Ep. 201: "Cowboy Hat Boss"

Episode 201 • Released May 23, 2016 • Speakers not detected

Episode 201 artwork
00:00:05Hello.
00:00:06Hi, John.
00:00:08Hi, Merlin.
00:00:08How's it going?
00:00:13I was just watching the music video for In Excesses Mediate, which won the MTV Music Video Award for something.
00:00:24Best video.
00:00:27Back in the old...
00:00:28Times, I don't know if you remember Mediate, the song, but it's the one where they just say words that rhyme with mediate all along.
00:00:41It doesn't have a chorus.
00:00:43And the video is them standing in some kind of industrial area doing the Bob Dylan Don't Look Back.
00:00:51I was just going to say, it sounds like a subterranean, we didn't start the fire type situation.
00:00:54That's exactly right.
00:00:56But they actually cop the...
00:00:58they're like word on a piece of paper flip thing that's fresh and uh and i remember they won an award and i remember and this is you know this is the era of course where they were also wearing like jeans strategically ripped knees and little round glasses
00:01:20And the 60s were going to.
00:01:29It was so awful.
00:01:31And, you know, this is what passed for this was what passed for like like culture when we were we were just we were at the dawn of our lives.
00:01:39We were sitting there just like what's going to happen to us?
00:01:42What amazing thing is going to happen to us?
00:01:45This was the best part of it.
00:01:46I mean, I don't want to watch the video while we're recording.
00:01:50I'm just going to guess.
00:01:51Can I guess some words?
00:01:52Okay, go ahead.
00:01:52Watergate?
00:01:54No, I don't think so.
00:01:55Cheese grate?
00:01:57Cheese grate, no.
00:01:58Do you want me to read them to you?
00:02:01Hallucinate.
00:02:03Desegregate.
00:02:04Hallucinate, desegregate.
00:02:06Spelled desegregate.
00:02:09Mediate, right?
00:02:10That's the title of the song.
00:02:11Mediate.
00:02:12I remember the first time I heard this song.
00:02:18I was listening.
00:02:19I was like, all right, all right.
00:02:21Desegregate.
00:02:21I'm behind that.
00:02:22Immediate.
00:02:23And then the fifth thing it says, the fifth lyric is, try not to hate.
00:02:28Try not to hate.
00:02:29Try not to hate.
00:02:30Try not to hate.
00:02:31And that doesn't really rhyme with mediate.
00:02:34Giving up kind of early on that one, aren't they?
00:02:35I mean, it's like try not to hate, but not try not to hate.
00:02:40Try not to hate.
00:02:41Love your mate.
00:02:42Don't suffocate on your own hate.
00:02:46All right, we've already used hate in try not to hate.
00:02:48don't suffocate on your own hate i mean for this for this to work it has to be a like a okay we'll take it as read these all need to rhyme with me yeah but like you got to build a little story out of that yeah yeah and like you don't want to be repeating a lot of stuff in the first act like that's not good storytelling
00:03:05Designate your love as fate.
00:03:08What the fuck does that mean?
00:03:10Well, see, that's some Australian shit right there.
00:03:12Designate your love as fate, Richard Nixon, Watergate, cheese, great, on a plate.
00:03:16One world state.
00:03:18Now it's getting a little bit creepy.
00:03:20That's getting real now.
00:03:21As human freight, the number eight.
00:03:31Okay, it goes downhill from there.
00:03:33I was hoping...
00:03:35The reason I got started listening to the song is I was hoping that it said innovate.
00:03:40Oh, sure.
00:03:41Because come on.
00:03:42I'm looking for every opportunity I can to get in on this innovation sphere.
00:03:48And I wanted it to say innovate so that I could repurpose the song as a kind of
00:03:54As a kind of pain to innovation.
00:03:58Oh, this is not good.
00:03:59Depreciate, fabricate, emulate the truth, dilate.
00:04:03Yeah, like pretty Kate has sex ornate.
00:04:08Now devastate, appreciate?
00:04:11Depreciate, fabricate, emulate the truth, dilate.
00:04:14Yeah, then he starts to repeat because he feels like he's said it all.
00:04:20liberate to liberate liberate liberate to annihilate atomic fate oh that's a little it gets a little bit of the cold war shit in there sure current is today's headlines yeah but uh but but but no innovate in all of that designate your love john what's the message of this song
00:04:40Is it is it is it one of those like right now Van Halen type songs where it's just it feels like a right here right now.
00:04:49Is it supposed to be like like shit is real.
00:04:51This is happening.
00:04:52Yeah, that's right.
00:04:53I think that's exactly right.
00:04:54It's it.
00:04:55It's political without actually saying anything about what should be different, let alone what already is there.
00:05:01Yeah, it touches on some things.
00:05:03Desegregation.
00:05:04It touches on one world government, which I'm not sure they fully understood what they were saying.
00:05:09Gravitate the Earth's own weight.
00:05:11There's a lot of pro-sex talk.
00:05:13At 98, we all rotate?
00:05:16And I don't know whether that was 1998 he meant or at 98 miles per second or at 98 degrees on the... I don't think this got a second pass, John.
00:05:26I think this is... Barometric pressure?
00:05:29Well, guilt debate.
00:05:30The edge serrate.
00:05:32a better rate the youth irate see it's got irate youth in there so it did it i think it was a time when you could just see a couple of years ago i don't know if you remember jonathan colton and i made a uh a christmas album i do we have your ornament and um oh you're you have one of the few ornaments that didn't break in shipping i bought uh we bought the box my daughter puts things in it isn't that nice but uh uh
00:05:56we needed a Hanukkah song.
00:05:58Oh, right.
00:05:59And so, uh, this is, this is the, the, the one truly great, uh, Hanukkah song.
00:06:04The one truly great Hanukkah song other than, uh, dreidel, dreidel, dreidel is, um, which isn't a Hanukkah song.
00:06:11I know, I know, I know.
00:06:17Uh, uh,
00:06:18We wrote Wikipedia Hanukkah, which was me reading the Wikipedia entry for Hanukkah over a funky jam.
00:06:30And I thought in the spirit of In Excesses Mediate, this was going to be a smash hit.
00:06:37Uh-huh.
00:06:37And people accused me of phoning it in on that song.
00:06:44That's the joke.
00:06:47But also, I spent a lot of time learning how to pronounce those biblical era names of different tribes.
00:06:53It's not like you just pulled it up in a browser in the studio and started reading.
00:06:57You had to do some Talmudic scholarship.
00:06:59I did.
00:06:59I had to Talmud it.
00:07:01And so I'm a little mad, actually, that NXS could get... I mean, they have a million and a half views of this song.
00:07:12It doesn't even look like... I'm just looking at the thumbnail.
00:07:14It's in color.
00:07:15He's on the wrong side of the screen.
00:07:17It doesn't look like Subterranean Homesick Blues, except...
00:07:21At all.
00:07:21And they've all got various denims on and various, like, you remember the band World Party?
00:07:29No, he's got Carl Wallenheimer glasses.
00:07:32Carl Wallenheimer glasses.
00:07:33Wallinger?
00:07:34Wallenhammer?
00:07:35Wallingerhammer.
00:07:37Send me from tomorrow.
00:07:40I don't want to sail on this ship of fools.
00:07:44That guy's great.
00:07:45I love the Waterboys.
00:07:47John, he was in the Waterboys.
00:07:49That's the same guy from the Waterboys?
00:07:50Not the same guy.
00:07:51Mike Scott's the main guy.
00:07:52Oh, because Comrade Stalin said they'd become too westernized.
00:07:57That's Mike Scott.
00:07:59You're telling me that the other guy from the Waterboys is the guy from World Party?
00:08:03Uh-huh.
00:08:04I had no idea.
00:08:05The guy with the NXS glasses.
00:08:07Mind blown.
00:08:10I thought World Party just came out of nowhere.
00:08:12I just thought they were just like, you know, like.
00:08:16World Waterboys were very, they had important music.
00:08:19Their music was very important.
00:08:21So in the seeds.
00:08:24I think Hole of the Moon is one of the great songs.
00:08:26It's a wonderful song.
00:08:28I saw the crescent.
00:08:30You know, there's a lot of jingle jangle in that.
00:08:32Actually, you see him called Wallenheimer.
00:08:36You can see him banging on the keyboard in that video.
00:08:38My God, he's banging on the keyboard.
00:08:41You see the hole of the moon.
00:08:45Did you get the image I sent you?
00:08:47Well, let me see here.
00:08:50I can send it to you on Skype, but then you'd have to log in.
00:08:53I don't see it in the papers I have here.
00:08:55John's adjusting his papers.
00:08:57I'm looking through my papers.
00:08:58I don't see any images that you sent me.
00:09:00I sent you on the text.
00:09:01Oh, texting.
00:09:02I stopped sending you things in Skype because it wants you to log in even though you're already using Skype, so I stopped sending things to you in Skype.
00:09:08Oh, what is this here?
00:09:10Yeah, look at that on the big screen.
00:09:11Oh, dear.
00:09:12Hello.
00:09:12I'm so proud of my daughter for this project.
00:09:16This is going to win a big award.
00:09:18My daughter did every stitch of this herself.
00:09:21Well, except for one important part.
00:09:22Have you noticed the one thing?
00:09:27She didn't also buy the black electrical tape or whatever.
00:09:31No, she used my Gorilla tape.
00:09:32I let her use some.
00:09:33No, but this is... Okay, so she killed it with this.
00:09:35Oh, my God.
00:09:36Facts about arrow pointing to Amelia Earhart.
00:09:41When she was a teen, she cut her hair inch by inch so her mom didn't notice.
00:09:45So what John is looking at is a large poster board for her Amelia Earhart.
00:09:50You have to do a project on somebody that's important to you.
00:09:53And so she did it on Amelia Earhart.
00:09:55And so I helped her out.
00:09:56I helped her find some photos and stuff like that.
00:09:58But I also...
00:09:59I like her handwriting very much.
00:10:01But do you appreciate there, just slightly right of center, what she taped onto the page?
00:10:06Is it a... No, I'm not... It's the first page of Amelia Earhart's Wikipedia entry.
00:10:14Oh, yeah, I know.
00:10:15I did see that.
00:10:15That was right out of my playbook.
00:10:18Here's my report.
00:10:21I mean, she did some original scholarship.
00:10:22We watched the documentary.
00:10:24She drew clouds.
00:10:25She drew, what's the name of that island?
00:10:27The island, she brought, what's it called?
00:10:30I forget the name of it.
00:10:31Rikki-tikki-tavi.
00:10:31Rikki-tikki-tavi, the island near Hawaii that looks like a stake.
00:10:34That was a very small island.
00:10:35That was a hard target to hit.
00:10:37Stake Island, hard target.
00:10:38But so I see this.
00:10:39I walk in and I'm like, oh my God, you did everything on this except the letters.
00:10:43Mommy helped you with the letters.
00:10:44And she's like, no, she did the letters too.
00:10:46And they're pretty good.
00:10:46She used a one as an L.
00:10:48I think they're great.
00:10:49Isn't this a nice report?
00:10:50It's nice, but what are you going to do about the fact that the page is just a copy from Wikipedia?
00:10:56Well, now, if you go and read, Amelia, here's her report part.
00:11:02She always liked, quote-unquote, boy stuff.
00:11:04When she was a kid, she and the neighborhood kids made a roller coaster, etc.
00:11:08I said, don't even correct the spelling.
00:11:10This is perfect.
00:11:11Put this up.
00:11:12I love it.
00:11:12But I do, it's funny, because like an idiot, I always forget about, when I'm printing, and I do print, I forget two things.
00:11:19I forget about comments, and I forget about footnotes.
00:11:22So I go to print a recipe, and I think, oh, no problem.
00:11:26I can see this is like, well, it's going to be three, four pages.
00:11:28I forget about the comments.
00:11:30Oh, so it just starts printing and printing.
00:11:33In this case, I forgot about footnotes.
00:11:35So I printed out the 58 pages of Amelia Earhart's Wikipedia entry, just so we could refer to it and fact check.
00:11:42Comments or footnotes.
00:11:45It's a kind of footnote, I suppose.
00:11:47I don't print...
00:11:50It's one of those things you should know about me.
00:11:52I didn't used to print, but I print now.
00:11:54I don't print.
00:11:54I don't fax.
00:11:56I don't print, sign, and fax back.
00:12:00Process, buy, sell, anything that's processed, printed, or faxed.
00:12:03I don't collate.
00:12:03I don't staple.
00:12:04I don't... All I know is I can't figure it out tonight, sir.
00:12:06I just want to hang with your daughter.
00:12:09We watch... Hey, you know what's funny?
00:12:11You know what we watched literally yesterday?
00:12:14I'll tell you what we watched literally yesterday.
00:12:20We watched Sad Sweetheart of the Rodeo featuring a young John Roderick.
00:12:24Isn't that nice?
00:12:24Oh, you did not.
00:12:25Well, you see my pivot there.
00:12:26I'm pivoting on Ioni Sky.
00:12:29That's a very, very fun video.
00:12:31It's a fun video.
00:12:32I feel like if you watch the Sad Sweetheart of the Rodeo video, if you're following along the narrative at all,
00:12:40You're going to notice right in the sort of center, the heart of the film.
00:12:45The filmic experience.
00:12:47There's a, you know, and that music video cost, are you ready?
00:12:51$500,000.
00:12:56It looks expensive.
00:12:57Well, the thing that sucks about it is the copy that's up is really kind of crappy quality.
00:13:01But I remember I watched that from the first time I was aware of you and aware of Harvey Danger and your relationship and all that stuff.
00:13:06I love that video.
00:13:07I thought it was a great video.
00:13:08That's a lot of money.
00:13:09It's a lot of money.
00:13:10That's London.
00:13:11Was that London?
00:13:11Oh, no.
00:13:12Recoupable.
00:13:12Recoupable.
00:13:13Oh, shit.
00:13:14It was at the very tail end of a time when you would spend $500,000 on a music video.
00:13:22And you would hire a Hollywood actress to be in it.
00:13:25Hollywood actress in it.
00:13:26And, you know, and the guy that was making the video, right?
00:13:29It was like that was his year.
00:13:31He was that he was getting he's getting paid.
00:13:33Everybody was getting paid.
00:13:34Yeah, I didn't get paid.
00:13:37But right at the center of the film.
00:13:40The narrative, of course, spoiler alert.
00:13:44There's a woman who's daydreaming about having a different, better, more interesting life than the one she has.
00:13:50And she keeps fantasizing.
00:13:52They slowly introduce these elements that are a little magically real.
00:13:55We're like more and more like she starts hallucinating things that about cowboys that are taking place in her office space.
00:14:02Her bed, her office.
00:14:04Everything's starting to get rodeoed.
00:14:06Right.
00:14:06Rodeoing out.
00:14:07And so Ione Skye, current wife of Ben Lee, the Australian guitar player.
00:14:12Currently, yeah.
00:14:14And daughter, I don't know if you knew this, daughter of Donovan.
00:14:17Who you're friends with on Facebook.
00:14:18That's right.
00:14:19And I'm friends with Ben and Ione, although I haven't seen her in a long time.
00:14:23Not since she tied me up in this music video.
00:14:26You get tied up in a lot of videos.
00:14:28We watch Blue Diamonds after that.
00:14:29You get tied up in Blue Diamonds, too.
00:14:30I do get tied up in that video, actually.
00:14:32The more I think about it, that should have been a theme running through all my videos, and now I'm super embarrassed that I didn't think of that 15 years ago.
00:14:39You had the precedent.
00:14:40There was.
00:14:40I could have just been like, every video I'm tied up, that would have made my videos better because I wouldn't have been fucking dancing around.
00:14:48Anyway.
00:14:50Halfway through the video.
00:14:51Right at the heart of the film, there's a moment when she opens the door to her boss's office and she's walking in to deliver some papers to her boss.
00:15:03She opens the door, but instead of her boss's office, it's a long dirt walk across a rodeo field and her boss is sitting at his desk wearing a cowboy hat.
00:15:17And she makes the walk
00:15:21And puts the papers on his desk.
00:15:24And then there's the scene switches or something.
00:15:27That's a key moment in establishing the character of the boss.
00:15:34The boss is me.
00:15:35I am the boss.
00:15:37And if you watch the video very closely, you see her walk across the field.
00:15:42Why would you wear a short-sleeved shirt if you're the boss?
00:15:45Well, because it's a cowboy boss.
00:15:47When you're tied up to the end, you look like you work for NASA.
00:15:49Well, so this is the problem, right?
00:15:52You don't make a connection.
00:15:54between cowboy boss in the middle of the film and the person getting tied up at the end.
00:16:00The guy getting tied up at the end just seems like a co-worker.
00:16:03I've seen this a dozen times.
00:16:05I've never made that connection.
00:16:06So there I am.
00:16:07Are you in the scene with the cowboy hat as the boss?
00:16:10I am the cowboy hat boss.
00:16:12But you would never know it because the shot was made from like 80 feet away.
00:16:17So she walks across the field.
00:16:19She puts her papers on the desk.
00:16:20The boss is sitting there with his hat on.
00:16:22That's me.
00:16:23I'm sitting there.
00:16:24I spent an entire day sitting in that field for that two-second shot.
00:16:29And I said at the time, you know, like I'm not a guy that's going to sit around a music video shoot and not offer a few suggestions.
00:16:36I said, hey, I think you want one close-up shot on the boss.
00:16:41and her putting the papers down on his desk to establish what's happening here because this is this this is a there's gonna be a callback later you're gonna want it to be clear who she's tying up at the end you can't even really see your face at the end either
00:16:55It does not read as John Roderick.
00:16:57What do they call that with the little three-point tie?
00:16:59What's that called?
00:17:01Not hog-tied.
00:17:01What do they call that?
00:17:02Yeah, hog-tied.
00:17:03Yeah, but like when you tie the calves like three limbs together.
00:17:07Hog-tied.
00:17:08It doesn't read as you.
00:17:08It does not read as cowboy hat boss.
00:17:11And they didn't take your note on that.
00:17:13The guy who was making the music video, who was about 11 hours older than I was, he had it all figured out.
00:17:22He was a big-time Hollywood music video director, getting paid $500,000, and I was the keyboard player in the band.
00:17:29And so, no, nobody took my note.
00:17:32And then the video came out, and it was like, hey, good job.
00:17:35There's no story here.
00:17:37You had a story.
00:17:38Now it's just a bunch of collected images all piled on top of each other.
00:17:44That is a different video, because that is a story.
00:17:47That is that she triumphs at the end, rather than just seeming like she's...
00:17:51deranged exactly right because that became real if she's just tying up some co-worker who's standing in front of the copy machine then she's a lunatic you look more like an intern like she's tying up the intern yeah and this video is a tragedy whereas if you had established the boss character
00:18:10then yes, this video is like a revenge fantasy.
00:18:14She is the triumphant hero.
00:18:17Not worth 500 grand, you know what I'm saying?
00:18:21I know, I hear you.
00:18:22That's rough.
00:18:22That's recoupable.
00:18:24Also, you know, there's the great tradition, whether you're talking about an 80s movie or an 80s video or many other 80s things, there's like the mean boss.
00:18:34Now, I'm not just talking 9 to 5.
00:18:35I'm talking about the kind of like, ooh, the dean who eventually jumps in the pool.
00:18:39Dean Wartmer.
00:18:39Theme warmer.
00:18:41Like, you've got to establish that.
00:18:42You've got to show her being oppressed by this guy.
00:18:45If there's anyone who is the antagonist, if it exists, it's either her reality or maybe her boyfriend.
00:18:53Because her boyfriend, you know, that she's sitting on the couch with.
00:18:57He's pretty dull.
00:18:59You know, Mike Squires is in that music video, and he gets a nice antagonistic moment.
00:19:04How many takes did it take?
00:19:05To get Mike Squires?
00:19:07Sorry.
00:19:08Just digging up old wounds.
00:19:09Oh, I see.
00:19:09He gets in there with his little like he gives her a covetous glance.
00:19:16Oh, nice.
00:19:17As they pass in the copy room.
00:19:21He is a co-worker, a lascivious co-worker.
00:19:25And looks at her salaciously.
00:19:27And so he got a little star turn, Mike Squires.
00:19:30Oh, nice.
00:19:31But I was just a, you know, you could have had a paper doll in place of me.
00:19:36Isn't that a shame?
00:19:37It's just, it's a damn shame.
00:19:39You have to really scrabble.
00:19:41Yeah, sure.
00:19:42To even see me.
00:19:43I think we startled our daughter a little bit because there's a scene where Sean, my favorite part of the song, my favorite part of the video.
00:19:49Sean, you know, Sean, God, he's such a performer.
00:19:51He can't not be performing.
00:19:52He's so big.
00:19:53And he's tall.
00:19:54He sits down on the couch.
00:19:55And as one, my wife and I, we haven't listened to this song on purpose.
00:19:59Not because we don't like it, just because it hasn't come up in a while.
00:20:01But as one, we both go, the Marlboro Man died of cancer.
00:20:05And he wasn't a rocket scientist when he was alive.
00:20:08Ha ha ha.
00:20:09And my daughter looked at us like we were out of our minds.
00:20:12a lot of flavor he's got a lot of flavor puts a lot of spin on the ball oh then we watched you guys this is the weirdest lineup a lineup of you guys and you were hugging some lady it was for a seattle tv show what it was a weird fucking lineup it was you sean michael on drums and handsome guy on bass yeah i don't know what now when is that from
00:20:35so a couple years ago why wasn't eric why wasn't oh this is oh this is the redux it's the redux that's why no eric okay yeah it's the 2016 no 2013 i never remember his name but he was always nice and very handsome he's very very handsome what tell me his name are you sure you don't remember his name
00:20:57Hasn't he stayed at your house?
00:21:07Bobby?
00:21:10His name is Andy Fitz.
00:21:12He's one of the great musicians of Seattle.
00:21:15Andy Fitz has played on a lot of records.
00:21:17He's so calm.
00:21:19He's calm and calming.
00:21:22He's a wonderful guy.
00:21:23He's going through a little bit of a hard time right now.
00:21:24Oh, no, I'm sorry.
00:21:25I'm meeting him later today as a matter of fact.
00:21:27Oh, please tell him I said hi.
00:21:29So I have a problem.
00:21:32The problem is last night I got an email from a friend you may know, you may have heard of, George Meyer.
00:21:46Founder of The Simpsons.
00:21:48Oh, yeah, right.
00:21:49He's sick, right?
00:21:50No, no, no.
00:21:51That's the other founder of The Simpsons, and he passed away.
00:21:53Great tragedy.
00:21:54George was his friend, but also one of the developers of The Simpsons.
00:21:58Yeah, right.
00:21:59He sent me a nice email.
00:22:00He said, you want to go to a baseball game?
00:22:02I said, yeah, I do want to go to a baseball game.
00:22:05He said, great.
00:22:07Any day this week, good.
00:22:08And I said, you know what?
00:22:10Any day this week, I will go to a baseball game.
00:22:13And he said, great.
00:22:14I'll get right back to you when I take a look at the schedule.
00:22:18And I said, awesome.
00:22:20And then I was very excited.
00:22:21I was going to a baseball game with George.
00:22:23Nothing wrong with that.
00:22:24Walked around for a few hours thinking about the baseball game with George I was going to go to sometime this week.
00:22:30Then I get a message from my friend Andy Fitz, who's one of my favorite musicians, a lovely man.
00:22:36He said, going through a little bit of a thing.
00:22:39Want to get together for some fun?
00:22:42something something and i was like of course i want to be there for my friend andy i want to meet up want to get maybe a bowl of pho talk about some stuff throw it around two guys mono and mono so i was like well let's get together tomorrow it seems like we should you know like the the conversation should just get commenced upon right yeah and somebody's like having a time extremely long here i'm kind of scared where this is going
00:23:12immediately i get an email from george saying you want to go to the baseball game tomorrow night and i'm like but i just made a plan i didn't have anything to do all week this is how it always happens i just made a plan to go hang out with my friend who's going through a patch and now that's the exact time that george wants to go to the baseball game and now oh no
00:23:34Right?
00:23:34Because I don't want to, you know, you don't want to say no to anybody.
00:23:37You don't want to go, you don't want to call your friend who's having a hard time and say, can you postpone your hard time?
00:23:41Well, and it sounds like the reason you're going to give him sounds like you're trying to get out of it.
00:23:45Yeah, right.
00:23:46Oh, my friend's having a hard time.
00:23:48I told him I had to go hang out.
00:23:49George is going to be like, I thought you said you were free all week.
00:23:51It's like you couldn't bring yourself to say my kid's sick.
00:23:53Like that's too late.
00:23:55Oh, you haven't.
00:23:56Like some friend of mine's whatever.
00:23:58Why didn't you just say you didn't want to go to the baseball game?
00:24:01So then he offers me the second option, which is Friday night, which is the beginning of Memorial Day.
00:24:10And that is, I didn't even think that Friday was in play.
00:24:14I was like, I'm available every day this week, by which I meant Monday, Tuesday, Wednesday, Thursday.
00:24:20Because Friday, Memorial Day, it's going to be in the RV on the open road.
00:24:26So he comes back with, George comes back with two baseball game opportunities and all of a sudden I'm just like, der.
00:24:34So I have to write him back and say, what I meant was Tuesday, Wednesday, Thursday.
00:24:38And then I sound like a ding-a-ling.
00:24:41You do, you do.
00:24:42But I can't cancel on Andy and I can't, you know, I can't change Memorial Day.
00:24:47It went from, I went from walking around on my tippy toes, thinking I'm going to the baseball game with George, to here I am again.
00:24:57Here I am again on my own, going down the only road I've ever known.
00:25:03Which is the road of sorrow.
00:25:05Like a drifter, you're born to walk alone.
00:25:07I was born to walk alone.
00:25:09Yeah, that's alone, alone.
00:25:10It's an alone, alone rhyme.
00:25:11Mediate, cheese grate, water gate, conflagrate.
00:25:14Innovate.
00:25:15Innovate.
00:25:16Entrepreneurate.
00:25:17We didn't start the 60s.
00:25:22You know that I'm an in-excess defender, but I'm also one of the big-time in-excess haters.
00:25:29Yeah, it's one of those many things I avoid.
00:25:32Talking to me about NXS or talking about NXS or listening to NXS?
00:25:36Which one would make you happier?
00:25:39I'm not a huge fan.
00:25:41You don't like NXS.
00:25:42I didn't say that.
00:25:43I didn't say that.
00:25:45For years, you dined out on that whole, like, I'm not a fan thing.
00:25:47And now you're a fan of everything now.
00:25:50Don't get me wrong.
00:25:52I'm a huge Bob Dylan fan.
00:25:54Really?
00:25:54Now the tides have turned.
00:25:57You are the old crutchy guy who doesn't like things, and I love everything.
00:26:01Oh, my God.
00:26:01I sold my combs.
00:26:02Ooh, ha, ha.
00:26:03I know.
00:26:04Oh, Captain America.
00:26:05Oh, Captain My America.
00:26:07Superstar superhero.
00:26:10I love it.
00:26:11All of them.
00:26:12That was effective.
00:26:13No, it's just that.
00:26:15I super schmooper like...
00:26:18Almost half a half a dozen of their songs.
00:26:21And then I just kind of really don't like a bunch of them.
00:26:24We talked about it one time and it got a little ugly.
00:26:26Between you and me or with our listeners?
00:26:29No, this one was with me.
00:26:31So you and I were talking about NXS and it got ugly?
00:26:34Well, no, I avoided it before it got too ugly.
00:26:36I like the one thing.
00:26:38That's a great song.
00:26:40I like the dream on white girl, white boy, black girl, white boy.
00:26:44I like that song a lot.
00:26:46It has a different title because it was the 80s and you give a title that wasn't in the song.
00:26:50There's that.
00:26:50I like that song.
00:26:52Shabooshaba.
00:26:54Shabooshaba.
00:26:55I like Shabooshaba.
00:26:57You know, I didn't like Soup and Salad Bar like I didn't like that era.
00:27:01You know, Soup and Salad Bar.
00:27:04Suicide Blonde didn't like that one.
00:27:06No, that's not very good.
00:27:08Okay, so... So, Never Tear Us Apart is a great song.
00:27:11Yeah, okay.
00:27:12Yeah, yeah, yeah.
00:27:12You know what?
00:27:13I wouldn't look... That's good.
00:27:14They're good.
00:27:14Come on.
00:27:14That's a really good song, and that's later, period.
00:27:16So, the thing you want to do with NXS is, say, like R.E.M., oh, all the shit in the early days was good, and all the later stuff is bad.
00:27:25You pull a Depeche Mode.
00:27:26Right, but that does not work with NXS because there is garbage in and garbage out.
00:27:31There's terrible songs at the beginning, terrible songs at the end, but then how do you account for the great songs at the beginning and...
00:27:36and the great songs at the end.
00:27:38You can't account for them.
00:27:39Unless you make an actual study of this, you gotta really get in there, you gotta put on some gloves, hazmat suit, you wade into the NXS.
00:27:46And the thing about it is, my impression of NXS is that they wrote democratically.
00:27:54They never kicked the drummer out.
00:27:56There's no change.
00:27:57It's in excess the entire time, all of the bros.
00:28:02And nobody steps forward and is like, well, I'm kind of the genius here.
00:28:05Well, the media song has one writer on it who is a man called Andrew Ferris with two R's and two S's.
00:28:13Okay, so he's a member of the band.
00:28:15Andrew Ferris.
00:28:16I think he's a guitar player, right?
00:28:17Is he the guy with the glasses?
00:28:18He's a singer.
00:28:19Singer?
00:28:19Singer.
00:28:20No, Michael Hutchins is the singer.
00:28:21Oh, Michael Hutchins.
00:28:22Famous Michael Hutchins.
00:28:25And Michael Hutchins, everybody acknowledges... Is he alive?
00:28:27Did he take his own life?
00:28:29No, he... Well, it's not clear.
00:28:31He died... Oh, he had one of those kung fu situations.
00:28:33Yeah, okay.
00:28:34All right, enough said.
00:28:36But you got the impression that they really worked as a band.
00:28:40Don't Change.
00:28:41I like Don't Change.
00:28:41Oh, my God.
00:28:42It's one of the great songs.
00:28:43That's a great song.
00:28:44I still walk along thinking, Don't Change.
00:28:48And the thing about the Don't Change music video is that they had a really good idea, really good idea, which was that they were going to play –
00:29:00They're going to get into the back of a pickup truck and drive away while still playing the song.
00:29:05But what do you do with the drummer?
00:29:07Right?
00:29:07So everybody gets in, all the bass player jumps in, the guitar player, they're all still playing the song.
00:29:12Is he like hitting the fender or something?
00:29:13Yeah, yeah, yeah.
00:29:15He's like drumming on the side of the truck.
00:29:17And that just doesn't work.
00:29:18You can still hear the kick drum in the recording.
00:29:21I wasn't convinced.
00:29:22Yeah, I don't like that.
00:29:23Eodetic, right?
00:29:24Non-eodetic music?
00:29:25I don't like that.
00:29:27If it's on the screen, you should be able to hear it and vice versa.
00:29:31Precious Heart?
00:29:32I don't know.
00:29:34I need you tonight.
00:29:36Gross.
00:29:37There's so much bad stuff, though.
00:29:39But I, you know... New sensation.
00:29:42It's terrible.
00:29:43It's terrible.
00:29:44And yet... And I will go all the way to the mat...
00:29:49I'm just looking at titles, and there's so many bad songs.
00:29:52All the way, Devil Inside.
00:29:54Devil Inside.
00:29:56That's not good, but what you need, which a lot of people, I think if you were putting the REM overlay on NXS, what you need would be Orange Crush.
00:30:09Right?
00:30:11It's the first sign that the worm has turned.
00:30:16And I don't mean the worm has turned in a Shakespearean sense.
00:30:18I mean it in a tequila sense.
00:30:20Literally in the bottle.
00:30:21It's turned.
00:30:23It's gone.
00:30:24It has not turned on you.
00:30:25It has turned...
00:30:27to bad worm oh i see you're doing a little you're doing a little little fine language stuff here it's a little bit of fine language little fuko pendulum but i'm saying there are a lot of people that are going to go what you need is the beginning of bad and i'm going to say no bad and excess was there all along and good and excess was there all along and what you need actually is in the good and excess camp
00:30:47I think I like when the, I'm not saying they're trying to do this, but I like when they, in my head, they're trying to sound like hoodoo gurus.
00:30:56That's the one I like.
00:30:57I like that in excess.
00:30:58And then there's some where they seem like they're trying to sound more like, I don't know, like not Sisters of Mercy, but they get kind of like, he's singing too low.
00:31:05Yeah, he's singing too low and it's got all the bam, bam kind of stuff.
00:31:08I don't like the bam, bam stuff.
00:31:10And that What You Need has more Bamp Bamp.
00:31:14That's got a lot of Bamp Bamp.
00:31:15Than almost any other song except Eurythmics Missionary Man.
00:31:20Eurythmics Missionary Man has almost exactly the same amount of Bamp Bamp as NXS What You Need.
00:31:25And they're contemporaneous.
00:31:27And I think Missionary Man actually won an MTV music video.
00:31:30Oh, that is a Bamp Bamp song.
00:31:32Don't mess with the Missionary Man.
00:31:35That's a killer jam.
00:31:36Oh, and the guy in the music video for Missionary Man looks exactly like the guy from World Party.
00:31:43Oh my goodness.
00:31:44Go, go, go, go.
00:31:45Look immediately.
00:31:47I think it almost maybe is the guy from World Party.
00:31:51It's hard to watch this without watching it.
00:31:54Okay, I'm going to come back to this.
00:31:56Have you ever explored the previous band of her and Dave Stewart, The Tourists?
00:32:04Say what now?
00:32:05They were in a new wave power pop band before that called The Tourists.
00:32:13You're talking about Annie Lennox and Dave Stewart.
00:32:16And they do a cover of I Only Want to Be With You.
00:32:21That is one of the great things.
00:32:23Let's look right now.
00:32:25Let's go to... I only want to be with you.
00:32:28That would be funny.
00:32:30I only want to be with you.
00:32:33Yeah, go look guys.
00:32:34Go Google on the tourists.
00:32:36I only want to be... No, not that version.
00:32:38I want the other version.
00:32:39It's a 2010 film starring Florian Henkel von Donnerschmark.
00:32:45Oh, that's a Kraftwerk cover band.
00:32:48Literally, Florian Henkel von Donnerschmark is the director of The Tourist starring somebody.
00:32:55Angelina Jolie is in it.
00:32:57The reason I print a lot is we print and we scan.
00:33:01We scan things and we print things.
00:33:03And I've started printing out photos.
00:33:05Do you print out all your emails and put them in a file cabinet?
00:33:09Of course I do.
00:33:10It's the only way I can get inbox zero.
00:33:13Beep boop.
00:33:16Fuck you, world.
00:33:18Wait, how many folders do you have?
00:33:19Let me guess.
00:33:21God damn it.
00:33:28Duke boys.
00:33:31I just went full on Roscoe, didn't I?
00:33:36Remember they gave him a dog?
00:33:37Remember Flash?
00:33:39Flash!
00:33:40They gave him a little hound dog.
00:33:42They couldn't add a kid to the show, so they added a dog.
00:33:46They gave him a little dog named Flash.
00:33:47So now, have you ever noticed that Sheriff Roscoe P. Coltrane is proto-Bob Odenkirk?
00:33:55Oh, yeah, right.
00:33:56I see that.
00:33:57Right?
00:33:58Bob Odenkirk is doing Roscoe P. Coltrane.
00:34:02Right.
00:34:02About one-third of his characters.
00:34:05That's, yeah.
00:34:07You know, that's finally on the HBO again, on their little streaming channel.
00:34:11So I watched a few.
00:34:12Yeah, yeah.
00:34:12I think that's one of those shows that didn't... Does that belong to HBO?
00:34:15You know how it doesn't matter.
00:34:16Anyway, I started watching Mr. Shows again.
00:34:18It's still a delight.
00:34:19Yeah, that's wonderful.
00:34:20It comes up a lot on this program, and people probably don't know what we're talking about when we make Mr. Show jokes.
00:34:24So this is one of those weird things where...
00:34:28You know, I discovered this the other day.
00:34:30I was talking to a close friend about some component of the alcohol recovery movement.
00:34:38And I realized that she really didn't have an encyclopedic knowledge of, like, addiction issues.
00:34:47dependency culture and literature there was a time when everything was 12-step that became like in the late 80s early 90s there was a giant self-help boom and part of that self-help boom like you go suddenly you go to the bookstore and there's this entire section of pink books out of nowhere remember you could always go right because it was mainly marketed at women and women love pink so there are all these pink books and everything was a uh called recovery you're in recovery they'd say recovery that's right they still say that today
00:35:14I think so, yeah.
00:35:15There are a lot of people in recovery still.
00:35:17Although it's not – it doesn't feel like it's quite the cure-all that it once was.
00:35:22But it was – I mean it got – I don't want to sound insensitive because it's helped a lot of people.
00:35:26But I mean the template of AA, then you got into Narcotics Anonymous.
00:35:30And then I think it became a lot about abuse.
00:35:33Like it wasn't like recovering from like an abusive childhood.
00:35:36That was a – That was a part of it.
00:35:38And then it got to a point where you could use the tenants or rather it was –
00:35:43It was promoted that you could use the tenets of Alcoholics Anonymous to address almost any issue so that you could be in recovery from television.
00:35:57You could be from overwatching television.
00:36:00You could be in recovery from television.
00:36:03I mean, that was the point at which I got off the train.
00:36:06But it was, and again, I'm not trying to be glib because it helps people, but it was as though anything that was traumatic and difficult.
00:36:16Or compulsive.
00:36:18Or anything that preoccupied your mind, basically.
00:36:21Or caused you – I'm not exactly even sure because I didn't go all the way down.
00:36:27But it became a punchline.
00:36:28It became a punchline.
00:36:29There's several punchlines about AA.
00:36:32Not to make fun of AA, but just to say like admitting you have a problem.
00:36:35That becomes a punchline.
00:36:37Making amends.
00:36:38That kind of becomes a punchline.
00:36:40But this person I was talking to was a millennium.
00:36:44And she did not, you know, the millenniums... The millenniums are going to make the teens look like... They're going to make Generation Y look like the greatest generation.
00:36:57More like Generation Y, am I right?
00:36:59Generation Y not.
00:37:02So she... They, you know, didn't come up in this... They came up in post...
00:37:09recovery irony era oh sure so she just doesn't even you know and I'm talking to her like oh yeah all this like all this 12 step ism that sort of is just in the water where I live and she's like it's almost in a way reset
00:37:29Where the Millenniums are like, oh, alcoholics?
00:37:35Aren't they like people that live under bridges?
00:37:38It's like, no!
00:37:40No, no!
00:37:41We spent years and years trying to take away the stigma.
00:37:46And now we neglected, we didn't tend that garden for a little while and now all the Millenniums are like, alcoholics?
00:37:54That's gross.
00:37:55It's like, oh boy, we have to start all over again.
00:37:57We have to beat them all down with our alcoholism like cricket bats.
00:38:06Alcoholism cricket bats.
00:38:07Whack, whack, whack.
00:38:09Two, three, four.
00:38:13So a lot of language issues.
00:38:15But I feel, did I ever tell you the story about the time I got a video, like I got texted a video from Dave Stewart?
00:38:26No, I don't think I know that.
00:38:30I'm also just inconsolable right now that it looks like the original MTV style version of this video is just not available.
00:38:37The tourists.
00:38:37Yeah, it used to be everywhere.
00:38:38You'll still get the feeling of it, but it's really, it's a really cool 80s video.
00:38:43So Dave Stewart texted you a video?
00:38:46Well, yes.
00:38:47So I had a friend who was working in the studio in Nashville with Dave Stewart producing.
00:38:57And I was like, you got to be kidding me.
00:38:59You got to be kidding me.
00:39:01You're working with Dave Stewart.
00:39:02I'm kind of a little bit of a super fan.
00:39:06And the person I was talking to was also a millennium.
00:39:12And they were like, oh, really?
00:39:15You know, like he's the producer on the sesh.
00:39:17I was like, he's the producer on the sesh.
00:39:20I bet he is.
00:39:21Really looking forward to the weekend, you guys.
00:39:25But he's also like, you know, a major influence on me.
00:39:29One of the greats.
00:39:30Truly one of the greats.
00:39:33And she was like, oh, do you want me to say hi to him for you?
00:39:37And I was like, yes, I do.
00:39:41I don't know why, but I do.
00:39:43And so later on that night, I get a video.
00:39:50of dave stewart very close to the camera and honestly a little soused good for him saying hello hello hello hello hello john what's all this thing keep keep being great peace and love whatever
00:40:10Cheers, mate.
00:40:12And then he turns around and, you know, he might even be wearing a chair.
00:40:19He's standing in a hallway, turns around.
00:40:22Maybe he's also wearing a top hat.
00:40:25I don't remember.
00:40:25Carrying a briefcase that's possibly handcuffed to his wrist.
00:40:32And he walks slowly down the hall.
00:40:34The top hat didn't fall off.
00:40:37No, no, no.
00:40:37It's a jaunty angle all the way to the end.
00:40:40And then he turns to the left.
00:40:43But he doesn't smooth it.
00:40:45He gets to the end, stops, turns to the left.
00:40:48proceeds off screen it's like a steampunk basic program yeah and i just i felt like wow that just made that just made my night that's nice no it's nice that the millennium uh thought to to to get the whole shot in like cover it all because the kid these kids today they tear away you don't get more than two seconds of video of anything if there's anything we learned in the age of the handycam it's that you gotta you gotta stay on one thing for a while
00:41:13Right.
00:41:14And they don't do that today.
00:41:15The kids don't know that today.
00:41:16This wasn't a Snapchat, right?
00:41:18This was something else.
00:41:20Wasn't a Vine, John?
00:41:21This was a film that she was making just for me.
00:41:24And she understood that it was one old person communicating through the internet tubes to another old person, and she was just an intermediary, and she wasn't going to impose her millennium aesthetic on it because she knew that this old person was continuing to perform all the way down the hall.
00:41:43And that the other old person on the other end of the line was going to keep watching this video even if he walked to infinity.
00:41:50And she was like, I'm going to keep this camera rolling.
00:41:51I don't know what you guys are doing.
00:41:53I don't even know who you are.
00:41:56I'm looking at images of the tourists now, and this is like, I didn't even think, Merlin, to Google young Annie Lennox.
00:42:06That's how far off I was.
00:42:07Have a nice week.
00:42:08That's how far off I was.
00:42:10Here's the thing you forget.
00:42:11The thing you forget is that she's probably...
00:42:15pushing 70.
00:42:16So, A, she looks amazing.
00:42:17Not that it matters.
00:42:18She looks amazing today.
00:42:20But, like, you know, she was in her 30s in the Eurythmics, I think.
00:42:23Mm-hmm.
00:42:24oh god i wish you could see that she's wearing like a little skirt and it's like there's new wave going on and there's it's a white it's got the it's got the it's a classic 80s video it's got the white background and they're like standing on like pedestals and stuff it's pedestals new wave pedestals you know the other day i was um you know we we sometimes talk about um linda ronstadt yeah
00:42:49And then I was in a thrift store with a friend, and she brought over a copy of the Linda Ronstadt album from 1976 where she's actually on roller skis.
00:42:58Ah, of course.
00:42:58Is that something USA?
00:42:59Something like that?
00:43:01America USA.
00:43:02America USA.
00:43:03Cheeseburger Bang Bang.
00:43:04And she's wearing...
00:43:06She's got a satin jacket on, doesn't she?
00:43:08Satin jacket and I'm pretty sure satin short shorts or satin gym trunks.
00:43:13Or maybe they're terry cloth.
00:43:15Either would be fine.
00:43:18There's a part of me... Those are statement shorts.
00:43:21I'm not even sure I've ever been with a woman who was wearing terry cloth
00:43:25uh shorts with a little with little white bunting but that imprinted on me in 1976 as somewhat of the idea the feminine ideal and i've never i've i don't know why i haven't ever acted that play out yeah but in any case i realized that there's a huge difference for me between pre-perm linda ronstadt and post-perm oh sure and i was not pro-perm
00:43:49I was anti-perm the entire time that perms were perms.
00:43:53Perms were an affliction.
00:43:54They were everywhere.
00:43:55My best friend got a perm.
00:43:56I didn't like perms.
00:43:5713-year-old boy with a perm.
00:43:58He deliberately got an afro.
00:44:00It's crazy to think, you know, Clapton all through cream had a perm.
00:44:05A giant perm.
00:44:07What is happening?
00:44:08now wait a minute i i clicked on the tourists and i got a bunch of images of fleetwood mac in the studio and i'm not sorry about that either yeah see google learns it learns from you this is such this is such an old old dude old day today george george myers george myers life mate yeah her oh okay hey nice double points you know who her father is
00:44:36her father is i don't be creepy but just because i'm googling people on the internet her uh her father is lorenzo semple jr none other than the creator of batman alongside william dozier no you're kidding i'm not living in spain 1965 semple was approached by william dozier to develop the television series on the comic book wrote a pilot probably picked up series based on the air wrote the first four episodes also served as executive story editor fucking batman dude
00:45:03This explains so much.
00:45:05Dude, dude.
00:45:07He worked on Three Days of the Condor.
00:45:08He wrote the screenplay for Three Days of the Condor.
00:45:10I had no idea.
00:45:11You love that movie.
00:45:13He wrote the screenplay for Papillon.
00:45:16I am pretty good friends with Maria.
00:45:19He just passed a couple years ago.
00:45:22You know, she is a best-selling author.
00:45:25Yeah, she did that movie.
00:45:27She wrote Ivor Huckabees, right?
00:45:31Yeah, I know her name.
00:45:32I instantly saw her name.
00:45:33I instantly recognized her name.
00:45:36She wrote Where Did You Go Bernadette?
00:45:39Which was a New York Times bestselling book about being in Seattle.
00:45:43She taught fiction writing at the Richard Hugo house.
00:45:46It all comes around.
00:45:47Next to which your van used to practice.
00:45:50That's right.
00:45:50I'm basically the founder of the Richard Hugo House.
00:45:54It's basically named after me.
00:45:55They had to throw you out to make it, didn't they?
00:45:58They're going to make it after all.
00:46:00Oh, my God.
00:46:00Annie Lennox.
00:46:02Annie Lennox of the tourists photographed in 1980 in some kind of little pearl-beaded...
00:46:08sleeveless blue go-go dress yeah she's confident she's it's really wonderful those were the times look at her she's so look at dave look how skinny he is he's not anymore i know i know it happens happens to us well and you know he's a ginger too oh poor guy it's amazing amazing how he's gotten through it
00:46:30Oh, here's why.
00:46:31Because they blocked it.
00:46:32Fucking... They blocked the vid?
00:46:35The vids got blocked.
00:46:36The whole sesh.
00:46:37Why would they block the sesh?
00:46:39The video contains content from SME, whatever that is, who has blocked it in your country on copy.
00:46:44This is what it feels like to be Canadian.
00:46:46To have things blocked?
00:46:47Yeah, you just don't get stuff.
00:46:49Is that true?
00:46:50Oh, I hear about this.
00:46:51Well, look at what's happening with our shirts.
00:46:53We didn't know about this.
00:46:54People were buying our shirts in other countries and having to pay all this extra money for customs and stuff.
00:46:58I feel bad about that.
00:47:00Well, this is the thing about commerce, right?
00:47:02Yeah, that is the thing about commerce.
00:47:04Commerce is a shit show.
00:47:06It always involves money.
00:47:09Almost always.
00:47:10Well, it involves money, but it's like they are trying with these duties to protect themselves against something, right?
00:47:17And rather than tax...
00:47:20oil appropriately, or rather than tax people that are making billions, they're adding a 19% VAT to a single t-shirt that you're ordering from some ding-a-lings in America.
00:47:37And it's like, really, that's how you're going to pay for your universal public health?
00:47:42is what these fucking duties... And the thing is, most of the time they're just doing it because America has done a similar thing.
00:47:48It's like, you talk about free trade, Bill Clinton.
00:47:52You talk about free trade.
00:47:54Free the trade!
00:48:00By the time this episode comes out, there won't be much time left to buy a t-shirt, so I'm not going to say buy a t-shirt.
00:48:04What I will say is thank you to the people who bought t-shirts.
00:48:07As I look at this right now, John Roderick...
00:48:10People have purchased 1,257 Roderick on the Line t-shirts.
00:48:15Well done, people.
00:48:16Thank you, everybody.
00:48:17Wasn't that nice of people to do that?
00:48:19Well, I wouldn't say nice because I think they're getting a wonderful thing.
00:48:24I think they're getting a wonderful thing.
00:48:27I made you so mad.
00:48:29I made you so mad one time when I was like, John, quit making a big deal about this.
00:48:33It's free money.
00:48:34And you said, there's no such thing as free money.
00:48:37Wait a minute.
00:48:38Why are you imitating me in the voice of somebody who works in the boiler room of a submarine?
00:48:46That's what you sound like when you're texting sometimes.
00:48:52No, it's not.
00:48:54I told you about that, did they?
00:48:56See how I said it all calm?
00:48:58There's no such thing as pretty much...
00:48:59Put on your top hat.
00:49:03Handcuff your briefcase to your arm.
00:49:05Everybody who ordered a Roderick on the line t-shirt got great t-shirt value for their money.
00:49:11That's true.
00:49:12And now they're going to be able to wear those shirts out.
00:49:14It's going to improve their chances of mating.
00:49:17They're going to get more tail than Sinatra.
00:49:18Right?
00:49:18Because they're going to be wearing the shirt.
00:49:20Someone is going to look at them from across a crowded dance floor.
00:49:24And they're going to say...
00:49:26There is a Roderick on the line listener.
00:49:28I, too, am a Roderick on the line listener.
00:49:30That's absolutely right.
00:49:31Let's make whoopee.
00:49:35Right?
00:49:36There's going to be a lot of finger banging, just based on this one shirt, I think.
00:49:40Who knows?
00:49:40Who knows what people do?
00:49:41I don't care whose finger it is and where you're putting it.
00:49:43I'm just glad we got you the shirt that's going to put you in that situation where you can say yay or nay.
00:49:47I have learned that a lot of our listeners are millenniums and they have all kinds of weird sex with each other.
00:49:54You're telling me about this.
00:49:56They have butt sex and they keep their virginity.
00:49:58You told me about this twice already.
00:50:01I keep talking about it because I think it's great.
00:50:03I've been thinking about it a lot.
00:50:05I've been thinking about it a lot.
00:50:07It's really a new age.
00:50:09It is a new age.
00:50:10Think of all the virgins out there.
00:50:12You walk around and you're like, these kids are really sophisticated, but they're still virgins.
00:50:16They're butt-banging, but they're virgins.
00:50:19Butt-banging, butt-banging virgins.
00:50:22Now that's an InXS record.
00:50:25If I had an InXS record, butt-banging virgins, I would reevaluate their whole career, but it's too late now.
00:50:31You can feel it in your gut.
00:50:33You'll be banging in the butt.
00:50:35Bump-bump.
00:50:36wow wow that's what you need did you like hoodoo gurus they were hot for a while i think they're australian uh yeah well hoodoo gurus were one of those bands that were like proto band they were like rootsy they would like uh it was a rootsy kind of thing it was in the rootsy era
00:50:57Rootsie era.
00:50:58Yeah, you got like Zeitgeist slash The Reavers.
00:51:00You got all those bands that are doing like a Rootsie thing.
00:51:04Mm-hmm.
00:51:05Mm-hmm.
00:51:05Like Lone Justice.
00:51:06You got a Lone Justice?
00:51:07Oh, boy, she's something, isn't she?
00:51:09We've talked about her.
00:51:10We've talked about her.
00:51:11But I feel like...
00:51:13I feel like this is one of those things where you are just a couple of years older than me, not even just two years older than me, maybe.
00:51:23I grew up with Star Wars.
00:51:24You grew up with that Empire Strikes Back shit.
00:51:26Exactly.
00:51:28You were listening to, this is the, the Hoodoo Gurus is right in this key little keyhole.
00:51:36Yeah, the age difference right there.
00:51:39You would not have been exposed to that like I would have been exposed to that.
00:51:42You were one year ahead of me in some stuff like that.
00:51:45So like Mitch Easter's band and stuff like that.
00:51:48Let's Active.
00:51:50I love Let's Active.
00:51:51You were already digging into Let's Active at a time when I was like...
00:51:55I was an R.E.M.
00:51:56fanatic.
00:51:57Anything that was related to R.E.M., I sought out.
00:52:00Everything that starts with Peter Buck wearing a Husker Du shirt.
00:52:03I got to check out Husker Du.
00:52:05To Michael Stipe singing with those two ladies.
00:52:10The Doctor of Divinity.
00:52:11Indigo Girls.
00:52:14And believe me, I was all over the Indigo Girls.
00:52:18All over Indigo Girls like some wet cellophane.
00:52:21But I was... Is that what that's called, John?
00:52:25Portrait of Rasputin and a beard down to his knee.
00:52:28The thing about a dental dam is it's not going to prevent the spread of STDs.
00:52:32At least it needs braces.
00:52:35Dental dam!
00:52:36I was also still listening to Billy Squire at this point.
00:52:39Oh, man.
00:52:40He was well and truly into his silly dance.
00:52:44He was.
00:52:45Have you watched Rock Me Tonight in the last 10 years?
00:52:47Yes, I have.
00:52:48You need to...
00:52:50I mean, have you really watched it?
00:52:51Because you just can't even believe, even in the first 20, you cannot believe this video ever existed.
00:52:56It's so much worse than I remember.
00:52:58I had quite a bit of, I mean, Billy Squire was very problematic for me because I really liked those first two records.
00:53:10And then it started to get really, really strange over in the Billy Squire camp.
00:53:15It did, and I think that video, it's kind of a meme.
00:53:19I think that video was hard on him.
00:53:20The Rock Me Tonight video ruined his career.
00:53:23I've read oral histories of that video.
00:53:25Yeah, yeah, yeah.
00:53:25But also, it wasn't just the video.
00:53:27He came out with some kind of strange... He started appearing with a signature model guitar, which was like a pastel-colored... Was it a Schecter?
00:53:36It was like a modified Telecaster.
00:53:39Some kind of Tele.
00:53:40I don't think it was a Schecter.
00:53:41Some guitar that also was not very hard rock.
00:53:44How did Fender not hire him to use a Squire Tele?
00:53:50Different spelling, I know.
00:53:51Why have I never thought of that?
00:53:53It's brilliant.
00:53:54I mean, it's money on the table.
00:53:55It's free money.
00:53:56Why the hell didn't they do that?
00:53:57Free money.
00:53:59I never made the connection.
00:54:00I loved the In the Dark record.
00:54:03In the dark.
00:54:04In the dark.
00:54:06That's a great record.
00:54:07It's got monster drums on it.
00:54:09So Emotions in Motion is the one we're talking about, right?
00:54:12Emotions in Motion is a great, great tune.
00:54:14No, Rock Me Tonight came after... Oh, Rock Me Tonight, that's the album.
00:54:18That's the titular track.
00:54:19Well, no, it's from Signs of Life.
00:54:21Signs of Life, 1984.
00:54:23Oh, you're absolutely right.
00:54:25Whereas Emotions in Motion...
00:54:29From the album Emotions in Motion.
00:54:31That record, I think, is bulletproof.
00:54:34Emotions in motion.
00:54:37My girlfriend at the time and first serious partner downstairs, there were two people, two men that she regarded as the height of sexy.
00:54:46And that was Billy Idol and Billy Square.
00:54:48They're both named Billy.
00:54:49You know, Billy is also some kind of Cockney rhyming slang for penis.
00:54:56Yeah, when you say Billy Corgan, it just means penis.
00:54:59Penis Corgan.
00:55:00Smartest kid.
00:55:02Have you seen him lately?
00:55:05Billy Corgan?
00:55:05I see him all the time because we're both members of the chemtrail, some secret chemtrail office.
00:55:11He and John Mayer and I sometimes drive out into the desert.
00:55:15He's turned into a Bond villain.
00:55:18He was always the worst.
00:55:20I remember in 1992, a guy from Anchorage came down and was living in the house that I was already crashing in.
00:55:29He showed up.
00:55:30He was a guy I went to high school with.
00:55:31He was actually a guy.
00:55:32He's in some ways...
00:55:35He was one of those keep your friends close and your enemies closer guys.
00:55:39He and I have the exact same birthday.
00:55:41His name was David.
00:55:43Exact same birthday.
00:55:44We were born on the same day in history.
00:55:47Same birth date.
00:55:48Same birth date.
00:55:49September 13th.
00:55:49That's an important distinction.
00:55:53But he was a year younger in school.
00:55:55He was a junior when I was a senior.
00:55:58And he was very handsome.
00:56:01He looked like a young Tom Selleck, which I know doesn't sound very good, but he had like super dimples.
00:56:08And he was cute and he was like, he was GQ.
00:56:12But that made him old for his grade and made you young for your grade.
00:56:16I was very young for my grade.
00:56:17He was very old for his grade.
00:56:19And I read a thing the other day that said that kids born during the summer typically have –
00:56:27Typically, this is the new metric, apparently.
00:56:30I read this all the time now as a way of tracking kids' progress.
00:56:36But kids born in the summer are less likely, significantly less likely to become CEOs, which is the American standard of achievement.
00:56:45No kidding.
00:56:46Because they're the youngest kid in their grade.
00:56:50And so if you're born in July or something, then you're much younger than kids that are born in April.
00:56:57Because if you're born in July, you're, you know, you are, you're in the class of, you know, you turn five and then you are in school.
00:57:06Like if you're born during the school year, what becomes the school year, you get to have normal birthday parties.
00:57:11Right.
00:57:12But you get a summer birthday.
00:57:13What are you going to do?
00:57:14You're going to give you a half birthday?
00:57:15I mean, that's weird.
00:57:17But I was born in September, and I went into the grade school.
00:57:21I went into grade as though I were one of these.
00:57:24I was four when I started kindergarten.
00:57:27So talk about less likely to be a CEO.
00:57:30You could not be more disadvantaged than me in this capacity.
00:57:33A kid born two days later would have been held back a year.
00:57:37I should have been helping.
00:57:38But doesn't that give you grit?
00:57:39Don't you have to have grit to be a CEO?
00:57:41Do I have grit?
00:57:41Yes, I do have grit.
00:57:43I'm still not a CEO, but I'm still a young man.
00:57:46Anyway, David, so I probably told you this before, but I decided when I was a junior that I'd never had a girlfriend and I had never, I was succeeding in high school and
00:58:05in the sense that I was making a name for myself as a kind of an anti-authoritarian clown Blutarski.
00:58:19But I was not succeeding in high school on high school's terms.
00:58:24And in my junior year, at the very beginning of my junior year, I said, you know what?
00:58:27I'm not going to do this.
00:58:28I am not going to go through high school being a dork.
00:58:33I am going to...
00:58:36I'm going to do something about it.
00:58:38And I remember I had my dad or my mom.
00:58:42Actually, this sounds like something my mom had done.
00:58:44She bought me one of those desk blotters.
00:58:47Oh, nice.
00:58:47Like with a calendar?
00:58:48With a calendar.
00:58:49Oh, those are terrific.
00:58:50Well, yeah, but I mean, talk about a 10th grader who's pretty much destined to be a dork all through high school.
00:58:58I had a desk blotter.
00:59:00And I'm sitting there at my desk blotter.
00:59:03Before junior year starts and I'm plotting, how am I going to do this?
00:59:07How am I going to overcome?
00:59:12Because I'm sitting in the back of the class right now.
00:59:15I'm covered in dandruff.
00:59:17I don't chew tobacco.
00:59:18I've never kissed a girl.
00:59:21I'm a year younger than everybody else.
00:59:23You're like the world's saddest Merle Haggard son.
00:59:27I'm shaped like one of those logs of cookie dough.
00:59:31And I smell like one of those logs of cookie dough because when I come home from school, I eat about a half a log of cookie dough uncooked because it's the greatest thing in history.
00:59:42I am just, I am like, I am the worst.
00:59:46You're realizing you got to change your game a little bit.
00:59:48I got to check yourself before you wreck yourself.
00:59:51What do I do?
00:59:52And I wrote down because my dad was born in 1921 and he used a lexicon that even in the early 1980s was no longer being used.
01:00:03But I wrote big man on campus.
01:00:05All right.
01:00:07BMOC on the top of my desk blotter.
01:00:09And I looked at the words.
01:00:11I studied the words and I was like big man on campus.
01:00:14How does one become a big man on campus?
01:00:16Because my dad would talk about...
01:00:18at the fraternities in 1938, the big man on campus.
01:00:23He tied a crew sweater around his neck, and he swung a tennis racket everywhere he went, and he was a member of the crew team, and he drove a Model A jalopy with a raccoon tail hanging from the antenna.
01:00:36That right there is a big man on campus.
01:00:37It's a big man on campus.
01:00:39He would cram a bunch of undergraduates into a phone booth.
01:00:42He was the guy.
01:00:44He was the guy.
01:00:45It's like swallow goldfish, that kind of thing.
01:00:47That's right.
01:00:48So how do I get to be a big man on campus?
01:00:50I'm studying this thing and I was like, just studying the words, big man on campus.
01:00:56I've got to get a girlfriend.
01:00:58That's one of the things.
01:00:58You've got to get a girlfriend.
01:01:01I was like, how does one get a girlfriend?
01:01:02I have no earthly idea.
01:01:05Girls terrify me.
01:01:07I don't know how to go about doing this.
01:01:10I feel like you need to exercise maybe in order to get a girlfriend.
01:01:14Maybe?
01:01:15Not sure.
01:01:16So I went to school in the beginning of my junior year, and I was like, you could tell just by the way people treated me that I was being – I was definitely on a track to –
01:01:32be excluded.
01:01:32And I already preferred to be in the band room at lunch.
01:01:39So I was headed there, hard.
01:01:41Like my preference was to align myself with my peers, who were people that sat in the band room at lunch,
01:01:49and practice the clarinet or sat in the dark room of the student newspaper and like i mean i had a friend who was the one of the photographers of the student newspaper who would just take surreptitious photographs of the cheerleaders and then develop them and like i don't know what he would do with the pictures i mean it's not like they were panty up upskirt shots yeah but he's applying himself yeah he would just sit across the just focus on the cheerleaders weirdo
01:02:16But I decided I needed a girlfriend, so I started.
01:02:18I got to school at the beginning of junior year, and I was like, who is going to be my girlfriend?
01:02:23Who's the lucky girl?
01:02:24Who is going to be the one?
01:02:29And I picked Kelly Kiefer.
01:02:31I've talked about her on the show before.
01:02:33Oh, she's a red-haired girl.
01:02:34That's right.
01:02:34Red-haired girl, and she was the class president, and I chased her.
01:02:36I chased her.
01:02:37I chased her relentlessly.
01:02:39And then I won her affections and then we were like a couple and she was a big wheel and then I was a big wheel.
01:02:49I was big man on campus all of a sudden largely because I had coupled with this very accomplished lady.
01:03:00And –
01:03:03And I genuinely loved her.
01:03:05I mean, she was in my thoughts all the time.
01:03:09Wasn't she kind of your Diane Cork?
01:03:11Was she a little bit out of your league?
01:03:12She was totally out of my league, and she said so multiple times in notes that she would pass me in class that said literally, I am out of your league.
01:03:20Stop harassing me.
01:03:22You dander-covered log.
01:03:27And I would say, I know that this is just a code for how much you love and adore me.
01:03:35And she would say, you are a log.
01:03:40I'm a very important woman.
01:03:41I have important business to attend to, which includes getting good grades and being popular.
01:03:48And just the fact that I'm passing you these notes is diminishing my stature.
01:03:54And I was like, I love you too, baby.
01:03:58Anyway, Kelly Kiefer and I broke up during the summer between junior year and senior year, largely because...
01:04:08After we were in a relationship, she was like, here's what relationships look like.
01:04:13And I didn't understand that and still don't.
01:04:16I was like, what?
01:04:18You mean we just spend all our time together?
01:04:19Just you and me all the time?
01:04:21She was like, that's right.
01:04:23That's what boys and girls do when they become in a relationship.
01:04:26That's not what you're expecting.
01:04:27I was like, I thought that what you did was you guys went out together and did crimes or whatever.
01:04:33You were leaders of a gang.
01:04:35Wouldn't you be Pinky Custodaro to my Fonzie?
01:04:42Pinky and Fonzie didn't just hole up all the time and watch Ferris Bueller's Day Off on VHS.
01:04:47No, they were like hanging with their gangs, their respective gangs.
01:04:51You got adventures.
01:04:52You go on adventures, but your gang has pink satin jackets.
01:04:56My gang is apparently Richie and Potsy, which is weird.
01:05:00Wouldn't Fonzie have like a cool guy gang?
01:05:06Anyway, we broke up during the summer.
01:05:08Beginning of senior year, Kelly starts going out with David.
01:05:13David, David, you're your friend of me.
01:05:17That's right.
01:05:17The guy who has the same birthday as me.
01:05:20Exactly.
01:05:21We're exactly the same age, but he's a year younger.
01:05:23That's no accident.
01:05:25He's a year younger and he's all fashionable.
01:05:28He's like super fashionable.
01:05:29He's where he's got a guest watch.
01:05:33Yeah, he's where he's wearing a guest clothes.
01:05:36And he's got his hair is all perfect.
01:05:38You're sewing your own alligator on things.
01:05:41I'm sewing an extra alligator humping the one alligator.
01:05:45Like the alligator on the shirt and then you have an extra alligator because I'm living out some movie that I am writing as I go.
01:05:55And I was so appalled.
01:05:58I was so, I was appalled.
01:06:01That's what it was.
01:06:02I was like, why are you, why are you, Kelly, why are you debasing yourself by going out with this child who's the same age as me?
01:06:09She was like, I don't know, he's really handsome.
01:06:14So David, years later, moved into the same house I was living in down here in Seattle.
01:06:22I wasn't paying rent.
01:06:23I was sleeping on the couch.
01:06:25He moved in and actually started paying rent, took one of the rooms.
01:06:28Oh, that's not fair.
01:06:29That's not cricket.
01:06:30Well, no.
01:06:31So now his status in this house, in this grunge house is higher than mine.
01:06:36Like, you know what I mean?
01:06:37Like if you're a rent payer.
01:06:39Oh, absolutely.
01:06:40You get to have preferences.
01:06:42Well, sure.
01:06:42You get a shelf in the cupboard that's for your canned food.
01:06:45The couch boy does.
01:06:46Couch boy with the, you know, the kid who's a log.
01:06:49He doesn't get that.
01:06:50I'm the log again.
01:06:51You're the dander log.
01:06:53I'm the log and I'm stealing cans of ravioli out of the kitchen that don't even belong to me.
01:06:59Not because I can't.
01:07:01Well, I couldn't afford a can of ravioli of my own.
01:07:03But if I could, I wouldn't have even had a shelf.
01:07:05Right.
01:07:06oh so many levels it's very confusing sure is so uh did she come around who oh sorry kelly you guys got back together didn't you not really oh no she's like a doctor now right yeah i you know oh we talked about this one time and then some kid chastised me on the internet because i said where she worked three times or something like that
01:07:29But so now I can barely bring myself to utter her name.
01:07:34But no, she ended up, she got her revenge on me.
01:07:39She got her revenge on me for sure.
01:07:41Not just for dating David.
01:07:44but you know, like other things she would.
01:07:48She came to visit me in college one time, came to visit me at my weird Northwestern Catholic school.
01:07:58And she sort of traipsed and you know, I took a year off before I went to college.
01:08:01So I was now a grade under her.
01:08:03I was a freshman and she was a sophomore at a big time East coast university.
01:08:08And she came to my college and waltzed around the dorm.
01:08:13Basically looking indoors like, what are you kids doing here?
01:08:18I was just like, ugh.
01:08:19Why are you doing this to me?
01:08:21But you don't want to call her bluff on it.
01:08:24Because I kind of want to say, what's your game here, Kelly?
01:08:27What's your game?
01:08:30I did not have the ability to call...
01:08:34girls on their game until just recently.
01:08:37Oh, really?
01:08:38That's super interesting.
01:08:39I was 41 before I could say, hey, what's your game here?
01:08:44Did you do it on purpose or did you just find yourself calling someone on their game?
01:08:47No, no, no.
01:08:49Did you make a study of it and say, I'm going to go call this girl on her game?
01:08:52I'd been studying it for 26 years and I think maybe at age 41 I had a new desk blotter and I had written at the top of it some other acronym.
01:09:02And I was like, you know what?
01:09:03You're not going to make it in this life if you keep playing.
01:09:07Boys can't play games on me.
01:09:11It's just girls that are playing games on me, and I keep taking them at their word.
01:09:15You keep giving them the keys, the keys to your mind box.
01:09:18I'm like, oh, okay.
01:09:19Is that the er, derp, derp, derp, derp, derp?
01:09:22Yeah, yeah.
01:09:24And so I finally was like, wait a minute, what's your game?
01:09:27What is your game?
01:09:28And it was very effective.
01:09:30Because you'd never done it before.
01:09:31Well, I'd never done it before, and I didn't realize it.
01:09:33It would be like conjuring an orb.
01:09:34Like, all of a sudden, John knows how to call somebody in a game.
01:09:35It's like you've got a third eye now, my friend.
01:09:37Yeah, you don't even need to know what their game is.
01:09:40You just say, what's your game?
01:09:41And then they feel like, oh.
01:09:42That's a whole different skill.
01:09:42That's a whole different later skill.
01:09:44But at least knowing there's a game there, it's like you're the one who said, no, you're gaslighting me.
01:09:48Right.
01:09:49And they're like, the jig is up.
01:09:50I don't know what you're doing, but I know you're doing something.
01:09:52I don't know what you're doing, but I know you're doing something.
01:09:56And all of a sudden, it all turned around.
01:09:58Or not all.
01:10:00So no, I was not capable of calling Kelly on her game, and she gamed the shit on me.
01:10:05A, because she was a year older than me.
01:10:07B, well, no.
01:10:08She would say she wasn't a year older.
01:10:10But it's like a kid with a magnifying glass and some ants.
01:10:13The kid does not have a good reason for sizzling the ants.
01:10:16He's doing it because he can.
01:10:17I think Kelly was doing it because she could.
01:10:19I'm not saying Kelly's a bad person.
01:10:21She's probably a great doctor.
01:10:22But the fact that she's doing that because she knows you got your little dinosaur arm you're trying to fight back with.
01:10:26You got no chance against Kelly.
01:10:28I feel like this is true of all humans.
01:10:30Yeah, I know you do.
01:10:33Destroy all humanoids at one level.
01:10:36At another level, I love all people.
01:10:38You do.
01:10:38And this is very challenging for people sometimes to understand that I all... You're a humanist, John.
01:10:43You love humans.
01:10:44I love all humans and I want to destroy all humans.
01:10:48No, I don't see.
01:10:50That's not necessarily incompatible.
01:10:53I don't see how that's incompatible.
01:10:54That's just like McNamara says, right?
01:10:57Sometimes you have to destroy humanity to save it.
01:10:59That's exactly right.
01:11:01I love humans so much, and I believe in humans, but I believe that they should be destroyed.
01:11:10At all costs because they're a plague.
01:11:14And they're a plague unto one another first.
01:11:18Oh, what's the worst kind of plague?
01:11:19A plague that gives its own plague to a plague.
01:11:21That's right.
01:11:21That's terrible.
01:11:22You got to terraform that shit.
01:11:23You got to drop the Gaia bomb.
01:11:24It's a plague that reproduces by plaguing itself.
01:11:27It makes plagues with plagues through plagues.
01:11:31Mm-hmm.
01:11:31But plagued by proxy, right?
01:11:34So it keeps injecting the poop into itself.
01:11:39Yeah, sure, sure.
01:11:40That's a kind of evolution.
01:11:42So what I want to do is basically what if it rained for like 40 days?
01:11:49Okay, would it rain at night too?
01:11:50Rain at night.
01:11:51Rain all day and all night.
01:11:54So 40 days and 40 nights.
01:11:55Let's call it that.
01:11:57Rain that entire time.
01:11:58Just rained.
01:11:59I got a mind picture.
01:12:00And I'm talking- A lot of rain.
01:12:01You're talking about like a lot of rain.
01:12:02A lot of rain and everywhere, right?
01:12:05Now we're talking about the entire earth-
01:12:0740 days and 40 nights.
01:12:11It's raining in Antarctica.
01:12:12It's raining in the Gobi Desert.
01:12:14It's raining everywhere.
01:12:16So first, there's lots of articles in the local paper about how this is good.
01:12:19We've been having a drought.
01:12:20That's right.
01:12:20It's nice that it's been raining for eight days and eight nights.
01:12:23Eight whole days.
01:12:24Imagine what would happen in Los Angeles, California, if it rained for eight straight days.
01:12:29The entire city would skid.
01:12:31I don't know if you've been to LA recently.
01:12:33No, sir.
01:12:34They want, they're desperate for rain.
01:12:36Yeah, but that's like people saying they want wisdom.
01:12:39They don't really want wisdom.
01:12:40They just want to be smart.
01:12:42You're talking about a conflagration here.
01:12:43You're talking about a disruptive... See, the thing is now, you've got your sewers, your roads are going to expel all the oils.
01:12:52You're going to sog up all the golf courses.
01:12:53There's not going to be anywhere for that water to go, and it's just going to accumulate.
01:12:56The L.A.
01:12:57River is going to overflow its banks.
01:12:59The L.A.
01:12:59River is going to make the...
01:13:04So, but it's not just raining in L.A.
01:13:08in this scenario.
01:13:08You're seeing literally the entire earth.
01:13:10The earth.
01:13:12It's raining on earth.
01:13:13For 40 days.
01:13:14Now, right away.
01:13:15And at night.
01:13:16And at night.
01:13:17There's no let up.
01:13:18No, it doesn't let up.
01:13:20Right away, the weather channel is going to note this, right?
01:13:24Because normally, if it's raining one place, it's not raining another place.
01:13:27Oh, so CNN starts having a countdown clock.
01:13:30Like, what's the longest it's ever rained?
01:13:32Tick, tock, tick, tock.
01:13:33Except moment one, two minutes into this phenomenon, somebody's going to go on the weather channel and go, I'm sorry to break in.
01:13:44But it's literally raining everywhere.
01:13:46It's literally raining everywhere.
01:13:47It's the first time there's actually a 100% chance of rain because it's literally raining everywhere.
01:13:51And this is meteorologically impossible.
01:13:55So we're going to the computers right now.
01:13:59We'll get back to you in a minute.
01:14:01Peter Jennings is like, wait a minute.
01:14:03Stop the presses.
01:14:04Is he still on TV?
01:14:06He might be dead.
01:14:08But I remember Peter Jennings during 9-11.
01:14:10I'd like to see Peter Jennings doing 40 days of rain coverage.
01:14:14It's like a reverse Ted Koppel.
01:14:16Did you watch him during the 9-11?
01:14:19I lucked upon him.
01:14:20I chanced upon him.
01:14:22as i was switching through the channels and he did he was the greatest american even though he's a canadian yeah he was the greatest american all americans now he was very he's very calm very centered very solemn but he wasn't being overly dramatic and he was not full of shit like everybody else was and at a certain point i don't know if you remember this and i wish that i'm i've never googled it on the day
01:14:42on the day on the day when it felt like by 10 that morning our time it felt like literally anything could happen yeah and it did and also was like will somebody take charge of this situation there's no way i mean i'm i mean i just have that i remember that feeling my wife uh i was working at home in those days and my boss called unlike now i have an office
01:15:05where i quote unquote work but that was seven something in the morning you wake up you go out you're watching like holy shit this doesn't look like an accident and then you hear like there's stuff going on in pennsylvania etc and then when the other plane hit the tower you're like okay literally anything could happen right now you could not make a plausible movie of this there's no way that this could actually be happening so i slept till 10 o'clock in the morning that morning
01:15:31And then I woke up to my mom sitting on my bed, which never happened.
01:15:35Oh, my God.
01:15:35With her hand on my knee, which never happened.
01:15:39And I was like, what is going on?
01:15:41Did you think it was your dad?
01:15:44Something worse.
01:15:45Who knows?
01:15:46What would prompt my mom to wake me up, A?
01:15:50She's in affection mode.
01:15:52By sitting on my bed, B, and touching my knee, C. And I was like, what is going on?
01:15:58That's pretty familiar.
01:15:59She said, I have bad news.
01:16:01Oh, man.
01:16:03She was like, somebody flew two planes into the World Trade Center and blew them up.
01:16:10And I was like, I had just returned from New York, right?
01:16:12I had been at the top of the World Trade Center on August 30th.
01:16:17I'd been in Seattle for a week.
01:16:20You remember that elevator?
01:16:21Your ears would pop on the elevator, right?
01:16:23Oh, yeah.
01:16:23It was a fast-moving elevator full of people.
01:16:26And it took minutes.
01:16:27When I was there in letter 89, you're like, there's no way this elevator ride could be this long.
01:16:31It's a very tall building.
01:16:33So she turns on the TV, and there's one tower on the TV smoking and one tower standing.
01:16:40And I was like, what are you talking about, Mom?
01:16:42There's one plane.
01:16:44And she said, no, I've seen this footage over and over by now.
01:16:47Just watch.
01:16:49And then because they're replaying it over and over and over again.
01:16:53So she had already taken the sting.
01:17:01She had already somewhat, like, spoiler alerted me,
01:17:04Before I actually saw it.
01:17:06So I didn't see it in real time.
01:17:07I got the I got the CliffsNotes and then I watched.
01:17:10Right.
01:17:11But Peter Jennings at one point said as he was reporting that President Bush and his entourage were mysteriously just flying in circles around America.
01:17:23I don't know if you remember.
01:17:25I don't mean to beat this to death, but the thing that you can't overstate is that when the first one happened, you're like, this is the craziest news of the last 20 years or whatever.
01:17:35Because at first, you're going, there's no way that's what happened.
01:17:38There's no way that a plane... Because the thing is, you don't need to know a lot about aeronautics and aviation.
01:17:45It's pretty hard to hit a building with a plane.
01:17:47Weird coincidence.
01:17:47Well, the first one, even the first one that's happening, and you're like, and the reports are coming up, and we're not sure where Dick Cheney is, and there's all this stuff going on.
01:17:54And even in that, there's that period, and then when the other one hit, is that the one that blew the hole through?
01:18:01And you're just like, wait a minute.
01:18:02There's got to be a mistake.
01:18:03That's got to be an error.
01:18:04There's no way that happened twice.
01:18:06And now, of course, we've had all these years to think about it and ruminate on it, but as it was happening, it felt like the most... And then you start hearing the reports of other things happening, and you're like... And I just remember very distinctly by noon that day thinking...
01:18:16fucking anything could happen today if we found out those that this was like i mean i'm not trying to sound glib but like if we found out there was some kind of like bizarre virus or alien invasion at this point i would not be that surprised or if you turn on the tv and you were like houston was just destroyed in a in a nuclear explosion every time i saw a plane for two or three weeks because then there was the thing oh now the golden gate bridge is going to be next of course they all look like
01:18:39bombs didn't they you just all use i would hear a plane and i would have to look out and i wasn't even traumatized by this in the way that you know me and my friends in other places were i didn't have the personal experience of this but i just for a few weeks you're like who fucking knows what's going to happen yeah they all look like so peter sorry peter jennings so at one point in the in the late afternoon he gets visibly frustrated on air and says when will the president
01:19:05make a statement or in some way take charge of the situation because the president needs to appear now.
01:19:14And he was in hiding, not hiding, but you know, it's been hours and hours and the vice president is in an undisclosed location, but the president is just flying around in the sky and making no public statement.
01:19:28And he was like, it was shocking how, how,
01:19:32How visibly frustrated he was and how much he was speaking the truth from in his own voice on the air.
01:19:40And it and it was it was the moment that I realized that George W. Bush was a chicken shit and that everything he did subsequent to that moment was a chicken shit move.
01:19:50Like I lost through Peter Jennings's eyes.
01:19:54I realized that George Bush was was a chicken shit and he should never have been elected president.
01:19:58He should never have survived his teen years.
01:20:01And I still have a space for him.
01:20:06Down in the vault?
01:20:07I still have a bed.
01:20:09You walk by sometimes, look at old room number six and think, oh boy.
01:20:12I still have three squares and a chair.
01:20:14G-Dub.
01:20:16Because we're going to find out the depth of his chicken shittedness.
01:20:22Mm-hmm.
01:20:23But that... Let your bed start shrinking, buddy.
01:20:27Wait till the dimensions of your room start being a little bit more oblique.
01:20:32All right.
01:20:36I think that'll do.
01:20:43Did you know that I own undisclosedlocation.com?

Ep. 201: "Cowboy Hat Boss"

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