Ep. 229: "Elves with Clipboards"

Episode 229 • Released December 26, 2016 • Speakers not detected

Episode 229 artwork
00:00:00this episode of rod rock on the line is brought to you by cards against humanity they asked us not to read an ad so hey just enjoy the show hello hi john i'm merlin how's it going oh good
00:00:21Many joys of the season to you.
00:00:24Oh, season joys to you, too.
00:00:26Season joys, joys of the season to you.
00:00:30Oh, Merlin Man, Merlin Man, Merlin Man.
00:00:34Who's got a beard that used to be there?
00:00:37I'm not sure if it is there.
00:00:39Must be Roderick.
00:00:41Must be Roderick.
00:00:43Claws.
00:00:45Jing, jing, jing, jing, jingle.
00:00:47Jingle.
00:00:49What a depressing time of year.
00:00:51It's cold and we have inner fears.
00:00:56Psychosomatic sniffles every morning.
00:01:00Just because it's a thing you feel doesn't mean that it is real.
00:01:07Sniffing all the way.
00:01:10Do you sing with your family at Christmas time?
00:01:12Do you sing?
00:01:16Yes, we do.
00:01:18Okay, let's wrap it up.
00:01:20My daughter sings some things, but she's not a Christmas carol singer.
00:01:26I don't think you get Christmas carols jammed down your gullet quite like we did as kids.
00:01:30Not that that's a bad thing, but I don't think... I mean, she knows the tunes and she can hum along, but she's not a Christmas carol person.
00:01:38Yeah, my kid is into them.
00:01:43And, you know, I can't explain it.
00:01:45I was thinking about this just yesterday.
00:01:48The same thing you're talking about, which is that Christmas was really, really stuffed up our noses.
00:01:59in the 70s and 80s and i think it was like all it's like even at school even or especially at school yeah at a secular school even like christmas was it for like weeks you made things out of paper plates and you sang the songs and there was there wasn't a winter concert there was a christmas show and you sang christmas and you liked it yes you did and there was a even in even in secular school right a uh
00:02:24A picture of the one star shining down on the manger.
00:02:30With the little baby.
00:02:31There's a lot of that.
00:02:33But, you know, we're remembering a time when there were only three television stations.
00:02:38And, yeah, there was like the newspaper.
00:02:44I mean, media was really constrained and you couldn't opt out.
00:02:51But I was realizing this because I was looking at my kid the day before Christmas, and it was like, well, tomorrow's Christmas.
00:03:01And her reaction was like, oh, tomorrow's Christmas?
00:03:06Are you kidding me?
00:03:08No, just sort of like she knew it was coming.
00:03:10These millenniums today, John.
00:03:12That's all my daughter's talked about since September.
00:03:15Well, yeah, I just feel like...
00:03:18When I thought about it, I realized like, well, you know, I don't have a TV.
00:03:23Yeah, no, that's a really good point.
00:03:25If you don't have a TV, there's hardly any Christmas at all.
00:03:28Well, and, you know, we walk around and there's trees and stuff.
00:03:31Yeah, trees.
00:03:32But we haven't really, I didn't take her to see the Nutcracker.
00:03:36Like some of that stuff that I wanted to do, I just kind of forgot.
00:03:39Like Christmas sneaks up on you, you know what I'm saying?
00:03:42Sneaks right up on you.
00:03:43Sneaking out.
00:03:43And so I was like, oh, shit, I meant to take her to the Nutcracker.
00:03:46I meant to be a good dad.
00:03:48Um, we were at the mall for a completely separate reason early in December.
00:03:57And, uh, and we're walking along and she's kind of doing her thing where she's like, Oh, look at this.
00:04:02And you're turning rocks over and like, look, there's a crab.
00:04:04And I'm like in the mall, but she finds them.
00:04:09And then I look up and I realized, Holy shit.
00:04:11Santa's here already.
00:04:14And she couldn't see him.
00:04:15I couldn't see him either.
00:04:18We were behind him.
00:04:18He's usually obscured.
00:04:20Yeah, but there were elves.
00:04:22There were elves all around.
00:04:23Oh, sure.
00:04:24And they were elves.
00:04:25Well, there's smoke, there's fire, right?
00:04:27Yeah, right.
00:04:27They were elves with clipboards in the mall.
00:04:30And you know that that bodes ill.
00:04:33Because if there's not a Santa there, then they're taking names for something.
00:04:37Yeah, it's a different time.
00:04:38Things have really changed.
00:04:40So I immediately turned around.
00:04:41Be careful of an elf making a list.
00:04:42That's all I'm going to say today.
00:04:43See, right?
00:04:44Santa makes the lists when elves are making lists.
00:04:48Judenrot?
00:04:48What do you call that?
00:04:54He's the elf who runs the elf ghetto.
00:04:57He's the go-between.
00:04:59It's the day the elf cried.
00:05:02So I flip around.
00:05:05Just want to bring them joy in their last moments.
00:05:12All right.
00:05:12So there's evidence of elves.
00:05:13The elves have clipboards.
00:05:15And there's crabs.
00:05:17I grab her by the shoulders.
00:05:19She's looking at the crabs.
00:05:22And I grab her and I say, sweetheart.
00:05:25Wait, hold it.
00:05:26Hold it.
00:05:27Let the crab go.
00:05:28And the crab skitters off.
00:05:29I'm like, sweetheart, listen.
00:05:32Santa's here.
00:05:33It's like discovering.
00:05:34You just realized that John Wayne Gacy is there and you're like, honey, I have to explain a lot of things very quickly.
00:05:39All right.
00:05:43And the thing is, it's like evening at the mall and the mall is kind of empty, right?
00:05:49There's not like a huge line of people to see Santa.
00:05:52It's just...
00:05:53It's kind of an empty mall.
00:05:55And so I grab her and I'm like, sweetheart, around the corner here, Santa's here.
00:06:01And she was like, oh, and I said, yes, I know.
00:06:04Are you ready for this?
00:06:06Because in the past we've had, you know, typical mixed feelings about mall Santas from her.
00:06:14Right.
00:06:14Not exactly 100 percent about sitting on the sitting on the knee.
00:06:18And so I'm like, you know, let's get collected here.
00:06:22Let's get organized.
00:06:25And she thinks about it and she's like, yeah, I'm ready.
00:06:28I want to see Santa.
00:06:31I'm like, all right.
00:06:31She's like five or six?
00:06:33She's, yeah, five and a half.
00:06:35So we kind of have a little... That's ballsy, John.
00:06:37That is a ballsy kid.
00:06:39And I'm still down on one knee like, we're going to go around this corner and then there's going to be Santa.
00:06:45She's like, all right.
00:06:46And I said, listen, I'm going to go reconnoiter.
00:06:48You stay here.
00:06:50She's like, cool.
00:06:52So she's standing there now.
00:06:55She's not looking at any crabs anymore.
00:06:59We're a team.
00:07:00We're working as a team.
00:07:02And so I go ahead, just looking like a normal everyday mall stroller.
00:07:07I'm not a guy.
00:07:07I'm just walking.
00:07:08I'm looking for a Radio Shack.
00:07:09I'm not somebody that an elf is going to talk to.
00:07:13And I walk up and around.
00:07:15And I circle the Santa, you know, compound.
00:07:20And a judge...
00:07:22A, that Santa actually is fairly Santa-looking.
00:07:26He doesn't look like he's on parole.
00:07:30He looks like it's actually his beard.
00:07:35This isn't an embarrassing Santa.
00:07:37I have some pictures sitting on Santa's lap where the beard is up around his eyes.
00:07:40These are really fun.
00:07:44And the elves all look like 24-year-olds who...
00:07:51who got out of college or, you know, they're, they're on college break and their parents said, you have to get a job while you're on college break.
00:07:58And you know, they're, they're, they're not professional elves, right?
00:08:03They are, uh, you get the, you get the sense that they're all living together in a trailer and that they're having a lot of sex, but they don't give a shit about, I mean, they're, they're, they're fun kids, you know, but they're not, they're, their primary thing isn't this.
00:08:17I walk around.
00:08:17There's no other kids, no other parents.
00:08:20It's just Santa sitting there.
00:08:22And there's absolutely definitely a there's a cultural divide, a cultural wall between the kid elves who are chatting with each other and having fun and the lonely old Santa sitting in the chair with no no.
00:08:38There's no elf hanging out with him.
00:08:40I was like, OK, all right.
00:08:42I'm scoping.
00:08:43But he doesn't seem like a creep.
00:08:44Just, you know, creep radar.
00:08:47So I zoomed back around, and I'm like, okay, are you sure about this?
00:08:50And she's like, I'm sure.
00:08:51And I said, have you thought about what you want to talk to Santa about?
00:08:54And she's like, pretty good idea.
00:08:56And I said, let's go.
00:08:56So we whip around the corner, and as soon as she sees him, she stops cold.
00:09:02You think you're ready for Santa.
00:09:04Right.
00:09:06And I said, are we good here?
00:09:09She's like, you know, one curt nod.
00:09:14And then straight in.
00:09:16She goes in, and Santa starts talking to her, and Santa is a German.
00:09:21He's speaking with a pretty heavy German accent.
00:09:25And I was like, oh, right.
00:09:27You know, he moved here because his daughter lives here or something, and he, you know, and...
00:09:33And now he's working as a mall Santa?
00:09:37Couldn't get passage to Brazil?
00:09:41RGTV wouldn't have it?
00:09:44They don't do that anymore.
00:09:45No, I know.
00:09:46They don't do that anymore.
00:09:47As far as we know.
00:09:48Because Mossad will find you.
00:09:50That's right.
00:09:52So she has a little tete-a-tete with him.
00:09:54They're like chit-chat.
00:09:57Low-tone chit-chat.
00:09:58Can I ask, is she enlapped at this point?
00:10:01She gets up on the lap.
00:10:04They sit and talk with her on her feet for a while, and then she gets up on the lap.
00:10:08She takes a couple of halfway decent pictures, which isn't her normal MO.
00:10:14She likes to ruin pictures.
00:10:18And then we're in, we're out.
00:10:20And she's like...
00:10:22The whole rest of December, she never once says, let's go downtown to the Nordstrom Santa, where the line to see the Nordstrom Santa is four hours long.
00:10:35The crazy thing is that there's a Macy's Santa also.
00:10:38There's a Nordstrom Santa and a Macy's Santa downtown.
00:10:41the wait for the nordstrom santa is seriously four hours long the line goes around the block the customer service of that santa is probably outstanding well you know what you can return anything you bring in snow tires they don't even sell snow tires you can return anything that santa has to santa has to accept anything that you return yeah and i don't know how i don't know how nordstrom gets the top santa uh
00:11:02I didn't wait in line to see him.
00:11:04Maybe they got scouts with the majors.
00:11:08It could be a thing like up in Anchorage.
00:11:13Anchorage has legendarily good striptease artists because there's so much money.
00:11:21So much cash money in Alaska that if you are a legendary strip tease performer, you want to go to Alaska because your chances of somebody just coming off of a fishing boat or a gold mine and tipping you like $4,200 in one night, your chances are a lot better than they are in Alaska.
00:11:42you know, like Boise.
00:11:44If you're a Lola, Anchorage is where you're headed.
00:11:47That's what I'm saying.
00:11:48And so maybe Seattle Nordstrom is like that for Santas.
00:11:52You know what?
00:11:53I buy that.
00:11:55But crazy.
00:11:56It's not like Macy's has a bargain basement Santa.
00:12:00Macy's is a big company.
00:12:01They have a good Santa.
00:12:02No line, no waiting at the Macy's Santa.
00:12:05And everybody I talked to was like, they kind of like wrinkled their nose like Macy's Santa.
00:12:10You got to go to the Nordstrom Santa.
00:12:12When I was a kid, you went to the Frederick and Nelson Santa.
00:12:14But listen, I'm digressing.
00:12:17The point is that from that early Santa experience to the night before Christmas, she just was like, yeah, I know, it's Christmas.
00:12:28But she didn't have that completely...
00:12:31immersive Christmas thing that we did that by the time Christmas got there, you were so hyped up.
00:12:37I remember sitting in the living room watching the tree twinkle on Christmas Eve, feeling like a wise man was actually going to
00:12:46come in through the front door riding a camel.
00:12:50It felt very, very real.
00:12:54Something I felt, I imagine you felt, I'm trying not to tell too many stories about my kid, but something I definitely felt with her.
00:13:02I've got to be very careful.
00:13:04We've been chided about talking too much about this topic, but this was the year for her.
00:13:11this was the year of discovery and confirmation oh i see um of a certain uh thing right and at first it seemed incredibly like you know oh you know whatever no big deal and but then there were a couple like you know how it is when you're grieving sometimes it takes a while for it to really hit you you have a lot of stages out of nowhere at one point there was like an utter like three like a five-year breakdown
00:13:35oh wow you like we haven't seen this since she was really young and it was rough she she was obviously really struggling with it but i'm trying to say is that like even past the point that i knew things i still kind of felt something like i still you know i i i remember in particular being well even when i was like like eight i definitely remember we stayed at our my uncle's house i was sleeping in the room with my cousins and i just remember like i could not sleep and i had inklings at that point
00:14:03But even by the time I was, like, 10 or 11, you still know there's stuff coming.
00:14:07And there's the magic and the tree and the traditions and all the stuff.
00:14:10And even when you know the things, there's still this part of you that, like, is like, oh, my God, it's Christmas Eve.
00:14:15This is it.
00:14:17Right?
00:14:19God is alive and magic is afoot.
00:14:22Real quick, do you have, like, a tree set up at your house?
00:14:26Does she have a treat?
00:14:29If you can say, or comfortable saying, does she get Christmas stuff?
00:14:33Was there Christmas stuff around at any point this season, or it just didn't come up?
00:14:39Well, as you know, as everyone listening knows, my daughter has between three and five houses.
00:14:49She's got Miralago.
00:14:50She's got a building in New York.
00:14:52She does.
00:14:52She has her apartment at Lake Cuomo.
00:14:57So my mom has an artificial Christmas tree that she keeps in the attic.
00:15:03And generally she decorates it exclusively with peach trees.
00:15:08christmas decorations um because she's an 82 year old woman and the peach decorations and then all of the decorations like all the historic historical decorations that i made as a kid and that are in the family so it's a little bit of a hodgepodge because the the the you know the balls and stuff are all peach and then there's all this other jumble of meaningful decorations
00:15:34So she put that up and put those little electric candles in the windows a long, long time ago, early December.
00:15:43She she did all that.
00:15:44And so the tree's been there with some like dummy presence under it all month.
00:15:51But but she she didn't go there's no like pine boughs or anything.
00:15:58She just did the poof and then it was the new normal.
00:16:01Right.
00:16:05My daughter's mother actually went and got a real Christmas tree because she's fairly sentimental and moved her furniture and put it in the corner and decorated it and they had that whole thing.
00:16:18So she had it around.
00:16:20At my house, I found some amazing vintage Christmas lights and
00:16:26like the big outdoor kind that I intended to put in the blue spruce, the giant blue spruce in my front yard.
00:16:35And I kept intending to do that every day right up until Christmas.
00:16:38And that was another thing like,
00:16:39like the Nutcracker, where I was like, you've got to be kidding me.
00:16:43It's here already?
00:16:43The road to Christmas is paved with good intentions.
00:16:46That was Marx.
00:16:47I haven't even put up the super good Christmas lights, and now I'm looking at them, and I'm like, well, what if I put them up now?
00:16:54Yeah, we'll call it a New Year's tree.
00:16:56Yeah, what if I just leave them up all year?
00:16:58But they're not white.
00:17:00They're not decorative.
00:17:01The old school, like fat bulbs with the bright colors?
00:17:04Yeah, fat bulbs with bright colors.
00:17:06I love those.
00:17:06Love those.
00:17:07Me too.
00:17:07I was so glad to get these and so thrilled about like, oh, yeah, but I thought I had another month to go, you know?
00:17:15So there's no element of Christmas here.
00:17:19um other than the fact that daddy's house looks like you're living inside of a christmas tree okay because they're just sort of ornaments all around some of them i made as a kid you know so she was a gamer she got up there she talked for a while she got on the lap were you able to eavesdrop on the santa discussion did you feel like you wanted to stay away and let her have her santa privacy so she got into it right away and i didn't there wasn't a way for me it would be like rude to come over and interrupt this
00:17:48deep, you know, transaction.
00:17:51So afterwards, I like, you know, we had a debriefing and we're walking down the mall.
00:17:57She seems pretty happy about it.
00:17:59I got some good photographs of her.
00:18:02And so, you know, I'm judging it a success.
00:18:06That's the second time I've used the word a judging on this podcast.
00:18:10That's fine.
00:18:12It's totally fine.
00:18:12It's the holiday season.
00:18:14And so I say, so what did you and Santa talk about?
00:18:18She said, you know, told him what I wanted for Christmas.
00:18:24I was like, well, you know, what were some of those things?
00:18:30Just kind of, you know, trying to get in there, sneak a little sneakeroony.
00:18:35And she said, you know, pretty unselfconsciously, well, I want an Elsa and Anna doll.
00:18:43And the whole giant souffle just went because I have done so much laborious work to keep Elsa and Anna out.
00:18:59To keep them out.
00:19:01Elsa and Anna are like a mustard gas.
00:19:08It's like the movie Interstellar, which I finally watched.
00:19:11I have a lot of things to say about it.
00:19:13It's like the dust, John.
00:19:14Nobody asks for the dust.
00:19:16The dust has arrived.
00:19:17And even when you're very careful, sometimes, of course, Murph is going to forget to close your window.
00:19:21But you're going to get dust in the house because dust is what we have now.
00:19:24And I think that's Frozen.
00:19:25Frozen is a juggernaut.
00:19:27That movie came out like 16 years ago.
00:19:29Still,
00:19:30There's dust everywhere, and it's Elsa and Anna dust.
00:19:32I am so glad that you've seen Interstellar.
00:19:35Oh, my God.
00:19:37Oh, my God.
00:19:39It was my fourth try.
00:19:41We can come back to that.
00:19:42I was going to save it for talking to Syracuse because he kind of likes it, but I might give it to you.
00:19:46Oh, my God.
00:19:48I was quivering with anger.
00:19:51I mean, I think that we talked about it.
00:19:55You did.
00:19:56I saw way more of it than I remember having seen.
00:19:59I think I blocked it out.
00:20:01I'm not trying to take you away from Elsa and Anna because I know your struggle.
00:20:04Let's get back to this.
00:20:06I have been through similar struggles.
00:20:07I've seen these similar struggles.
00:20:08You see this with lots of liberals and their struggles of various kinds.
00:20:12Not to say that you're a liberal, but you see this a lot.
00:20:14You're a liberal.
00:20:14And you see this a lot of the whole, like, it could be something as good hard as, like, it's important that my kids, like, again, to mention John Syracuse, he only showed, I think, especially his son, movies that had a female protagonist for most of his childhood, which I think is a super interesting idea.
00:20:31Look, you're going to get plenty of opportunities to see all guys getting to be always be the heroes.
00:20:37But that's why, you know, Miyazaki movies, they're great movies.
00:20:39Plus, it's like usually about a girl and it's not about her trying to find a boyfriend.
00:20:43And there's things like that.
00:20:45Right.
00:20:45There's other things like I don't go out of my way to expose her to sports.
00:20:49Bad on me.
00:20:50She should probably be into the Giants.
00:20:51She should like Hunter Pence, whatever that is.
00:20:53I don't know.
00:20:54I don't know what that is.
00:20:55We have a Hunter Pence doll that dances with a solar light, and it's horrifying.
00:20:58He just sits there and twitches all day.
00:21:00Hunter Pence.
00:21:00It was a giveaway at the ballpark.
00:21:02Now, here's the thing.
00:21:03But the thing is, now you're fighting the interstellar dust inertia.
00:21:08Nobody asks for the dust, but it's everywhere.
00:21:12Yeah, yeah, yeah.
00:21:13And there's a lot.
00:21:15I get a lot of pushback.
00:21:17From moms, let's be honest.
00:21:19I spend a lot of time with moms, as you know.
00:21:22Because everyone in your life is a woman, for one thing.
00:21:25Well, and it's not just because they've long been a general interest of mine, but also because that's my social circle a lot of the time, one thing.
00:21:35Well, and also just like, you know, I'm not touting myself to be John Lennon, but I have an aspect of care things that I do.
00:21:43I'm at the school at least five times a week.
00:21:47Absolutely.
00:21:48I know all the moms.
00:21:50We talk a lot.
00:21:51Moms are huge in my life.
00:21:52I'm with you.
00:21:53I'm right there with you.
00:21:54Yeah, I've got a lot of moms in my life.
00:21:55Are they excited because Elsa and Anna are good role models?
00:21:57I think it's a positive movie.
00:21:59I know there's some controversy amongst people about that, but is it that like, oh, well, you can't be against them.
00:22:04They're powerful girl models.
00:22:05You know, you can't be against them is kind of where it stops.
00:22:10And there's a lot of, I mean, ever since I had a kid, there's a lot of that kind of sort of, we've talked about this before, the conventional understanding that certain things are inevitable.
00:22:25And partly in their inevitability are also good.
00:22:31Because since they're inevitable, it maybe is a mental choice to be upset about them.
00:22:39Since they're inevitable, you may as well think they're good.
00:22:43And I feel like Elsa and Anna, yeah, are two starring roles of gals in a Disney movie.
00:22:53And...
00:22:54They have good songs, apparently.
00:22:56You know, it's like this feeling, this feeling of like, this is their Lady and the Tramp or something.
00:23:01Well, and just for folks who haven't heard every single episode, there's an interesting angle to this.
00:23:06It sounds like it was one of your first challenges with this.
00:23:10Which is like, if you don't have a kid and you don't know, there's a song from Frozen called Let It Go.
00:23:13Let it go.
00:23:14Let it go.
00:23:15That's everywhere.
00:23:16If I remember correctly, your daughter has been singing that for something like three years now.
00:23:20And at a certain point, for perhaps years, she had never heard the actual recording of the song.
00:23:26It had just come into her like an interstellar dust through the culture.
00:23:29That's correct.
00:23:30And a lot of the Elsa Anna stuff came to her just incidentally.
00:23:35And she had never seen the movie until this year.
00:23:39And she'd been immersed in these characters without really knowing anything about them because every other little girl has them.
00:23:49New York Times had a whole article about Star Wars that there's this whole generation of kids that maybe kind of knows Star Wars from ancillary media TV shows, but there is this whole generation of kids that are super into Star Wars and have never seen any of the movies.
00:24:01I mean, my kid is like that.
00:24:02She walks around and she's like, Princess Leia, BB-8!
00:24:05And she's got things to say about them.
00:24:08Wow, wow, wow.
00:24:08But she's never seen anything about a Star Wars.
00:24:11Never seen a Star Wars.
00:24:12Not a thing.
00:24:13Not a one single of those wars.
00:24:16So anyway, so I had been... And so we finally... The initial cave was earlier this year where I was like, all right, let's watch the movie.
00:24:25Like I...
00:24:26I it's just a movie.
00:24:28It's not going to pollute her mind with Elsa and Anna anymore.
00:24:31And I the thing is, I haven't even seen it.
00:24:33My primary objection to it is that clearly Elsa and Anna are the greys right there.
00:24:39This is an episode of our podcast.
00:24:42For those of you who haven't listened to every episode.
00:24:45So you should be ashamed, first of all.
00:24:47But second of all, we had this.
00:24:48Go back.
00:24:49Start at the beginning and listen.
00:24:51Listen at normal speed.
00:24:52Normal speed or slower.
00:24:53Normal speed.
00:24:54That's right.
00:24:54There's currently 6,238 episodes.
00:24:57Slow way down.
00:24:58You are not ready for house trotter.
00:24:59You need to go real slow and understand the appeal of the grays to understand that the grays are in places we had not anticipated doing things we didn't expect.
00:25:08It's going to take a little bit of homework on your part.
00:25:10Shame on you.
00:25:11And one of the things they do is they gradually inoculate us by making our children's dolls look more and more like Grey's every day.
00:25:21They have bigger and bigger eyes, weirder, shrunken, you know, sort of spindly limbs with giant heads.
00:25:33I love you.
00:25:34And if you take an Elsa or Anna doll...
00:25:38They are almost exactly the dimensions of a Barbie doll.
00:25:42But if you thought Barbie dolls had weird physical dimensions, put an Anna doll next to one.
00:25:48Try putting a Barbie hat onto an Anna.
00:25:50Good luck.
00:25:51Can't do it.
00:25:51The Anna doll, her head is fully... They're incompatible heads.
00:25:5550% larger than a Barbie head.
00:25:58Easily.
00:25:58And her body is like even sort of more weirdly shaped than a Barbie.
00:26:04If she wasn't wearing those drapes, I mean, I think she pretty much looked like a coat rack.
00:26:07She looked like a coat rack with a giant oversized head that improbably does not just kind of fall over on her body.
00:26:13Yeah, but like really... Almost like she's from a different gravity.
00:26:17Narrow waist, like impossibly narrow waist.
00:26:22In any case...
00:26:23I objected to the movie just on general principle because I initially... The initial exposure I had to this kind of children's toy was a long time ago, probably 15 years ago, when the children's toy Bratz first arrived on the scene, which was the new Barbie or was touted as the new Barbie.
00:26:43And they were like completely... They almost had a...
00:26:48Like a graffiti art quality.
00:26:51But they were little.
00:26:52They were basically like little girls meant to appeal to little girls.
00:26:55And the dolls were just plastered with makeup.
00:26:58They were wearing mini skirts.
00:27:00And it was just like, yeah, these are these are and they're and giant heads and tiny bodies.
00:27:06It was like, these are repulsive sex fetish items.
00:27:10They look like, like, you remember those old, well, I know you don't on TV, but like almost like in the Steve Madden TV commercials.
00:27:17The giant head girls?
00:27:18Exactly.
00:27:20I'm looking at them right now.
00:27:21They are improbably narrow looking.
00:27:23And it looks like their eyes got more and more almondy.
00:27:28And their heads got bigger and bigger.
00:27:29So I saw this trend a long time ago and I was like, listen, we're culturally arguing about Barbie's bust or Barbie's dimensions as being unrealistic.
00:27:44And in the meantime, the door is cracked open and these freaking sex gnomes are pouring in like Mogwai.
00:27:54And there's nothing we, you know, we're not even thinking about them.
00:27:57We're still arguing about Barbie.
00:27:59And Barbie's the least of our worries.
00:28:02So I objected to Frozen.
00:28:04Anyway, we all sat down.
00:28:05We watched Frozen.
00:28:07And at the end of the movie, and I was sitting there doing the thing that I do, which is like, well, that's, this is irrelevant to the plot.
00:28:15And this next scene is like incompatible with the plot.
00:28:18You just can't really communicate.
00:28:20You know, like, I mean, I know that, and first of all, he's an elk, but, or a reindeer, but he, but I also, I buy his whole act.
00:28:27I even buy Olaf, the animated snow person.
00:28:31But like the whole business of
00:28:34The whole business of Elsa being traumatized by her ability to spoiler alert to create ice with her hands.
00:28:44You know, she's a little bit like the X-Men character that causes a blood disorder.
00:28:49You know what I mean?
00:28:50Like leukemia, man.
00:28:52No, the girl, the girl that touches people in it and it gives them the that's rogue.
00:28:59Rogue touches them and they get veins.
00:29:01They get veins.
00:29:02Even if she can't touch her boyfriend, she's got to wear gloves.
00:29:04She can't touch her boyfriend because she gets varicose veins or something.
00:29:08So anyway, I'm sitting there.
00:29:10I'm not grumbling out loud.
00:29:11I'm just in my head.
00:29:12And I'm not doing it as a way to form an argument for her.
00:29:16I'm just doing it because I can't help myself.
00:29:18I'm like, this is garbage, though that's not fair.
00:29:20And then at the very end, the whole message of the sister saves the other sister...
00:29:25I'm just not buying it that that's the actual plot, right?
00:29:29I mean, there's always still a prince in this stupid-ass story.
00:29:35Anyway, we get to the end, and I'm very curious, and I say, darling, we've finally now watched Frozen.
00:29:41What did you think?
00:29:43And she went, meh, C-.
00:29:48She doesn't even get grades.
00:29:49I don't know where she got the ABCD.
00:29:52I don't know where she got that as a reference point.
00:29:54She's like, wow, that is not that is not.
00:29:57I think I think a lot of your daughter, but that is not what I expected at all.
00:30:01It wasn't what I expected either.
00:30:02So I in in like my inner self just rejoiced.
00:30:07I was like, yes, she sees through the shite.
00:30:11And then about a week.
00:30:12And so for about a week, we never heard a word about Elsa and Anna.
00:30:15And I was like, thank God we're done.
00:30:18We made it to the other side.
00:30:19We never passed through it.
00:30:21And then she started talking about Elsa and Anna again.
00:30:24And I, I was like, wow, sweetie, why are we talking about them?
00:30:29This is like C minus these remember C minus.
00:30:32This is like, you don't even like this movie.
00:30:34And she said, yeah, but I mean, you know, I like Elsa and Anna.
00:30:38I like the,
00:30:39And I realized that she had separated Elsa and Anna from the actual film in which they star.
00:30:47This is totally normal.
00:30:48And I mean, like, not to make this gross, but you use that phrase like fetish porn.
00:30:51I think it's very much like that.
00:30:52Think about you watching something that could be really, really dumb, but it had airplanes in it.
00:30:56You know, yeah, I guess it sucked, but I mean, it had lots of airplanes.
00:30:59Right.
00:30:59Isn't it kind of similar to that where you're like, yeah, you can you can.
00:31:02And, you know, she's had time to develop her own like maybe not narratives about this, but she had her own like reckons about them.
00:31:09She absolutely has narratives about them.
00:31:13They preexisted in her mind and imagination so much that the movie sort of was irrelevant.
00:31:19You're absolutely right.
00:31:20It was just like.
00:31:21Now they're animated for a while.
00:31:23And she's like, man, that's and basically what she was saying was that movie is not as good as the stories that I come up with about Elsa and Anna.
00:31:30Like Elsa and Anna were characters in her life, people she knew.
00:31:35And so she comes off of this Santa thing and she's like, I just asked him for an Elsa and Anna doll.
00:31:41And my shoulders slumped because what she was basically saying was, I'm never going to give this up until I get an Elsa and Anna doll.
00:31:51And I will play with them happily.
00:31:52Father.
00:31:54So I'm asking Santa for it now.
00:32:00And you are cut out of this deal.
00:32:03Oh, dear.
00:32:04I see.
00:32:04I see.
00:32:05And so I was like, oh.
00:32:08And then for the rest of Christmas, I kept saying, let's go over your list again.
00:32:12What did you do?
00:32:14You're like Columbo.
00:32:16Sometimes I get real confused.
00:32:17Let's just go over this one more time.
00:32:18Let's just go over it.
00:32:19So you definitely want anything except one of these fucking dolls.
00:32:23And she said over and over, like, well, I told Santa that I wanted Elsa and Anna doll.
00:32:26So I feel like that ship has sailed.
00:32:28And I'm like, oh, God.
00:32:30So then I'm shopping, and I'm like, you know what?
00:32:32I cannot fight this.
00:32:33I'm going to buy an Elsa and Anodal.
00:32:35And I went and I bought a nice Elsa and Anodal, not one of the crappy ones, of which there are one billion.
00:32:42You want to really look at them.
00:32:44I almost bought a Captain America ornament, and then I looked at the painting on it, and I was like, this is –
00:32:49This is bad.
00:32:51You've got to be careful because if you pick up everything that matches your exciting brand feeling, you're just going to have lots of crap.
00:32:58One good one.
00:32:58Now you feel like you get this one good one and now that's going to clear the pipes.
00:33:03I've been to little girls' homes on other errands.
00:33:08generally interacting with moms, where you walk in and you look at the room and there are 700 Elsa and Anna's in various forms.
00:33:20Dolls of every kind.
00:33:21Stuffy dolls, Barbie styes, the tall ones that are three feet tall.
00:33:26I mean, I don't even know where you find these things.
00:33:28So I said, alright, if you're going to have an Elsa and Anna, it's going to be the only Frozen oriented stuff that we have, but they're going to be nice little dolls.
00:33:38And I wrote from Santa on the package.
00:33:43Well, we're around the tree.
00:33:46She's opening the presents.
00:33:48And she has some nice presents, some other dolls.
00:33:52The Hodgmans actually sent her an American Girl doll.
00:33:57That's huge.
00:33:57Which one did you get?
00:33:58Did you get Kit?
00:34:00No, we got the hippie one.
00:34:02She basically looks like Hillary Clinton.
00:34:03We got Kit and Rebecca.
00:34:05I don't know who those are.
00:34:06You'll find out.
00:34:08This one looks like Hillary Clinton in 1970.
00:34:10Just so you know, that's a pretty nice present.
00:34:12That's a super nice present.
00:34:14Well, it was an American Girl doll that their daughter had loved and cherished.
00:34:20But I remember their daughter had something on the order of 9 to 14 American Girl dolls.
00:34:26Thanks, Apple.
00:34:27She had over the time had disseminated these American Girl dolls to younger girls.
00:34:33She's a teen now.
00:34:35And this was the last she had.
00:34:37She had her main one that she would never get rid of and she'll take to adulthood.
00:34:41But this was the last of the secondary American Girl dolls.
00:34:46That lived in their house in Massachusetts and they were like, we're going to get that doll.
00:34:52We're going to bring it down from Massachusetts and we're going to send it to your daughter.
00:34:57And she arrived and I was like, this doll is truly beautiful.
00:34:59I mean, she's wearing some sort of 70s pantsuit.
00:35:03She's wonderful.
00:35:04um and so so you know my kid is opening these presents she's getting wonderful things she's she's expressing true gratitude and pleasure she's she opens a package and takes 15 minutes to play with that toy oh that's a really really good sign right before opening the next present she's not that's that's when i am proudest when like there's some there's a good 90 minutes of playing before going to the next thing that's a good feeling
00:35:31Isn't that good?
00:35:32And then she gets to this Elsa and she opens it up and she's so thrilled because this is the culmination of three and a half years of her five and a half years of just like hounding her.
00:35:47me for these dolls and i had gone to everyone else in the family and i'd say ixnay on the uh the girls yeah and so everybody was on board anyway ozenfrey ozenfrey here they arrive
00:36:07And she she beams at them for a second, just beams at them.
00:36:13And then she slowly turns her head to look at me and gives me the ultimate
00:36:20Fuck you.
00:36:21Oh, you just got pwned by the man with the beard.
00:36:25I got pwned by Santa.
00:36:27Pwned by Santa.
00:36:28And she was like, boom.
00:36:30How do you like them apples?
00:36:32How do you like them apples?
00:36:33I asked Santa for this and Santa brought it.
00:36:36She ran a Santa hack on you.
00:36:38And you are outside the game, Dad.
00:36:42And I was just on the couch just like getting hit with this.
00:36:45like plasma pulse of boom, like up your nose, dad.
00:36:54How you like me now?
00:36:56It was truly a how you like me now look.
00:36:59And I was like, wow, Santa really did a number on daddy, didn't he?
00:37:04And she was like, and so I've been continuing to play this like, well, I guess Santa, you know,
00:37:13Against daddy's wishes brought this Elsa and Anna into my home and she and she's just so gratified just trots around and and she took a necklace that she was wearing around her neck and built it into an Anna sling.
00:37:31Where she walks around with the Anna around her neck like it's a Mr. T chain.
00:37:37Oh, yeah.
00:37:39She just hangs it around her neck now.
00:37:42She wears the doll.
00:37:44She wears it.
00:37:45Kind of like Twiggy in Buck Rogers with Dr. Theophilus.
00:37:52Dr. Theophilus, yeah.
00:37:54And so what can I do?
00:37:55Anyway, all by way of saying she believes in Santa.
00:37:59And she primarily, I think, believes in Santa as a daddy thwarter.
00:38:09So it's really, it's at least one and a half gifts.
00:38:12It's maybe two or three gifts in one because she got the things she wanted.
00:38:15Despite it all.
00:38:16And boy, and you know, daddy, let this serve as a lesson to you.
00:38:20That's right.
00:38:20Maybe you're not the smart guy you thought you were.
00:38:23You got Santa hats.
00:38:25She stuck it to the man hardcore.
00:38:27And so now I've, you know, and and the fact that they are more or less the dimensions of Barbies and you can get Barbie stuff and apply it to them.
00:38:39Because she also doesn't have any Barbies, which I also get in trouble with.
00:38:44Barbies got dive-bombed into our life by relatives.
00:38:49And so the thing is, I mean, she's had exposure to Barbies, but we did not have a super-duper-shmooper-strong POV on this.
00:38:59But there was mutual assent that of all the kinds of kid shit that's going to be in her life, Barbie was not going to be near the top of the list.
00:39:05Sure, that's your pov.
00:39:06But I have to tell you, certain beloved family members thought otherwise.
00:39:13And the thing is, when you dive-bomb in with not just Barbie, but some Barbie outfits plus a house, they're delivering a whole franchise.
00:39:21And now you're a Barbie person.
00:39:23And there's tiny shoes everywhere.
00:39:25And so I've avoided that also.
00:39:26Good for you, man.
00:39:28Except...
00:39:30Two things.
00:39:32One, I have, you know, I'm just generating pure consternation from 99% of the other, like...
00:39:41liberal moms, liberal, progressive, educated moms like me are just like, you can't fight city hall.
00:39:49And also watching her interact with Elsa and Anna, I realize she's ready to progress from baby dolls where the primary narrative is, okay, baby, like here's your bottle to these are dolls where she can interact with
00:40:07Complicated narratives with them.
00:40:10They are sentient dolls.
00:40:14They represent characters that now she can inhabit with adventure rather than just, I'm caring for you.
00:40:22Now she can have these dolls.
00:40:24So they become closer to what we've traditionally for boys called action figures.
00:40:29These are characters with things to do, and I can enact that.
00:40:36Yeah, they have agency and she can now talk to them and they can reply.
00:40:41Whereas, you know, the baby's.
00:40:46Because I was also getting sick of the baby dolls, let's be honest, because it's just this cycle of baby's hungry, baby's tired, kiss baby.
00:40:54And I'm like, kiss.
00:40:57She's like, kiss baby again.
00:40:59I'm like, kiss.
00:41:00She's like, puts the baby right in my face.
00:41:03Baby wants to play.
00:41:04And I'm like, daddy's reading a book.
00:41:07And she's like...
00:41:09So now I feel like the babies are going to go into a box eventually.
00:41:14They'll come back out at some point.
00:41:17No, I think, at least in my experience, my daughter has so much stuff and she doesn't see it for a while.
00:41:22And then when she sees it, it's like junior Christmas.
00:41:24We recently rediscovered her Thomas train sets, which had been in a box.
00:41:30And it was totally fun to put those together again.
00:41:32I mean, that sounds silly because she's nine, but I'm 50 and I loved it.
00:41:36It's fun to make a train go around a track.
00:41:38It is.
00:41:39I still have a giant HO train set in boxes upstairs that I just keep thinking I'm going to set up in the barn.
00:41:50But the problem with HO trains is that...
00:41:53The trains themselves are 25% of what is really an old man play set of papier-mâché.
00:42:03You've told me this before, but remind me, HOs are the pretty big ones, right?
00:42:07No, those are Lionels.
00:42:08I've got to look up train scales again.
00:42:11It's been too long.
00:42:13HO, like if you had, let's say, you know those, when you go to the fair...
00:42:19Or you go, you're walking downtown and you go to a hot dog stand and they're like hot dogs and then like the big hot dog and then like the sausage sized hot dog where it's just like a big fat thing.
00:42:33And they have somehow they have extra size buns that the whole thing is like almost grotesquely oversized.
00:42:41One of those in the bun is about the size of a HO train car.
00:42:48I see.
00:42:49Okay, I found an image that compares Z, N, HO, and G. HO looks like a good size.
00:42:56HO is the perfect size.
00:42:57I would say it's the most popular train size.
00:43:01I always wondered what it would have been like if I had started with an N scale.
00:43:07Um, cause Z scale is too small for, but N scale makes a lot of sense because you can, in the sense that you can do more, I mean, assuming the availability of stuff for it, you can accomplish more in a smaller amount of space without becoming that guy that has a whole train set in his basement.
00:43:22It's exactly right.
00:43:23If you, you could put an entire N scale on your dining room table and make a fairly complete world, um,
00:43:32Oh, like a Z scale?
00:43:34If you took up your dining room table with a Z scale, you could basically do all of Switzerland.
00:43:40They're really cute.
00:43:41That's close to the size of the Thomas trains.
00:43:44What is Z?
00:43:45They're that small?
00:43:47Yeah, I mean, they fit mostly... Like, if you put James or Percy in the palm of your hand, he'd mostly disappear.
00:43:52I'd say they're...
00:43:53Yeah, they're good.
00:43:54You can get the little engines in them.
00:43:56And then one thing that's kind of nice is that the track on which those run has become somewhat standardized.
00:44:03So basically, there's all kinds of different train things that fit that size of track.
00:44:08It doesn't have to be like Thomas the Train branded.
00:44:11And you can run different kinds of brands of, you know, licensed train things on the same track.
00:44:16I see.
00:44:17Oh, I didn't realize that.
00:44:19That's an advertisement.
00:44:21Thomas the Train ones are mostly, I think for little kids, you get the little wooden ones that don't have an engine.
00:44:24We have a few that have an engine.
00:44:26And those are obviously, to me, a lot more fun.
00:44:30I mean, have a battery-powered way to propel itself around the track rather than going choo-choo-choo with your hand.
00:44:35Oh, so these are not controlled from a central controller, but they each have a battery within them?
00:44:39Yeah, you put one AA into – you get yourself a Thomas.
00:44:42You get yourself a Spencer.
00:44:43You get – a Lady Train was always our big winner.
00:44:45You can get a James and a Percy.
00:44:47And, yeah, and then you run them around.
00:44:50And they have all kinds of things.
00:44:52They can go down a little mine shaft.
00:44:53They can go up a hill.
00:44:55If you get enough – what you really want to get is a lot of those straight ones that are like 9 or 10 inches long.
00:44:59You get a ton of those, and then you can make like a double –
00:45:02Like you could make like a tunnel and a track that runs on top of it.
00:45:06You get a switcher and you're good to go.
00:45:08You're not the only one that wants a straight one that's nine inches long.
00:45:11Am I right?
00:45:12Boy, oh boy.
00:45:13Oh, that was such a sad bell.
00:45:15No, no, it's Christmas.
00:45:15I'm trying to keep it, you know.
00:45:16Thanks.
00:45:17Oh, sure, sure, sure.
00:45:20Yeah, go ahead.
00:45:20Well, the thing about N-scale model railroads is the ones that are made in Germany, the ones that are designed for old men, like you can pay $200 for a locomotive.
00:45:34Jeez Louise.
00:45:35You know, it's not a cheap hobby, and you control the trains from an electric controller.
00:45:41Right.
00:45:41I had friends.
00:45:42This was still a thing when I was a kid.
00:45:43My friend that had a copy of the Blues Brothers album, when we listened to the Blues Brothers album in his basement, he also had a train set down there.
00:45:49So I always associate the Blues Brothers with the model train.
00:45:53I had every Blues Brothers on vinyl.
00:45:55Is that right?
00:45:57I'm not proud of it now.
00:45:59Oh, that was fun stuff.
00:46:01Well, but you know, like the Blues Brothers made a couple, a handful of vinyl records.
00:46:06You got the John Goodman one?
00:46:08No, no, come on.
00:46:11I'm talking about, you know, the... It's all with an asterisk.
00:46:14Blues Brothers fandom ends in the early 80s.
00:46:21You know, like it doesn't end with Belushi's death because the Blues Brothers Mushroom Cloud continued to bloom.
00:46:28But 83, 84 was the last time that you could legitimately buy a new Blues Brothers branded product.
00:46:36But, you know, they made several records and those records were.
00:46:39All I know is the Rubber Biscuit one.
00:46:40That's the only one I know.
00:46:41They were meant to be taken seriously as blues albums or like blues and soul records.
00:46:48So they're embarrassing just because neither Ackroyd nor Belushi can actually sing.
00:46:54And they kind of grunt and groan and caterwaul over these blues tracks, but they are serious about it.
00:47:03Yeah, but their performances were so fun.
00:47:05And the band, obviously the band, what are you going to say about the band?
00:47:08But you're listening to it on an album, so you don't get all the action.
00:47:12You don't get a lot of duck done.
00:47:14But yeah, they're playing over Booker T and the MGs with every other great player, including Paul Schaefer in America.
00:47:22The band sounds incredible.
00:47:23Yeah, Matt Guitar Murphy.
00:47:24You know, four fried chickens and a Coke.
00:47:31You've got a thing.
00:47:33I love that movie so much.
00:47:35I love it so much.
00:47:36Without you, Mag-Guitar Murphy.
00:47:38Without you dry white toast.
00:47:40You want that I should wipe the dead bugs off the windshield?
00:47:44Strong stuff.
00:47:47I hate Illinois Nazis.
00:47:49No, we're not going there.
00:47:50We're not doing any more Blues Brothers.
00:47:52I swear to you, even though I watched, even though for the last two days I have been watching Godfather in increments.
00:48:03Because my godfather watching partner keeps falling asleep.
00:48:07Oh, are we back to this?
00:48:09And when I say, when I give my godfather watching partner an elbow, and I say, are you serious right now?
00:48:17She says, no, I love it.
00:48:18It's incredible.
00:48:20It's just that something.
00:48:22I'm too hot.
00:48:23I ate too much popcorn.
00:48:24Something.
00:48:25So we're up to... That's hard for me to... Okay, I'm officially old.
00:48:30That is hard for me to understand.
00:48:32It's very hard.
00:48:33I don't know how you make it through without watching it at a sitting and being riveted at every single point.
00:48:40And then at the end going, wow, I can't believe that was whatever, two and a half hours.
00:48:45So she's she's she is fairly.
00:48:47It's the best.
00:48:48It's the best movie.
00:48:49But then she just, you know, she just all of a sudden.
00:48:52She just gets sleepy.
00:48:52She had too much popcorn.
00:48:54I'm like, what happened?
00:48:55What's the last thing you remember?
00:48:57And she was like, uh, they were talking about, you know, like Luca Brasi was getting strangled or whatever.
00:49:02I know.
00:49:03Spoiler alerts, right?
00:49:04Right.
00:49:05So, so far we have made it up to Apollonia is, is destroyed in a bomb.
00:49:10And how many sittings?
00:49:11Like three, four sittings?
00:49:13We've got three sittings now.
00:49:16But I was finally able to get myself over the hump of buying this thing for $4.
00:49:24And so we're enjoying it very much, but I have really been struggling, even in the half hour that we've been talking to one another, and not just talking to you strictly in Godfather quotes.
00:49:37Not doing it.
00:49:38I'm not doing it to her because I don't want to spook her.
00:49:41Yeah, I know.
00:49:41I know.
00:49:42I know.
00:49:44Well, I feel your pain.
00:49:46I feel your pain.
00:49:47And...
00:49:49So, I mean, what can a person do?
00:49:51Right.
00:49:51I mean, it's it's better than when I showed her E.T.
00:49:54and she just checked out and was like, this isn't any fun to watch this.
00:49:58All right.
00:50:01I can I can handle it.
00:50:03And then she showed me crazy, stupid love.
00:50:06I was like, isn't this a great movie?
00:50:08Crazy stupid.
00:50:0990s kids will remember.
00:50:11Oh, you've got to be a 90s kid.
00:50:12You've got to be a 90s kid to remember.
00:50:14Crazy stupid love.
00:50:15Who's in this?
00:50:15It's not a 90s movie.
00:50:17It's a Steve Carell movie?
00:50:20With Ryan Gosling.
00:50:22We got Gosling.
00:50:23Apparently Gosling... I got Emma Stone, Kevin Bacon, Marissa Tomei.
00:50:28So Emma... I'm sorry.
00:50:30Emma Stone is, I think, a charming ingenue.
00:50:34But what I didn't realize, because Ryan Gosling was a character that I only knew from the cover of magazines at the grocery store.
00:50:41Have you ever seen The Notebook?
00:50:43I don't know.
00:50:44What was The Notebook?
00:50:45I mean, you'd know if you saw it.
00:50:46But, you know, he's been very funny in movies, too.
00:50:49He's done a couple movies.
00:50:50Did you ever see Drive?
00:50:52You need to see Drive, my friend.
00:50:56It's like a gangster movie?
00:50:58I mean, Drive, without spoiling it, Drive is basically a guy who's a getaway driver, a for-hire getaway driver.
00:51:04All right, don't say another word.
00:51:05The aesthetic of the movie is... I don't want to... Yeah, anyway, see it.
00:51:09Just going to say, see it.
00:51:11I found surprising, even though Ryan Gosling is basically playing a like a men's rights activist who nags girls in the film, he's doing it.
00:51:24It's pre it's pre Gamergate.
00:51:27This movie was made pre Gamergate.
00:51:29So we're meant to find this character charming or at least like he's a rake, John.
00:51:34He's a rake.
00:51:35That's right.
00:51:35We're meant to envy his his suavity with the ladies.
00:51:40That's a big part of the plot.
00:51:41But what what I was surprised at was that I found because I thought Ryan Gosling was going to be one of these actors of his generation where it was just like yawn.
00:51:51Because they all really underplay.
00:51:56He seems like one of those actors where I turn to my wife and go, was this person ever on Dawson's Creek?
00:52:00I've never seen Dawson's Creek.
00:52:01I don't know what it is.
00:52:02Was he a Mouseketeer?
00:52:04Exactly.
00:52:04It's somebody that was on a TV show I never saw on a channel I didn't get that was for people that weren't me.
00:52:11And I thought that too.
00:52:12But watching this, I was like, I find Ryan Gosling fairly charming and I understand why girls like him.
00:52:19And if you look at him closely, you realize he has hips.
00:52:23You know, he's not like a, he's not like one of these impossible, but I mean, he's super buff and cut or whatever.
00:52:28Uh, but he also, you know, he has a, he has shapely male hips.
00:52:34He's not, um,
00:52:35He's not Brad Pitt, right?
00:52:37Where you look at Brad Pitt and you're like, I could work 18 hours a day for 10 years.
00:52:42I would never have Brad Pitt's physique because I'm just not born that way.
00:52:46Right, right.
00:52:47But Ryan Gosling, you're like, oh, right.
00:52:48He's a shapely young man.
00:52:51And my godfather watching partner says that Ryan Gosling is what she imagines River Phoenix would have looked like if he'd grown up.
00:53:00And I was like, oh, I'm living in a world where River Phoenix is like... Oh, he's like James Dean was for us.
00:53:07Yeah, he's the James Dean.
00:53:08James Jacket.
00:53:09Of the 90s kids.
00:53:13It's only they who will get this.
00:53:15So, oh, all by... All leading up to the fact that I saw La La Land, which also has... Oh, and it's got the Emma Stone.
00:53:26I've heard that's good.
00:53:27And they have a little, you know, they...
00:53:29They have a rapport that was established in this earlier film.
00:53:35And so they are kind of the, you know, the Ginger Rogers and Fred Astaire of their day, even though they can neither sing nor dance.
00:53:45That's quite a twist.
00:53:48Right.
00:53:49I realized as I was watching La La Land, oh, this is an attempt, a fairly sly attempt by these filmmakers to,
00:53:56To take advantage of this pre-existing understanding that these two are a very, very good on-screen couple.
00:54:07Oh, it's like a little intertextual thing, like some of the appearances of Robert De Niro in a movie, or even Marlon Brando in The Freshman, where there's a nod to other things that they've done, kind of encompassed in what they're doing now.
00:54:19Right.
00:54:19And so now we're looking at a future where I think you really do need to be a 90s kid to understand that.
00:54:23But but now that you've explained that, I get it.
00:54:25Yeah, it's like a Gosling Stone picture.
00:54:28Gosling Stone.
00:54:29And we're going to see them reoccur.
00:54:31And it's not that they're playing the same people every time.
00:54:34They're just taking advantage of the fact that we love to see Gosling and Stone do their do their bits.
00:54:41Maybe a little bit like Woody Allen and Diane Keaton or something.
00:54:44Yeah, exactly.
00:54:45Even though, oh, one of the great signs that my godfather-watching friend gets it is that she said, who's that lady?
00:54:58And I was like, you mean Diane Keaton?
00:55:01And she was like, that's Diane Keaton?
00:55:03And I said, yeah, this is early, early Diane Keaton.
00:55:05This is early Diane, yeah.
00:55:06And she said, I don't like her.
00:55:09And I, oh boy, I rang the tugboat bell.
00:55:14Because you're not a fan?
00:55:16I find Diane Keaton to be very, you know, and her Woody Allen period is what it is.
00:55:22It's an amazing record of our era, of our time.
00:55:26He didn't like playing The Godfather?
00:55:28It was an abortion, Michael!
00:55:31Yeah, she is playing a fairly unlikable character.
00:55:36I think Kay is unlikable because Kay is presented in the film as the...
00:55:47agent the primary agent of encouraging Michael to leave the family business even though Michael wants to and even though he promises her he will so it's you know Michael sets the stage but
00:56:01Imagine if Kay had, over time, just as Michael did, realized that this was, again, inevitable.
00:56:10She becomes more like Karen in Goodfellas.
00:56:12Yeah, embraces the role.
00:56:14She's a fellow traveler.
00:56:15Right.
00:56:16She's like, you know what, this is who we are.
00:56:18And even though I'm a Shiksa, I'm going to become a Sicilian.
00:56:24mafia wife instead she's like this sort of harpy over time she becomes she becomes a harpy you're gonna get email i'm gonna get a lot but i did not find k to be a powerful uh you know like female role i found her to be you know kind of a nag and ultimately like she she's she's one of the things that presented this conundrum to michael where what's he gonna do he can't
00:56:51He can't but do what he's doing.
00:56:54So you feel like he just has to be dishonest with her in order to keep doing what he's doing.
00:56:59And ultimately he loses his family over it because he's powerless because he, you know, because as he says to his father on his hospital bed, I'm with you now.
00:57:09I'm with you.
00:57:10He didn't want that.
00:57:13There was one thing Vito wanted.
00:57:16He thought he'd become a senator, right?
00:57:19Yeah, that's right.
00:57:19He thought he'd become a senator.
00:57:20When he found out that Michael killed Salazzo, a tear runs down his cheek.
00:57:25He doesn't even want to talk to Tom.
00:57:28I hear my wife downstairs crying.
00:57:31Yeah, but you needed a drink first.
00:57:33Mm-hmm.
00:57:33Anyway, I, I, uh, I, I, I approved of her assessment of Diane Keaton because I have, I, my feeling about it is that the, the Diane Keaton has been in the last 10 years playing roles of like quirky, quirky mom.
00:57:51She's in a tough position though.
00:57:53It's hard to get a good role when you're a lady of a certain age.
00:57:56It's they, they do not.
00:57:58That's you.
00:57:59yeah, it's hard.
00:58:01This whole business of actors of any age or stripe who have had, you know, million, like two dozen million dollar films, I feel like you should all be in retirement.
00:58:15De Niro should have stopped making movies in 89.
00:58:18Alright, yeah, maybe.
00:58:20Anyway, it's, you know, like world's tiniest violin.
00:58:24And I understand, I understand the argument that it's hard for older women to get
00:58:28You know, starring roles in films.
00:58:30But Diane Keaton is just, I just find her unlikable.
00:58:34You like Helen Mirren?
00:58:36I love a Helen Mirren.
00:58:38You know, I realized I was watching, what was I watching last night?
00:58:40I was watching Richard III on PBS and I was kind of Googling around.
00:58:45Do you remember the movie The Cook, the Thief, His Wife and Her Lover, the Peter Greenway movie?
00:58:50I remember the book.
00:58:51It was very famous at the time for being very, very lush, like many Peter Greenway movies.
00:58:59It's very beautiful and lush, but like super duper violent and very, very, very gross.
00:59:07And I'm only now catching up on how many people were in that movie that I didn't realize were in that movie.
00:59:11I think I missed out on this whole... I didn't know Helen Mirren was in that.
00:59:15I mean, take this in the way I mean it.
00:59:18She was hot.
00:59:19She was probably 40, but she's still hot Helen Mirren.
00:59:23Let me ask you this.
00:59:25Let me riddle you this.
00:59:26Have you ever Googled Helen Mirren nudes?
00:59:30um you and i went through this with judy dench helen mirren and somebody else one time and i did look for a lot of english ladies in the nude yeah yeah and also michael gambon michael gambon the second dumbledore and uh the guy from many other movies michael gambon i didn't realize he was the thief in it that he was the bad guy
00:59:47Oh, I see.
00:59:48Well, now you're spoiler alert, because I've never seen The Cook, The Thief, The Wife, and The Lover.
00:59:52Yeah, you can skip it.
00:59:52You can skip it.
00:59:53It's pretty gross.
00:59:54Is that right?
00:59:55Richard III was good, though.
00:59:55That's got Sherlock Holmes in it.
00:59:57It's got the Benedict Cumberbatch with a hump in it.
00:59:59It was pretty good.
01:00:00Yeah, I always try and watch the Shakespeare movies.
01:00:02There's a whole big run right now, what's called The Hollow Crown, and they're doing, they do like, what's the one before Henry V?
01:00:09It's like Richard II.
01:00:11Richard II through Richard III, and they're all, yeah.
01:00:14So I haven't watched all of them.
01:00:15It's too much Shakespeare.
01:00:16You lose your mind.
01:00:17Yeah, yeah, yeah.
01:00:17But Cumberbatch with a hump.
01:00:21La la la.
01:00:26He has those alien eyes and those womanly thighs and the hump upon his back.
01:00:30La la la.
01:00:33That was the winter of our discontent.
01:00:37That's how it starts.
01:00:38And he's got a hump.
01:00:38He's shirtless with a hump playing chess with himself.
01:00:41And it's all Cumberbatch.
01:00:42I mean, this was what embarrassed Richard Dreyfuss so badly that he wanted to give up acting.
01:00:49Oh, because he had to do Richard?
01:00:51Well, sure.
01:00:53Richard does Richard.
01:00:54This is one of the major themes of the Goodbye Girl, which is one of the classic films.
01:01:00Still never seen it.
01:01:00Still never seen it.
01:01:01You have never seen Goodbye Girl.
01:01:02And I'm a Marsha Mason fan, so that's a weird thing.
01:01:04Never seen Goodbye Girl.
01:01:06I know.
01:01:06And the thing is, for someone of my age, for a time, it was name checked so often, including on things like Seinfeld, that it's crazy that I didn't know it.
01:01:15I might have missed my window.
01:01:18Goodbye, girl.
01:01:18I don't think so.
01:01:19All right.
01:01:20I'll cue it up.
01:01:21Goodbye, girl.
01:01:21It's like Neil Simon movies where I don't know how you could watch Brighton Beach memoirs at any age at any time and not be charmed.
01:01:34Oh, yeah.
01:01:35Those are good.
01:01:35By Brighton Beach memoirs.
01:01:36And this is... Goodbye, girl feels like you're watching a Broadway play from the 70s.
01:01:44Like, almost...
01:01:45because it all mostly takes place in an apartment it feels a little bit like like uh the odd couple right right i get what you mean it's not stagey but that it feels like a play it feels like a play and and and in that sense like it's a good play and richard dreyfus it's young richard dreyfus it's richard dreyfus like right after jaws and looks like it's right around close to counters 77 it's a it's richard dreyfus from his turkey age you
01:02:14know yeah we're just like you just chew up the scenery you richard dreyfus go eat eat it eat it and it has a it has a charming uh like nine-year-old girl who's uh who's wise before her years i remember her who reminds me of your daughter quinn cummings she was a child actress i remember her child actress she was in the 90s look at that
01:02:39She's like, she is the blossom of the 70s.
01:02:43Is that what you're saying?
01:02:44Oh, look at that.
01:02:44She's been on Beretta, Starsky and Hutch, Six Million Dollar Man.
01:02:48Yeah, all the shows, all the great shows.
01:02:49Oh, Family.
01:02:50Family, was that the one with Christy McNichol?
01:02:53Oh, man, I felt hard for her.
01:02:56Oh, man.
01:02:56I'm looking right now, right here in front of me on my desk, which is also right now, at least, my dining room table.
01:03:03I have a copy of Dynamite Magazine that's...
01:03:07called the meet christy mcnichol issue of dynamite magazine i can still see the cover and uh yeah right it's a wonderful somewhere in my house i still have a copy i had a subscription i still have a copy in the house somewhere of the bgs uh versus the beatles uh who's better they had a big showdown i think it's still it's still an open question
01:03:26i remember the final paragraph even in the end even the i remember the sentence begins in the end even the chart topping bgs something something something not as good as the beetles right they gave it to him but it was a there's a squeaker like right to the last yeah yeah made it right through well i mean you remember when squeeze was the new beetle
01:03:47Squeeze are going to make Badfinger look like Big Star.
01:03:53Or something.
01:03:54It's got a picture of Christy McNichol riding a skateboard.
01:03:56And then further on...
01:03:59There's an article about the Dynamite Duo.
01:04:02Do you know who the Dynamite Duo are?
01:04:04Is that those two girls from that Saturday morning show?
01:04:06Nope, nope.
01:04:08Oh, the Dynamite Duo is in the last pages of the cartoon, like a little comic book thing in Dynamite, right?
01:04:15It is a comic book, but I feel like Dynamite Duo are described as they...
01:04:21What are they?
01:04:23Ordinary teenagers.
01:04:25A strange series of events changed their lives forever.
01:04:28Attending a carnival, the twins won a weird-looking set of matching rings.
01:04:32They're twins.
01:04:33Kind of like the Wonder Twins.
01:04:36And when they put the rings on, they become...
01:04:40Dawnstar and Nightglider.
01:04:44So it's a little bit like Wonder Twin Powers Activate, right?
01:04:46Shape of an Ice Monkey.
01:04:48Dawnstar and Nightglider, better known as the Dynamite Duo.
01:04:52And they're superheroes, so that's why I thought you would know them.
01:04:56So here's Dynamite, right?
01:04:59This is whatever it is, 77.
01:05:01Since many readers missed the exciting origin of the duo and some of their early exploits, we decided to review what's happened so far.
01:05:11Here are the most frequently asked questions about our favorite superheroes.
01:05:14And then an entire page of Dynamite duo facts.
01:05:19Oh, wow.
01:05:20And it's called the fact sheet.
01:05:23And then very strangely, the next this this describes better than anything else could our childhood in the 70s, because the next page is a double, no, a triple page article on Lon Chaney.
01:05:39Oh, it was God.
01:05:40Our age was weird.
01:05:42You're right.
01:05:43You're absolutely right.
01:05:45And also, I think really typified by things like variety shows where like not just Ed Sullivan, but like Carol Burnett, where like you might you could see something like impossibly modern, super weird, or you might see like Milton Berle.
01:05:57Yeah, this is this is a big article on on the hunchback of Notre Dame.
01:06:02And like all these black and white photos of Lon Chaney in between a description of the dynamite duo and Christie McNichol riding a skateboard.
01:06:11And you're just like, yeah, 1978 meet Christie McNichol.
01:06:16I guess this is.
01:06:17And then there's a big, big article on the Muppets.
01:06:20Where do Muppets come from?
01:06:23One look at the furry, freaky, fabulous creatures, and you might guess the moon!
01:06:29So, I mean, how are you supposed to... I mean, you could convince me that I would turn the page and see almost anything.
01:06:37Right?
01:06:37Like Marilyn Voss Savant, or like Little Annie Fanny, or... I mean, I have no idea what's in this magazine.
01:06:46You turn the page...
01:06:48It's talking about now cool, like this was the era of the original cool t-shirt, iron-on t-shirts.
01:06:55Yeah, right.
01:06:55Article about those.
01:06:59You might see something about cooking, like how to cook something.
01:07:02You might see some prototypical kind of life hacks things.
01:07:06I'm also conflating it a little bit in my head with National Geographic World, which I also had a subscription to.
01:07:10I didn't have it.
01:07:12Boy, I love that thing.
01:07:14Like the close-ups of patterns up close to you to try and identify what it was.
01:07:18Oh, yeah.
01:07:20I've told you before, my mom got me a subscription to Time Magazine because she felt like that was what I needed.
01:07:28Lonely Sandwich posted a thing on Instagram the other day where he was like, I took my kid to see something.
01:07:35You always remember your first movie.
01:07:36It was a kid's first movie in a theater.
01:07:38You always remember your first movie.
01:07:40And you do always remember your first movie.
01:07:42My first movie was Dr. Zhivago that my mom took me to see at a 99 cent movie theater.
01:07:47That's so weird.
01:07:48Back when, you know, like the biggest theater in town, a theater that seats 1,200 people, was running old movies for 99 cents.
01:07:57And it was completely decrepit, dusty stuff.
01:08:00The seats were all had, you know, the stuffing was coming out of the seats.
01:08:04And you could buy this ticket and a popcorn and walk into this cavernous theater that had 11 people in it to see a matinee of Dr. Zhivago, a three-hour film about the Russian Revolution.
01:08:16A three-hour romantic rendition of the Russian Revolution.
01:08:20That's an epic.
01:08:21This was my first movie as a kid, and my mom was like, you're going to love it.
01:08:24It's one of the great films.
01:08:26And, you know, I'm just sitting in the theater like...
01:08:28The entire experience was overwhelming.
01:08:30Being in the theater was overwhelming.
01:08:33Like the type of theater as you walk down the aisle, you can hear.
01:08:36And this was back when everybody wore leather sold shoes, too.
01:08:39So people are walking down the aisle like clop, clop, clop, like like you're walking through the CIA headquarters.
01:08:47But you're in this like I mean, it's just the theater was as much a character of the film.
01:08:51And then I'm watching this completely unintelligible movie to me.
01:08:56uh and yeah you're blowing sandwiches right stuck in my head that's a weird one it wasn't star wars it wasn't jaws it was and then she took me to see anti-mame which scarred me for life oh really anti-mame is that ethel merman
01:09:14Uh, no.
01:09:16No, it's, uh, wait, I know this.
01:09:17Is it, uh, let me get it, uh, Joan?
01:09:21Uh, is it Jane Russell, maybe?
01:09:25I'm confused, because there's Mame, and then there's the other one that's like Mame.
01:09:30Uh, you got the one with Barbra Streisand.
01:09:32You got the one with Barbra Streisand that's like, let me get this right.
01:09:37Who's in this?
01:09:37Rosalind Russell!
01:09:39Oh, Rosalind Russell.
01:09:40Rosalind Russell.
01:09:41That's what it is.
01:09:41And what am I confusing it with?
01:09:42What's the other one?
01:09:44The other one is the one about Joan Crawford being a terrible mom.
01:09:50Could be.
01:09:50I remember we had the musical.
01:09:51We had an 8-track of the musical.
01:09:53We also had We Need a Little Christmas.
01:09:58That was Lucille Balls.
01:10:00That was Lucille Ball's 1974 version.
01:10:03Oh, you're right.
01:10:04The musical with Lucille Ball.
01:10:06The original was a Technicolor comedy from 1958.
01:10:09Oh, of course.
01:10:10I see my confusion now.
01:10:11Yeah, yeah, yeah.
01:10:12With Rosalind Russell.
01:10:13But...
01:10:16What was the one I was just talking about, the actress that was a terrible mom?
01:10:21Oh, that would be 1981's probably Mommy Dearest.
01:10:26Oh, Mommy Dearest, that was it.
01:10:28Based on the book by her daughter, Christine.
01:10:32Yeah, so my mom took me to see Mommy Dearest.
01:10:34That's the one that scarred me for life.
01:10:37Oh, my goodness.
01:10:37Mommy Dearest scarred me for life.
01:10:40Make sure you eat the raw meat.
01:10:41Not a very good mommy.
01:10:43Not a good mommy at all.
01:10:44No, no.
01:10:45It's complicated.
01:10:46It's hard to be a parent.
01:10:47John, how are you going to survive?
01:10:51How will you move forward with the Anna and Elsa situation?
01:10:55Are you hypervigilant for more incursions into this?
01:10:59Are you okay with your role as bad Santa?
01:11:02How are you going to proceed?
01:11:05Well, so I don't know.
01:11:06Are you going to let Santa win this one?
01:11:08Yeah, Santa gets this one.
01:11:09All right, one for Santa.
01:11:10Santa gets this one.
01:11:10Santa takes it, and I'm going to continue to sulk a little bit in order to really play up the fact that Santa, and by extension, my daughter, like...
01:11:28made it happen at daddy's expense because I feel like that is, uh, she definitely feels empowered by it.
01:11:36And I have to, I have to, I have to lose this one.
01:11:39I have to lose gracefully.
01:11:41That's a lesson in losing gracefully.
01:11:43Uh, but I can sulk a little bit because it feels like I, you know, like I lost one fair and square.
01:11:49I love it when my daughter gets the better of me.
01:11:51It makes me really happy.
01:11:53But you know, Oh,
01:11:54I wanted, like most of us do initially, to raise my daughter in a gender neutral environment.
01:12:01And I went to great lengths to create a positive gender neutrality in our home, not as an experiment, but just as a way of setting up a kind of freedom.
01:12:13It also makes things more interesting.
01:12:16Honestly, if you just feed everybody from the same big spoon that we were fed with, it's not as interesting.
01:12:22Yeah, you just let her pick.
01:12:24And from the very earliest moment, if you put a pink car and a blue car, she would pick up the pink car.
01:12:32I think our friend Dan went through something very similar to this.
01:12:36And she would pick up the pink car, turn it over on its back, and cradle it and say...
01:12:41Who's a good baby?
01:12:43Right?
01:12:44Kiss the baby.
01:12:44And I'm like, honey, that is a 1971 Camaro that I went to great lengths to find you.
01:12:52And she's like, kiss the baby.
01:12:55So I stopped fighting that a long time ago.
01:12:58And now I feel like I'm just in it to win it.
01:13:01What she wants, I'm not going to be in there like, don't you want to play with this truck?
01:13:07I'm just going to say, like, you want the Barbies?
01:13:10You want the Anna and Elsa?
01:13:11Like, here we go.
01:13:12There's a funny thread through several of the things we're talking about.
01:13:15I don't know why I'm thinking of this.
01:13:16But when we talked earlier about, like, being a kid, I consider you a 70s kid, too.
01:13:22But growing up in the 70s, and, you know, even though we didn't have things like prayer in school, there was a grace note to almost everything we did in winter that it was about Christmas.
01:13:33And so I'm just thinking, though, like, you know, today, I think we're still struggling with how to handle that setting aside the war on Christmas and all that.
01:13:40But like, nobody wants to be a dick about it.
01:13:41You don't want to assume something about somebody, even with something as seemingly innocuous as a greeting.
01:13:46But I feel like the phrase I think is going through my head is I feel like, for example, being a very observant Jew.
01:13:53in the 70s must be worse than being a vegan today.
01:13:57We're like, there's an option for you, but it's really not the best we've got.
01:14:01Yeah, okay, we'll take that into consideration.
01:14:03When we make the poster and we have to go look up how to say all these things in different languages, we'll find a way to work in some Hanukkah.
01:14:09But, you know, Hanukkah is kind of a neutered Christmas for Jews.
01:14:13You know, we want to acknowledge that.
01:14:14But, like, you know, how do you do that as a family?
01:14:18Nobody wants to be a dick about this except for the war on Christmas people.
01:14:23Like, nobody wants to be a jerk about this.
01:14:24You don't want to hurt anybody's feelings.
01:14:27The holidays are already fraught enough without adding all this drama.
01:14:31Well, that's for sure.
01:14:31But all of that is part of a thing like we have made it our cultural imperative to presume that everyone wants to be part of the mainstream and that the mainstream needs to be broad enough that it encompasses everyone.
01:14:47And I think in this up until very, very recently, to whatever degree, like smaller groups of people
01:15:00were not included at all in the mainstream, also had the advantage of knowing that you were outside the mainstream and that being a thing of its own appeal.
01:15:14And I think if you were seven years old and in school and everybody was talking about Jesus and you were Jewish, it could have been very uncomfortable and you could have felt like, why am I excluded from Christmas?
01:15:27But I think within the Jewish community...
01:15:29of adults, there was absolutely no interest in being included in Christian mainstream.
01:15:38Nobody cared among adult Jews whether or not they mentioned Hanukkah on the evening news because there was a complete understanding.
01:15:48We are a separate community.
01:15:50We have our own traditions.
01:15:51We are happy, more than happy, to be excluded from the mainstream culture as long as you don't come try and burn our synagogue.
01:15:59And this was a thing that I personally saw when gay culture went into the mainstream, because when I first was.
01:16:07And that's changed a lot since then, where it used to be like, hell no, I don't want to be a parent like that.
01:16:12Don't include me in your family thing.
01:16:13I got my own thing going on.
01:16:15Stop trying to turn me into like a version of me that you understand.
01:16:18Yeah, right.
01:16:19I mean, the whole notion of, I mean, there were always gay people that just wanted to settle down and be a happy couple and live in a home.
01:16:24Just people just didn't want to be harassed, you know?
01:16:26But there was not this.
01:16:27Like, for God's sake, please don't come to our bars and fuck them up.
01:16:30Please stop trying to turn us into the sympathetic friend.
01:16:32Like, just let me be a person and stop.
01:16:34There was no big push to domesticate and suburbanize.
01:16:38Or to feel, to make it, even within gay culture, that that is the new norm.
01:16:42No, exactly.
01:16:43That really feels like, at least in my exposure, it feels like something in the last 10, 15 years.
01:16:48And what's been lost is this completely, like, enveloping, separate and other, like, gay culture, which had all its own touchstones, all its own secret language, all its own...
01:17:12There was no desire to be mainstreamed.
01:17:17It was part of the appeal.
01:17:19Not part of the appeal, but it was a wonderful thing.
01:17:22And the thing is, we all...
01:17:24know what it's like to have a secret culture.
01:17:27It's the thing in a lot of our lives that we prize the most.
01:17:31So the idea that that equality under the law also means which is the thing that we all absolutely desire and equality under the law and freedom from being openly oppressed is
01:17:44is a thing that is what we call justice, and that's what we're all working toward.
01:17:49But the idea that mainstream culture should be a thing that is completely inclusive of everybody, it kind of misses the point of mainstream, which is a thing to exclude yourself from or to even be excluded from.
01:18:06Another word for mainstream...
01:18:09In some ways is hegemony.
01:18:12I mean, it's a way of mainstream.
01:18:14I mean, to me, I think about hegemony and the way I learned it back in the day was the hegemony, cultural hegemony was this idea that like, especially in an authoritarian regime, but really anywhere.
01:18:25Almost the most radical of ideas can become kind of rounded off and incorporated into the system such that it's very difficult to be outside the system because the system eventually makes everything part of it.
01:18:37Right.
01:18:37It absorbs and neuters all difference.
01:18:39And neuters is a good way to put it, yeah.
01:18:43Yeah, you remember for many years where mainstream in our culture was synonymous with dull and useless in a way.
01:18:51And now the opposite is true.
01:18:53Now we're trying to mainstream every permutation of difference.
01:18:59Well, mainstream also now is code for dishonest.
01:19:02Mainstream now is you take this thing that's truthful from my news product and then take all the truth out of it to put it into your news product because you don't tell the truth.
01:19:11You're not being honest about this story.
01:19:14But a lot of the gay people I know that are my age, you know, in a way they kind of, I mean, they're glad to have been...
01:19:25like within the culture taken out of the out of the enforced closet but they also lament all that was lost culturally you know now it's just like oh i guess i'm supposed to get married now right well i mean of course you got to account a little bit for you know aids in the 80s and like i'm still i feel like i'm still as many documentaries and things i've read
01:19:47And, you know, in some extent lived through.
01:19:49I mean, I had friends with HIV and AIDS in college, you know, even in the 80s.
01:19:53But, you know, I'm still getting my head around how much of America was lost over about 8 to 10 years.
01:20:01I'm still really getting that there are certain, especially in creative things, like, you know, like the dance and theater community in New York just gutted.
01:20:10I mean, it's still, it's like you've talked about this and like all the lives, you know, the lives of just the people who are just normal people, the soldiers lost in World War II, but then just how many trombone players died in World War II?
01:20:23When you look at it that way, it's kind of staggering.
01:20:25And I don't know.
01:20:25I'm sorry I'm changing the topic here.
01:20:27Back then, you could come to a place, you could go to Greenwich Village, you could go to the Castro, and you could find this little terrarium to live in.
01:20:36It wasn't like everybody agreed on the same thing, but there was so much shared cultural DNA about what we were here for, and they weren't interfered with too surpassingly much, and it got to very quickly turn into this thriving culture within fewer than a dozen years.
01:20:50You've got this really thriving community of something that used to be considered so outre,
01:20:54It must be kind of a bummer for all those reasons to see that go away.
01:20:59It's pet stores and dildos, but you can also get baby stuff there.
01:21:05It's the weirdest thing, because from within American culture...
01:21:10Right.
01:21:11It's very easy to look at.
01:21:14I mean, the vast majority of the people in the world and say they're living on a dollar a day.
01:21:21Right.
01:21:21And that amount of crushing poverty is a thing that is a tragedy and that we from our wealthy tower need to address this tragedy for other on behalf of other people.
01:21:36We need to lift them out of their dollar a day existence.
01:21:40Right.
01:21:40And from my perspective, it often takes the form of a kind of do-they-know-it's-Christmas level of condescension.
01:21:52The only way that I can really feel sympathy for these people is to realize how much I'd miss Christmas if I was starving.
01:21:58Yeah, right.
01:21:59Like the people in Africa who don't know it's Christmas, like they don't need to know it's Christmas.
01:22:04That's not the point.
01:22:06And so from my experience as a traveler, right, everywhere you go, no matter how much money people have, they are...
01:22:15They are super glad to be in love.
01:22:21They love music and dance.
01:22:23They are glad for the food that they get.
01:22:27And then the proportion of people that are literally starving is you wish that you could do something for them.
01:22:36But most people that are living on a dollar a day have a quality of life that maybe surpasses the quality of life that you have if you're making $200,000 a year and live alone in a cold, art-filled place.
01:22:51condo downtown and have no friends and spend all day on the internet yelling at people behind an egg avatar like to live in a village where your hut has a dirt floor but you're surrounded by people you love just from a strictly human standpoint your quality of life is higher and our rich condescension to those people is pathetic we don't realize how much we have
01:23:19destroyed our quality of life because of our wealth.
01:23:23And, you know, you say Greenwich Village and the Castro, but I don't know if I've ever told the story of my first exposure to a gay bar.
01:23:33And it was in Anchorage in about 1985.
01:23:35If you have, I don't remember it.
01:23:39My friend Kel and I were out at night driving around in the call.
01:23:44Kel and I were up there and we were just looking for trouble.
01:23:49And in Anchorage in the 80s, the gay bars were all very subdued on the outside.
01:23:56They didn't, I mean, there was one that everybody knew was the main sort of gay bar that you would drive by and kind of look at like, there's the gay bar.
01:24:05But there were other gay bars and they were just, you know, they played it pretty subtly.
01:24:10They weren't called like cuffs or anything.
01:24:12They were just like, you know, smaller little pubs and taverns.
01:24:18And Kel and I were driving around downtown.
01:24:20It was 2 o'clock in the morning.
01:24:22And, you know, we used to do this all the time, just looking for something, anything, you know, looking for something that isn't nailed down.
01:24:29We're driving along and we see this bar emptying out.
01:24:32It's 2 a.m.
01:24:33and everyone in the bar is coming out at the same time.
01:24:35And there's probably 50 people pouring out of this bar.
01:24:39And as we drive by, we see that the people coming out of this bar are – it's a very colorful cast of people.
01:24:46And so we pull over and we're like, what the hell is going on in that bar?
01:24:50And we park kind of in the shadows and we see –
01:24:55It gradually dawns on us like they're gay.
01:24:59Everyone that's coming out of that bar is gay.
01:25:01And they're behaving very flamboyant.
01:25:05A lot of them flamboyantly like, oh, my God.
01:25:08And the whole you're seeing it all unfold.
01:25:11And I had a gay friend in high school who was like a lovely guy.
01:25:16And but I had never experienced.
01:25:19A whole room of people all coming out.
01:25:23And it becomes obvious that the conversation is continuing in the parking lot.
01:25:28And they're making plans to go to a party.
01:25:33And we're seeing all this from across the street.
01:25:35And they're all getting in their cars.
01:25:38And then one by one, their cars all leave the parking lot and all head off together in a convoy.
01:25:45And, you know, this is like a lower middle class bar.
01:25:48So they're Pintos and, you know, K cars and stuff.
01:25:52It's not like a it's not like a glamorous scene, but they all head off in a parade.
01:25:57And Kel and I just instinctively like start the car, follow the parade.
01:26:02And so off we go.
01:26:03It's two in the morning.
01:26:04There's nobody on the street.
01:26:06There's a parade of nine cars or something.
01:26:08And then Kel and I back a quarter of a mile behind following along.
01:26:12And the parade goes off and off into the suburbs and off all the way to Eagle River, like outside of Anchorage.
01:26:19And we're just following the whole time.
01:26:20Like, what is going to happen?
01:26:21What is going to happen?
01:26:23And they go into this neighborhood, wend their way and come to a little house.
01:26:27And everybody parks on the street outside and they all pile out of their cars and into this little house.
01:26:33And Kel and I park across the street and we watch the whole party and it's very fun.
01:26:38Everybody's having a good time.
01:26:39They all know each other pour into this house.
01:26:42And we're sitting across the street and we're like, what do we do now?
01:26:48Like, what do we do?
01:26:52And we both wanted to go to the party.
01:26:55And so we look at each other and, you know, we're high school kids.
01:26:59And this is a risky moment because it's like, do you want to go to the party?
01:27:03Yes, I kind of do.
01:27:04Do you want to go to the party?
01:27:06But this is in a time and in a culture when it was just commonplace for, you know, the biggest put down you could say to a guy was like, you're a fag.
01:27:16And now we're sitting here across the street from this party and we're like, let's go.
01:27:20So we pile out of the car, march across the lawn.
01:27:24knock on the door and everybody in the party that was invited to the party is already in the party so the party gets quiet you can hear it like who's at the door and they open the door and here are these two high school boys and we said can we come to your party and they said sure and invited us in and we
01:27:51The party picks back up again.
01:27:53But everyone in the party is like, who are you?
01:27:56Where did you come from?
01:27:57How did you find our party?
01:27:59And so we just copped to it.
01:28:01We were parked across the street from your bar.
01:28:02We saw everybody come out.
01:28:04And we followed you.
01:28:06And now we're here.
01:28:07And we were completely embraced.
01:28:11And they had so many questions about being a straight high school boy.
01:28:16And we had so many questions about like who – like she is obviously a boy and she's dressed like a girl.
01:28:24What is that?
01:28:26And big laugh and then everybody explains.
01:28:30And it was Anchorage gay culture in the 80s.
01:28:33So this was a bar that was like –
01:28:34It wasn't a drag bar.
01:28:36It wasn't a dyke bar.
01:28:37Everybody was there.
01:28:39Right.
01:28:39I mean, there were lesbians at this party there.
01:28:41It was a complete rainbow of of what represented like gay and alternative culture, because there were also straight like friends of gay people at this party.
01:28:52Was it really like goths?
01:28:55I mean, the whole I mean, they weren't they were gay goths.
01:28:58Right.
01:28:58I mean, it wasn't like also a goth bar.
01:29:00But it was an incredible night.
01:29:05And the whole thing was, for me, like also fraught with sexual tension, because it was like, what's going to happen?
01:29:12I don't know where we were taught that that part of gay culture was that was a promiscuity.
01:29:19And so is this a promiscuous party?
01:29:23And I'm 16.
01:29:24I'm a virgin.
01:29:25I'm desperate to have sex with somebody.
01:29:28But is it going to happen tonight?
01:29:30I don't know.
01:29:30What would the context be?
01:29:32Who here am I most attracted to?
01:29:36Are they attracted to me?
01:29:38And there was a lot of flirtation.
01:29:41But it was this for me, like this shattering moment where I realized there were subcultures that weren't just punk because I knew about punk subculture and I was, you know, a reluctant, like scowling adjacent punk.
01:30:04Because my sister was punk and I was her escort.
01:30:08And so, you know, I went to every punk show that was ever in Anchorage.
01:30:11But I always was leaning against the back wall going, this is bullshit.
01:30:15But I was there, you know, and I loved it.
01:30:18But here was a subculture that wasn't punk that also felt permanent.
01:30:23Like it was this was what if it felt like sturdy.
01:30:28It felt like what?
01:30:29It felt sturdy.
01:30:31Yeah, it felt sturdy.
01:30:32There was a tremendous sense of belonging and inclusiveness within it.
01:30:38And both Kel and I felt some envy at the amount of love that, you know, a love and acceptance that permeated this small party of very different people.
01:30:57you know they there wasn't a there wasn't a single gay a single type of gay it was every kind of person at this party right and you know and that was a lightning bolt for me that from then on i you know personally had no um had no prejudice and before that i had the prejudice of ignorance
01:31:27And after that, I was just like, well, whatever.
01:31:29I mean, if you say, if you say anything about gays, it's just because you don't know anything about them.
01:31:36And, you know, my first job when I got to Seattle was in a gay bar.
01:31:42So it was like, it wasn't just the Castro thing.
01:31:47Every little town had this going on.
01:31:51And I think in the Midwest and in the red States now, that's still true.
01:31:56If you're, you know, if you're in Missouri or you're in Kansas, there are, there still is this bar and there still is that party.
01:32:07And from the Castro or from Seattle, we look at it and we go, Oh my God.
01:32:11And because there is violence directed at those populations, um,
01:32:16we imagine that their whole existence is characterized by fear and violence.
01:32:22But it isn't.
01:32:24The violence and the hatred and the exclusion, they don't actually impact what it's like to be in that space.
01:32:35In a way, all that hostility creates the love and solidarity in that space.
01:32:45And that's a hard thing to I think for everybody in that room, if they were completely mainstreamed, that would be lost.
01:32:53And that's and that's a thing that in the pursuit of like total liberation.
01:33:03And I would never from outside say that that was preferable.
01:33:08Right.
01:33:08I can't say that.
01:33:10I can't know that.
01:33:11Obviously, you want to be able to walk down the street and be yourself and not be assaulted.
01:33:17But whatever that small and punk rock used to be like that, too.
01:33:21You know, you were at risk when you were out in public wearing a mohawk that some rednecks were going to beat your ass.
01:33:28And that was part of.
01:33:30You know, that was part of what made punk rock so amazing from within.
01:33:33And, you know, I'm not at risk of getting my ass beat.
01:33:40And never was.
01:33:43But partly I felt envy for the for like the small community that I never would have access to, really, unless I was.
01:33:59Unless I was faking it, you know?
01:34:07On the one hand, it sounds probably kind of odd or ironic for somebody like you or me to say you feel envy for that.
01:34:17Because one reason people end up finding those little caresses in life is because...
01:34:26oftentimes they don't have anybody else.
01:34:28Also, to your point, though, you are right.
01:34:32Obviously, when you go to a big town, there's going to be gay bars.
01:34:35There were times where I didn't know bars were gay bars because I didn't know what to look for.
01:34:38I didn't even know what it really meant.
01:34:40I think one thing is we were sort of raised, once you knew what a gay bar was, you figured it was a place where just men were having sex in the bathroom.
01:34:48That's not what it was.
01:34:48It could be, but it was just a place.
01:34:52It could just be a safe place.
01:34:52It could be a fun place.
01:34:54A safe place.
01:34:54Yeah, I mean, I'm not trying to infantilize anybody here.
01:34:57I feel like I'm getting a little dangerous.
01:34:59I don't want to make anybody adorable to fit my narrative.
01:35:02They're just people.
01:35:03And it's nice to be around people where you can do your thing and be who you want to be without, as you say, fear of getting your ass kicked.
01:35:09I don't think it even has to be that dramatic.
01:35:10It's just that in any towns, I guess I'm thinking in particular of towns in Florida where I lived.
01:35:15Where it would be, you know, two years before I figured out, oh, that's a gay bar.
01:35:18I didn't get that.
01:35:20You know?
01:35:21I mean, it wasn't called, like, The Third Knuckle or something.
01:35:25It was just called Jim's or whatever.
01:35:27Jim's, right.
01:35:28Right.
01:35:29But it wasn't what you thought of from, like, Chick Publications and Quincy.
01:35:33Like, this is... It's not...
01:35:35Anyway, I just think it is interesting to think about that everybody wants a place that you didn't even know existed.
01:35:41I think we've all gotten that.
01:35:43Even if you're just a little bit of a geek and you find geek friends, or for some kids it could be scouts.
01:35:48I don't know.
01:35:48Whatever it is, it could be a Christian church.
01:35:50But to find some place that feels welcoming and that is not asking you to capitulate...
01:35:59In fact, not asking you to capitulate on your personality, but saying, hey, tell me more about your personality.
01:36:04That's okay here.
01:36:06When you first meet up with somebody who knows this nerd thing and they know it more than you, it's warm and it's humbling and it's weird.
01:36:14And you're like, where has this been for my whole life?
01:36:16And it's the best.
01:36:17And tourists, notwithstanding, it's still a wonderful thing.
01:36:21Gawkers, notwithstanding, it's still really nice to have a place where you can go and feel like you're more yourself than you were before you found it.
01:36:27It seems like a more natural human state, and this is why I kind of connect it to this idea that do they know it's Christmas is just so rude, let alone destructive, because cities are unnatural, agglomerations of people.
01:36:48Yeah, villages and tribes make more sense from a certain standpoint.
01:36:50Yeah, if any of us—
01:36:51If any of us in any walk of life could say that we had 50 close friends, 50 people close to us, including family, distant relatives and friends, fellow villagers, like there's nothing any of us want more.
01:37:05You can't sustain 100 close friends.
01:37:0850 is maxing out.
01:37:11And if you live in a 200-person village and you have, let's say, 30 rivals, 50 people that are in your family and are close friends, and then some other people that share the village, but you know every single one of their names.
01:37:26And at night, everyone gathers around in their respective little compounds, gathers around the fire and tells stories and sings.
01:37:36That is the natural state of human beings.
01:37:40And to be living each in our own, you know, in our nuclear family, in our nuclear family, in our closed-door homes where we don't know our neighbors' names, that is the pathology.
01:37:56And to imagine that freedom means that every one of 300 million people
01:38:04accepts me utterly and unreservedly is a is a modern
01:38:11uh, like misapprehension that, that the feeling within your village of 300 people and how it relates to the village of 300 people.
01:38:22That is a mile and a half down the road.
01:38:26Like there's friendship there, but also competition.
01:38:29And in some case, if you go 10 miles down the road, maybe there's a tremendous lack of understanding.
01:38:34I've told you about it when I walked across Europe and every single village as I headed East, uh,
01:38:39The villagers and this is in Germany.
01:38:42This isn't in, you know, Pakistan.
01:38:45I mean, this is in this is in the center of what you develop the world.
01:38:50And what you consider the hyper developed world.
01:38:52People would say, oh, well, you know, you're headed tomorrow.
01:38:55You're going to cross into Bavaria and watch out for those people.
01:38:58Because they are animals.
01:39:01And everyone in Germany was like, when you get into the Czech Republic, watch out.
01:39:07Because they are all pickpockets.
01:39:12And then the Czechs felt that way about the Slovaks.
01:39:16And the Slovaks felt that way about the Hungarians.
01:39:18And everyone agreed that the Romanians were all pickpockets.
01:39:21And it was just incredible the sense that as you moved east...
01:39:28There was continual suspicion of the people that lived 100 miles east.
01:39:35Like lasting, thousand-year-old... But they're more primitive and dishonest.
01:39:45Yeah, like closer to some sort of Slavic agrarianism.
01:39:52And by that...
01:39:55By virtue of that, their water is bad, their church is bad, their intentions are bad.
01:40:04And from one German village to the next, I just found this to be incredible.
01:40:12The people in the northwest of Germany felt the people in the south.
01:40:16Yeah, you should hear what the people to the west say about you.
01:40:18Yeah, and what I don't know is if I had been walking the other way,
01:40:22They say they're snobs.
01:40:38Well, no, I found there was never that amount of knowledge.
01:40:44The knowledge was confined to... Oh, it's not like folk wisdom about what we know about these people.
01:40:49Not that, because there are enough people from the East who have gone West and come back that what they know is everyone in Germany gets a thousand Deutschmarks a month from the government.
01:41:02And they say that from the perspective of their own village where 10 Deutschmarks would make a huge difference in their month.
01:41:12You know, like 10 Deutschmarks would enable them to buy a car or to live in a nicer apartment.
01:41:18And so they've heard in Germany, everyone gets a thousand Deutschmarks a month free from the government.
01:41:24And what they don't realize is that
01:41:26A pack of cigarettes in Romania costs $0.10 and a pack of cigarettes in Germany costs $6.
01:41:34There's an understanding of how much money there is, but not an understanding that there's a commensurate increase in cost and difficulty.
01:41:44And so that's the experience you have, I think, moving east to west.
01:41:49And moving west to east is just like the people there are so poor that they have to resort to stealing and they have no educations.
01:41:57And as a traveler moving through those spaces at a walking pace, I mean, you do see the changes.
01:42:03They're enormous.
01:42:05But you also feel like, I mean, there's a lot more community in Romania than there will ever be in Germany.
01:42:17And in the end, like, which do you want?
01:42:22Right.
01:42:27I partly I feel like I had a funny side door into gay culture because I did not have a surpassing number.
01:42:33Hey, I had some in the closet ish friends where we didn't talk about it in high school, but very few.
01:42:41But I did have gay and by friends in college, but it was not like a big part of my own culture is music that got me into it, because that's where on the one hand.
01:42:49um for several years when i was most into music in my life it was often gay bars that would have what was then called new wave night um but even if you didn't go on new wave night it was where they would play just really good dance music that's gay bars is where that was happening and you know for me it was not any kind of like oh a furtive gesture against frat culture necessarily it's just that that was a better bar to go to they were pretty tolerant of these dorks coming in and messing up their place on tuesday nights um
01:43:16But like that was that was for me, that was an early exposure to large numbers of gay people.
01:43:21And you realize, hey, you know, they're pretty harmless.
01:43:23They're not.
01:43:27No, they're not.
01:43:32They got inside me and changed me forever.
01:43:34I wouldn't say they were harmless.
01:43:36You got to stay away from the Anchorage gays.
01:43:38Can I give you an American Girl hack?
01:43:41Here's the thing.
01:43:42So you're already, the costly part is taken care of.
01:43:44You got the doll.
01:43:46I got the doll.
01:43:46The American Girl doll store.
01:43:48She has very soft hair.
01:43:50Oh, yeah.
01:43:50Oh, yeah.
01:43:51You should brush it, though.
01:43:52Yeah, you got to brush it.
01:43:52But, you know, just for what it's worth, the Target stores.
01:43:57They sell a line, I forget what it's called, but you'll definitely know it when you see it.
01:44:01They sell a line of accessories and tableau and clothes that just so happen to exactly fit American Girl dolls.
01:44:14And they are a lot less expensive.
01:44:16Tell me how are they branded.
01:44:19I forget the name of it, but you go and you'll see like, you know, you'll instantly recognize it.
01:44:25I don't know the name of it, but like if you want a less costly option and you want to be a hero or have Santa be a hero, that's a good American Girl hack.
01:44:35Now the store, you can go and it's fun.
01:44:37You go to the store, you can have tea with your doll.
01:44:39Also, the restrooms have a place to put your doll while you're using the bathroom.
01:44:44Wait a minute.
01:44:45You're saying that there are American Girl doll stores?
01:44:48Oh, it's a thing.
01:44:49It's a whole thing.
01:44:50There's books.
01:44:50My daughter's read the books.
01:44:52You can read about your doll.
01:44:54Her favorite doll, Rebecca, is a Jewish immigrant family.
01:45:01And they're trying to bring more of their family back from Russia.
01:45:03And there's a lot of drama.
01:45:05Monkey breaks his ankle.
01:45:06No spoilers.
01:45:07She's very excited about the books.
01:45:09But yeah, no, it's a whole thing.
01:45:10And the stores are...
01:45:11I mean, my daughter gets to go there.
01:45:13Mom takes her there for her birthday.
01:45:15And that's like a big event every year.
01:45:17I'm going to have to research that.
01:45:18But you don't need to get into their brand.
01:45:20As long as Target is getting, they're getting away with murder with these things.
01:45:23Because you can get really cool stuff that just happens to fit an American Girl doll at their stores.
01:45:29You know, one of our earliest children's books here was about a young girl from a shtetl.
01:45:40Sort of a 19th century village, I have to assume in Poland, whose rabbi has a certain amount of opportunity to send one person from the village to America.
01:45:55And in his rabbinical wisdom, he picks this orphan girl who lives with her grandmother and says, her grandmother has taught her how to sew lace.
01:46:07And he says, I'm going to choose you.
01:46:08That's so interesting.
01:46:09Rebecca's family makes doilies.
01:46:11That's how they can afford to bring people over from Russia.
01:46:13It costs $30 to bring them from Russia.
01:46:15It's a lot of money.
01:46:16Interesting.
01:46:20And so she's very scared, obviously.
01:46:23And she makes the trip.
01:46:27And she gets to America.
01:46:28And she has a relative there or friend of a friend who puts her to work sewing in some sort of wedding dress capacity.
01:46:42And she's recognized as a great...
01:46:44Or, you know, a really good seamstress.
01:46:47So everyone treats her kindly in that culture.
01:46:49And she saves up enough money.
01:46:51And she meets a nice boy on the ship.
01:46:57across the passage.
01:46:59And I don't want to ruin the story for you.
01:47:05But eventually, she saves up enough money to bring her grandmother over to America.
01:47:14And even though that seems like kind of a wasted effort because her grandmother is a little old lady and is just going to come to America and be a burden and she should have been left in Poland,
01:47:26It's a wonderful end to the book because it shows you how lovely the girl is.
01:47:33And we got this book pretty early on.
01:47:40I was at Powell's Books in Portland, and I saw this book, and I said, you know, I am a Judeophile, and this seems like a fun story, a fun way to introduce Marlo to –
01:47:51Eastern European history, my particular interest.
01:47:56And I read this book for her, and I was sobbing by the end.
01:48:01What's the book called?
01:48:05Let's see, I have it... I'll take you off it, but if you let me know, I'd love to see that.
01:48:09Yeah, I'm bad at remembering the titles of books.
01:48:13And then everyone who's ever read the book
01:48:19also sobs and i've read the book 40 times and i continue to choke up at the end and i don't know what to do about it i shouldn't still be crying about this book um and you know my daughter loves it and wants it read to her uh and i don't know like i don't know where to find other children's books that are of this quality
01:48:49Because it's a book that she'll be able to read and enjoy when she's 10.
01:48:54But also I read it to her when she was four.
01:48:57And she loves the story.
01:49:00You know, she'll she'll love the story over the course of her life.
01:49:03And I don't know, you know, like Go the Fuck to Sleep by Adam Monsbach is not a book.
01:49:09Maybe she'll love it when she's 19.
01:49:11I read it to her a couple of times and until she was of the age where she was like, what is that word that you keep skipping over?
01:49:17I was like, well, this book's going in the closet.
01:49:21My daughter recently read a good one.
01:49:23She's reading it after school.
01:49:24Just finished about a little boy in a Japanese internment camp.
01:49:29She really enjoyed that.
01:49:31Uh-huh.
01:49:32I mean, these are some of the things that we didn't have access to.
01:49:37Well, they can read these until they're ready for fairy tales.
01:49:39That shit's too scary.
01:49:41Right, right.
01:49:42I have never read her any kind of grim... You gotta read her Rumpelstiltskin.
01:49:45It's so bad.
01:49:47He stamps his foot and then he tears himself in two.
01:49:50Just like me.
01:49:55Happy holidays.

Ep. 229: "Elves with Clipboards"

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