Ep. 124: "The Legend of Skeeter"

Episode 124 • Released September 14, 2014 • Speakers not detected

Episode 124 artwork
00:00:00Hello.
00:00:00Hey, John.
00:00:01Hi, Merlin.
00:00:13How's it going?
00:00:30I'm self-conscious.
00:00:35Why are you self-conscious?
00:00:36Oh, God, no one cares, but I've got a different microphone and it's making me self-conscious.
00:00:40It sounds good.
00:00:41You notice a difference?
00:00:43Yeah, it's clearer.
00:00:44I think it makes me sound old.
00:00:46You think it adds a few years to your voice?
00:00:50No, I'm worried that it's accurate.
00:00:52It adds a few pounds?
00:00:54No, I'm worried that this is actually what I sound like.
00:00:57I haven't smoked in a really long time, but I sound a little bit like I've got some filterless camels in my throat.
00:01:02Yeah, you've got a little Joan Rivers going.
00:01:05I try not to talk as much.
00:01:06I like to save my instrument, you know?
00:01:08um you thought you thought the old microphone kind of concealed that a little bit hmm the mic i had before this is really super interesting stuff uh like as inside baseball as they say uh the old one is a workhorse and the uh the road podcaster you know it's like the oh yeah right plug and play yeah it's like the sm57 of podcast mics that doesn't make any sense that's like saying the youtube of videos but
00:01:33But this one, I've got to be careful because of my plosives, I think.
00:01:37Is that a thing, plosives?
00:01:39Plosives is a thing.
00:01:40How did you learn to use a mic?
00:01:43The hard way, for sure.
00:01:48You know, you can tell a singer that doesn't know how to use a microphone, and you can really tell a singer that does know how to use a microphone.
00:01:56And sometimes a guy or a gal will be a singer for years and never really figure out mic technique.
00:02:06Mm-hmm.
00:02:06But because I was a guitar player, I didn't have the option of a lot of mic shenanigans.
00:02:14It's one of those things where, at least while you're still just getting proficiency at all the different pieces, there's so many... You probably never got this, but I just remember feeling like I had so many different things to do at once.
00:02:26I had to, like, remember you only play it twice this part.
00:02:30You got to play the guitar.
00:02:31You got to make sure to turn your volume down on this part.
00:02:34The pedals.
00:02:35Don't even get me started on the pedals.
00:02:36A lot of pedals.
00:02:37A lot of pedal work.
00:02:39And then, on top of all that, you have to remind yourself, if you're the singer, to, oh, right, also inhabit the emotion of the song and present it to the audience in a compelling way.
00:02:52You've got to be the DLR out there.
00:02:54You've got to really bring the emotion to the people.
00:02:56And then once you start doing that, you forget all, you forgot to do the volume, you forgot to do the pedal, you forgot to even which chord was the right chord.
00:03:06It's a lot of, it's a real juggling act.
00:03:10Hi, welcome back to Mike Talk.
00:03:13I think it's picking up the streetcar extra well.
00:03:15This is nice.
00:03:15That's good.
00:03:16Yeah, no.
00:03:16So what kind of, if you don't mind saying, what kind of Mike is your name?
00:03:20I would be happy to say.
00:03:22Before I was using the Road Podcaster, which I'll obviously still keep around because it's kind of idiot-proof, the nice thing about the Road.
00:03:28It's good for podcasting.
00:03:29It says it right in the name.
00:03:30You know what?
00:03:31It's true.
00:03:31And it's got one of those funny Swedish O's, so you know it must be good.
00:03:35Someone on the internet who's a nice person, Ira Carey Blanco, sent me.
00:03:39He works at a place called Samson.
00:03:41It's a Samson C01U Pro.
00:03:45Oh, nice.
00:03:45I think they could have gotten a better name for it.
00:03:47For the tech nerd engineer types that buy microphones, that's just like calling it the rose pedal.
00:03:56That could also be the name of an Android phone, though.
00:04:01Oh, Android phone.
00:04:03Android phone.
00:04:04Anyway, it's nice.
00:04:05What do you use?
00:04:06Do you use a snowball?
00:04:07What do you use?
00:04:10You've got one of those Jesse Thorne-looking ones like you're a crooner?
00:04:14You've got a ribbon mic?
00:04:16I don't use a podcasting mic.
00:04:19you're a professional god oh my god i can't believe i said i'm gonna cut that out i feel really bad that i even said that i use an sm7 the great the greatest of all microphones that's the one with the big poofy thing you got two different covers i think i have one of those it's got a poofy thing if you have one
00:04:35let me let me i mean i don't want to get in the way of your samson but listen the thing the thing about me uh and microphones is i've been to a lot of studios i've done a lot of tracking and every time the the producer or the engineer uh brings out all when it's time to do vocals to bring out have we talked about this before
00:04:57I don't care.
00:04:58Brings out all the microphones and lies them all out on a table.
00:05:04And he's like, this is a $25,000 Sony tube mic.
00:05:11And this is our U47 that we got from...
00:05:16From, you know, the original Pink Floyd and, you know, everybody's so proud of their like really high definition, beautiful microphones.
00:05:27And I try not to be the singer that's like, well, none of those are going to work.
00:05:35So, I submit to a few hours of testing these microphones where they set it up and they put it through their best compressor and I sing and they track it and then we go in and we compare all the tracks.
00:05:51And it's like, well, that's, you know, that mic sounds great on everybody.
00:05:55But for some reason, it just doesn't sound very good right here.
00:05:58And they eliminate that.
00:05:59And then it's like, well, this next one, oh, it kind of doesn't sound very good either.
00:06:04And they just start eliminating all the microphones until I'm back at the SM7.
00:06:10The Shure SM7.
00:06:11And it's happened so many times.
00:06:14It's happened 15 times.
00:06:16And so I go into the studio now and I'm like, you know what it is?
00:06:19Typically I just use an SM7 into an 1176 with all the buttons pushed in.
00:06:26And the engineer or the producer is like, well, sure, but you haven't tried my amazing, sure, no pun intended, you haven't tried my amazing $80,000 microphone that I got from the East German government.
00:06:40And we plug it in and we test it and then we end up back at the SM7.
00:06:44That's strange.
00:06:45So it's a microphone that is, I guess, made for me, and so I have come to think of it as the only good microphone.
00:06:52It's helped a lot of people, no question.
00:06:53Yeah, but other people, you know, and the thing is, when I'm recording other singers, the SM7 into an 1176 doesn't work necessarily for them.
00:07:04They sound amazing on these beautiful microphones.
00:07:07It's so strange how the different setups can make such a difference.
00:07:11There's all the famous, I guess, examples with guitarists.
00:07:14But I'm always amazed.
00:07:15I used to play a Telecaster, and I was aware of the limitations and very specific sound of a Telecaster.
00:07:22And I'm amazed.
00:07:23People with fairly stock Telecasters can get so many different sounds out of it.
00:07:26They don't just sound like Don Rich or something.
00:07:28They can make it, or Alex Chilton or whatever.
00:07:30They can really make it sound so different.
00:07:32And I never found that easy to do.
00:07:34The Telecaster is one of those rare events in human history where the guy that invented the thing got it perfectly right the first try.
00:07:48The Telecaster is essentially the first electric guitar.
00:07:53It was made to be portable.
00:07:55You could take off the neck and put it in your trunk.
00:07:56Wasn't that the original value proposition?
00:07:58Yeah, it's just a slab of wood and you could unscrew the neck.
00:08:04And yet, it is still as valid a guitar.
00:08:10I mean, there have been 7,000 different kinds of guitars since then, or maybe 70,000.
00:08:15But the Telecaster is still just as valid a guitar as any other, and in a lot of ways, better, more indestructible, more versatile.
00:08:26It's astonishing.
00:08:26If you can think of any other technology where the first one...
00:08:31The first iteration of the thing continues to be the industry standard throughout the whole life of the thing.
00:08:39I mean, I guess, like, Stradivarius.
00:08:43Yeah, I mean, the conventional wisdom, at least with the computer maths, is that it takes two or three tries to get something to be the version that we really remember.
00:08:52Like, we loved the first iPhone because it was amazing, but it's not... Boy, if you look at it compared to, you know, an iPhone 4...
00:08:59It's such an evolution forward.
00:09:02I get what you're saying, though.
00:09:03It's pretty crazy that at that time you could have something with that many evolutions.
00:09:08And knowing what we know about what made that sound good, you still can't make it sound that much better.
00:09:13It's pretty crazy.
00:09:14I guess, I mean, there are probably a couple of nerds listening who are like, well, what about the Rickenbacker frying pan guitar?
00:09:19And what about the, you know, and there were hollow body electrics with microphones glued to the outside of them or whatever.
00:09:26I mean, there were prior...
00:09:28Right.
00:09:30But what you're saying, though, is how many things that were made 60 years ago can you take and plug into a standard interface for its market today and have it still sound better than a lot of the stuff that's made today?
00:09:43That's astonishing.
00:09:45Yeah, it's incredible to think that they didn't make that Telecaster to be –
00:09:53It was just... They took a bandsaw to a piece of wood and they... I mean, but not just... It's not just the usefulness of it.
00:09:59Think of the shape of the Telecaster.
00:10:02I mean, you look at it and it's still a beautiful thing.
00:10:05Like, it is still a gorgeous... They just... Leo Fender just drew a shape...
00:10:11Where I was like, huh, well, you want to reach up high on the neck, so I guess we'll cut it out on that side.
00:10:16And then pick up here and pick up there.
00:10:20It's gotten pretty in my mind because I've seen lots of my favorite guitar players using it, but it's not like looking at a Gretsch or something where you go, ooh, that's like a work of art.
00:10:31Right, but in fact, it is the ultimate gorgeous... I mean, the Telecaster was the first guitar I coveted.
00:10:38Really?
00:10:38Because of Pete Townsend?
00:10:40No, because of Chrissy Hine.
00:10:43I saw those original Chrissy Hine music videos for that first Pretenders record.
00:10:49And that was right when, you know, you could see the Clash playing them, too.
00:10:55And it was just like, what is that incredible, cool guitar Chrissy Hine plays?
00:11:00And I wanted one immediately.
00:11:02And I went down to the guitar store, and they were like, yeah, it's $900.
00:11:07And I was like, $900?
00:11:08You could buy a Dodge Dart for that.
00:11:12I didn't even know what a Dodge Dart was, but I knew.
00:11:15Another classic car.
00:11:16I saw a Swinger.
00:11:17I saw a Dodge Dart Swinger.
00:11:18You remember the Swinger?
00:11:19I think it was the lady version of the Dart.
00:11:21It had the little daisy for an eye.
00:11:22You know what?
00:11:23You hold your tongue, sir.
00:11:25No, I love the Swinger.
00:11:26It was a sporty little car.
00:11:27The Swinger was not a lady car.
00:11:29Why'd they put a daisy on it?
00:11:31Well, I think you might have seen somebody who put one of those bathtub daisies.
00:11:37Probably because it's the inner sound, y'all.
00:11:39The sticker on the side?
00:11:41I don't think the swinger necessarily all came with it.
00:11:44We had a swinger.
00:11:45My friend Sam got one when we were in high school.
00:11:48So at that point, it was 20 years old.
00:11:50Mm-hmm.
00:11:51And, you know, it was one of those things, it was a little bit like having my VW bus, where, like, you could definitely kill it, but then you could also resuscitate it with almost alarming ease.
00:12:00Slant 6, the greatest motor ever made.
00:12:04Is that right?
00:12:05The Slant 6.
00:12:06I'm telling you, if they still made the Slant 6, we wouldn't have all these problems today.
00:12:11It'd all be different.
00:12:12We wouldn't have all these problems with the youth of America if we just were making the Dodge Slant 6 motor.
00:12:19I remember my mom had for a long time, long time had a Pontiac Catalina.
00:12:24And I just remember every time you'd open up the hood, it looked like many of the parts had been removed.
00:12:29There was like so much space.
00:12:30Like you open up our VW that we've got now, which is, you know, a new car.
00:12:34You open it up, you look inside and it's what I imagine like an iPhone looks like.
00:12:38There's no tolerances for anything anywhere.
00:12:40It's all nothing serviceable.
00:12:42No, it's just covered with a giant plastic carapace.
00:12:46It just looks like a robot cockroach made its home inside of a matchbook.
00:12:53That's really unpleasant.
00:12:56It's terrible.
00:12:57And that's what those cars sound like, too.
00:12:59The Slant 6, you know, there was room in there to spread out a picnic blanket.
00:13:04Inside the engine compartment.
00:13:06You know, and you could work on it with the standard set of tools.
00:13:10You didn't need a special, what was it called?
00:13:12The cloverleaf wrench?
00:13:14What's it called?
00:13:14What is it I'll need to change the tire?
00:13:16Oh, right.
00:13:16The Star, Starbolt.
00:13:19You know, that's a killer band name, Starbolt.
00:13:21Starbolt is a fantastic, that'd be a good shoegaze band.
00:13:24Starbolt.
00:13:25Dude, take it.
00:13:26You got the music done.
00:13:27I love that.
00:13:28Starbolt.
00:13:29It's very evocative of a lot of things.
00:13:32Starbolt.
00:13:33It is.
00:13:33And if you put a D in it and spelled it like Humboldt, but Starbolt.
00:13:37I thought you meant S-D-A-R.
00:13:40S-D-A-R.
00:13:41Starbolt.
00:13:42S apostrophe D-A-R.
00:13:44How about Starbolt County?
00:13:46Oh, now it's a jam band and it got terrible.
00:13:49Doopity boop.
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00:15:10at checkout our thanks to our friends at squarespace they are so good to us thank you for supporting roderick on the line we could not do it without us oh did you have car trouble today is anything you can talk about i had some car trouble i'm the problem i can't believe you recovered so quickly i would still be crying on the side of the road trying to get my phone to work yeah i couldn't get the car to start it was uh the battery was dead but more importantly i'm very worried about my next door neighbor or across the street neighbor the karaoke years
00:15:34No, no, the little... The lady with the van.
00:15:37The lady with the van.
00:15:38Oh, dear.
00:15:39I'm very worried.
00:15:40About four days ago, five days ago, all of a sudden, a bunch of people started being around that house, coming and going at all hours.
00:15:52People piling out of the house and getting in her car and driving away.
00:15:56Five people in her car.
00:15:58And then an hour later, coming back.
00:16:03Parking the car on the grass.
00:16:06And then there was some kind of what I hesitate to call a party.
00:16:14It was an unsuccessful party.
00:16:16Well, definitely like a Saturday night where there were a bunch of sketchy people going in and out of the house.
00:16:24And it was probably a party to them.
00:16:28But to me, it looked like a bad scene.
00:16:31You know what I mean?
00:16:32Was she in evidence any of this time?
00:16:34I have not seen her in a week.
00:16:36Oh, no.
00:16:36But the thing is that she often would go, I would go a week or two without seeing her because she's, you know, a little disabled.
00:16:44Like she walks with a cane.
00:16:46She's pretty slow.
00:16:47Right.
00:16:48Her boyfriend slash fiancé, the guy with the giant neck tattoo of a mosquito with its mosquito proboscis buried in his neck vein...
00:17:07I'm talking about a giant.
00:17:08It's the size of a... You can see it from across the street.
00:17:11It's the size of a Folgers coffee can tattooed on his neck.
00:17:15Giant mosquito.
00:17:15And this is the mosquito.
00:17:17This is the tattoo that he chose to get on his neck.
00:17:21Is he called Skeeter?
00:17:22Well, you know what?
00:17:24I should start calling him Skeeter.
00:17:26He has a long white beard that he has put rubber bands in a la Keith Richards.
00:17:31Captain Lou Albano?
00:17:33He looks exactly like Captain Lou Albano, actually.
00:17:35And he's got one of those alcoholic cigarette voices that's just like...
00:17:44So he's out there kind of running the show in and out.
00:17:49Some real cracky people.
00:17:51There's a guy that looks like Wilt Chamberlain.
00:17:53If Wilt Chamberlain was a mega stoner and was completely bald on top, except had a kind of a fringe, pretty, pretty, pretty fluffy fringe around his ears.
00:18:06Always wears a headband increasing.
00:18:08And he's six foot ten.
00:18:11But then a bunch of other new sketchers, and they're coming and going in and out of the house late at night, kind of trying to keep quiet, except for this one gal that obviously is this younger gal, probably 40-year-old gal that's kind of queen of the scene, so she feels like she can talk better.
00:18:32At any volume at any time and everybody's going to approve of it.
00:18:38And so I'm surveying these goings on and there's a lot of whispered conversations in the driveway and then somebody does a fast walk back into the house and somebody else does a fast walk up the street.
00:18:56And I'm like, what's going on over there?
00:18:57I don't like it.
00:18:58I don't like it.
00:18:59But there are enough problems.
00:19:03One, I routinely don't see my neighbor for weeks at a time.
00:19:08So I can't really say like, well, one day I stopped seeing her and all these people showed up.
00:19:12So I had to call the community service patrol.
00:19:15And the second thing is like there's enough sort of class and cultural difference between me and them that I am routinely looking out the window going, those are scumbags.
00:19:27I know scumbags.
00:19:30And yet, maybe I'm being classist right now.
00:19:36Maybe they aren't scumbags.
00:19:38Maybe they are just people, just good folk, working folk who are struggling to make ends meet.
00:19:47And then the other voice in my head is like, working folk don't walk like crackheads.
00:19:52The crackhead walk is a very distinctive cockroachy walk.
00:19:57But then I'm like, you know, I'm second guessing it the whole time because I'm like, you know, what if I called somebody and said, I'm worried about my across the street neighbor and they said, well, what makes you worry about them?
00:20:09And I was like, well, a bunch of sketchers going in and out of her house and I haven't seen her in a week.
00:20:14And they're just kind of like, and they're like, well, are they...
00:20:17are they setting the house on fire?
00:20:22Do they appear to be stealing her stereo?
00:20:23And it's like, not exactly.
00:20:26I mean, people are moving things in and out of the house, but it's not a clear... There's no moving van pulled up and...
00:20:35The fact that it's happening in slow motion like that.
00:20:39I know exactly what you mean.
00:20:41Over the years, for any number of reasons, I've gotten much less trigger happy about saying, oh, let's call the cops.
00:20:48Because I'm realizing as I get older and see more stuff, how complicated that decision can be in the moment and over the years after that.
00:20:56Suddenly you're the guy who calls the cops on people.
00:20:58You do want to be that guy.
00:20:59Unless there's a good reason.
00:21:00So on the one hand, it could be she's...
00:21:03like not well.
00:21:05She's particularly not well.
00:21:06She's bedridden and a bunch of sketchy people are helping out, but you don't, you're, you're worried about like an elder abuse type situation where maybe she's sitting there with sores or something.
00:21:15Well, or just, I mean, there are a lot of things going through my head and, and the other voice in my head is like, well, what,
00:21:22What if she is in trouble and you've been sitting watching this go on for four days?
00:21:28Like, she doesn't have anybody to count on calling and alerting the authorities except you.
00:21:35You're the only person with eyes on this.
00:21:37Nobody else in the neighborhood pays attention to anything that's going on.
00:21:41And, you know, what are my responsibilities to her?
00:21:45Yeah, but what's the worst thing?
00:21:46If you call it, you've got knees, the welfare call.
00:21:49Like, what's the worst thing that would happen, you think?
00:21:53You go and you say, hello, I am using a voice modulator.
00:21:57No, maybe not do that.
00:21:58But you would say, you know, I haven't seen my neighbor for a few weeks.
00:22:02You might want to just drive by and check it out.
00:22:04Yeah, right.
00:22:05So anyway, so last night...
00:22:10And the thing is, they all come running out, jump in the car, and drive somewhere.
00:22:17So yesterday, they're standing in the driveway, and Skeeter is saying, like, we got ripped off, man.
00:22:25We got ripped off.
00:22:26We really got ripped off this time.
00:22:28And I was like, okay, all right.
00:22:29Now I'm getting to the bottom.
00:22:31I'm listening to this through my head.
00:22:32Could have been multi-level marketing.
00:22:35Now I'm getting to the bottom of this.
00:22:37And then he starts whispering and he's like, you know, they got all my weed.
00:22:41And I'm like, oh, that's not a reason to call the cops that they stole his weed.
00:22:46But who?
00:22:48I mean, it's like people coming in and out of the house stole his stuff.
00:22:51The other drunk guy that lives in the van in the front yard is nowhere to be seen.
00:22:55And he's normally my biggest problem.
00:22:57Wait, so Skeeter's not the guy in the van?
00:23:00Skeeter lives in the house.
00:23:01No, the dude in the van is a totally different guy.
00:23:05And the dude in the van is like, and I would expect him to be out doing his usual act, which is like, fucking police took my kids!
00:23:13He rants in the middle of the road, right?
00:23:16Isn't that his thing?
00:23:16Yeah, he rants in the middle of the road, but he's gone.
00:23:19I don't see him at all.
00:23:20His van's still there.
00:23:21Anyway, so last night I'm driving by, I look in the driveway of the house, and there is a display unit of fascia for Windows phones.
00:23:34Fascia for, you know, like cases, different cases for Android phones, I guess.
00:23:41And it's obviously a store display that someone has boosted.
00:23:48Like somebody stole Windows phone cases?
00:23:51Someone stole a display of 25 different colored Windows phone cases, perhaps thinking that they were phones.
00:24:00Oh, no.
00:24:01And then got them to the house, realized they weren't phones, and just dropped it in the driveway.
00:24:07So I'm like, okay, that's not that cool.
00:24:11And then this morning, I wake up, and there is a landscaping truck with a wood chipper.
00:24:17Oh, no!
00:24:19That drives up in front of the house.
00:24:22There are now three cars parked in the grass.
00:24:25And just in a way that I can't quite see through the hedge, something goes in the wood chipper.
00:24:37They spend a minute grinding something up, and then the wood chipper truck drives away.
00:24:43It's some kind of emergency shredding service for a handful, an armful of items.
00:24:49Now, where... But the thing is, it's a proper landscaping truck.
00:24:53It's not like... You wouldn't have thrown an old computer printer in there.
00:24:58It was...
00:25:00It was a landscaping truck.
00:25:02Now, in my whole life, I have never seen one of those pull up somewhere, shred one thing for one minute, and then drive away.
00:25:13For a million reasons.
00:25:13I mean, usually it's like a tree or a bunch of bushes, something.
00:25:17To call that thing out, you'd have to want enough stuff to get shredded that needs to be shredded.
00:25:21It's got to be something.
00:25:22That guy's going to be standing there supervising.
00:25:24It's not like you're throwing in a dachshund or something.
00:25:26He wants to know that it's something responsible that you're throwing in there, and then he drives away.
00:25:31Drives away.
00:25:32That's super weird.
00:25:33At this point, I'm looking through the hedges like a total super peeper.
00:25:41And, you know, I feel like Mr. Furley or whatever.
00:25:47Mrs. Kravitz.
00:25:49Mrs. Kravitz.
00:25:50What are we doing in there?
00:25:52And the truck drives away.
00:25:54And then, you know, again, all the cars scatter in every direction.
00:25:57And I'm like, okay, what if my neighbor... Because I had already been thinking, like, what if she died?
00:26:04And she's...
00:26:08And there's enough shit in that house and enough like weird stuff to figure out that she died and her fiance is gradually stripping all the copper pipes out of this place.
00:26:23And not calling it in yet.
00:26:26Right.
00:26:27They're in that kind of that bye period where if they can keep people from knowing that she's gone, you've still got a place to live and you've still got a copper pipe to repurpose.
00:26:36Right.
00:26:37But watching them, there is a kind of...
00:26:42A sort of unperturbable calm to them that maybe is because they're crackheads and so they have a constant level of tense anxiety, but it never flares.
00:26:54But that's not true of crackheads.
00:26:56Crackheads go bonkers when things are even a little bit out of whack.
00:27:01So, and I'm trying to think, like, it's been four or five days.
00:27:04It's been pretty hot days, in fact.
00:27:06If somebody was dead in there, it would be intolerable to live there.
00:27:09Maybe she... I mean, but if she went to visit a relative, she would have taken her car...
00:27:16I mean, I honestly... And the problem is I'm enough of a busybody and I'm a total cop caller.
00:27:22I call the cops all the time.
00:27:24But I don't know what my... I don't know what case I can make.
00:27:30And there's a part of me that is inhibited by a feeling that a lot of the things I'm seeing that I'm making judgments about...
00:27:40fall into this category of like, well, is that a legitimate judgment you're making or are you making some kind of weird?
00:27:49Are you not a member of the culture and so you are like casting aspersions?
00:27:55Oh, I think about that all the time now.
00:27:59When I was a kid, back to guitars, I remember one afternoon, our neighbor, who was a semi-professional guitar player, was cool enough to let a couple teenagers hang out with him, and he would show us Jimi Hendrix licks and stuff.
00:28:12One day he let me borrow his tube screamer.
00:28:15And in the time that it took me to walk from his yard to my yard, we had adjacent yards, pretty much almost by the time I walked into the house, my mom called me from the office because our nosy next door neighbor said that I was bringing beer into the house.
00:28:31So, you know, the thing is, you know how it is to be a busy buddy.
00:28:34You've been Gladys Kravitz.
00:28:35You're waiting for any reason to call.
00:28:37And she was waiting for some reason.
00:28:38She had nothing better to do.
00:28:39And so she called me in, called my mom because I had a guitar effect in my hand.
00:28:44Right.
00:28:45So you don't want to be that guy.
00:28:46You don't want to be the, you know.
00:28:48Funny that you would mention Jimi Hendrix.
00:28:51Because a big part of the culture of...
00:28:54of my neighbor.
00:28:56She's a black woman in her 60s.
00:28:58Her husband was about 15 years older than she was, or 10 years older.
00:29:04And he was a Seattle musician who had played with Jimi Hendrix.
00:29:07And one of the calling cards of all of these
00:29:12uh seattle african-american dudes in their 60s if they have if any of if you are a guy in his 60s who's lived in seattle his whole life and you ever smoked pot you have a story about how you used to hang out with jimmy hendrix right so every one of these guys the wilt chamberlain guy totally has bored me to tears with his all his stories about how he and jimmy were you know thick as thieves and
00:29:39Jimi Hendrix, famously introverted guy who just sat in his house and played guitar alone a lot.
00:29:45But he knew every one of these guys, and they all knew his mom, and it's like he didn't know his mom.
00:29:51Jimi Hendrix was raised by his dad.
00:29:53But every one of these guys has got 25 stories.
00:29:56So the thing is that in addition to like your normal sort of cracky, weird vibe going on over there, every once in a while, a guy will walk in with a fedora with a giant fucking feather sticking out of it.
00:30:10Or like not just a feather, but like a peacock feather, like a feather that's four feet tall.
00:30:17We'll call him Mr. Hat.
00:30:20Yeah, and then a guy comes in in a suit made of scarves.
00:30:24And it's just like, I don't know what I'm seeing over there.
00:30:27It's hard to know how to filter all of that.
00:30:29I'm a rock musician.
00:30:30I've seen some crazy shit.
00:30:32But this house is just like... So anyway, Skeeter...
00:30:38I never thought the day would come, but when I see Skeeter, it's a relief to me because at least he is a guy that I know is reliably a broken-down, unreliable alcoholic.
00:30:50At least I know I got his number, right?
00:30:55The rest of the scene, I have no purchase on.
00:31:01And everybody's super friendly.
00:31:04Even the guy that looks like Eazy-E
00:31:08When I come out into the street, you know, kind of like, oh, hello, good morning, taking the garbage out or whatever, he wants to come over and chat and, like, everybody's really friendly.
00:31:16So I don't feel like they have the body of my neighbor wrapped in a carpet somewhere.
00:31:22But then the fucking wood chipper truck.
00:31:26That's a curveball, man.
00:31:29If this were a young adult novel from my youth, I think the answer is clear.
00:31:35Obviously, if you're a grown-ass man, you should just call the police because clearly something's not right here.
00:31:38But I'm just saying, I guess there's probably always maybe probably somebody inside.
00:31:44But maybe you need to go and do some reconnaissance.
00:31:47Just to get your own, maybe you need to put your nose against the window and see what's really going on in there.
00:31:54See, this is the thing.
00:31:56Over the last four years, there have been a lot of people come in and out of the house, and it's always turned out to be
00:32:04benign you know there was a guy there with a moving truck for a while and i was like this two years ago turned out it was her dead husband's long lost cousin who found him in the phone book and came and stayed for a week and he was he was like a deeply charming guy from uh from atlanta and i was like oh please don't go i want you to stay here you are he's a good influence he was a good guy but then he was like i live in atlanta i gotta go home
00:32:32I actually said to him, like, please don't go.
00:32:34And he was like, this has been really great.
00:32:36I love it up here.
00:32:37It's a place I could see myself retiring to, but I got to go.
00:32:43But going around the back of that house or peeping on it, that doesn't feel safe.
00:32:49Mm-hmm.
00:32:49You know, not to mention the fact that, like, cranky guy who lives in the van, I haven't seen him, and he's the one that scares me.
00:32:58This sounds like a really immersive video game.
00:33:00This guy.
00:33:03I mean, you might spend two weeks before you ever even go onto the property, just figuring it out before you ever level up to where you would go and get past the guy in the van.
00:33:12It's The Legend of Zelda.
00:33:14The legend of Skeeter.
00:33:17The guy in the van, he's the type of alcoholic that he will have a long conversation with you and then the next day not remember ever having met you.
00:33:26And he really hates the cops because they took his kids.
00:33:29You could use that to your benefit.
00:33:32If he's that forgetful, maybe you could sort of intimate.
00:33:36See, you don't want to make yourself a target.
00:33:37But if you could let him know that maybe you had some things that could help him out.
00:33:42When you get that into that kind of serious alcoholic delirium, he might really open up.
00:33:46I'm directly across the street, though.
00:33:48I have one of those 3,000 candle power spotlights that basically is a spotlight from a battleship that could illuminate a whole theater of war.
00:33:59And I keep it on reserve for those moments when I really want to light up the street.
00:34:07Because it's a little bit of a shock and awe situation.
00:34:09Yeah, it sounds like a heavily weaponized light.
00:34:12Yeah, it's just like, boom!
00:34:13And then everybody scatters.
00:34:16But the problem with a light like that is there's no question where it's coming from.
00:34:20No, no.
00:34:21Now, how will you know when it's gone too far?
00:34:24Let me put it that way.
00:34:25Obviously, you're a thinker.
00:34:27You think these things through.
00:34:28When do you think you would know – I mean apart from the obvious sort of people shooting guns in the air kind of thing.
00:34:33When do you think you would know that it was time to do something?
00:34:36I've been waiting for there to be one of those situations where a bunch of people are coming out and loading up a car with things that seem like they belong in the house.
00:34:48Turntables, you know, furniture.
00:34:52Quilts.
00:34:53Quilts.
00:34:54Like somebody where it's clear that they are dismantling the house.
00:35:00Right.
00:35:00But I haven't quite seen that yet.
00:35:03For a while, the woman in her 40s that was kind of queen of the scene, she sat on a plastic lawn chair in the front yard for like three hours one time between the hours of one and four in the morning.
00:35:18in a way that felt like she was posted there.
00:35:24You go sit on the chair out front.
00:35:27And watch.
00:35:30Watch the road.
00:35:33And I'm not even like really delving into the cars that are just driving up, pulling up out front of the house, stopping in front of the house, idling for five minutes.
00:35:44No one gets in.
00:35:45No one gets out.
00:35:46The windows are tinted.
00:35:47And then the car drives away.
00:35:48I haven't even gotten into telling that part of the story.
00:35:54It's very concerning.
00:35:55I couldn't write something with this many trap streets, with this many, like, feints.
00:35:59There's so much stuff here.
00:36:01And, you know, there's probably one thing that just explains it all.
00:36:03Maybe it's a halfway house, unlicensed halfway house.
00:36:07Well, it's definitely been an unlicensed halfway house for a long time, but things are out of control now.
00:36:15You know, sometimes you can feel like...
00:36:17You can feel like when somebody's influence is waning.
00:36:19Here's a funny thing when people get a little bit older and you start to get something like empty nest syndrome, even if that's a deceased spouse, where you love having people around.
00:36:27You want to hear people around the house.
00:36:29It's a great thing.
00:36:30But I think there's another thing.
00:36:32You see this a lot in older women, I think, where they're like, you know, I really like being left alone.
00:36:36I like having – I want to be secure, whatever.
00:36:38But, like, you know, I kind of like the fact that I get to have my own space and do it the way that I want.
00:36:43And so it sounds – I mean, is the stuff that's going on now sound like the kind of thing that she would welcome or enjoy three years ago?
00:36:50Hard to tell?
00:36:52You know, she's – she was always a pretty respectable lady in the sense that she – like, the whole reason that Skeeter came into the house was that she was –
00:37:03that she characterized herself at one point to me as a drug and alcohol counselor.
00:37:09And I was like, really?
00:37:10I don't know about that.
00:37:12Or rather, I took it in the same way that when somebody says to me that they are a sex educator,
00:37:20A serial entrepreneur.
00:37:22Yeah, right.
00:37:23Anytime somebody says that they're a mental health professional, they go like, really?
00:37:28Are you?
00:37:29Really?
00:37:30And she was like, I'm a sort of drug and alcohol counselor.
00:37:33And I was like, everybody who ever went to a 12-step meeting kind of says that about themselves.
00:37:40But it doesn't make it true.
00:37:43And so Skeeter was there ostensibly, originally, to get clean.
00:37:49She was walking him through the, but I mean, he's out there right now just drinking Sterno and spraying hairspray into a plastic bag and like all kinds of that.
00:38:00Nobody's sober.
00:38:03I hope nothing's up.
00:38:06It's causing me some anxiety.
00:38:08And then I got out there this morning and my car wouldn't start.
00:38:10And I was like, okay, what's that?
00:38:12Is somebody sleeping in my car and they're leaving the door cracked open so that they can read the in-flight magazine?
00:38:19Or like, how did my car battery get run down?
00:38:24And then I went and checked the trunk to see if the trunk was ajar, because sometimes that will run your car battery down.
00:38:31I realized that my guitar was in the trunk and had been in there for 10 days.
00:38:36Oh, my God.
00:38:37And I don't lock my car, because if you lock your car, they just come break your window.
00:38:42Now you're paying for a window.
00:38:44So I leave my car unlocked.
00:38:45Well, any num nut in the town could have come by and popped the trunk, and there was my guitar.
00:38:52And I wouldn't have noticed it was missing until later on this week when I needed it, and I would have been like, huh, where's my guitar, I wonder.
00:39:00And because I have three houses, there's always that possibility that it's somewhere else.
00:39:05Right.
00:39:06That's such a harrowing feeling.
00:39:08I'm like that with my backpack because my backpack really feels like my outboard brain.
00:39:12It's got all the stuff in it that's not just immediately on my body.
00:39:15And when I leave it somewhere, it's like leaving my kid.
00:39:20When I get it back, I feel better, but not that much better.
00:39:22You know what I mean?
00:39:24Because you're still vulnerable.
00:39:25I mean, the stupid's still with me.
00:39:28So what's in your backpack?
00:39:29Computer?
00:39:31Well, at various times, yeah, computer.
00:39:32It could be an iPad.
00:39:33It could just be everything that I like to keep a pretty light wallet.
00:39:37And so I will outboard some of that, as we say, into the backpack.
00:39:41But I'm pretty dogged about it.
00:39:43I mean, I've really – I think like the way a lot of people would be with a purse.
00:39:48I just don't forget that.
00:39:50But what was it?
00:39:51So you think it was your accessory light inside?
00:39:54It's me.
00:39:55It scares me to think about.
00:39:58But it's been an eventful week.
00:40:01And I could have, I don't know.
00:40:04I don't know what.
00:40:05I didn't have the headlights on.
00:40:06I don't know how I ran down the battery, but it causes me great concern.
00:40:11I used to be so much more confident about everything.
00:40:13I used to really – falsely.
00:40:15I used to really feel like I understood a lot more than I do today, and it gets worse like every week.
00:40:20I have more and more self-doubt about all the angles.
00:40:22I'm probably getting wrong about something, and sometimes it – I'll say it cripples me.
00:40:26But like in a case like that, I mean if you were 10 years younger, would you hesitate for a minute?
00:40:30Like you'd either do it yourself or you'd like call the police, right?
00:40:35Yeah, I feel like 10 years ago, and that's the problem, I think, a major problem with getting older is that I feel like the same person, and yet I'm not responding to things the same way, and I wonder if I am the same person.
00:40:50I remember a kid said to me, a guy I'd known in high school, when I was 24 or something, he came through town and stayed with me for a week.
00:41:02And he said, you know, you're a funny guy, but you're not nearly as funny as you were in high school.
00:41:09And I was like, well, that's a shitty thing to say.
00:41:12And he was like, no, I mean, in high school, like, you were hilarious, but you were also cruel.
00:41:20Like, you're a lot better now.
00:41:23Because you were funny, but you were terrible.
00:41:27And now you're not.
00:41:28Terrible.
00:41:29Not so terrible.
00:41:31And from within, I could kind of understand what he was saying.
00:41:37Because there was a moment where I made somebody cry and I felt bad about it.
00:41:45I told you the story.
00:41:46I was running for freshman class president in college, and we were all in the lunchroom, and the principal, or whatever, the dean of the college, I guess there's not a principal of a college, the dean of the college was announcing the results, and
00:42:03And he announced that my opponent had won the freshman class president.
00:42:09And I saw a guy that I knew and a guy I'd known from Anchorage who coincidentally went to my college.
00:42:16I saw him make the like pumped fist hand motion of like, yes, yes.
00:42:24And I knew that it was not that he was so excited for the other person to win.
00:42:29He was just excited that I lost.
00:42:31Right, right, right, right.
00:42:33And I was like, I was a little devastated by that.
00:42:36This was a guy who, I mean, we weren't friends, but we'd gone to high school together.
00:42:41There should have been at least enough loyalty just from that to carry it through that he wouldn't wish ill upon me.
00:42:49That's way worse than wanting the other guy to win.
00:42:52Yeah, to want you to lose.
00:42:54And I realized in that moment and kind of, you know, that was one of a series of moments where I was like, oh, maybe there are people who genuinely don't like me because I'm mean or bad.
00:43:07But within my mind, I still feel like the same person.
00:43:12And now I'm in my 40s and I can't trust anything, I think.
00:43:15I know.
00:43:17I mean, I trust you, Merlin.
00:43:18I trust you to tell me.
00:43:20Well, you shouldn't.
00:43:21You know, there's this weird, I don't know, Rubicon between like all the stuff I used to think I knew really well.
00:43:27And then this other side over here where it's me like, you know, slouching toward responsibility, even though I'm not really that good at the responsibility stuff.
00:43:34So when there's something like, you know, loud music that's keeping my kid with a cold awake, even I'll sit on that because I'm not sure exactly how to handle that.
00:43:43Because there's the 20-year-old version of me who doesn't want to be a dick and tell somebody to turn down their music.
00:43:48And then there's the other version of me that goes, man, if you were a real dad, you would just walk over there, treat that other – treat that kid like a kid that you respect and say, hey, do me a favor.
00:43:55Could you turn it down?
00:43:56My kid's sick.
00:43:57But I still – I'll debate that and I'll sit there and mull that over for a couple hours.
00:44:01So what do I do?
00:44:02Am I going to call the police and have them be my dad for me?
00:44:05I don't know.
00:44:07When I knew less, I had more confidence.
00:44:09I was probably less effective, but it felt more effective.
00:44:13I felt more like I was getting stuff done.
00:44:15I was getting stupid stuff done, but I really thought I knew what I was doing.
00:44:18I feel like we're not representing megalomaniacs very well right now.
00:44:23We used to be better at it.
00:44:24I think we need to really, we need to step back.
00:44:28Well, I'm a little embarrassed.
00:44:30No, that's not true.
00:44:31I'm a lot embarrassed.
00:44:34that I have somewhat been concealing the fact that I got into a fist fight the other day.
00:44:41Oh, John.
00:44:44You haven't done that in a while, have you?
00:44:46No, it's been a long time.
00:44:47Oh, my God.
00:44:47It was at Bumbershoot.
00:44:49Oh, my God.
00:44:50And there were a couple of drunks, drunk 25-year-olds, who were... I was waiting in line in the drinking fountain, and this...
00:45:03you know, drunk kid with like shark eyes is leaning next to the drinking fountain and he's just kind of eyeballing everybody.
00:45:11There's a line of people looking at the drinking fountain and he's just weaving and staring and he's making everybody uncomfortable.
00:45:19Oh God.
00:45:20And I'm talking to a friend.
00:45:25And somebody asks me if, you know, there's two drinking fountains, a short one and a tall one.
00:45:31And somebody asked me if I'm, the short one is available, and they asked me if I'm going to go on the short one.
00:45:37And I was like, no, I'm waiting for the stand-up tall one.
00:45:43And this guy, leaning up against the wall, goes, did you say something sexist to my girlfriend?
00:45:51And I was like, what?
00:45:54And it was a hilarious provocation, right?
00:46:02He's not saying, did you look at my girlfriend?
00:46:05He's saying, did you say something sexist to my girlfriend?
00:46:09Like, it's a total millennial...
00:46:12thought process, right?
00:46:14He's a millennial bully.
00:46:15He's a millennial bully.
00:46:16Like, he has figured out he's still a bully asshole, but he's been raised in this culture where you have to couch your bullying in
00:46:28This thought process of like, I was just defending her because you said something sexist to her.
00:46:34My head is spinning, John.
00:46:36There's so many levels to this.
00:46:37Yes, well, now he's got a really righteous reason.
00:46:39It's not his fedora-wearing male ego.
00:46:42He's a warrior now.
00:46:44That's right.
00:46:44And the thing is that at any other time in history, his righteous reason would have been that he was defending her because you were like...
00:46:54Coming on to her.
00:46:55Yeah, and you were disrespecting his male authority.
00:46:57Yeah, you were disrespecting his property.
00:46:59But now he's a social justice warrior and he's defending her because you said something sexist to her.
00:47:06And I was like, I didn't say anything to her or you.
00:47:10And he's like, did you say something sexist to my girlfriend?
00:47:14Oh, Jesus.
00:47:15And gets up off the wall, squares his shoulders up.
00:47:20And I'm standing there in a suit.
00:47:25And I was like, I have 25 different strategies at my disposal to defuse this situation.
00:47:35And I'm choosing to use none of them.
00:47:38And I was like, you know what, kid?
00:47:41You're too drunk to be in public.
00:47:43You're hostile.
00:47:45You're gross.
00:47:45And you need to get out of here.
00:47:47This is a music festival.
00:47:48People are having a good time.
00:47:50And you're a piece of shit.
00:47:51You need to go home.
00:47:53And he was like, whoa, you want to fucking talk to me about you go home?
00:48:00And, you know, and he steps to me and I'm like, seriously, you're drunk.
00:48:04You're too drunk to be out.
00:48:06And you need to either go sit on a bench until you sober up or you need to go home because you're a pain in the ass.
00:48:12And he's like, oh, you some kind of fucking fuck you, man.
00:48:16Fucking 40 year old.
00:48:19And I was like, I am 40 years old.
00:48:21And I'm telling you, they need to go home.
00:48:23And his friend is there and his friend jumps in and is like, he's just drunk, man.
00:48:27He's just drunk.
00:48:29And I was like, yeah, he's drunk.
00:48:30You're drunk.
00:48:30You're too drunk.
00:48:32Go home.
00:48:33And then the girlfriend is like, stop it, Steve.
00:48:39And I'm like, all of you.
00:48:41You need to get out of here.
00:48:44And then his friend is like, well, who the fuck are you?
00:48:49Why don't you get out of here?
00:48:50And then it's like two of them, right?
00:48:53The drunk guy and then his drunk friend that was trying to be the peacekeeper.
00:48:57And then at a certain point, the guy's like, you know what?
00:49:00Fuck it, man.
00:49:01Just shake my hand.
00:49:02Just shake my hand.
00:49:03Oh, God.
00:49:04And I was like, I'm not going to shake your hand, dude.
00:49:06I got nothing to shake your hand about.
00:49:07You need to go home.
00:49:09That's all I'm telling you.
00:49:12And then it's like, well, I wouldn't shake their hand, right?
00:49:16So then it's like, you're a fucking bitch, man.
00:49:17You're a bitch.
00:49:18You won't shake my hand.
00:49:19I'm like, I'm a bitch.
00:49:21I'm a 40-year-old bitch.
00:49:24Who's telling you to get the... And now there's a crowd of people.
00:49:27I'm a 40-year-old bitch.
00:49:30I'm telling you to go home out of here.
00:49:34Go sit down on the grass.
00:49:36But don't stand here by the freaking drinking fountain picking fights with people.
00:49:42And then he pushes me.
00:49:45Pushes me while calling me a bitch in such a way that he kind of like spittle.
00:49:49Like spittle bitch.
00:49:50Like, bitch!
00:49:52Pushes me.
00:49:53And I fucking punched him right in the face.
00:49:56And then I punched him again in the face.
00:49:57And then I took him down to the floor.
00:50:00And then his friend punched me.
00:50:02And then I... I don't know.
00:50:05Then I don't remember.
00:50:09But in the end...
00:50:12So then I was embarrassed.
00:50:16You're wearing a suit.
00:50:18You're a 40-year-old bitch in a suit.
00:50:19I'm a 40-year-old homeowning bitch in a suit.
00:50:23God, John.
00:50:24And then I'm standing there, and this kid is a mess, and his friend is, like, running.
00:50:33And...
00:50:34I popped a button off of my suit and I'm embarrassed.
00:50:38I'm like, what the, how did this happen?
00:50:40How am I standing here now in a huge crowd of people?
00:50:42And so I go, so I turn around to go and I'm just like, I need to go splash some water on my face.
00:50:48I go into the bathroom.
00:50:49I look down and my finger is all fucked up.
00:50:53Oh no.
00:50:54And I'm like, not only.
00:50:57that I get into a fist bite, but now I've fucked up my finger.
00:51:00I do not even anymore have the karate skills to not hurt myself on this guy's head.
00:51:10So I'm in the bathroom and I'm like, oh, this is bad.
00:51:13This is bad.
00:51:14This is embarrassing.
00:51:15I'm a full-grown man.
00:51:16There were a lot of ways I could have dealt with that.
00:51:21So I sit in the bathroom for a little while and I'm like, I don't even want to come out of the bathroom.
00:51:24I'm so fucking embarrassed.
00:51:26But eventually I come out of the bathroom and my friend is waiting there.
00:51:31And he says, we should leave by the back stairs.
00:51:36And I say, why?
00:51:39And he says, there are a bunch of cops and paramedics around the corner.
00:51:46And...
00:51:48There's like blood all over.
00:51:52Oh, so it was pretty bad.
00:51:54I mean, I was mad.
00:51:57Well, I mean, I wasn't there, and I don't have the skills, but you were, I think, in a pretty defensive position.
00:52:05You did what you had to do, I guess.
00:52:08I mean, the thing is that 99% of people, I think, would have said that the actual thing to do in our contemporary society would have been to say, Hey, guy, I didn't say anything to your girlfriend.
00:52:24It's cool.
00:52:25Or, you know, like, you're right to defend her against people saying sexist things to her.
00:52:32That weren't actually said.
00:52:33Or that no one was talking to you.
00:52:35Or, you know, or just like avert your eyes and not say anything and wait for him to take on the next person that he encounters.
00:52:44or let him sit by the drinking fountain for 45 minutes and scare everybody in the building, or whatever, go get in a car, or whatever his plan was.
00:52:54But in any case, so we go out via the back stairs, and my friend says...
00:53:01Listen, I don't want to glorify that at all.
00:53:04But the best moment of it was two guys walking through, you know, kind of skirting the devastation.
00:53:10And one of them says, what the hell happened to those two guys?
00:53:15And the other one goes, I heard they got their asses kicked by a 40 year old.
00:53:21That's awful.
00:53:23That's terrible.
00:53:25I've seen you.
00:53:27You've lost weight.
00:53:28You've cut your hair in a sensible way.
00:53:31Your beard is trimmed.
00:53:32You look kind of like Tom Wolfe.
00:53:34And you're a fucking 40-year-old bitch in a sense.
00:53:37And I'm like, I lost a button off my suit.
00:53:40And my friend is like, they're mopping his blood off the floor.
00:53:42You should be grateful.
00:53:43And then I watched as they put him on a gurney and carry him to an ambulance.
00:53:47Oh, no.
00:53:48And so I'm embarrassed and I also feel bad.
00:53:52And every minute of the day I have a reminder of it because my finger is in a fucking splint now.
00:54:03Oh no, which finger, which hand?
00:54:05My first finger, my pointer finger of my right hand.
00:54:08So I can still play guitar with my second finger.
00:54:13But I have a gig this weekend.
00:54:16Oh shit.
00:54:17And also, so I get home and I'm like, well, you know, I've broken my hands before and you just go to the doctor and they just, they just tell you, you know, they charge you $700 to tell you what you already know.
00:54:33So I made a splint out of a couple of chopsticks and some band-aids and
00:54:37And I wore that around for a while, and I was like, well, maybe that's not the right.
00:54:44Maybe chopsticks are too straight.
00:54:46You don't want to make your fingers too straight.
00:54:50So I took the chopsticks blint off for a couple of days, and I was just like, I'm just going to use it until it gets better.
00:54:58And then I think I re-injured it in a way that makes me think that maybe it's broken.
00:55:06And so then I went to the drugstore and I bought a proper splint and put proper tape on it.
00:55:13You're making circles.
00:55:14You're getting a little closer.
00:55:16I think, John, I don't want to be ego-assertive.
00:55:18I think you might want to get that looked at.
00:55:20The thing is, what happens?
00:55:21You go look at the doctor x-rays.
00:55:23He's going to tell you things you already know.
00:55:25Yeah, $700.
00:55:25Yeah, it's broken.
00:55:26You should put a splint on it.
00:55:28And it's like, I got a splint on it now.
00:55:29I should have had it on there the whole time.
00:55:31Oh, God.
00:55:32But so it hurts.
00:55:34And I feel like I did break it.
00:55:38And it's been a week.
00:55:40And it doesn't feel like it's... For the week that I was kind of walking around in either my chopstick splint or just using it,
00:55:50I was like, it hurts an awful lot, and it's pretty swollen, but I feel like the best thing to do is just ice it and use it.
00:56:00Those bones are really small, John.
00:56:02Yeah, and ultimately, I'm most embarrassed at the fact that I don't even know how to beat up a drunk without breaking my own hand.
00:56:13Oh, give me a break.
00:56:15God, my heart would be in my throat in that situation.
00:56:21I mean, it was upsetting.
00:56:23I think it was upsetting to everyone.
00:56:26But it's just one of those situations where as I replayed it, it was like, I'm such a paternalist.
00:56:42This kid obviously didn't have a good dad.
00:56:46And I was going to be his bad dad for that half an hour.
00:56:52And I don't know, I don't, who knows if, you know, like I got beat up a couple of times when I was that age.
00:57:00I was never like sit by a drinking fountain, pick fights with people.
00:57:03I mean, I got beat up for legitimate reasons.
00:57:06That I was an asshole who needed to be taken to the carpet.
00:57:09Well, it sounds like a – I mean not to defend the experience, but it sounds like he was a predator.
00:57:13And maybe he was too drunk to know he was being a predator, but that's not a way to behave in public as an adult.
00:57:19Yeah, yeah.
00:57:21And I could have gone and found a security guard and then what – like come on.
00:57:26What would have happened there?
00:57:27Nothing.
00:57:28Maybe a 40-year-old bitch with a security guard.
00:57:31Yeah, then I'd be like a 40-year-old bitch in a suit that went and got his mom or whatever.
00:57:35It sounds like it wasn't exactly the name-calling.
00:57:37It was the pushing you and the provoking you that basically now two guys are going to fight you and you're wearing a suit.
00:57:44Yeah, right.
00:57:45I mean the push was not benign.
00:57:48It was a – it was like the – it was the provocation of the fight.
00:57:54He sounds like a classic – such a classic bully though.
00:57:56I mean because the really classic bully is not somebody who succeeds for 20 years at it.
00:58:02The classic bully is somebody who's gotten away with it.
00:58:05And gets away with it enough and it becomes their own kind of malignant therapy for trying to deal with power in their life.
00:58:17And then they just beat up who they can or threaten who they can.
00:58:21When he made the transition from did you say something sexist to my girlfriend to just shake my hand and it'll be cool, what was missing in the interim was any kind of apology.
00:58:34Right?
00:58:34And if he had said or his friend had said, hey, I'm sorry.
00:58:38I got that wrong.
00:58:40I apologize.
00:58:41Let's just shake hands and be done with it.
00:58:44You know what?
00:58:44This is stupid.
00:58:45Let's just move on.
00:58:48Right?
00:58:48No, no, no.
00:58:52No, no, no, John.
00:58:55I like this.
00:58:56I don't like this anecdote, but you know, he had said if he had made it, but what he did was the classic bully move, which was kiss my ring.
00:59:04Now he's, he's trying to get out of it.
00:59:06He realizes that he is, that he's out of his depth.
00:59:09Basically you've now, he sees it as you've successfully negotiated to where a tough guy doesn't have to beat you up.
00:59:15And now all you have to do is, is admit that he was right all along and shake his hand like a gentleman.
00:59:20Yeah, right.
00:59:21Exactly.
00:59:22And the fact that I wouldn't shake his hand then became the issue.
00:59:26Of course.
00:59:26Now it's about like you're not even a normal gentleman.
00:59:31And that's the classic sort of bullying redirect.
00:59:35And people do that all the time.
00:59:37It's also a classic way to trick somebody into getting sucker punched.
00:59:40Well, yeah.
00:59:42Right.
00:59:43I know he loves signs.
00:59:44I know he loves signs at my daughter's school.
00:59:45One that I noticed the other day that I think was pretty good was like a very short sign that just said how to apologize for something.
00:59:51And there's three steps.
00:59:52Oh, you say, well, no, I'm just saying if a genuine apology goes like this, you say, I'm sorry for what I did.
00:59:59Number one.
01:00:00Number two, it was my fault.
01:00:02And number three, what can I do to make this better?
01:00:04And I have to tell you, as signs go, I think that's a pretty good sign.
01:00:07Yeah, that's a good sign.
01:00:08Because nothing sucks like a bad apology.
01:00:10You know, the I'm sorry you're offended kind of apology?
01:00:12Yeah, the big city apology.
01:00:13The big city apology, exactly.
01:00:15But in that case, you know, that guy, that was not about that.
01:00:18And the thing is, you know this.
01:00:20You've been that guy, in a sense.
01:00:21You've been the dumb, drunk guy who was watching himself from outside his body do something stupid.
01:00:27Somewhere in that guy's little pinhead, he probably saw what a dumbass he was being.
01:00:30I don't want to try and defend it, but I really doubt that's the first time this has ever happened.
01:00:36I doubt that he said, Bumbershoot is going to be my bully coming out party.
01:00:39I bet he's been pulling shit like that for years.
01:00:40And people usually back down.
01:00:42He absolutely has.
01:00:43And the fact that his girlfriend and his friend were so ineffective in controlling him.
01:00:48Stop it, Steve.
01:00:51Stop it, Steve.
01:00:52And then his buddy decided he was going to get on board the bully train rather than... And I think, I hope that the lesson that they take away is that 40-year-old guys...
01:01:06have 20-plus more years of kicking people's ass than they do.
01:01:11You know what I mean?
01:01:11Like, at least in that situation, I hope the takeaway was there are a lot more people to watch out for than we previously thought.
01:01:22Well, yeah, I wish it would be something even more humane, which is like, wow, I was acting like a real shitheel.
01:01:29Well, no, because they will never go back and reevaluate their own behavior.
01:01:35Probably can't remember it.
01:01:36But if they just think to themselves, oh, there are more people watching and prepared to intervene and capable of...
01:01:48of stopping me than I previously thought, right?
01:01:52Because they were so contemptuous of the fact that I was older than they were, like 40 years old, that you should have seen the looks on their faces.
01:02:00Like, you're fucking 40, dude.
01:02:03What are you going to fucking do about it?
01:02:04Well, it's probably not so different than us going to a punk rock show and going, God, look at that guy.
01:02:09Why is that guy here?
01:02:10Doesn't he know that this isn't for him?
01:02:12Well, I know, but there were always those guys at punk rock shows who were 40 years old that you sure as shit didn't tangle with.
01:02:19Those guys with mosquitoes tattooed on their necks.
01:02:22You don't mess with Skeeter.
01:02:23Where you were just like, no, thank you.
01:02:26Are you, how do I say?
01:02:30Do you have concerns for the consequences of this?
01:02:35Oh, there was some suggestion.
01:02:37Well, so I got a tweet from somebody who was like, hi, big fan, really excited to meet you and was about to say hi.
01:02:44uh, at the center house when you got into a strange altercation with a drunk and I decided to split.
01:02:54And I was like, I'm really sorry that you had to witness that, uh, debacle.
01:03:00And she said, well, you know, I'm a teacher and I realized that this situation wasn't going to get any better if there was a crowd of people.
01:03:08So I just got out of there.
01:03:10Right.
01:03:10So I imagine that she I am hoping that she split before she split even while it was just sort of an ugly back and forth before it turned into a like a one way back and forth.
01:03:25But my friend did say, like, does it concern you that 25 people could have videotaped that and put it on the Internet?
01:03:35And in a way, it would just be embarrassing in the same way that it was already embarrassing, which is just like, what am I doing?
01:03:46Right.
01:03:47But it was not unrighteous.
01:03:50No, no.
01:03:50I was thinking more from a legal standpoint.
01:03:54Right.
01:03:54Well, that's the thing.
01:03:56And this is the problem of a videotape, right?
01:04:00If somebody had turned on their phone just in the last five seconds, they still would see him push me and then me respond.
01:04:10And that is sort of like beats me what the...
01:04:15total breakdown of the rules is, but I feel like if somebody pushes you hard and spits in your face, kind of, that you are entitled to punch them in the nose.
01:04:26But the problem of any kind of video is that you wouldn't have the whole spectrum of this guy's provocation, right?
01:04:36There wasn't a film crew already watching him be a shitty thug.
01:04:44Right.
01:04:45So, but again, I think about this stuff all the time.
01:04:49I still have a whole section, a whole shelf of books that I'm just saving for prison.
01:04:55I am always waiting for the phone to ring, and it's somebody with a subpoena.
01:05:01Oh, God.
01:05:02And so, you know, and I've considered myself in...
01:05:09and i think everybody has to have done this at one point or another considered myself in an interview room with two cops across the table from me and they think i committed a crime that i didn't because you hear about this all the time oh yeah you get you're being interviewed by a good cop bad cop and somehow after 24 hours they they convince you to they only really need you to say it they only need you to say a different one time right
01:05:33That's the thing.
01:05:34And so I've played that scenario in my mind all the time because it's like there are people on death row that just made the wrong move in a room.
01:05:43And I've watched a lot of Law & Order.
01:05:46Not recently, but back in the day when that was socially acceptable.
01:05:52So I feel like whatever legal consequences, well, there wouldn't be any.
01:05:56The legal consequences would be that he would also be culpable for fight-starting.
01:06:03We should just start listening to see if he has a podcast where he talks about it.
01:06:08Right.
01:06:09A lot of people have podcasts, John.
01:06:11That's one of the advantages of not being that famous.
01:06:15If I were Eddie Vedder...
01:06:20my bodyguards would have just beat the guy up um but if you're like somewhere in between there like who's who is not as famous as eddie better and more famous than me who conceivably like jack white is a perfect example there's a guy who actually did get into a famous fist fight with a guy with another position he was like producing the guy's record right
01:06:43Yeah, and that guy put that picture of himself all black and blue from Jack White.
01:06:48That picture was everywhere for six months.
01:06:52I mean, he used it to promote his record.
01:06:54The Von Bondies.
01:06:56Oh, the Von Bondies, of course.
01:06:58And I was like, boy, if Jack White beat me up at a party, I sure as shit wouldn't put the picture of myself all over the place.
01:07:06But I guess if that's what you need to promote your band.
01:07:09Would you ask for a rematch?
01:07:11I don't know.
01:07:13Jack White did some pretty bad damage.
01:07:15I think he's a pretty big guy.
01:07:17But Jack White or who's the bald guy from the Smashing Pumpkins?
01:07:22Oh, Jimmy Corrigan?
01:07:24Yeah, Jimmy Corrigan, the world's smartest boy.
01:07:25Either one of those guys, I could see them getting into a bar fight or into a fight at a festival with a couple of drunks.
01:07:34And...
01:07:36I imagine there'd be a lot more videotape of it if Jack White was boxing some kid.
01:07:41I hope your finger's okay.
01:07:44I don't like to give you medical advice, but you might want to get that looked at before it goes too long.
01:07:48You're saying that I should go to a doctor?
01:07:50I'm saying it's probably too late, but you need that for your work.
01:07:54You need that for writing.
01:07:54You need that for guitar.
01:07:56An American doctor, you're saying.
01:07:58I should go see.
01:07:59You mean like a licensed doctor?
01:08:00A licensed doctor.
01:08:01I don't know.
01:08:02That's a good question.
01:08:02A professional doctor who's going to say, let's get that x-ray.
01:08:05All right.
01:08:05Fill out these forms with your broken finger.
01:08:07And then he's going to say, oh, it's been a week already and it's already flanged.
01:08:13Take these chopsticks.
01:08:14I'm going to give you a prescription for some unnecessary pain medicine that you won't take and that's going to sit and be an attractive nuisance to house burglars.
01:08:30laughter
01:08:31that might attract skeeter yeah and uh then you're gonna uh and then you're i want you to wear this 700 chopsticks maybe physical therapy would you enjoy that physical you go someplace with with old people and large rubber bands i can do that myself you know my mom broke her foot one time in the and uh she walked like eight miles to the doctor and the doctor was like there's no way you could walk here eight miles if you had a broken foot so she punched him

Ep. 124: "The Legend of Skeeter"

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