Ep. 294: “Steely Dan Fogelberg”

Episode 294 • Released June 25, 2018 • Speakers not detected

Episode 294 artwork
00:00:05Hello.
00:00:05Hi John.
00:00:08Hi Merlin.
00:00:09How's it going?
00:00:12Been awake for eight minutes.
00:00:16Feeling super awake right now.
00:00:19Feeling super awake, awake, awake.
00:00:23I'm thinking my thoughts and they're coming so fast.
00:00:27So fast, so fast.
00:00:31Wishing well, kissing tongue.
00:00:34Wishing well, kissing tongue.
00:00:38Wishing well.
00:00:40The thing is, I don't know if there's a better day to do this or a better time.
00:00:45Oh, this is the time and place.
00:00:49That's the thing.
00:00:50This kicks off my week, you know?
00:00:52Yeah, me too.
00:00:53This is the jam.
00:00:54I'm in the chair.
00:00:56This is my public step into the public sphere every week.
00:01:00Every morning you wake up and you say, good morning, week.
00:01:03Good morning.
00:01:03You walk out on the steps.
00:01:04I got pants.
00:01:06I'm wearing pants.
00:01:07I got some coffee.
00:01:08I got some pepperoni.
00:01:09I got no pants.
00:01:09Got no pants.
00:01:10I got no pepperoni, but I do have coffee.
00:01:15No pepperoni required.
00:01:16No pepperoni required.
00:01:18My favorite Phil Collins record.
00:01:22Oh, man.
00:01:23Wait, should we stick with it?
00:01:26The only way out is through.
00:01:28Stick with it?
00:01:29You mean America?
00:01:30You think so?
00:01:31I think so.
00:01:32This discourse has gotten very unkind.
00:01:35Double down.
00:01:38Double down.
00:01:45Double down.
00:01:46I'm so into you.
00:01:48Did you watch any videos I sent you?
00:01:53You have any thoughts on any of them?
00:01:57Sent you that Made in Heaven song with the guys playing rock music.
00:02:04What else did I recommend?
00:02:05I've got to go back to our super secret private channel here and see what I said.
00:02:07You know, your taste has always influenced me quite a bit, I have to say.
00:02:12No, you... Yeah, sure.
00:02:15Sure, yeah.
00:02:16No kidding.
00:02:16Yeah, it's, you know, it's one of those things where, like, I razz you.
00:02:22I give you the business about some things.
00:02:24Give me a little bit of stick, yeah.
00:02:25I do, a little bit.
00:02:26I got that coming, I got that coming.
00:02:28Power pop and stuff.
00:02:29Too much.
00:02:30But, you know, you've got eclectic taste.
00:02:35Touch two guitar licks.
00:02:38You've taught me a couple of guitar licks I still play to this day.
00:02:40That's pretty much, those two licks are pretty much all I play on a guitar.
00:02:44You know, I did.
00:02:47I bought a guitar.
00:02:53Just recently?
00:02:54I ordered it.
00:02:54It arrives tomorrow.
00:02:56The hell you say.
00:02:58Yeah, I've been sitting on it.
00:02:59My acoustic guitar was purchased in 1988 for $200 American.
00:03:05I know it well.
00:03:06I know it well.
00:03:06I know that guitar.
00:03:08It's seen some things.
00:03:12And the last the last actual grown man guitar I bought was probably 1997.
00:03:17I bought an Epiphone and then I have that guitar.
00:03:21I hate saying guitar lately.
00:03:22It's so ugly.
00:03:23I have a guitar, a uke size six string guitar that I like a lot.
00:03:27Oh, those are cute.
00:03:28They're great.
00:03:29Oh, man, that'll be the best $200 you ever spent.
00:03:31Just have it around.
00:03:32Just have it around.
00:03:32It's just sitting there.
00:03:33You can just pick it up any time.
00:03:34Anybody can pick up the guitar.
00:03:36And it's not as looming in the room as a full man-sized acoustic guitar.
00:03:41If you can draw this turtle, you can be a professional turtle drawer.
00:03:46Hi, I'm Norman Rockwell.
00:03:48We're always looking for new rockers and folkers.
00:03:51so i ordered it i i because i've been sitting i've been hovering over two guitars that were way way way out of my price range yeah and uh i had i would just i mean i i don't like to use this phrase because i think it's an ugly phrase but i could not afford the guitars that i was thinking about so i bought a different one but i was looking at that i think it's called a j45
00:04:15Because I realized that a lot of people I like play that guitar and I like that sound, but no way am I going to spend that much money on a guitar.
00:04:23No, they're not inexpensive.
00:04:24It's true.
00:04:26I mean, if I was, you know, Evan Dando,
00:04:31I love his sound.
00:04:32And he plays that guitar.
00:04:34If you're an Evan Dando, you can do that.
00:04:36Or then I thought, oh, you know, the other one that's really nice is that J200.
00:04:39Oh, Doctor.
00:04:40That's even more costly.
00:04:42It's a nice one.
00:04:43So I got one made by, I ordered one by a company called Seagull.
00:04:49Now, are you going to make me feel bad that I got this?
00:04:51Did I buy a dumb guitar?
00:04:54It sounds like it's going to be good, and I'm pretty pumped.
00:04:58So one thing I'm doing, I'll save it for another show, but I have a series of projects that I'm working on over the summer, and one of my summer projects is to play guitar a lot more.
00:05:06I support that 100%.
00:05:08I really like it.
00:05:11I really genuinely enjoy it.
00:05:13And it's a nice thing that I can do with no purpose for public consumption.
00:05:19A lot of what I want to do is do fewer things for public consumption.
00:05:23Just do things for me and mine.
00:05:25Yeah, that's one of them.
00:05:26Play Frisbee with my daughter more.
00:05:27There's stuff like that that I want to do more of.
00:05:31You know, the thing about your guitar, and I'm never somebody to say a bad word about someone else's guitar.
00:05:37You can talk about the action.
00:05:40It's like that time when my cousin came in here and said, your piano sounds sick.
00:05:45Oh, wow.
00:05:46I was like, take your story and hit the bricks.
00:05:51Well, I mean, that's like making fun of something on somebody's face.
00:05:54It's like, what am I going to do about a piano?
00:05:56It's here in my house.
00:05:57Oh, just go pick up another one.
00:05:59I'll Amazon Prime another piano.
00:06:00That's my sound!
00:06:03Sounds sick?
00:06:05Yeah, she's just... My family is all full of ass.
00:06:10John, I think she didn't think before she spoke in that instance.
00:06:13That's not uncommon in my people.
00:06:17But, you know, what I have found about your guitar is that you have to...
00:06:26You have to expend a little bit more effort playing your guitar currently, your current guitar.
00:06:32The last time I played it.
00:06:33The Yamaha.
00:06:34The Yamaha.
00:06:35And if you had a guitar that kind of worked with you a little bit more.
00:06:44You would enjoy playing more.
00:06:47I think you're right.
00:06:48Something that'll play with me in the space.
00:06:50Now, see, I got that when I was in college, and I was very happy to spend $200 on it.
00:06:55I don't know how old that guitar was when I got it, but it's worked fine.
00:06:58And the thing is, when I was...
00:07:00playing in front of people by myself with an acoustic guitar, it worked out great because everything below the fifth fret, which is mostly what I was playing, was fine.
00:07:10I was playing a lot of open chords and jingly-jangly up the neck kind of things.
00:07:15You know what I mean?
00:07:16Like a jingly-jangly up the neck kind of thing where you're doing a basic C-ish or an F-ish thing where you're letting a lot of strings ring.
00:07:26worked fine but you're right i was not going to be doing any brian may on the 11th fret it gets you could drive a tesla under those strings around the 12th fret here's the tricky thing about an acoustic guitar is that if the neck is a little bit bowed so that it's hard to play up the neck a little bit yeah it actually sounds pretty good when you play your root chords because you've got like a lot of
00:07:50Well, it gives it a lot of jingle jangle.
00:07:52Your strings are just singing out.
00:07:55It's got a little bit of flop.
00:07:56Yeah, they're not rattling against the frets.
00:07:59They're just out there just ringing in the wind.
00:08:02And it makes you strong like bull.
00:08:04It makes you strong like bull.
00:08:06But the thing about a seagull is it's like, you know who's good at making guitars these days?
00:08:11are you even kidding me no canadians are uh they have there's several brands now of great acoustic guitars made in canadia oh things the times they are a changing yeah they are so you know back in the old days you would have gone canada canada yeah what is it made of maple syrup
00:08:35Nice thing is, if you hit the wrong note, it apologizes for you.
00:08:39Dark, dark, dark.
00:08:41But no, now that's like it's one of the things that, you know, Canada also makes good men's suits.
00:08:49What is happening?
00:08:50If you pick up a men's suit and you look inside and it says made in Canada, your first instinct.
00:08:55You're right, Siegel is a Canadian company.
00:08:57I did not even see this.
00:08:59They are Canadian.
00:08:59It's this guy named, I think his name is Godin, who had made guitars, I guess, starting back in the 80s.
00:09:06And then they did like pretty.
00:09:08There were Godin guitars.
00:09:12All right.
00:09:12Keep going.
00:09:12You were, you were in the middle.
00:09:13I mean, I read a little bit about it.
00:09:15I watched some, you know, whenever I want to find something out increasingly, I try to read some things and then I try to look at some YouTube.
00:09:20The nice thing about YouTube, such as it is, you still, you still see sales jobs on YouTube, but you also get a little bit of like, you know, a little bit of real stuff in there.
00:09:30When you're just reading the first two pages of Google are all sales jobs.
00:09:34And so I went and I read around and I looked around and I thought about what my budget for this was.
00:09:39And it seemed like it was in the wheelhouse.
00:09:40The headstock is a little bit.
00:09:43In another time, we would have said this headstock looks fruity.
00:09:45But supposedly it's pointy and it makes it look pinheaded.
00:09:51You get a Gibson headstock and it's got like a hypercephalic head.
00:09:55You get a nice big head on it.
00:09:56Fat head.
00:09:56Yeah, it's a little more tapered.
00:09:58But supposedly that helps it stay in tune better, they say.
00:10:02Is that right?
00:10:03Well, because you think about it, usually you get the keys going outward, like a fat parallelogram.
00:10:09But this one, I don't know.
00:10:11We'll see.
00:10:12The strings just go straight into the tuner.
00:10:14But it's kind of what I want, which is one problem I've had with the guitar ukulele is I like playing those little licks, and that's real hard to do with man fingers on those little tightly grouped strings.
00:10:26And I like the fact that this has a slightly wider...
00:10:29uh neck yeah so i'll be able to like do a big ringy you know you know me i love a g i love the one you taught me i love the c with the added g which is maybe next to the g is probably the great chord that's one you can really go oh you do that and it sounds so good you do that on uh you did on a bunch of songs and it really works
00:10:52It's like trying to figure out a recipe.
00:10:55That's the cumin on your chords or something.
00:10:58It's hard to detect.
00:10:59Jonathan Colton, when he makes his G chord, he mutes the A string.
00:11:06He doesn't he does not play the ace, you know, because in an A in a G chord, you fret a B note on the A string.
00:11:17A B natural.
00:11:18But he thinks the B is a cuck.
00:11:20He does.
00:11:20He thinks it's just it all does clog it up.
00:11:23Mm hmm.
00:11:23And so his G chord, he leaves that B out of it.
00:11:28Does he add a D on the B string?
00:11:31Because that's kind of a baller move.
00:11:33So what he says is without using up his first finger, making that B on his G chord...
00:11:41It frees it up to do all of his freaking Dan Fogelberg hippie-ass chords.
00:11:46Oh, yeah, he loves that shit.
00:11:47So he's all, strivity-stram, strivity-stram, strivity-stram, strivity-stram.
00:11:51And he's putting all these other, like, G diminished 7 minor 9 augmented 4 G things.
00:12:01He slips it right in on a nice, simple little G chord.
00:12:03And you're like, why bother?
00:12:04Why are you doing all that?
00:12:05Let the bass player do those notes.
00:12:08Uh, but no, he's got to have them.
00:12:10He's got to put them all in there, but it's, it's a, it's a source of a lot of controversy.
00:12:15I started a thread among the musicians, uh, about a year ago, a text thread.
00:12:20You were calling him out.
00:12:22Well, no, it was like, uh, what, how do you make your G let's, let's hear it.
00:12:26Everybody make your G chord.
00:12:28It turned out my G, my old cowboy G, uh,
00:12:32was in the minority people had three fingers three fingers on the fretboard classic g classic g g b g with the open but you're you're hanging out with the steely dan steely dan fogleberg crowd yes steely dan foglebergs
00:12:51And so they're all like, oh, here's how I make my G. And a lot of it is, you know, like what your fingering is and so forth.
00:12:57But yeah, no cowboy Gs are very few.
00:13:01Everybody's throwing in a little extra ring finger here or there.
00:13:07Super frustrating.
00:13:09Yeah, I can see it.
00:13:12I can see it.
00:13:12You're playing by yourself.
00:13:14Have we talked about guitar chords much?
00:13:17I can't think of you and I having talked about guitar chords very much.
00:13:22You got a favorite?
00:13:24Well, I'm frustrated by the infinite amount of learning I still have to do on the guitar.
00:13:36With that said.
00:13:40And I invented a couple of shapes here.
00:13:43that i could move around i didn't invent them other people play them but i don't hear them played by other people very often i don't see them played by other people and part of it was that listening to other indie rockers of my era hang on just a second yeah john's stepping away for a minute oh i bet he's gonna get a guitar oh boy this is gonna be good oh it sounds like john's got a guitar
00:14:10Okay, here's the... All right, yes, yes, yes.
00:14:13So listening to the other indie rockers, they were doing all these chords where looking at the shape they were playing, I couldn't figure out like how in the hell... You know, there were these chords that kind of were up the neck and they had a sort of... Some of this stuff that...
00:14:38Stuff that I couldn't... It sounded better than that, but that's what it looked like.
00:14:44And so I started messing around, and I came up with... That's some very John Roderick stuff right there.
00:14:57That is right in your wheelhouse.
00:14:59Those are chords that I didn't know... Those were the first chords that no one taught me.
00:15:07Right.
00:15:08Chords you discovered.
00:15:10That's right.
00:15:12And so the song Stupid is made up completely out of those chords.
00:15:23You know, all those chords.
00:15:24The song that...
00:15:27is our theme music.
00:15:31That always struck me as like an open... It always sounds in my head like a Mayor of Simpleton.
00:15:37Like you're playing a C figure at the third fret and doing like a D-D-C, D-D-C.
00:15:42It sort of always sounds like in my head.
00:15:50That's the C chord moved around, right?
00:15:54Yeah, so, like, Mare of Simpleton is, like, you play a C open.
00:15:59Dun-dun-dun.
00:16:03Yeah, and then you slide up.
00:16:08Yeah, that's it.
00:16:09Oh, that's so satisfying.
00:16:14And then you go up to the, you know, you go up to the 7 fret 9, and that...
00:16:21That guy keeps ringing.
00:16:23But this chord, the... Is that a D boy?
00:16:32Is that a D?
00:16:33What is that?
00:16:33No, so it's kind of a G form.
00:16:38It's like your middle finger is on the G on the E string.
00:16:45Uh-huh.
00:16:46And then you kind of mute the A string.
00:16:49And then on the D string, you have your finger on the second fret.
00:16:55Almost like an E. So it's on the E there.
00:16:59Uh-huh.
00:17:01And then your pinky is way out up on the fifth fret.
00:17:09of the G string.
00:17:11Pinky's keeping you honest.
00:17:12I like that.
00:17:13So you got... And you're... You're muting the A so it's not a 7.
00:17:21Yeah, so the fat of your finger is kind of muting the A. Uh-huh, uh-huh, uh-huh.
00:17:25And then you've got basically an octave of the... Well, no, but it's not.
00:17:33It's like a... It would be an octave of the A...
00:17:39Oh, wait a minute.
00:17:42So that is a B. Yeah, so that... So it's an octave of the B. So it's kind of an E. Yeah, right.
00:17:52But then you can move it.
00:18:00And then if you move the pinky down one fret, you get...
00:18:07Like a suspended.
00:18:16And so when I discovered that, I didn't know what to do with myself.
00:18:22I wanted to do that all the time.
00:18:24I can't wait to do this all the time.
00:18:30Right?
00:18:31That's all I cared about.
00:18:33And then I figured out a way to get the... The pinky went down one and the E string went up one.
00:18:51And then I had that chord...
00:18:57And that was something that none of my indie rock contemporaries had.
00:19:00They all had their own chords that they had invented.
00:19:03And those are ways of playing that sound cool and interesting when you're by yourself, but would be really interesting in a band, like against what everybody else was doing.
00:19:12Now the bass could do all kinds of wackadoo stuff.
00:19:14Because it's not a it's not a new chord.
00:19:17It's a it's just a new inversion.
00:19:19Right.
00:19:20But the inversions, they suggest different combinations because unlike unlike a musically trained or knowledgeable person, like I have no idea what those chords are or why they go together.
00:19:33And so even you were like, oh, that's an inversion or no.
00:19:37It sounds like, I don't know.
00:19:38It's all the same thing.
00:19:39It's all the same thing.
00:19:41But somebody that, like I've sat and taught some of those songs to people that are musically knowledgeable.
00:19:48Oh, you show that to a Paul or a Storm, and they're going to tell you what you're playing probably.
00:19:52Well, I mean, yeah.
00:19:57They would be able to explain kind of why...
00:20:01Certain chords had a relationship with one another.
00:20:05That's the part that befuddles me.
00:20:09You feel like a rube because you just like the way it feels and consequently the way it sounds.
00:20:15Have you ever watched Donald Fagan sit at the piano?
00:20:19There are some videos on YouTube that are absolutely worth watching.
00:20:24I love watching him play piano.
00:20:26He sits at the piano, but he's describing what he's doing.
00:20:29And he's like, so...
00:20:31you know, so anyway, man, you know, here we, we were trying to, I just thought like, wouldn't it be hilarious if we, if we just like inverted the, the, the tonality and, you know, and he's like sitting in and, and he's showing you on the piano and,
00:20:48The interviewer, I guess, is knowledgeable enough about music that they're having a little laugh together.
00:20:53They're like, wouldn't that be crazy if you just flip that around?
00:20:58But then we did it.
00:21:00But he's not even saying like, I did something and I was amazed by the result.
00:21:07Because he knew what the result would be already.
00:21:09He's just like...
00:21:13thwarting expectation or whatever by going against what music suggested.
00:21:19The conventional way of playing something like that.
00:21:21And I'm like, wow, I hope that I'm doing that sometimes.
00:21:24I mean, I think what people find difficult about my songs is where the accents are.
00:21:36Oh, that's for sure true.
00:21:39This is like when you play stuff and I couldn't even count a lot of stuff that you're doing.
00:21:43It's not complicated, but it's definitely unconventional.
00:21:46Sometimes it's a little complicated, but yeah, it's very unconventional.
00:21:50And that is completely native to me.
00:21:52Like that isn't something I try to do.
00:21:54I put the accents where I think that they belong, where they feel right.
00:21:59And I'm always surprised when that is the part that's hard for people to figure out.
00:22:04What I've always wanted to be is like chord...
00:22:07chord george and just throwing down all these these tapestries of chords i can i'm not comfortable telling you how many hours a week i spend watching music and music theory videos where people are explaining stuff that i don't really understand but i really really enjoy it
00:22:24And like I said, there's this one guy like Adam Neely who mainly does bass, but he talks a lot about theory.
00:22:29And he did this whole, I think I told you, he did this whole eight minutes of one of his videos is explaining this one chord change in Sir Duke by Stevie Wonder and how unconventional this one, I forget what it was, not an F major seventh.
00:22:44But some chord that he chose, how strange it was.
00:22:46And he plays all the different things you could have chosen to play that would have fit theoretically better there.
00:22:52And they all sound so cliched.
00:22:54You can feel it all over.
00:22:57That chord that he hits, you don't realize how weird that chord is.
00:23:01And he explains it in relationship to all the other things.
00:23:04And everything else he plays sounds like a Mel Bay, first day of ukulele kind of chord.
00:23:09It's so much more interesting what he chose instead.
00:23:12I could watch that stuff all day long.
00:23:14I, I need to start watching that stuff more.
00:23:17It's really, it's really, it's really exciting.
00:23:19I mean, cause the music nerds now also they have all these, these apps where they can like, like things like Ableton or what is the thing they use for composing that everybody uses.
00:23:28But like, it's so amazing cause they can illustrate things very quickly and then you can hear it and see it.
00:23:32And it's, it's, uh, it's really nerdy, but I love it.
00:23:36I don't claim to understand it, but it's like, I don't know.
00:23:38It's like watching a raccoon and get into a bird feeder.
00:23:40Like I understand how he did it, but I'll watch it all day.
00:23:42Oh, my God.
00:23:43Are there videos of raccoons getting into bird feeders?
00:23:45Oh, shit, dog.
00:23:47This episode of Roderick on the Line is brought to you by RxBar.
00:23:51You can learn more about RxBar right now by visiting rxbar.com slash R-O-T-L.
00:23:57RX Bar is a whole food protein bar.
00:24:00That means their bars are made with 100% whole ingredients, and they label those core ingredients right on the front of the package.
00:24:06You get egg whites, dates, and nuts, and then all the stuff that makes up the texture and taste is right on the back.
00:24:11You get stuff like 100% real unsweetened chocolate, coconut, yum's delicious.
00:24:16Beyond being a go-to snack that checks off a number of nutritional boxes, RX Bars actually taste delicious.
00:24:23They found creating a bar made from real whole food ingredients actually tastes better than anything out there.
00:24:28They don't need the fillers, the additives, the chemicals, or the added sugar.
00:24:33RX Bars come in 11 delicious flavor varieties.
00:24:36And as of now, there are three new flavors.
00:24:38You can get mango pineapple, peanut butter and berries, and chocolate hazelnut.
00:24:43Also, RxBar recently introduced Rx Nut Butter, which is a brand new product.
00:24:47It's made with the same core ingredients as RxBar protein bars.
00:24:51The new nut butters include a base of nuts, egg whites, and dates, giving you 9 grams of clean protein.
00:24:57They're available in honey cinnamon peanut butter, peanut butter, and vanilla almond butter.
00:25:02They're great on pretzels, fruit, or straight out of the convenient pouch while you're on the go.
00:25:06So whether you like sweet or savory chocolate or fruit flavors, there's an RX bar for you.
00:25:12RX bars are gluten-free, soy-free, dairy-free with no added sugar.
00:25:15I'm a big fan of RX bars.
00:25:17I especially like the chocolate sea salt variety, which are really tasty.
00:25:21My tip is to keep a few RX bars in the places you tend to get hungry or where you're most likely to be tempted to sneak in a bonus starvation meal.
00:25:28Don't do it.
00:25:29Just go and grab me an RX bar.
00:25:30Deploy, deploy.
00:25:32rxbars now for 25 off your first order and free shipping please go and visit rxbar.com slash rotl and you're going to enter the promo code rotl just like it sounds at checkout for a limited time every order will receive free samples but do it quickly that free sample offer ends on june 30th our thanks to rxbar for supporting roderick on the line and all the great shows saw one today saw one today let me find it for you do you enjoy that sort of thing i'm not doing anything else today okay hang on give me a second here
00:26:01You know, the raccoons have been on my roof lately because the cherries are coming in.
00:26:06And the other night, I'm laying in bed.
00:26:09It's the middle of the night.
00:26:11And I basically hear...
00:26:14Uh, what sounds like, like a couple of hockey players going at it right above me on my roof.
00:26:20Those boys are heavy.
00:26:22And I'm like, come on.
00:26:23And it's four in the morning.
00:26:25And so I'm like, well, they're going to figure it out.
00:26:27And then, and then it keeps going.
00:26:29So I'm like, fuck this.
00:26:30So I go downstairs and,
00:26:32And I put on my bathrobe and I'm about to head out the door and I'm like, you know, I don't get a chance that often to also take a sword.
00:26:40And this is a great opportunity.
00:26:44It's not always appropriate.
00:26:47I mean, like back when we first started doing this program before I had a child, you know, like I had spent a lot more time out in my yard with a sword lately.
00:26:57I'm just trying to get I'm just trying to get a good night's sleep.
00:27:00Anyway, I grabbed my sword out of my – or I grabbed a sword out of my sword basket, and I went outside, and I walk around the house, and there he is.
00:27:12He's sitting up on the house, and he does – he's like – just straight up in the center of the roof.
00:27:18But he does that raccoon thing where he's like, maybe he doesn't see me.
00:27:22Kind of like hunkers down a little bit.
00:27:25I'm like, I see you, guy –
00:27:28One reason I knew where you were is because you're right over my bedroom and you need to take it on the lamb.
00:27:35And he's like, you're talking to me?
00:27:38And we're looking at each other, you know?
00:27:40So then he comes down the roof a little bit in a way that suggests like tameness.
00:27:48He like inches down toward me.
00:27:50Like, are you talking to me?
00:27:51I'd like to come closer and hear what you're saying.
00:27:53And I'm like, you can hear me fine.
00:27:58Go, go home now.
00:28:00Like you got all the cherries you need.
00:28:03Get gone.
00:28:04And then, then he's like, I'm okay.
00:28:06Now I'm going to scamper over the other side of the roof where he can't see me.
00:28:09And so he did that.
00:28:10And then I walked around the house and I came around the side and he's over there.
00:28:13And I was like, see how this is going to work.
00:28:16I go all the way around the house too.
00:28:18So you go over there.
00:28:19I'm going to just come over here.
00:28:21And he tried that a couple of times and I went around the front and I was like, here I am again.
00:28:25And eventually he made his way.
00:28:28He made his way onto the fence and down into the hovel.
00:28:31You're just kind of politely telling him, take it somewhere else.
00:28:34I was like, you know, it's one of those things where a lot of times if somebody pulls up out in front of my house and they've got a loud stereo in their car and they want to just park in front of my house for a while and look at their phone or or yell at their.
00:28:47significant other in the car i like to just kind of go out and stand there just be present just be present and just kind of and and eventually you know i don't have to say like turn your stereo down doesn't take long for them to just not want to be there anymore because it seems like they could go somewhere where there isn't someone staring at them and maybe i'm kicking the can down the road it's somebody else's problem now the loud the loud arguing people now are in front of someone else's home
00:29:16But yeah, it's the same with the record.
00:29:19I mean, I don't take a sword out typically when someone's got parked in front of my house.
00:29:23That seems a little bit, that seems a little aggressive.
00:29:26They know you mean business.
00:29:29I like the way they give you the side eye, though.
00:29:31They're mad at you because you're looking at them.
00:29:32Yeah, what are you looking at?
00:29:34Yeah, I'm just here in the car yelling at my partner.
00:29:37Yeah, it's really hard not to be brought out by your awesome music.
00:29:42I'm just dancing inside.
00:29:44Inside, I'm dancing.
00:29:45Outside, I'm just kind of standing here staring at you.
00:29:48I used to do that, and my daughter made me stop because it embarrassed her.
00:29:51Oh, really?
00:29:51Somebody came by juking and jiving, and I'd kind of give them finger guns and do a little dance.
00:29:55Your music is so cool.
00:29:57It's moving to dance.
00:29:58I love your music.
00:30:00Stop that.
00:30:00So full of swears.
00:30:01Dad, don't do that.
00:30:02Stop doing that.
00:30:04Stop it.
00:30:04So much shame.
00:30:07Did you just send me a raccoon getting into a bird feeder?
00:30:11La, la, la.
00:30:11Yeah, click that.
00:30:14Let me see.
00:30:15Raccoon in a feeder, I know.
00:30:18Give that a look.
00:30:19How do they do it?
00:30:21They can't be stopped.
00:30:23Look at him.
00:30:23Look at him go.
00:30:24He's thinking.
00:30:25He's thinking, too.
00:30:26He's not blindly trying things.
00:30:29They've got an anti-raccoon solution here.
00:30:32It's a bespoke anti-raccoon solution.
00:30:34And he says, you know what?
00:30:35Who cares?
00:30:36He's like, let me just get around this here.
00:30:37I want to unhook that thing.
00:30:38Get me some seed.
00:30:41And he's, he knows he's being watched.
00:30:44Oh, yes, you do.
00:30:47Yes, you do.
00:30:52I could watch it all day.
00:30:55And now what is, now what is he going to do?
00:30:57What's he going to do now?
00:30:58Oh, he's not satisfied.
00:31:01He's using technology.
00:31:02wow and then he's like and dismount that's right perfect dismount pwned oh my goodness that's good that's good you still got your guitar there yeah play that uh play a regular c
00:31:24Is that a symbol?
00:31:27You got a lot going on there.
00:31:29All right, what am I doing?
00:31:31Play a regular C, open C. Now add that low G. You add the low G on the E string?
00:31:40Now give it a Kong.
00:31:43Oh, the king has arrived.
00:31:48That's it without the G. Yeah, when you're strumming, boy.
00:31:56I love, as I think I previously stipulated, so on an acoustic guitar, a G is my favorite chord because it is the perfect acoustic guitar chord.
00:32:05Well, I should play for people the first lick you ever taught me.
00:32:10That's good.
00:32:13I got that from Big Star.
00:32:14I got that from The Replacements.
00:32:16I got that from Neil Young.
00:32:19It's a good little lick.
00:32:19I still can't play the beginning of Tell Me Why properly, but it's always the first thing I play on a guitar.
00:32:25And then play the Rolling Stones one.
00:32:33Remember that one?
00:32:35A slidey.
00:32:38Are you talking about the... Do you have a guitar?
00:32:43Hang on, you work on it, I'll go get a second.
00:32:46It's not this one.
00:32:48Is it that one?
00:32:54Well, ladies and gentlemen, this is my Rolling Stones lick.
00:33:03You know, Keith Richard said that he didn't want Start Me Up made into a Rolling Stones song because he thought it sounded too Rolling Stones.
00:33:14I can't find a guitar.
00:33:15But it's a little bit of the rock soft lick.
00:33:23You hit an open A, then fret the B and slide up to C sharp.
00:33:30To C sharp.
00:33:32And then the octave on the G.
00:33:35Or not the octave, but the... Hit an A. Hit an A on the G. Is that right?
00:33:42Hit an A on the G. A. Up one.
00:33:49Up one.
00:33:51No, maybe it's not a G. Shit, this is so hard to do without a guitar.
00:33:54Fuck, where's my guitar?
00:33:56Where's my busted ass... That's it.
00:34:00Oh, is that it?
00:34:04That's it.
00:34:06That's the one.
00:34:07Oh, that's a nice lick.
00:34:08The sunshine bores the daylights out of me.
00:34:10Boy, this is a hell of a show.
00:34:11We're helping a lot of people today.
00:34:13Next week's going to be different, buddy.
00:34:18I just learned this thing, which I don't know.
00:34:24All these things – like I have a lot of friends that are really good guitar players, and I wish that they would just teach me how to play the guitar, but they never do.
00:34:31They always laugh.
00:34:32I say, teach me to play the guitar, and they go, ha, ha, ha, you know how to play the guitar.
00:34:36And I say, no, I'm serious.
00:34:38Tell me some tricks.
00:34:40Tell me some licks.
00:34:42We used to do that in high school.
00:34:43That's all we did.
00:34:43Yeah, my friend Rick Garnett taught me.
00:34:47That's a good one.
00:34:51That was, I think, one he stole from Eric Clapton.
00:34:56It's got a little bit of Ace Frehley, too.
00:34:59Yeah, probably.
00:35:00He's got that bow down, down, down, down, that kind of, yeah.
00:35:04He's really probably got it from Jimmy Page, who never could play it right, because he's Jimmy Page.
00:35:08Yeah, I think there's a little bit of backwards in there.
00:35:12But the other day I came, I was doing this, and I was like, what was it?
00:35:21Ooh, that's a pentatonic journey.
00:35:24And I started doing it over and over.
00:35:27I was like, you know, the way that people get good at playing guitar is they do things over and over.
00:35:31You just got to do it over and over.
00:35:32Yeah, they don't just do it.
00:35:33That's how Edward did it.
00:35:34Exactly.
00:35:34They don't just do it a couple of times and go, well, I got that master.
00:35:37Close enough.
00:35:38So I sit around and I've been doing that.
00:35:44Now, you can practice that on your acoustic guitar.
00:35:46Next time you step over onto your electric guitar, it's going to be like ringing a bell.
00:35:51Well, what I'm hoping is that something will happen.
00:35:54Something will come along.
00:35:56An opportunity will come along where I will be required to do something like that, which is like, oh, you're at a show.
00:36:01You're in a show.
00:36:02You're playing a rock show.
00:36:04And then somebody points at you.
00:36:07Take a solo.
00:36:09I'm like, I'm ready.
00:36:10You'll have some prepared remarks.
00:36:12I'm ready.
00:36:15Give that horse some line.
00:36:19So I'm getting a guitar and I don't know.
00:36:22I'll have it.
00:36:23I don't know where I would get it like set up.
00:36:25So I'll probably just play it however it comes.
00:36:27But they say they say it is said that when you get a new acoustic guitar, you should go and have somebody set it up for you.
00:36:34Now, what does that entail?
00:36:36That's you're messing.
00:36:37We're messing with the tailpiece a little bit.
00:36:39You're making sure it's the way you want intonation rod, all that kind of stuff.
00:36:43I feel like a setup on an acoustic guitar like that, which is going to be a good... It's going to come from the factory in pretty good condition.
00:36:51And it comes with a case.
00:36:54But I think what you do is you go in and... Yeah, it's maybe a little bit of a truss rod adjustment.
00:36:59It depends.
00:37:00Oh, the truss, yes.
00:37:01It might play great out of the box.
00:37:07But...
00:37:08But, you know, season to taste.
00:37:11They might want to dress the frets a little.
00:37:13I don't know.
00:37:14What's that mean?
00:37:15What's that mean?
00:37:17Dress the frets.
00:37:18You know, the frets, the fret wire gets put in there.
00:37:22And if the if and I'm not sure if the neck is if your neck is going to be bound or not.
00:37:29Let me look.
00:37:29Let me see.
00:37:30Now I'm getting worried.
00:37:31Oh, no, no, no, no.
00:37:32These are not things to worry about.
00:37:34It doesn't look typically like seagull guitars have bound necks.
00:37:39And so what it means is the edges of the frets that stick out on the top and bottom of the neck, you know, where your hand is going to go rubbing on down them, rub on down the line, they can be a little sharp if they're not.
00:37:54Oh, and your strings are going to be sticking on there when you do your big bends.
00:37:57That, but also it won't feel nice on your fingers.
00:38:01I don't want that.
00:38:02I mean, if they're really sharp, they can even cut you.
00:38:05Oh, I don't want that.
00:38:06Well, you know, I'll try riding raw for a while, see how it goes.
00:38:09I can't even have my eyes examined.
00:38:10I got to do more things.
00:38:11I got to make more appointments.
00:38:13I hate making appointments.
00:38:14Do you feel like your glasses aren't working anymore?
00:38:16Well, my glasses broke like two years ago and I gorilla glued them back together.
00:38:22But I still, I need to get, I even have a set of Warby Parker's, not a sponsor this week.
00:38:29I even have a pair set aside that I would like to get, but I need to, and now my wife is bugging me.
00:38:34You got to go get your eyes examined.
00:38:36So I got to do that.
00:38:37But then I got to make an appointment.
00:38:38I got to call Kaiser and like, nobody wants to call Kaiser.
00:38:43You know, it's a whole thing.
00:38:45I've been trying to talk to Anthem.
00:38:48Mm-hmm.
00:38:50Finally got through.
00:38:52Is that right?
00:38:52Who'd you get?
00:38:53Who'd you talk to there?
00:38:54Laney.
00:38:55Oh, you got Laney.
00:38:57I've been talking to Laney about it.
00:38:58You can always ask to speak with Arliss.
00:38:59You can always escalate it.
00:39:04Laney has been super helpful.
00:39:07It's one of those things where, I mean, for months I've been trying to find a single helpful person.
00:39:12And I've found some people that seemed helpful.
00:39:14You're like a man with a lantern.
00:39:16Looking for an honest man.
00:39:17You're just wandering around.
00:39:18Just like, can I get one helpful person?
00:39:20And I've gotten a lot of people that have been willing to transfer me to somebody.
00:39:25I've gotten a lot of people who've told me, yeah, that's, we're not, you see, we're not the ones that handle that.
00:39:30The other people are the ones that handle that.
00:39:32Oh, so they're being helpful by taking you somebody who could be more helpful.
00:39:36Uh-huh.
00:39:37Oh, that's nice.
00:39:38Uh-huh.
00:39:38And finally, and the thing is, Laney isn't in charge.
00:39:43Laney's just, somebody was like, let me get you to Laney.
00:39:47Somebody was passing the buck, and finally this buck, which had been passed all over, this is one of these bucks that if you test it, it's got cocaine on it.
00:39:57It's been in the potty with people.
00:39:59At least, yes, yes.
00:40:01They pass and pass and pass and pass and this buck, and it finally got to Lainey.
00:40:04She was like, let me see if I can figure this out, and figured it out.
00:40:07Sometimes you just get an angel.
00:40:09You get a hero.
00:40:10Lainey.
00:40:10Somebody who's there to help.
00:40:12Come on, girl.
00:40:14And Lainey was game for it.
00:40:16And Lainey's and the thing about Lainey is even though her email address is info, you know, help service at company dot com.
00:40:28And I keep in I keep emailing her at this email and it's just like info at the company.
00:40:34Yeah, I don't think she's going to get that.
00:40:36But she keeps replying to those.
00:40:38That's weird.
00:40:39It's incredible.
00:40:41It's incredibly weird.
00:40:42It's not a small company.
00:40:43I'm replying to this just like, what is the actual email?
00:40:51It's youradvocate at company.com.
00:40:56Is that right?
00:40:58Your advocate.
00:40:59It knows something about, there's an AI.
00:41:01There's something in there that knows something about John.
00:41:04We're going to help John.
00:41:06We're going to get this to Laney.
00:41:08Uh-huh.
00:41:09You think it's always the same Laney?
00:41:12You know, because you know how I am.
00:41:15I'm my father's son.
00:41:16Even over email, I like to be a little flirtatious.
00:41:20I like to say, Laney, can I just tell you, you're being very helpful here.
00:41:24I'd like to thank you for your help.
00:41:26Do you find yourself spying the name of your person that you're giving money to at a register and then using their name?
00:41:33I do that.
00:41:34I say, thank you, Rachel.
00:41:36I say, thank you.
00:41:37If someone is being, if somebody's being good, I do that.
00:41:41I do not.
00:41:41If somebody's being bad, I do not say like, oh, no, but I just mean to go to the other day.
00:41:47I said, thank you, Ms.
00:41:48Simmons.
00:41:48Cause that's what it said on her name tag.
00:41:50Uh-huh.
00:41:51Uh-huh.
00:41:52Uh-huh.
00:41:52You know, call people by their name.
00:41:53It's a Dale Carnegie thing.
00:41:55I do do that.
00:41:56Not, not, not, uh, not every time, but, but, um, you're telling Laney and Anthem that she did a good job.
00:42:03Yeah, and it feels like she's replying as a unified person rather than as a community of people.
00:42:12Oh, wow.
00:42:13That's nice.
00:42:14You feel taken care of.
00:42:15The last thing she wrote was, hello, John, you are very welcome.
00:42:20Happy to help!
00:42:21And that was exactly the reply to what I wrote before.
00:42:29It was exactly the right reply.
00:42:31It makes me feel like, yes, there's a Laney there.
00:42:33I don't want this to be that Microsoft bot that turned racist in 14 minutes because 14.
00:42:42Oh, right.
00:42:43Garbage in, garbage out, right?
00:42:44Yeah, right.
00:42:46They had to shut it off, didn't they?
00:42:47They had to shut it off because it kept being racist?
00:42:49Yeah, they shut it down because it started to be a Holocaust denier.
00:42:55I'm just asking the question.
00:42:58I don't know.
00:43:00I'm just asking the question.
00:43:01It just seems like that would be very difficult to do from a logistics standpoint.
00:43:06It's pretty great.
00:43:07Anybody can get a tattoo, John.
00:43:09Lots of people have tattoos.
00:43:12Oh, my God.
00:43:12So many people have tattoos.
00:43:14Oh, my God.
00:43:14So many people have tattoos.
00:43:15They're being on the TV, and they're 23, and they're just covered with tattoos.
00:43:20Yeah, yeah, yeah.
00:43:21I'm finding this...
00:43:22As someone who typically finds himself in romantic entanglements with people in their early 30s, it's increasingly difficult.
00:43:36um, to not, uh, have to confront tattoos.
00:43:42Do you feel like you should remark on it?
00:43:43No, no, no, no, no, no.
00:43:45This is one of those things.
00:43:47Well, it is because it's a, this is their, it's their body.
00:43:50It's like saying again, now we're back to the face and the piano.
00:43:53they say here's what they say they say they say that if you if you feel the need to uh to um compliment someone first of all think about whether it's really about you or about them but if you're going to compliment someone they say it is said that you should compliment them on something that they have control over i think that's a that's a think about that for a minute that's pretty good i like i like i like the socks you chose i like what you do with their hair yeah i will i will often say uh when i notice someone has changed their hair i will say
00:44:22Oh, wow.
00:44:23I really like your hair like that.
00:44:26I think when you encounter someone's tattoos, it is polite to ask about them.
00:44:31It is, you know, like I think my strategy is to say like, wow, tell me about that tattoo.
00:44:37And then they can tell the story.
00:44:39And you'd be surprised how often the story is.
00:44:42Oh, I don't know.
00:44:43I just got that one.
00:44:46One time.
00:44:47It's the kanji symbol for gullibility.
00:44:49And it's like, all right.
00:44:51That's really cool.
00:44:53You know what?
00:44:54That's a good response to almost every tattoo.
00:44:55Oh, right on.
00:44:56Right on.
00:44:57Why'd you get the ninth one?
00:45:00You about done?
00:45:01Do you have a sense of when you'll be done with this project?
00:45:04Some, some, I mean, I think most people that have multiple tattoos have at least one that's really meaningful to them.
00:45:11You know, this is the one that, this is the... You think they're chasing the dragon?
00:45:16Oh, I don't know.
00:45:17I don't know.
00:45:18I want everybody to be happy, John.
00:45:20That's all I care about.
00:45:21I feel like it's a different relationship to like corporeal permanence.
00:45:26Oh, sing it, sister.
00:45:27You know, like I just always felt like my body was something not to mess around with.
00:45:32I mean, my organs have had enough damage as it is.
00:45:35I mean, this tapestry that I have, my largest organ, like this, I'm going to have enough trouble with this thing over the years.
00:45:41There's going to be a lot of fucking miles on these tires.
00:45:43The last thing I need is the cover of Into the Gap by the Thompson Twins on my back.
00:45:47And, you know, my thing is like, oh, what if I regret it?
00:45:51And if I got a tattoo, I would regret it instantly.
00:45:54Absolutely.
00:45:55Oh, no, that's not.
00:45:56That's why you got to get one that says no regerts.
00:45:58No regerts.
00:45:59Well, maybe if I drew it on myself.
00:46:03Did I ever tell you, I was walking in New York City with my good friend, Kristen, who has been my muse many times.
00:46:11I've written several songs about her.
00:46:13She's also like my, for a long time, she was my best gal pal.
00:46:19She's also been like my
00:46:21absolute best gal enemy my frenemy my real enemy your girl enemy my girl enemy she's been my roommate she's been my collaborator just a real she's a real force real powerhouse and we were walking down the street in new york one time and she was like i want a tattoo and i said what are you talking about like like the way you would say i want a quesadilla yeah oh boy and i was like we're in our 30s yeah
00:46:48Um, what do you mean you want a tattoo?
00:46:50You don't have any tattoos.
00:46:51And she was like, I'm ready.
00:46:52I want one.
00:46:53And I said, ah, this is exactly the kind of problem that you get us into.
00:46:57This is the kind of scrape you're always getting us into.
00:47:00And then she, then we're walking along and because she's made out of magic, she's like, oh, there's a tattoo parlor.
00:47:06And I'm like, this isn't even a neighborhood where there are tattoo parlors.
00:47:09How did you do that?
00:47:10And she manifested it.
00:47:11She did.
00:47:12She marches across the street without even looking back and I'm running after her and we get into the tattoo parlor and
00:47:18And there's a person behind the counter, some scrungy, scroungy little, some terrier dog that chases rats down holes, except it's a human.
00:47:30Do you require a tattoo?
00:47:32And she says, give me a piece of paper and a red pen.
00:47:38And the guy has one.
00:47:40Oh, God.
00:47:42And then she pushes it over to me and she says, draw a star.
00:47:46And I was like, all right.
00:47:48So I drew a star and she was like, no, not like that.
00:47:50Draw it more like some, she gave me some instructions.
00:47:53Like a star in the sky or a five point?
00:47:55Like a five point star, like just a, like a, like a classic, like a star.
00:48:01Right.
00:48:01And I drew the star and the guy's looking at me and she's looking at me and I'm, I draw like five or six stars and she's like, no, no, no.
00:48:08And then she takes the piece of paper and she draws a star on it, which admittedly is charming.
00:48:16It's charming.
00:48:16It's more charming than my stars.
00:48:18And it's not one of those nautical stars that everybody was getting for a while.
00:48:22It's just a star that she drew.
00:48:23It's just a star that she drew.
00:48:24Zip, zip, zip.
00:48:25Boy, I would want a straight edge for that, buddy.
00:48:27I want a straight edge, a compass, and a protractor.
00:48:29Well, because she... You've got to give it to Gollum.
00:48:31I mean, how do you know how that's going to go when you give it to that guy?
00:48:34Her star was super charming.
00:48:35It was not... It was like... It was lopsided.
00:48:38It looked like a star that she drew in exactly one second.
00:48:41This is making me so uncomfortable.
00:48:42By way of trying to tell me that I was drawing the star that she wanted wrong.
00:48:46And I was like, all right, that's super cute.
00:48:48She said, all right, I want that on the back of my neck.
00:48:51Oh, my God.
00:48:52And I said, stop this.
00:48:54You just loaded a gun.
00:48:55You loaded a gun for that lady.
00:48:56What is this madness?
00:48:57And she was like, hush, shush.
00:49:00And so she sits down in the chair and the guy takes the star that she drew.
00:49:04The tattooier.
00:49:06The tattooier.
00:49:08He puts on his, like, elbow-length kid leather gloves.
00:49:15He lowers this one monocle down and then... Takes a swick from a jug.
00:49:21He turns up the nitrous oxide in his mix a little bit.
00:49:24and all of a sudden and oh and she gets it done in red ink like the like like the the thing she drew all of a sudden she has this charming little like like naif uh it's because she's made of magic john she's made of magic she's mad oh and she has oh so she has red hair right and she has she's wearing it in a pixie bob cut so it's not like put it on the back of my neck
00:49:49where no one's going to see it.
00:49:51It's like, I'm a fucking manic pixie dream girl.
00:49:55Before that was even a thing.
00:49:57And now I have a, now I have a homemade star on the back of my neck and I'm never going to refer to it again or even think about it again.
00:50:04It's on the back of my neck.
00:50:05I don't have to look at it.
00:50:05She makes it look so easy.
00:50:07And she fucking skips out into traffic, and I'm like, what the fuck?
00:50:11This isn't how it should have been done.
00:50:13You're supposed to be full of regerts.
00:50:15This should have taken you months.
00:50:16Aren't you regertful?
00:50:18Where's your regerts?
00:50:20And she's like, da-da-da-da-da.
00:50:23Half an hour later, she's like, I hate you.
00:50:25You're my worst enemy.
00:50:25I never want to talk to you again.
00:50:26I'm like, fuck, come on.
00:50:31so i mean so it happens sometimes it works sometimes but the other day i saw i saw some a young person and their entire thigh was a three-masted sailing ship on the high seas like breaking cresting over the waves with the you know with like a whaler on the bow with the you know and i'm just like what is that like why don't it's beautiful it's
00:50:55it's a beautiful piece of work yeah but i but i can't get a poster or a shirt i cannot imagine the significance to you uh like personally or professionally but also like i don't know i don't know i'm not the target market for it no fortunately it was this this sailing ship was not on someone that i was like so tell me about your tattoos it was just somebody who'd like mosey and buy describe your clipper ship
00:51:19Tell me, was that your father's clipper ship?
00:51:23Those are some tall masts.
00:51:25Is that where you made your bones?
00:51:27That's some very detailed rigging.
00:51:29Were you ever a whaler?
00:51:31Did you whale?
00:51:34Is that where I know you from?
00:51:36Well, it's kind of a long story.
00:51:37Did we whale?
00:51:38Did we whale?
00:51:43Anything new on the house front?
00:51:47House Front, they are a terrible band.
00:51:54Nothing new?
00:51:56Last time we were talking, you were feeling anxious because you're on the horns of a dilemma about what to do with the whole housing situation.
00:52:02A lot of moving parts.
00:52:03Yeah, and what I've been doing is I've been driving down to the neighborhood and driving around.
00:52:09Whenever I get free time, whenever I'm on the highway, I'm like, I wonder how long it would take to get from here to this neighborhood.
00:52:14And I just redirect the
00:52:16and drive down to this neighborhood and then once i'm down there i'm just driving around and so i've stopped a couple of people i've rolled up on them and i've said hey how's it going and they go hello i say i'm new to this area i'm not a cat burglar
00:52:39Don't look in the back.
00:52:42I'm not going to ask any information of you that will direct me specifically to your home.
00:52:47I'm just trying to get a general layout of the area.
00:52:51And normally in a suburban context, someone like me who's friendly and flirty and doesn't have a homemade red star on the back of his neck.
00:53:01I can I can convince somebody I can engage someone pretty quickly in a way that makes them feel like, oh, sure, I'll sit and I'll shoot the shit with you for 15 minutes.
00:53:11And so I've learned some things about the neighborhood, even in this neighborhood, which is really pretty sheltered.
00:53:21One guy said, well, I wouldn't look for any place up there between first and fourth.
00:53:26I was like, why not?
00:53:27It's like one of the nicer neighborhoods I've ever been in.
00:53:29He's like, well, there have been a lot of mailbox thefts up there.
00:53:32Oh, boy.
00:53:33I'm like, wow, there's a bad side of the tracks out here on the good side of the tracks.
00:53:38You guys even still have a bad side of the tracks?
00:53:40Is there still in the whole mailbox?
00:53:42No, just... Oh, they're going through, picking through, getting packages.
00:53:45It's a next door type situation.
00:53:47Yeah, according to this old man.
00:53:48Oh, and somebody mentioned next door.
00:53:50Oh, boy, next door.
00:53:50So I thought that's where it came from.
00:53:52I bet that's what it came from.
00:53:53Somebody on Nextdoor was like, they're stealing my mail.
00:53:57Nextdoor.
00:53:59Nextdoor is really quite a journey.
00:54:01One of the people I stopped and talked to said, oh, you should join Nextdoor.
00:54:06And I was like, I don't know, man.
00:54:08You can find out when there's a black.
00:54:10I don't know if I want to join Nextdoor.
00:54:15It'll definitely give you a feel for the neighborhood, for a certain aspect of the neighborhood.
00:54:19The people that are on the internet that have too much time on their hands.
00:54:23Oh, brother.
00:54:24Too much time on my hands.
00:54:26There's a lot going on.
00:54:30I've watched our next door enough that I can now like suss out the different personalities.
00:54:33I have a couple of favorites that I like to follow.
00:54:36They're very concerned about a lot of things.
00:54:38If I went on to the Nextdoor in my neighborhood, would I be able to hear?
00:54:41Would people be talking about the Mad Bomber?
00:54:43Don't think I haven't thought about it.
00:54:45I've searched for myself on Nextdoor, see if I show up.
00:54:48Who's that guy?
00:54:48Oh, really?
00:54:49Who's that homeless guy with the little girl?
00:54:52Oh, really?
00:54:52No, I haven't seen it.
00:54:53But no, I mean, Nextdoor is kind of famous for this.
00:54:55I've talked about this a lot on another show.
00:54:58But the feeling on the Nextdoor that I'm on, which is my neighborhood and the surrounding neighborhoods, is...
00:55:04Is a lot of xenophobia is a little strong, but there's definitely a lot of suspicion of otherness and like what doesn't doesn't belong here and what doesn't add up and whether that person really works for PG&E, even though they're in a PG&E truck with a PG&E badge.
00:55:19I call PG&E.
00:55:20They said no one was supposed to be in the area.
00:55:22Oh, there's paranoia.
00:55:24There is, but it really manifests as there's these little tendrils of change, even if that's like a Latin American person walking around.
00:55:33If you don't look like you belong here, yeah, they'll definitely talk about it.
00:55:39One time, some guys, a woman over by West Portal called the cops on some kids in hoodies.
00:55:45Oh, yeah, hoodies.
00:55:46The hoodies, because it turns out they were taking pictures of the eclipse.
00:55:49But they thought it was real suspicious the kids were out after dark taking photos.
00:55:52Right.
00:55:53So that's the kind of thing you get.
00:55:54And somebody has to explain.
00:55:55Somebody has to explain.
00:55:56Like, no, no, that's just a road closure.
00:55:59It's not an, you know, Ocean's Eleven-style heist to try and get to your Krugerrands and bearer bonds.
00:56:06Well, kids taking pictures at night—
00:56:10Ladies and gentlemen, the FBI.
00:56:15We watched Die Hard the other night.
00:56:17It's the best Christmas movie.
00:56:18It's the best Christmas movie and a great movie.
00:56:20She was not as into it as I hoped, but she was glad that Snape was in it.
00:56:23That movie has aged, aside from some silly costumes and stuff.
00:56:27That movie is still really fucking good.
00:56:29Despite what my kid says, I think Die Hard is still a very good movie.
00:56:33It's amazing the movies that age well.
00:56:35It surprises a person.
00:56:36Yeah, there's some stuff.
00:56:38I mean, they're obviously there's stuff from the 80s and 90s.
00:56:40This just like, oh, my God, a lot of it has not aged well.
00:56:44Well, you know, I have a movie podcast, which I never would have thought.
00:56:49And so I'm watching movies all the time, which I never would have done.
00:56:52And some of them are still completely great, valid, awesome movies.
00:56:59I bet the 70s movies are better than the 90s movies.
00:57:02I mean, accepting a private, like you get a private Ryan.
00:57:04That was your first one, right?
00:57:05Was that the first one you did was private Ryan?
00:57:07But I mean, like you take something like a big red one or a Navarone or like any of those, like those, uh, post dirty dozen movies, like some of those hold up pretty well, right?
00:57:17Well, they do, but it's a, it's a question of like, it's a question of tone.
00:57:21I think later, later on, uh, posts, uh,
00:57:26Private Ryan.
00:57:27Everything's trying to be really, really gritty.
00:57:30Lots of like, bleh.
00:57:36There's quite a bit of killing in war movies throughout time.
00:57:39But a lot of it, there was a long, long period there where it was like, bang!
00:57:45And then he falls off the back of a building and you never see him land.
00:57:49Type of dead people.
00:57:51But the emotional consequences.
00:57:53I mean, there are movies from the 50s that are
00:57:56That deal with gender politics and masculinity and all the things that you think didn't exist then deal with them better than movies now.
00:58:05So anyway, it's a it's that's been a real eye opener for me that movies that there have been good movies for a long time.
00:58:12And also bad movies for a long time.
00:58:14I feel the same way about architecture, where there was a style, particularly in the 80s, of architecture, a kind of lump and proletariat style of architecture that you see a lot in strip malls and restaurants and stuff.
00:58:26You think about the awnings, you think about the solaria, all these different things that at the time felt very, very modern.
00:58:32There are a few decades that...
00:58:36How can I put this?
00:58:38The 80s tried to do something that seemed very modern and enduring that was not particularly modern and very not enduring in a way that even stuff from the 70s holds up better.
00:58:49I mean, setting aside the brutalism, which I'm not a fan of.
00:58:52But you know what I mean?
00:58:53It is really weird how stuff that there was stuff that felt really modern, felt very current for about two years, 1984 to 1986, that instantly felt very, very old and dirty.
00:59:03And I think the same is true for movies.
00:59:05The 80s movies, I think part of it's the cocaine.
00:59:08There was so much cocaine.
00:59:09And I think that really left a mark on a lot of the movies.
00:59:12But they are coarse.
00:59:15Well, they're certainly what we would today call politically incorrect, which I think doesn't even get at how offensive movies I loved in high school are.
00:59:21Like really, really quite terrible movies with terrible people doing terrible things.
00:59:26But there's just all kinds of ways in which you watch and you go like, I can't believe we liked this that much at the time.
00:59:32Yeah, although Phoebe Cates still makes anything good.
00:59:37That's true.
00:59:38She's in Gremlins.
00:59:39She's, uh, you got, uh, you got the, oh, she was in the Fast Times at Ridgemont High.
00:59:42Yeah, she was.
00:59:43Phoebe Cates, now she was married, she's married to, uh, Kevin Kline.
00:59:46Yes, she is.
00:59:47That's nice.
00:59:47I like that.
00:59:48I like that.
00:59:49He, uh, he is, he's aged quite, uh, quite dramatically in recent years.
00:59:54She has not.
00:59:55it's always amazing it's always amazing to see yeah if you look at a picture of them recently uh she does not look like she's aged very much and he looks like he's aged a lot i think he looks great he was in that shakespeare movie he's on bob's burgers he's doing god's work okay if you want your show is called friendly fire over on the max fund podcast network if you were going to pick an episode a first episode on the off chance somebody hadn't heard it yet what's a good episode that you think people should start with
01:00:20Oh, you know, it's gotten – the show, like all podcasts, I think hit its stride a little bit along the way.
01:00:28I think – Yeah, figure out what it is.
01:00:31The way to figure out what it is is to do it.
01:00:33If you listen to Glory, that was a good one.
01:00:39The Civil War?
01:00:40Yeah, the Civil War movie with Denzel Washington.
01:00:42Denzel Washington.
01:00:43If you started with Glory, you would understand what we were doing, I think, pretty well.
01:00:47Mm-hmm.
01:00:47We watched both Red Dawn movies, the original and the latter.
01:00:53And I think those are a study in contrasts.
01:00:58You know, one of the things about my... We did Apocalypse Now.
01:01:00Look at that.
01:01:01We just did that, yeah.
01:01:03Look at Dirty Dozen.
01:01:04Look at these.
01:01:04These are good.
01:01:05Well, so Dirty Dozen is a good place to start, too, because that's a heck of a movie.
01:01:09It's got that.
01:01:10You got Telly Savalas.
01:01:10You got Trini Lopez.
01:01:12You do.
01:01:12You got Trini Lopez.
01:01:12You got Jim Brown.
01:01:14You got Donald Sutherland.
01:01:15Donald Sutherland.
01:01:17Uh-huh.
01:01:17Oh, and also Charles Bronson.
01:01:19Charles Bronson.
01:01:20he's kind of the bad guy oh sorry spoiler oh he is the bad guy yeah he's a bad he's a bad bad guy well i love i love the desperation how it starts out where it's just like you know you guys you're all pretty bad apples you got nothing to lose you're probably gonna die but and who is it's uh it's what's his name lee marvin
01:01:40uh, the great Lee Marvin, the great Lee Marvin.
01:01:42And this is the great, this is the Lee Marvin role.
01:01:46Well, I know, I don't, and I don't want to give away the podcast.
01:01:48You, you, you, he's great in everything.
01:01:50He's great in the president's.
01:01:51He's in the president's.
01:01:52And no, that's no, I'm thinking of the other guy.
01:01:54Who's the other guy?
01:01:54Who's the president's analyst?
01:01:56Oh, that's the other guy, President Analyst.
01:01:59Goddammit, I just conflated two 60s actors.
01:02:02James Coburn.
01:02:03James Coburn, a completely different character.
01:02:05I conflated him.
01:02:07Yeah, well, they're very similar.
01:02:09Yes, they do a similar thing, but you'll notice...
01:02:12One of them wears his hat at a much jauntier angle than the other in fact a jauntier angle than anyone And you won't reveal which one it is until you listen to the friendly fire podcast maximum fun org Slash shows slash friendly dash fire.
01:02:29You can google it on the google sit entirely One of the things about architecture that I have noticed and I don't know if I've if I've gotten into this about or about this house search and
01:02:42But it has become architecture-based.
01:02:45Oh, interesting.
01:02:47I was never a fan of mid-century modern.
01:02:49I grew up in a suburb that was mid-century when I was a kid.
01:02:58In Alaska, there was no architecture, let's just be honest.
01:03:03But in Seattle, in the north end of Seattle, when I was a little kid, we lived in a neighborhood that was – my elementary school was right next to a neighborhood called Innes Arden, which was a completely planned neighborhood built in the early 50s.
01:03:17But it was the nice version of it, right?
01:03:20Like big, beautiful, mid-century modern style homes with sliding glass doors and big windows and view out over the water.
01:03:32And so I just thought of that stuff as those are just the houses that my friends lived in.
01:03:39And what I imagined was great architecture was like Victorian houses.
01:03:44I always loved a big old house.
01:03:47Yeah, I think you're attracted to the thing that you don't already have.
01:03:49Right.
01:03:50It's kind of a this is water situation.
01:03:52And, you know, you and I, we were kids in the 70s.
01:03:54By that point, mid-century modern houses were 20, 25 years old.
01:03:59I came up at a time when more what we came to call modern designs were more appealing, what they call contemporary houses.
01:04:08Yeah, contemporary houses.
01:04:09Bigger, bigger open plan.
01:04:12Yeah, like, yeah, yeah, big windows.
01:04:15Open plan, big windows, big open kitchens.
01:04:20And they weren't designed around having a bunch of shelves full of antique-y tchotchkes.
01:04:27They had style.
01:04:28There was furniture style that went with it.
01:04:32You were meant to be stylish in those houses.
01:04:35Mm-hmm.
01:04:36Anyway, I've never been into it, never cared about it.
01:04:38When mid-century modern became fashionable in recent years, I've just been, eh, who cares?
01:04:42You know, that's just hipsters.
01:04:44People that really liked the movie Swingers.
01:04:48You know what I'm saying?
01:04:49Yeah, they think the vinyl sounds better.
01:04:51Yeah, no thanks.
01:04:54But then, I've been driving around this neighborhood.
01:04:58And this neighborhood is very similar to Innis Arden, except here's one of the key differences, and this is very northwest.
01:05:04They didn't chop down the big trees.
01:05:07Now, in Ennis Arden, they chopped down all the big trees.
01:05:11So everybody's got a beautiful view.
01:05:14In this neighborhood to the south of the city, it's similar like kind of mid-century planned neighborhood, but they left the big trees.
01:05:23So you've got these houses that have these sliding glass doors, but then you walk out and you're kind of in the forest.
01:05:29And all of a sudden, I'm Mr. Mid-Century Modern Curious.
01:05:34Oh, interesting.
01:05:36I'm MM Curious.
01:05:39Mm-hmm.
01:05:39Mm-hmm.
01:05:40And so I'm wandering around, and I'm like, because a lot of those houses, when you look at them from the street, they don't look like anything.
01:05:46They just look like nothing.
01:05:48Mm-hmm.
01:05:48But then you go around the backyard, and oh, they got these big, beautiful windows and these big, open living rooms.
01:05:58Mm-hmm.
01:05:59something's got in me something's got in me and i'm and and i don't know what i don't know how to explain it i went on amazon and i got a mid-century modern coffee table book a coffee table book about mid-century modern design yeah i've got a friend i've got a friend who is an upholsterer um he um
01:06:21His name is Bill Herzog, and he is the bass player of Earth and also the bass player of Citizens Utilities.
01:06:30And he upholsters.
01:06:32And he's also a mid-century modern upholsterer.
01:06:34His company is called H.M.
01:06:36Duke, and he does mid-century modern stuff, furniture.
01:06:42And I went up to his place the other day, and I was like, what's the deal with all this?
01:06:46You didn't hate it.
01:06:48Well, you and I know it both.
01:06:50It's those wood chairs with the strappy straps.
01:06:54Yeah, yeah.
01:06:56But suddenly I was seeing it with new eyes.
01:06:58I was like, is this stuff good?
01:07:00Is this comfortable?
01:07:01I just think of this as, this is just shitty thrift store furniture.
01:07:05And he's like, not anymore, my friend.
01:07:09It's very Instagrammable.
01:07:12It's very Pinterest-y.
01:07:13Very Pinterest-y.
01:07:14Yes, yes, yes.
01:07:15I don't want anything to do with Pinterest.
01:07:17If I saw Pinterest across the street in a car crash, I wouldn't go over and offer help.
01:07:21Yeah, you wouldn't piss on it if it was on fire.
01:07:23That's how I feel about Pinterest.
01:07:24That's the thing.
01:07:25That's the thing, is that a lot of this stuff, it looks like it's made to be, like a lot of the food that the Millennium's like.
01:07:29I think it's mainly made to be photographed.
01:07:32Oh, yeah.
01:07:32A chair that's made to be photographed.
01:07:35But... What's he say?
01:07:36What's the upholsterer say?
01:07:37What's his advice?
01:07:39Oh, well, he's into it.
01:07:41And and I'm this is something that, you know, you think you're going to get to be my age and you're not malleable anymore.
01:07:48You're just stuck in your ways.
01:07:49I've been waiting for it.
01:07:50When do I get stuck in my ways?
01:07:53But all of a sudden I'm like, oh, maybe I want to live in a mid century modern environment where I have zero tchotchkes.
01:07:59What was Bob's house like?
01:08:01How would you describe Bob's house?
01:08:03Bob who lived in a bookcase.
01:08:06Was that Bob with the NPR mom who lived in a bookcase?
01:08:09So Bob's house was what we would probably, I think, in...
01:08:13in Anchorage parlance would have called expensive late 70s treehouse.
01:08:23Everything's wood to a fault.
01:08:25Everything's wood.
01:08:25It's vaulted ceilings, but with big heavy beams.
01:08:29And there are rooms like when you're in the living room and you're looking up at the vaulted ceiling, then you see like, oh shit, there's like a window up there.
01:08:38And there's somebody looking down at you from some treehouse room way up high.
01:08:43And there were trees all around it.
01:08:44It was built on the side of a hill.
01:08:46God, that sounds nice.
01:08:47My friend Karen Korn, they lived in a house where in order to get to her room, you had to climb a rope.
01:08:54And they were, you know, these were all like rich people, but Anchorage rich where it was actually a tree house.
01:09:01You could be up in her room and you could...
01:09:03She could throw her dirty clothes down and they would just fall forever.
01:09:06They would fall down all the way to the laundry room in the basement.
01:09:09That's a beautiful image.
01:09:10It was incredible.
01:09:11It was built around a cyclotron or something, except it was made out of birch.
01:09:18It's almost like living in a guitar.
01:09:21It was sort of like living in a guitar.
01:09:22So I feel like, oh, geez, what was I thinking?
01:09:26I live in a 1912 farmhouse.
01:09:28And now I just feel really...
01:09:31I almost feel like it's 1952 again, and I feel out of date, and I need to get hip with the times.
01:09:38You're not set in your ways.
01:09:39We've stipulated.
01:09:41You keep thinking you're going to be set in your ways, but you're not.
01:09:43You're not crispy.
01:09:44You're not crunchy.
01:09:45You're not creased.
01:09:46I'm looking around, and I'm like, is that bookcase going to come with me into my future life?
01:09:49No, I don't think so.
01:09:50You're lousy with fecundity.
01:09:51You're ready to go in any direction.
01:09:53And frankly, you know, these encyclopedias here from 1968, they can go into the new house because they would have been new then.
01:10:00See, that's good.
01:10:01It'd be in period.
01:10:03Yeah, right.
01:10:04My folks bought a set of encyclopedias for me when I was born.
01:10:10It's pretty ambitious.
01:10:11Well, because a set of encyclopedias was expensive.
01:10:15A big investment.
01:10:16And they said, this will be his encyclopedias that follow him through life.
01:10:22And until 2004...
01:10:27They were.
01:10:28A lot of the stuff stayed the same.
01:10:29Every year you get an update.
01:10:32You get a, what's it called?
01:10:33But you get it like you get, oh, the year 1972.
01:10:36Here's updates.
01:10:37You know, trouble with Spiro Agnew.
01:10:39You know, like you'd get the updates on the little changes that it made, but the maps mostly stayed the same.
01:10:43Well, if you look up Tuvan throat singing, like our knowledge of it hasn't changed that much from 1968 to the present.
01:10:50Not enough that you couldn't like do a little bit of follow-up research.
01:10:54If you look up like how did the dinosaurs die, I think that story has changed quite a bit.
01:11:01How much should you smoke?
01:11:04Yeah, right.
01:11:07But a lot of the stuff... Is there another way to service your T-zone?
01:11:13Ha ha ha ha!

Ep. 294: “Steely Dan Fogelberg”

00:00:00 / --:--:--