here would self-describe as shy?
00:47:30Now, don't lie.
00:47:31How many people are shy?
00:47:33See, they don't want to applaud.
00:47:35They're scared to applaud.
00:47:36That was a sato voce applause.
00:47:40All right.
00:47:42Who hears extroverted?
00:47:43Let's hear applause from extroverts.
00:47:48Oh, come on.
00:47:49Look at that.
00:47:50And you notice the extroverts are all sitting in the front.
00:47:53Hey, there's nobody sitting in the front.
00:47:54That's me.
00:47:55Must have been holding that seat for me.
00:47:58I think there's a role for me to participate in this.
00:48:04Introverts are still standing in the back like, well, maybe those seats are for someone else.
00:48:08I'll just stand back here.
00:48:10I probably paid for the wrong show.
00:48:12Yeah, you talked me into this.
00:48:14I used to think that I was an extrovert, and then you gave me your very strange theory of extroversion.
00:48:18Would you like to reiterate that?
00:48:19Don't you have a theory of introversion?
00:48:21I have so many.
00:48:22I feel like you do have a lot of theories.
00:48:26We'll discuss them in space.
00:48:27But I feel like the kind of dumbed down Merlin version of it was that you can decide or determine who is an extrovert according to how much energy they generate by being around other people.
00:48:42If you get energy from being in the company of other people, if that charges you up.
00:48:47You might be an extrovert.
00:48:48You're more extroverted.
00:48:50And if being around other people drains you, and you can do it, but when you're done, you need to go be alone to recharge.
00:48:58So alone for a while.
00:49:00And you're an introvert.
00:49:01So alone.
00:49:02It's a very simplistic theory.
00:49:03It doesn't apply to everyone.
00:49:04I'm sure someone in the room is like, but I do the opposite.
00:49:07I have a theory about this.
00:49:09I have a theory about extroversion.
00:49:12I'm on Reddit and I have other friends that agree.
00:49:15People on Reddit don't have friends.
00:49:19People mistake me for an extrovert.
00:49:22That's a mistake people make.
00:49:26I love people.
00:49:26I love getting out there.
00:49:27I love the culture.
00:49:28I love times.
00:49:29I love music.
00:49:30I love sex.
00:49:32I love...
00:49:35You sound like a man waiting to be fed grapes and it's freaking me out.
00:49:39I'm just tactile person.
00:49:43I love to cover myself with margarine.
00:49:46Just really get out in the fucking traffic and dance.
00:49:50Just fuck on the ground of trash.
00:49:52We're just rolling around on this filthy fucking ball.
00:49:55It's like a men's room floor.
00:49:57You might as well dig in.
00:49:58Then I need to go home and recharge.
00:49:59When I get done with that, I pick myself up off the men's room floor.
00:50:04I squeegee all the margarine off, and then I have to just go sit in a quiet room and recover.
00:50:10Pick all the marrow of life out of your teeth.
00:50:15Why do I taste like a goldfish?
00:50:16But you know, our mutual friend, Ken Stringfellow, the man who's actually responsible for us being here together today, it was Ken Stringfellow of the Posies that brought us together.
00:50:25Merlin liked the Posies.
00:50:27Had never heard of the Long Winters.
00:50:29Well, you were talked about on LiveJournal.
00:50:31I was talked about on LiveJournal.
00:50:32Yeah, you were topic on LiveJournal.
00:50:33But me personally, I was... Before he had pound signs.
00:50:35I think you were a keyword.
00:50:38But Ken Stringfellow has never, ever wanted to go back to the hotel room.
00:50:43If you're like, let's go... He's on.
00:50:46We're leaving tonight for Azerbaijan.
00:50:48Ken is like...
00:50:49He's already at the ticket counter buying a ticket.
00:50:52He's perma-on, though.
00:50:53He's on, on, on.
00:50:54And you and I, you know, we both need to turn off.
00:50:57Well, you also, didn't you also have, I don't, I feel like you had another theory you came along with.
00:51:02One time you talked about, you talked about,
00:51:05I don't know how to
00:51:26But I was thinking, you had a theory at one point, which was somewhere in between, which is like about this little hard pivot.
00:51:33Oh, yeah.
00:51:33Yeah, is there a hard pivot?
00:51:34The in-between theory.
00:51:36The hard pivot theory.
00:51:37Well, yeah, maybe it didn't.
00:51:38I feel like you did.
00:51:39Describe the hard pivot theory as you recall.
00:51:4340 seconds later, stop.
00:51:44Must look at the phone for two hours with no one talking to me.
00:51:47No one talking to me.
00:51:48I could have a TV on and looking at the phone, but no one should talk to me.
00:51:52My daughter shouldn't talk to me.
00:51:53No one should talk to me.
00:51:55And then I build back up, and six to nine weeks later, I can go out again.
00:52:01And I get right here in the room with you in my Kevin Durant jersey and my fancy dance.
00:52:07I can enjoy this, but after I leave, we'll talk for a while, but then I'm going to go home and have spatchcocked chicken and lay on the bed very, very quietly.
00:52:15because that's my hard pivot my hard pivot is sure it's fun for a while you have a little hand sanitizer you roll around the men's room before pick the marrow out of your teeth but you got to get back to your house and look at your fucking phone what I've noticed about you in the last several years is that when you enter a situation like you did tonight the first thing you started talking about tonight when you arrived at the venue empty venue was the spatchcock chicken that you have coming up tonight
00:52:37It's Sunday night, spatchcock chicken.
00:52:39But the thing about it is you lay out the spatchcock chicken a few times.
00:52:42That's what makes it spatchcock.
00:52:44Every subsequent person that came in, you said something about the spatchcock chicken.
00:52:48Spatchcock chicken.
00:52:49So what you've done is you've laid the groundwork for later when someone's like, Merlin, hey, why don't we go to, you're like, ah.
00:52:57aforementioned spatchcocked chicken that I said when you first walked in.
00:53:02Is there a reason he mentioned that it takes 40 minutes to cook?
00:53:06Yeah, so it's not an excuse because you pre-focused it.
00:53:10It's a reason.
00:53:11Yeah, that's right.
00:53:12It's not an excuse, it's a reason.
00:53:14So now you found a way to say spatchcocked to them so that afterwards when they're trying to shake your hand and you're just...
00:53:20covering it with sanitizer.
00:53:21I'll shake the shit out of your hand.
00:53:23And you're like, ah, but... I'll overwhelm you with my enthusiasm for a few minutes.
00:53:27Spatchcock chicken.
00:53:27Spatchcock chicken.
00:53:28Gotta go.
00:53:28Gotta get going.
00:53:29Gotta get going.
00:53:29Gotta get going.
00:53:30I'm gonna make a little Fred Flintstone Muni sounds.
00:53:33Get on the way to Muni.
00:53:33Look, I paid seven bucks for that chicken.
00:53:35It's not going to waste.
00:53:36Oh, it ain't no $7 chicken.
00:53:38Anybody, you guys ever have a spatchcock chicken?
00:53:41Would you agree it's a pretty strong bird?
00:53:43Apparently it's a butterflied chicken.
00:53:44Is that right?
00:53:45It's a butterflied chicken.
00:53:46You eviscerate it.
00:53:47You take the inside out.
00:53:48With all due respect to chicken Americans.
00:53:50I shouldn't say.
00:53:52Also, you also were clear to say to everyone as you were describing the Spatchcock chicken, you said, it's really great if you like chicken.
00:53:58You said that to every person.
00:54:00And I was like, what is the significance of that in the Merlin laying out the groundwork thing?
00:54:06I like to give a proviso.
00:54:08You don't want somebody to be like, well, if you like chicken.
00:54:13You need about one more year on the internet before you start saying stupid shit like that too.
00:54:18Hoping feebly it will prevent you from something.
00:54:21Hey, you know what's really great?
00:54:23Spatchcock chicken.
00:54:24Oh, I don't like chicken.
00:54:26Okay, then that's probably not for you.
00:54:28Oh, delete your account.
00:54:32Oh, oh.
00:54:35You should have mentioned that Spatchcock chicken is chicken.
00:54:41I was just sharing a thing that seemed like it might make someone have.
00:54:47In the early middle period of Twitter, when Twitter was first, you know, when we were first having fun, when we had a good time on there.
00:54:54Yes, when it was good.
00:54:55I had a friend that worked at Twitter.
00:54:58You know him, too.
00:54:58He was a good pal.
00:55:00Later sent us speakers.
00:55:01Later sent us some Sonos equipment.
00:55:03He was a good man.
00:55:05I didn't wear any Sonos equipment tonight, which is good because I can't do all the Alexa commands.
00:55:09He was the first one that wrote me and said, like, would you like a blue checkmark?
00:55:12And I was like, don't know what that is, but always...
00:55:14If it's some form of attaboy, please give it to me.
00:55:19That's like asking a Kentucky colonel if he wants a goatee.
00:55:23Oh, yes, I reckon I would.
00:55:25He's like, I have this.
00:55:26You know the way I can wear my privilege on a larger piece of clothing?
00:55:29A blue checkmark, my stars and garners.
00:55:31Well, I reckon so.
00:55:33Can I have two?
00:55:35How many checks are available?
00:55:36I was going to be one of those people that put a blue checkmark on his avatar because they wouldn't give it to him and then have a real one.
00:55:43I only have one checkmark.
00:55:45When do I get more?
00:55:46But he was going to send me, he was like, I can give you three peacock feathers or a blue checkmark.
00:55:51And I was like...
00:55:52And he ended up sending me both.
00:55:54That's nice.
00:55:55But no, at that point in time, Colin Malloy joined Twitter.
00:56:01And somebody at Twitter, not our friend, but a different person, clearly an unfriend, put Colin Malloy in the who to follow if you're new to Twitter.
00:56:12How did you find this out?
00:56:14And you were on that for a while, weren't you?
00:56:16I would.
00:56:16That's why, guys.
00:56:18Who to follow.
00:56:19So every person that joined Twitter auto-followed Colin Malloy.
00:56:23I'm like a blow-in card in a magazine.
00:56:26I'm like a fucking, I don't know, a keychain in your conference bag.
00:56:30Who to follow?
00:56:32Rain on your wedding day.
00:56:33I never asked for that.
00:56:35I never said, please, please put me on the list.
00:56:38Please put me on the Colin Molloy list.
00:56:39I never asked for that.
00:56:41I didn't want it.
00:56:41Well, so during that period, Colin had arrived at Twitter.
00:56:44Because then people just get mad.
00:56:45It's like having a party of people you know are guaranteed to dislike you.
00:56:48But, but, but, but, but, but.
00:56:50Which is a party.
00:56:51He tweeted one time, and it was something like, it was something like.
00:56:57What was his voice like when he did it?
00:56:59No, his first tweet was like, meat is murder.
00:57:01And this was at a time when I was just... Belligerent goons run Manchester schools.
00:57:10Spineless bastards all.
00:57:14I was working so hard to do my 140... Oh, you sweat it out.
00:57:18I was busted.
00:57:19Get in the minds.
00:57:22Just come up with words.
00:57:23The comma, taking out the comma makes it wrong, but now it fits.
00:57:26But I have to live with this.
00:57:28It has to be grammatically contract.
00:57:30Start over.
00:57:31Comedy must be true.
00:57:32The comma must be correct.
00:57:34Every day I would log on and Colin Malloy would have 20,000 more followers.
00:57:38You hate that.
00:57:39You hate that so much.
00:57:41I hate it so much.
00:57:42And even today, I would trade all the people screaming at me to delete my account for just the satisfaction of having one more follower than Colin.
00:57:53Just so that he had to wake up in the morning and realize he was chasing me.
00:57:56See, now when you ask for that, you sound needy.
00:57:59I'm fucking needy as shit.
00:58:00Yeah, I know.
00:58:01That's what I'm saying.
00:58:01It's terrible.
00:58:02You should be able to ask people for more unearned privilege without sounding like a dick.
00:58:07Why does everybody have to make it such a big... You're just asking for a little bit more privilege.
00:58:12A little more something you never deserved in the first place.
00:58:14Why is this bad for me to do?
00:58:16Imagine if I had a million followers, the good I could bring to the world.
00:58:19Like good followers.
00:58:21Right?
00:58:21A million real followers.
00:58:22Like a million fucking good followers.
00:58:23Quality followers.
00:58:24People who just hit the star and don't say anything.
00:58:29Fave and retweet.
00:58:31Is this so much to ask for more of things other people don't?
00:58:34You know what, frankly, if everybody in this room just faved and retweeted everything I said, I would be a much bigger star.
00:58:39It doesn't seem... I feel like you guys are leaving a lot of faves and retweets on the table.
00:58:46How he's going to beat Colin Malloy?
00:58:48How's that going to happen?
00:58:49How am I going to get extra special treatment?
00:58:51Colin Malloy of the Decembrists once called John Gauche.
00:58:54Are you aware of this?
00:58:55How'd you get back at him, John?
00:58:56Continue to be gauche?
00:59:00For decades after?
00:59:01You somethinged his house with his own something.
00:59:04Oh, that was much later.
00:59:05That was for a different reason.
00:59:06Well, okay.
00:59:08Surely, no one is in this audience.
00:59:10Wait a minute, this is a good one.
00:59:11Who is in this audience who has never once heard Roderick on the line?
00:59:15By applause.
00:59:16Thank you for coming, and I'm sorry.
00:59:18So wonderful.
00:59:18Your significant other made you come, is that correct?
00:59:21And how long have, on average, how long have they been trying to get you to listen to Roderick on the line?
00:59:29No, I'm so sorry.
00:59:30Three years, and yet you've never succumbed.
00:59:33You've never once said... He did the song from a bim-bam.
00:59:36Yeah, no, he doesn't care about that either.
00:59:39So that is so wonderful that you would come to this show, but you wouldn't ever just listen to the show once to make your significant other happy.
00:59:48It would be like somebody says, oh, I want you to, my friend of mine's in this movie, and you go, and it turns out to be a really hardcore porn movie.
00:59:55It'd be so weird to go, and you're like, wait, how do you know this person?
00:59:58You'd be like, shh, just watch the movie.
01:00:00Just watch the movie.
01:00:01How do you take, I don't know how many of you got a bunch of episodes and they make fuck all, like no sense.
01:00:07Like no sense.
01:00:08And you bring somebody out to this.
01:00:09A friend?
01:00:10A friend you bring to this.
01:00:11Thank you for doing that.
01:00:12That is so kind of you.
01:00:13Let me hear by applause.
01:00:14Oh, here we go.
01:00:15Is anyone here just accidentally?
01:00:18Oh, yeah.
01:00:19Like you couldn't get into Blue Man Group when you came here.
01:00:21Okay, so nobody.
01:00:22Everybody's here with at least like a modicum of intention.
01:00:26Well, somebody meant to be here.
01:00:28They might have gotten a ticket that somebody dropped because they want to be warm for a while or something.
01:00:32They want to come in, right?
01:00:33Do you want to do any more Vox Pop here?
01:00:35You want to ask any more questions?
01:00:37Oh, right, right, right.
01:00:38I was breaking the fourth wall.
01:00:39No, that's fine.
01:00:41It's already done.
01:00:41The wall's broken.
01:00:42Early on in the show, when you and I would talk to the audience on our podcast, if we would ever refer to the audience, address them, suggest that there was anyone listening, I would get mail from people saying, please do not talk to us.
01:00:55Don't break the little world.
01:00:57Don't break the little world.
01:00:59I'm listening to you.
01:01:00You are not aware of me.
01:01:03And that, like I took that to heart.
01:01:05I understood better what we were doing at that point.
01:01:08Well, I mean, if you're like a voyeur and part of your fun is watching without being seen, you don't want the people to like point out that you have cute shoes.
01:01:16You want to be not noticed.
01:01:17You go into the background.
01:01:18That's why you're the voyeur.
01:01:19You're not the participator.
01:01:21You're not the one on the Mars rover.
01:01:23You know what I mean?
01:01:24I'm sorry for everyone who had to come.
01:01:25It's a real shame.
01:01:26Anyway, we're having spatchcock chicken tonight.
01:01:28The thing is, we don't spatchcock it ourselves.
01:01:30We have it spatchcocked by others.
01:01:31The thing is, as time has gone on, I have tried to make myself more and more present, ubiquitous.
01:01:38I've always wanted to have my picture in the newspaper.
01:01:40Just amongst people.
01:01:42I'm doing things all the time.
01:01:44I'm trying to be out there.
01:01:44You're accepting invitations.
01:01:46You're agreeing to go places.
01:01:48I'm recognizing that at my age, if I stop doing things now, you're at that crossroads where at 50 years old, you can become an old person very fast if you stop
01:02:01If you stop trying to skateboard.
01:02:04If you stop trying to learn new things.
01:02:06If you don't learn a sick ollie.
01:02:08Yeah, if you don't put your hat on sideways.
01:02:09People will stop coming to your skate show.
01:02:10And say like, hello fellow students.
01:02:14There are people at what?
01:02:17You can retire from the armed forces at 50?
01:02:20Oh, my high school girlfriend retired years ago.
01:02:22Yeah, retire.
01:02:22My high school girlfriend retired 12 years ago.
01:02:25Yeah, you could be like playing shuffleboard somewhere.
01:02:27She retired 12 years ago.
01:02:28Like what is it?
01:02:28AARP, how old do you have to be?
01:02:30It's like 50 and older, right?
01:02:31Give me a fucking break.
01:02:32I've been AARP.
01:02:33I've got more AARP.
01:02:35Flyers and you've had hot meals.
01:02:37Yeah, I've been in.
01:02:38They keep sending me stuff.
01:02:39But on the other side of the coin, it's like there are all those people that are on European beaches wearing banana hammock swimsuits who are like, I'll never die.
01:02:49Are they the skateboarders or the other ones?
01:02:51They're the ones that are still trying to live, still trying to eat it up.
01:02:54Oh, okay.
01:02:55They're still sucking the marrow out of their teeth.
01:02:56They're still sucking the marrow out of the bones.
01:02:58I'm still trying to rock some kind of fold your cuffs up on your suit jacket thing, which I feel like is going to catch on.
01:03:06Oh, I hadn't noticed that.
01:03:09It'll be traced back to me.
01:03:09That's definitely a look.
01:03:10You ever get it over a sweater?
01:03:11That's a smart look.
01:03:12You've got a basketball t-shirt over a free shirt.
01:03:14I'll just show my support for the team.
01:03:16Warriors, am I right?
01:03:17Basketball.
01:03:18I feel like seeing you in person is becoming more and more like catching a magic Pokemon.
01:03:24Oh, I'm like Salinger meets a Sasquatch.
01:03:26Everybody here, they can never take this away from you.
01:03:29You saw Merlin.
01:03:30This could be it.
01:03:31This could be the last one.
01:03:32You might touch him tonight.
01:03:33You might touch me tonight.
01:03:34He's got a spatchcock chicken.
01:03:35This is my Sound of Music moment.
01:03:38Before Max has to shuttle me off the stage.
01:03:40Whereas I think as I get older, I just become more and more touchable.
01:03:43You're going to become more ubiquitous.
01:03:44You think you're going to be out there more.
01:03:45I'm trying.
01:03:46I'm trying to get out there.
01:03:47Does anybody want John to be out there more?
01:03:48Would you like that?
01:03:49Would you like being out there more?
01:03:51If you have ideas, maybe ideas for ways that you could be more out there.
01:03:55Who wants me to be out there less?
01:04:00Only the introverts.
01:04:01But there were a lot of people that didn't applaud, right?
01:04:03The ones in the middle that were like, it's about enough.
01:04:06Could he phrase that more clearly?
01:04:08Because I think I have a strong feeling about it.
01:04:11No, no, no.
01:04:12I feel like 2019, I'm going to be like a blanket of fresh snow in a state that doesn't often get snow.
01:04:23I'm gonna be like snow in Decatur, Georgia where it's like shit.
01:04:28There's snow indicator.
01:04:30There's snow.
01:04:31There's snow in Decatur.
01:04:32There's snow.
01:04:33It's John Roderick.
01:04:34It's John.
01:04:35He's here to do a thing.
01:04:36Snowing through 2019.
01:04:37What's he gonna do?
01:04:38Yeah, what's he gonna do?
01:04:40Is he gonna be on cruise?
01:04:42Is he got another podcast?
01:04:43Another podcast?
01:04:44Oh, he's got a podcast coming out with his sister.
01:04:46How's he find the time?
01:04:47Are you doing that?
01:04:49Do you want to know the truth?
01:04:52So Susan...
01:04:54Susan for a long time has been saying, I want to do a podcast.
01:04:59But Susan, you know, Susan has, I don't know if any of you follow my sister on the internet.
01:05:04A lot of balls in the air.
01:05:05But Susan has, she's leading a bunch of meditation retreats.
01:05:11She just put a meditation retreat on sale.
01:05:13You can go with her to Nepal.
01:05:16and uh meditate this is gonna be like a fire fest kind of thing no no no it's like she's already done this clothes if she's crossing your palm she's done this she's taken one to cuba she's taking one to costa rica you can't go with her to nepal because it's sold out in one day too late bitches but she wants to have a podcast and the thing about her she wants the devil you say so she wanted to have a podcast where she uh and i and i helped her get all set up i gave her all the equipment i set her all up
01:05:41You got her all set up for a podcast.
01:05:48I teched it out for her.
01:05:49Who told you?
01:05:50I hooked up all the cables.
01:05:52I plugged it in.
01:05:54Plugged in the wall.
01:05:57Powered it up.
01:05:58Check, check, one, two.
01:06:01Taught her how to record it right in the GarageBand.
01:06:03Get it up on iTunes.
01:06:04But the podcast that she was doing, it was hard to get started because she didn't have a partner.
01:06:09It's in the self-improvement space, the self-help space.
01:06:10Yeah, where she was just like, you need to recognize that you're a good person, you're a strong person, and what you want to do, you're worth it, this type of thing.
01:06:21But it's hard to just say that into a microphone.
01:06:23It's a crowded field, too.
01:06:24It's a very crowded field.
01:06:25You can't just say it into the air.
01:06:27It doesn't quite reverberate the same way.
01:06:29And so we were talking about it, talking about it, talking about it.
01:06:31But another thing that we talked about all the time is how fucking terrible everybody is on the highway.
01:06:38This was an early thing that you and I used to yell about.
01:06:41Keep moving it out of the way.
01:06:42So she confided in me.
01:06:45She's like, I spent all my time trying to be like Buddhist and...
01:06:50You can always talk to other people about how other people drive.
01:06:54Right.
01:06:55And she's like, I... Nobody doesn't have an opinion.
01:06:57Even if you don't have an automobile, you still have an opinion about how other people drive.
01:07:01But she has worked so hard to not be angry, to not be frustrated, to have acceptance, right?
01:07:08To keep her heart nest, keep the eggs in her heart nest safe.
01:07:14But she gets in her car and she's like, fucking move, idiot!
01:07:20And both of those are Susan.
01:07:22Right.
01:07:22Right?
01:07:23And there's not one of those that's not Susan.
01:07:25Unlike me, she rolls her window down all the time and goes, is this your first day?
01:07:32LAUGHTER
01:07:34But she does it all the time.
01:07:35And now they're thinking about it.
01:07:37Is this my first day?
01:07:40Is this my first day?
01:07:41Is this my first day?
01:07:43Is she on to something?
01:07:44And so we're sitting and talking and she's like, I've spent so much work on my inner life, but inside the car,
01:07:51Somehow I feel something happens.
01:07:53And this anger, this frustration, it all comes out.
01:07:57And I was like, hold that thought.
01:08:00And I pushed record.
01:08:01You didn't.
01:08:02And was like, so let's go over this again.
01:08:04And so we started doing a podcast where she talks about...
01:08:09We talk every week about the most recent incident where she rolled down the window and said, get the fuck moving, you fucking idiot.
01:08:20And then I say, so how does that work with the rest of your... And then she works on her universe.
01:08:26This should have always existed.
01:08:28It's perfect.
01:08:29And then I say, well, I was behind a guy the other day, and guess what he did?
01:08:32And then she gets mad on my behalf.
01:08:36LAUGHTER
01:08:36This is your sister.
01:08:37You may remember from previous episodes.
01:08:39This is John's sister.
01:08:40If you ever have any kind of like a customer service problem, if you ever need to get something worked out, you call the killer.
01:08:46I get into problems with the cable company just so I can... Just so you can unleash the Kraken.
01:08:52Susan is the Kraken.
01:08:54Anyway, we've been doing this show.
01:08:55We've never released an episode.
01:08:56We've been doing it for about six months.
01:08:59And it has...
01:09:00It has brought us so much closer together.
01:09:03That's so cool.
01:09:05Because we talk about our parents, we talk about my dad and our mom, and we talk about our lives and our friends, and we often refer to our friends by name who are bad drivers.
01:09:18who are part of the problem.
01:09:21We talk about our parents, who were also part of the problem, but they taught us how to recognize the problem.
01:09:27And then we talk about our anger, and we talk about trying to be better people.
01:09:32And it's really... I don't know where this podcast will land or what home it will find, but we're like...
01:09:40It's really great.
01:09:40And the problem is I have fucking too many podcasts.
01:09:43I never wanted to be that guy.
01:09:44And you don't like podcasts.
01:09:47That's the thing is I like podcasts and have four podcasts.
01:09:52John doesn't like podcasts and has four podcasts.
01:09:58I like making podcasts.
01:09:59It's not difficult.
01:10:01I can't imagine listening to a podcast.
01:10:06Some of them are very long.
01:10:09You know, you say all the time, like, oh, good podcast, or like, nice podcast.
01:10:12To who?
01:10:13Well, just generally, I hear it come, that's a good podcast.
01:10:16Oh, I'm a fan.
01:10:16Oh, I'm recommending all the time.
01:10:18I like that podcast.
01:10:18ABC, yeah.
01:10:19I'll do a podcast, you'll say, that's a good podcast.
01:10:21That's a good podcast.
01:10:22And I feel... I give you ideas for your podcast.
01:10:25Yeah, you say, here's an idea for a podcast.
01:10:26Korean fan death.
01:10:27Korean fan death.
01:10:29Korean fan death needs to be on... One enthusiastic clap.
01:10:33Thank you.
01:10:34Okay, let's do the Venn diagram.
01:10:36Anybody else think Omnibus needs to cover Korean fan death?
01:10:43Guess who didn't know what Korean fan death was?
01:10:46This guy.
01:10:47Two thumbs.
01:10:48Am I doing this right?
01:10:48But you know, Ken Jennings lived in Korea.
01:10:50He grew up in Korea.
01:10:52So he's got Korean fan death.
01:10:54I watched a YouTube video of Ken the other night.
01:10:55What was he doing?
01:10:57He was winning a game show with the guy from Brooklyn Nine-Nine.
01:11:00i think it's called uh money or no money oh money or no money money don't take the money uh who wants to have money for a brief who wants to have money who wants to have money and then there's a question you you wager whether you'll be able to answer the question from the guy at brooklyn 99 who wants to have money who wants to have money starring ken jennings well you know i've also been working on a podcast you got a fifth podcast fifth podcast what's it gonna be what's it gonna
01:11:24No, it's with your mom, and it's called Roderick on the Line.
01:11:29Doesn't that have to happen?
01:11:31Okay, so between us, because this is never air, John's got to travel a lot, blah, blah, blah, who fucking cares.
01:11:36How great would it be if we keep calling it Roderick on the Lawn while John's away?
01:11:41Not Roderick on the Lawn, Roderick on the Line, and I interview his mom.
01:11:47And my sister.
01:11:51You know what would be great is if you interviewed my cousin Libby Roderick.
01:11:55Wait, Libby?
01:11:56Libby Roderick.
01:11:57Libby who teaches intersectionality at the University of Alaska.
01:12:01I could use that.
01:12:03I'm one section.
01:12:04Libby will... I have two sections and they're identical.
01:12:08I'm a white dude and they're like just... Oh, it's really hard.
01:12:11They rub against each other.
01:12:13They should have used a different word.
01:12:14That's a feeling I have.
01:12:15But I feel like I could use some intersectionality.
01:12:18Oh, it feels like... Because I'm rubbing sticks together and no fire's happening.
01:12:21It feels like the world's tiniest violin you're doing there.
01:12:32Mirrors of you.
01:12:33So, I think those would be good shows.
01:12:35I will make a list... My watch isn't allowed to tell me, but it's not... Oh, shut up!
01:12:39Go home!
01:12:40I will make a list of all the Rodericks who are still extant.
01:12:44Because, you know, we're one of those families where we're a branch of the... We'll send this.
01:12:51Branch.
01:12:51We're a branch of the Rodericks.
01:12:59Call Merlin Mann.
01:13:04Call Hot Roderick.
01:13:04A catapult.
01:13:06Sorry, I didn't quite get that.
01:13:08Which shall I use for Merlin Mann?
01:13:10You got an American on yours?
01:13:13The Rodericks that, my branch of the Rodericks are, oh, incoming call.
01:13:20Hello?
01:13:21Oh, that's one of the things that's nice about this.
01:13:26They get to ask questions.
01:13:28Are we at the end of the program?
01:13:32Yeah, that's true.
01:13:36All right.
01:13:37Well, I'm going to hang up and get back to the show.
01:13:39All right.
01:13:40No, you hang up first.
01:13:43You hang up together, okay?
01:13:48Three.
01:13:51Love you.
01:13:52Yeah, so if so all of the Roderick's of my line all had daughters and so there was a while there where it seemed like if if we use the normal method of
01:14:11patrilineal name droppage, that there would be... That's a technical term.
01:14:17Patrilineal name droppage, that there would be no Rodericks after a point.
01:14:22Because of gender.
01:14:23Right.
01:14:24But then it turned out... In society.
01:14:27In society.
01:14:28All of the daughters of our line, none of them took anyone else's name.
01:14:34So they continue to be Rodericks into the middle distance.
01:14:38And maybe it will be the daughters that continue.
01:14:42No boys allowed.
01:14:43So anyway, for a while there, I was like, I feel kind of a responsibility to repopulate the earth.
01:14:50Just to put as many Rodericks in the space as you can.
01:14:53I think you've known that for a while.
01:14:55I think your repopulation mandate has weighed heavy on your shoulders for many years.
01:15:01You know, I feel a lot of responsibility for the future.
01:15:05Man in a bathrobe does not carry a sword unless he wants to do some fucking repopulating.
01:15:12Man in a bathrobe, I know, I know.
01:15:16It's cereal.
01:15:17He's defending his borders, doing the best he can, la la la.
01:15:24Hey, everybody, how are you?
01:15:25Clap, clap, clap, clap.
01:15:27Come on, clap!
01:15:30Thank you.
01:15:32Fill the room with your applause.
01:15:34Come on, get extroverted.
01:15:36Who's ready to get extroverted?
01:15:38Who wants to make a million dollars?
01:15:41You should have said that this was about chicken.
01:15:46I don't know if we have... You don't want to use this one to talk.
01:15:49We have plenty of time.
01:15:50We'll repeat your question when you yell it into the room.
01:15:55If you're super shy, tell a loud person next to you to yell your question.
01:16:01Who's got a question?
01:16:05Obviously not shy.
01:16:10Did it change you in any way?
01:16:14It did.
01:16:14I did a report on it, and then she assigned me Moby Dick.
01:16:19So she was not going to give me a single attaboy.
01:16:25She was just like...
01:16:26That book kept you quiet for four weeks and now another book was going to keep you quiet.
01:16:34There's punishments to make you good and there's punishment to make you sad.
01:16:39That's punishment to make you sad.
01:16:41The risk was that I would not like books.
01:16:44The risk was that it would turn me into I don't know what the alternative was.
01:16:49But it didn't keep me off books.
01:16:51It just made, and frankly, I would have rather have done that than just being in the class.
01:16:55Do you remember the internet intelligence test?
01:16:57Which might be before your time.
01:16:58Did it test the intelligence of the internet?
01:17:00Well, I'll tell you, it changed things for me.
01:17:02The internet intelligence test.
01:17:03Sometimes things change things for me.
01:17:05In the early days of the internet, there was a thing that was probably just a simple CGI bin.
01:17:09This thing called the internet intelligence test.
01:17:11And you go and it says, okay, we're going to ask you questions to see how intelligent you are.
01:17:15And you say, well, I'm game for that because I'm pretty intelligent.
01:17:18And so you take the test.
01:17:20It says, here's a question.
01:17:22Are you doing lines?
01:17:22Are you doing bumps?
01:17:24Don't abuse my mints.
01:17:26It's for children.
01:17:27So the question says, here's a question, ABCD.
01:17:32You say ABCD, you pick.
01:17:34It gives you another question.
01:17:35You say, oh, this is great.
01:17:36I'm so in on this.
01:17:38Now, as we know from the web, you learn how to drop people into these things.
01:17:42Now, here's what they're not going to tell you.
01:17:43They're not going to tell you that unless you just stop doing the test for some reason, you will literally have it forever.
01:17:49You will keep taking the test for 11 years until your computer dies because it didn't get a firmware upgrade.
01:17:54There's no end to the internet intelligence test because the point of the internet intelligence test is to see how long you'll take the test.
01:18:01That had an impact on me.
01:18:03That's smart.
01:18:03How long did you take the test?
01:18:05Too long the first time.
01:18:07The second time I did better.
01:18:10But it makes me think a lot.
01:18:11Is somebody trying to pull a fast one on me here?
01:18:14We're always conscious of being gaslit.
01:18:17Oh, sister.
01:18:18You don't want to get gaslit.
01:18:19I hate being gaslit.
01:18:21I know.
01:18:21I know.
01:18:21Unfortunately, we're friends and I'm a gaslighter.
01:18:24Why is this relevant?
01:18:24It's relevant because of the books.
01:18:26And I sometimes feel like, you know, okay, like, for example, in the Mideast, you're supposed to say something three times before somebody accepts a gift, right?
01:18:34Namaste, namaste, namaste.
01:18:36Yeah, that kind of thing.
01:18:40Same idea.
01:18:41But there's various kinds of, like, rituals and mores that involve this kind of repetition.
01:18:45Like, are you
01:18:45Are you sure you want iced tea?
01:18:47You gotta keep asking and that kind of stuff.
01:18:49I think a lot of that goes on.
01:18:51I wonder, could this be some kind of a Mr. Miyagi type situation where you say, I reject the book.
01:18:57It was the education ever at a point where you're supposed to say to the teacher, are you following me on this?
01:19:02They're assigning you the books, but what if you just keep reading the books like a fucking cock?
01:19:06Are you ever supposed to push back and say, no, I'm done with the books?
01:19:09And they say, congratulations, Domini, Domini.
01:19:11You just passed the internet book intelligence test.
01:19:14You refused my book and solved my riddle.
01:19:17What I stopped doing was the book report.
01:19:21I kept reading the book.
01:19:22I stopped doing the book report.
01:19:24You cut half of the baby in half.
01:19:26Yeah, right.
01:19:28But if you never do the book report, how do they know whether you read the book or not?
01:19:31There's nothing to give you an F for.
01:19:32There's no line in that spreadsheet.
01:19:37What are you going to do?
01:19:38I didn't do it.
01:19:39You can't give me an F. I didn't do it.
01:19:42Why did I never do that before?
01:19:44That's so good.
01:19:45Yeah, they give you the complete and affect your credit.
01:19:49Anybody ask anything they want to ask about?
01:19:54Oh, I don't know.
01:19:55I'm just, James Harden plays basketball, and he's very, very good.
01:19:59I don't know what any of those words mean, but James Harden is very, no, he's very, listen, you guys, he's very, very good.
01:20:10Were you brought to this event by someone else?
01:20:15Let's see, anyone else?
01:20:16I should take the jersey off.
01:20:17Yes, you there.
01:20:22So I was going to be in Whistler.
01:20:28And it turned out I have a friend in Anchorage who at a young age got into some questionable banking.
01:20:34Is this the crab guy?
01:20:37No, different guy.
01:20:39He now owns a house in Aruba.
01:20:42He reached out to my sister, now he was my friend, but he reached out to my sister and said, would you make a video of my house in Aruba so I can put it on Aruba B&B.
01:20:52Aruby and B. My sister said, I'll come make a video
01:20:57He... Specifically... He chose you... He's in Alaska?
01:21:03He's in Alaska.
01:21:04He chose you out of everywhere in the world to go to a... He chose Susan.
01:21:09Chose Susan to make a video.
01:21:11Susan said, I'll go to Aruba to make the video if my brother comes.
01:21:17He's my friend.
01:21:19But he said, why would I bring your brother?
01:21:22Susan said, I won't do it without John.
01:21:24So he was like, all right, I'll bring you to Aruba.
01:21:26So I was going to be in Whistler, and I realized I could go from the Couve, which is what we call Vancouver, to the Arubes.
01:21:36From the Couve to the Arubes.
01:21:38And I was like, this really appeals to me.
01:21:40But then at the end of the Aruba trip, I realized that was the first day of the Jonathan Colton cruise.
01:21:47Now, I wasn't going to go on the cruise this year.
01:21:50But when I saw that I was going from the Couve to the Arub, I realized I could go from the Couve to the Arub to the cruise.
01:21:57And so I called Jonathan Colton and I said, I know it's only like three weeks until a cruise, but can I come on the cruise?
01:22:02You can just put me anywhere.
01:22:04I won't do anything.
01:22:07It's too late for me to do a show or anything, but you can just put me in steerage or something.
01:22:11I mean, no.
01:22:12Are you sure all this happened?
01:22:14Put me in a deluxe suite is what I said.
01:22:16If I look at your phone, would I see documentation that all these things have actually happened?
01:22:20No, I don't want to look at your phone.
01:22:21So then I realized Whistler to the Couve, to the Arub, to the Cruz, that's going to be a problem for me doing my five podcasts a week.
01:22:31So I sent an email to all of my co-hosts, and I said, I'm not going to be around for a few weeks.
01:22:38You guys work it out.
01:22:38It's reminiscent of the great Japanese film Battle Royale.
01:22:43So me and Dan and Benjamin and Ken Jennings can fight over time.
01:22:48So anyway, that's... You guys let me know.
01:22:52You're like, yeah, you're like Mitch McConnell.
01:22:54Just come back when you guys figure it out.
01:22:57What I haven't quite figured out is how I'm going to apportion up who all is paying for my plane tickets.
01:23:05So I'm going to have to figure out how much... Because there's a limit, right?
01:23:08At a certain point, somebody's going to be like, that's a really big plane ticket.
01:23:11Well, if they know each other, they're going to want to check in.
01:23:13You ask everybody for full freight, it's going to catch up with you.
01:23:16What I need is $1,800 from everybody.
01:23:19So anyway, it's not actually 100% booked, but it's booked up here.
01:23:30Anyone else?
01:23:31Yes, Gabriel.
01:23:33Update on that.
01:23:36Oh, Gabriel is asking John Roderick for an update on his diploma.
01:23:40John received a diploma-shaped envelope from the college that he went to.
01:23:45And if memory serves, you decided not to open it.
01:23:49I didn't open it for a year.
01:23:50Didn't open it for a year.
01:23:51You knew it had a return address on it that you accidentally put on Instagram.
01:23:57But all the information was there.
01:23:58It was a diploma-shaped envelope from a school.
01:24:01So after a year, everybody, and I mentioned it, so people were like, well, just put the unopened envelope in a frame.
01:24:08People were mad.
01:24:08Yeah, but I wasn't going to do that.
01:24:11It was on the table next to the kitchen.
01:24:13Then it was on the bar of the kitchen.
01:24:15It moved around.
01:24:16After a while, I felt like there were a lot of people who were like, burn it.
01:24:22I was like, you do not know me at all.
01:24:26But then one night, I got really frustrated with myself, and I had purchased years before a frame, a diploma-shaped frame, in the event that I ever got a diploma.
01:24:37You're both characters in Gift of the Magi.
01:24:39Yeah, that's right.
01:24:42So I went and I got the frame.
01:24:44I brought it down.
01:24:45I put the frame next to the envelope.
01:24:47Both things had been waiting to meet for many years.
01:24:50I'd kept them apart.
01:24:52I brought them together.
01:24:53And I was all by myself.
01:24:54There was no ceremony.
01:24:56I didn't have people over.
01:24:57All the things that I had planned on doing.
01:24:59Have a barbecue.
01:25:01Graduation day.
01:25:02Like you do.
01:25:03It was just me, 4 o'clock in the morning.
01:25:04Come to my envelope opening party.
01:25:06Bring a dip or something you can share.
01:25:09Come to my party.
01:25:09I'm going to open this envelope.
01:25:10Open the envelope.
01:25:11What the fuck?
01:25:12It's come.
01:25:12But it was like 4 a.m.
01:25:14It was like either I'm going to cut my hair right now or I'm going to open this envelope.
01:25:19Was it your certificate for officially being a goth?
01:25:25So I opened the employer and I pulled the piece of paper out and it was face down.
01:25:36So I put it on the bar and then I walked away.
01:25:39And so for about a month and a half, the paper sat on the bar face down.
01:25:46A breeze could have flipped it?
01:25:48It was just sitting there.
01:25:49I knew it was there.
01:25:50Anybody could have put their coffee down on it, it would have been ruined.
01:25:53But it just sat there.
01:25:54And then again, in the middle of the night, I was like, this is so fucking, this is so frustrating.
01:26:02I could use a trick.
01:26:03So I opened up the frame.
01:26:06I put the diploma in the frame, face down, sealed it up, and then put the framed piece of paper on the dining room table face down.
01:26:19And it sat there for a long time until one day I was sitting talking to my mom about Ohio in the 50s.
01:26:29Roots.
01:26:30Root talk.
01:26:31And she said, what's this?
01:26:33And picked it up and looked at it.
01:26:36And I said, you tell me.
01:26:41And she said, it looks like you graduated from college.
01:26:47And I said, can you be certain?
01:26:52And I asked her some questions about it.
01:26:55And she said, do you want me to turn it around so you can see it?
01:26:58And I said, not yet.
01:27:01What's the rush?
01:27:05I'm not done asking questions.
01:27:07I asked her some questions.
01:27:08She described it fairly accurately and at a certain point I realized it was a college diploma.
01:27:12I had graduated from the University of Washington with a degree in the... Thank you.
01:27:22A degree in the comparative history of ideas and... That's actually their seal.
01:27:30It doesn't have words.
01:27:31It's just an animated gif of someone going like this.
01:27:34Six is one is half dozen other is.
01:27:40It's like one of those old neon signs outside of a pawn shop.
01:27:44It's like one little dollar sign goes up and down.
01:27:50It's not comparative ideas.
01:27:53It's not the history of ideas.
01:27:55It's the comparative history of ideas.
01:27:58That's too many things.
01:27:59It's a lot of things.
01:28:01What are the letters of your degree?
01:28:03Well, so they call it chid.
01:28:05But that's like ID for ideas.
01:28:09Oh, because of that name.
01:28:11All right.
01:28:11What is your, is it a Bachelor of Arts?
01:28:13It should be Choi, right?
01:28:18Of ideas.
01:28:22What is it?
01:28:23Oh, it's a Bachelor of Arts.
01:28:24Bachelor of Arts.
01:28:25A Bachelor of Arts, you guys.
01:28:26Yeah, Bachelor of Arts.
01:28:28I could have studied a lot of things.
01:28:29Sociology, whatever.
01:28:30Communications.
01:28:31You're interested in the history of ideas, but in order to really penetrate that and interrogate it, you need to have to compare the history of ideas.
01:28:40Yeah, you compare the ideas, you compare the history, you compare the history of ideas.
01:28:44It's the comparative history of ideas.
01:28:48So you don't just compare the ideas.
01:28:50You compare the history of ideas.
01:28:52But you have to have the history before you can compare it.
01:28:55You need more than one.
01:28:56You start at the start.
01:28:57You can't have one idea.
01:28:58It's just like this show.
01:28:59You start with somebody who's made a history of ideas and then other people who've done that and then you compare them.
01:29:04What's in the history of ideas is in the history of ideas.
01:29:09Anyway, so I finally looked at it.
01:29:13I looked at it.
01:29:14It was beautiful, this thing.
01:29:18And then I said to my mom, the same question I asked you, Merlin, which was, what do you do with this now?
01:29:24Well, what do you do with the diploma?
01:29:28what do you do?
01:29:29And I said to her, do you hang this up?
01:29:31If it was a graduation, you could hang it on the wall like in Allentown.
01:29:33That's right.
01:29:35But what did that do?
01:29:36Did it stop the disintegration?
01:29:37It never really helped it at all.
01:29:38I think not.
01:29:40So she said, no, you don't hang it up anywhere.
01:29:42And I said, where's your diploma?
01:29:44She said, in a drawer somewhere.
01:29:46And this was what I had feared all these years.
01:29:51That it was...
01:29:52It wasn't anything.
01:29:53This attaboy here is much more... This is maybe even more meaningful.
01:29:59The kerning's probably better, too.
01:30:01This looks pretty good.
01:30:02No, what ended up happening was that it went in its frame back on the dining room table where it remains today.
01:30:08Where it becomes a riddle for all of your guests.
01:30:11You can do this bit with everybody.
01:30:12It'd be fun.
01:30:13You can put your coffee down on it because it's under glass.
01:30:17Hey, everybody.
01:30:17Thanks for coming out tonight.

Ep. 327: "Old Sunshine and the Bear"

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