Ep. 112: "The Takeaway Dream"

Episode 112 • Released May 25, 2014 • Speakers not detected

Episode 112 artwork
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00:00:24Hello.
00:00:25Hi, John.
00:00:26Hi, Berlin.
00:00:28How's it going?
00:00:30Did you put your avatar in your Skype profile?
00:00:35Isn't it?
00:00:36It's jarring.
00:00:37It's like we've been doing this a long time and there was never an avatar in your profile.
00:00:46There it is now.
00:00:47What you probably stopped noticing was that what I had up there was whatever I threw into Skype in order to have an image in probably 2003.
00:00:55Yeah, yeah.
00:00:57It's a selfie.
00:00:59It's a selfie before we called it that.
00:01:00A placeholder image that was there for a long time, and now you've gone and you've cleaned up your metadata.
00:01:06Your image could use a refresh.
00:01:10What is my image?
00:01:11I don't see it.
00:01:12I'll get a screen grab for you.
00:01:13Well, you can't really appreciate it because you're probably seeing it at the small size that does not exaggerate the...
00:01:18the lossiness of it.
00:01:20So you got Nipil glasses.
00:01:22You look like you're blowing out an imaginary birthday candle.
00:01:25And, uh, it, it looks like it's being presented at approximately 12 times of the intended image size.
00:01:34It kind of looks like somebody smeared Vaseline on you.
00:01:37Not in a good way.
00:01:38Well, you know, that was the era.
00:01:39That was the look at the time.
00:01:40Do you remember those days?
00:01:42Do you remember how crazy that was?
00:01:44I saw some picture of me holding a bag of pirate's booty not very long ago when I was really...
00:01:50Early.
00:01:51You were Mimi.
00:01:52I was early young.
00:01:53Mimi, I know you're a goldmine.
00:01:57Pirate's Booty.
00:01:59Pirate's Booty.
00:01:59That's before I had met you.
00:02:01That's when I merely knew one of your songs.
00:02:03Yeah, that was a thing in the early days of memes.
00:02:08That was a weird thing.
00:02:10Why did we do that?
00:02:11I don't know.
00:02:11It was very odd.
00:02:12For those of you who are not all the way into the Wikipedia,
00:02:20of merlin some kid came up to me in boston that was my first long winters tour and i had little short hair and i just was wearing little little clothes i was so little and the guy comes up to me and he hands me a bag of uh uh snack food and he says can i take a picture of you holding this snack food
00:02:43And I said, you know, sure, at the time, any kind of communication with people was important and craved.
00:02:53And so I hold up the bag of snack food and I make a playful face like I am thrilled about it.
00:03:00I'd never seen Pirate's Booty before.
00:03:03I'd never heard of it.
00:03:04Didn't know what it was.
00:03:06And then it turns out that you were collecting photos of people around the world through an army of minions holding pirates booty.
00:03:18And that was part of your early Tumblr?
00:03:22No, Flickr.
00:03:23It was a Flickr Tumblr.
00:03:25Well, there's a lot about this that really feels like a different era.
00:03:30How do I begin to count the ways?
00:03:32First of all, it started out as a thing that my friends and I were doing on the LiveJournal.
00:03:36LiveJournal.
00:03:37And I don't know if you were the first one.
00:03:40That was probably my friend Dan.
00:03:42Who at the time, I think he was going to Emerson.
00:03:44He was like maybe 19 at the time.
00:03:46Young, young guy.
00:03:47He's a full grown ass man now.
00:03:49That's right.
00:03:50And very smart guy.
00:03:51And he, yeah, yeah, he got pictures of you, some pictures with the dismemberment plan, not a serf.
00:03:58um all the classic bands of the air classic bands there's some what they might be giants ben folds and i don't know why but it became a well i don't i can say why it became a thing because it was funny and it was stupid and so then every time somebody came to my house i'd make them take pictures with a bunch of snack food now how is this different in so many ways my goodness where do i begin this preceded my flicker time oh wow did it really
00:04:21I went out and went to SourceForge and downloaded some open source content management system and installed it on a server and created one of those like, this is a gallery of images.
00:04:31And thus was born Booty Shots with a Z. Booty Shots with a Z. My friend Peter in the 80s, he was doing a considerable amount of traveling as some of us did in our younger days when we had nothing else to do.
00:04:47And we used to drink a lot of Schmidt beer.
00:04:50Which, I don't know if you had that in Florida.
00:04:53I know it passes the basic test of being probably cheap and probably causing diarrhea.
00:04:57Yeah, you were probably drinking Ballantyne or something, right?
00:05:01What was the cheap beer down in Florida when you were in college?
00:05:05Oh, not to derail us, but for me, a Bush was always a good beer.
00:05:11Or an old Milwaukee.
00:05:12And if you got to the real bottom, you'd get the generic ABC brand.
00:05:16The Bush family, of course, are the Anheuser-Bushes.
00:05:21They're very big in Atlanta, those people.
00:05:24I think it was back in St.
00:05:25Louis, they married the natural light family.
00:05:27Right, that's right.
00:05:28And that's when Empire was born.
00:05:29In the Northwest...
00:05:31Natural Light is a very refreshing beer when you're in Florida, John.
00:05:34That's all I'm going to say about that.
00:05:35Well, I'll tell you what, because there's nothing in it.
00:05:37Same for Florida.
00:05:38It's just yellow-colored water.
00:05:40But up here in the Northwest, Schmidt Beer really had a lock on the cheap rock and roll beer.
00:05:49And a lot of people called it animal beer because the cans had pictures of different...
00:05:54Sort of 50s graphic art of like salmon or moose or, you know, it looked like animal illustrations from boy's life.
00:06:09Oh, it looks from a distance.
00:06:10It looks more like a can of soup.
00:06:12Yeah, it had a little bit of a can of soup vibe.
00:06:14Oh, this is cool.
00:06:16What a great logo.
00:06:17And there's a guy water skiing.
00:06:19These are wonderful cans.
00:06:20Yeah, and you could get a half rack of those for $4.
00:06:23And Schmidt beer just was... It was so good for the money.
00:06:31And also, it felt like a lot of beer culture.
00:06:37It became a kind of cult.
00:06:40people that drank schmidt then insisted on schmidt like i would turn down any beer i would turn down any top shelf beer for a schmidt at the time and my friend peter went so far as to carry a can of schmidt in his backpack and
00:07:01One in the chamber?
00:07:03Yeah, as he traveled around the world so that he could get a picture of himself holding a schmidt in front of the Taj Mahal.
00:07:10Get a picture of himself holding a schmidt with the Dalai Lama.
00:07:15And he still has a...
00:07:19a photo album of yellowing 25 year old photos of him holding a Schmidt beer, um, you know, at the temple Mount in Jerusalem.
00:07:30And I mean, in a lot of cases it was, it was borderline offensive that this kid was standing here holding a beer at, uh, you know, wall.
00:07:42Um, but, uh, I was with him on the steps of the Vatican and,
00:07:47one day and he pulled out a schmidt his schmidt to you know to to ready himself to take his schmidt picture and he set the beard down on the steps of the vatican and while we're standing there with our little uh you know plastic like disposable cameras
00:08:11one of the Swiss guards with his like long pike and his big feathered hat or whatever, he, he sees this kid put a can down on the steps of the Vatican and he walks over and happened really fast and,
00:08:28walks over, picks up the can, and turns it to face him and looks at it.
00:08:34And it was clear that he just wanted to make sure it wasn't a bomb or something.
00:08:38You know, like if you put something down on the steps of the Vatican, apparently the Swiss Guard takes a renewed interest.
00:08:45And there's this moment that is burned in our minds of this Swiss guard in full regalia holding a Schmidt beer and looking at it with this quizzical look of the apes looking at the obelisk in 2001.
00:09:03And none of us could get our cameras up.
00:09:06We were so dumbfounded.
00:09:08That we're standing there holding our camera just like, uh.
00:09:11And then he realizes what he is.
00:09:14He gets a kind of smirk on his face and he puts the beer down.
00:09:16It all happened in just a split second.
00:09:18And then we were like, sir, sir, could you hold the beer again?
00:09:21And he wouldn't.
00:09:23Then he went back to completely ignoring us, stone-faced.
00:09:26And it's this photograph that didn't happen.
00:09:31That is more impressed in my mind.
00:09:34I have this fantastic picture in my head of the Swiss guard holding a Schmidt.
00:09:40That turned out way better than I expected.
00:09:42I saw him pike in that thing.
00:09:44Oh, wouldn't... I mean...
00:09:48Any interaction with a Swiss guard.
00:09:49They're like the beef eaters out in front of... I know what you mean.
00:09:54The guys with the funny hats.
00:09:55The fuzzy hats out in front of Buckingham Palace.
00:09:57You can't get them to respond.
00:10:00It's like a bro dickhead move.
00:10:05Hold the sign with a hashtag on it.
00:10:09Well, you talk about LiveJournal.
00:10:11I remember people on LiveJournal.
00:10:13I was not on LiveJournal.
00:10:16You were widely discussed on LiveJournal.
00:10:17But I remember being a topic on LiveJournal, and I was very upset.
00:10:21Because you couldn't see what they were saying.
00:10:22Couldn't see what they were saying.
00:10:23And I remember saying to you, what are they saying about me on LiveJournal?
00:10:28And you said...
00:10:30What happens on LiveJournal stays on LiveJournal.
00:10:32Oh, I don't think I would have said that.
00:10:33You did.
00:10:34You wouldn't tell me what they were saying because it violated the LiveJournal code.
00:10:38Oh, yeah.
00:10:40The nice thing about LiveJournal that I don't think anybody ever got quite as right, at least not among sites I use, was just how easy it was.
00:10:47It was very easy to post.
00:10:48It was a real simple site.
00:10:50But they made it really easy to share stuff with a very small group of people.
00:10:53And that was probably really frustrating to you.
00:10:55But it was very easy to use.
00:10:56And you could share things on the internet that not everybody saw.
00:11:01And this is – we're talking – this is 2000 maybe when I started doing it, 2001.
00:11:08But it was on LiveJournal.
00:11:09It was funny because I found myself more and more writing what I would now think of – what I would then think of as a blog.
00:11:17And that's what led me to go start my first actual According to Hoyle blog.
00:11:22And so what –
00:11:23What has happened to all that premium content?
00:11:28I think I deleted all of it.
00:11:29Really?
00:11:30You never imported it over?
00:11:32I'm trying to remember what happened.
00:11:33I mean, I had a lot of stuff up there.
00:11:35I mean, it's probably still up there on archive.org.
00:11:37A lot of it.
00:11:38Mostly, I wrote a lot about music, things I was outraged about, how angry I was that the shins were in a McDonald's commercial and what sellouts they were.
00:11:46Oh, I know.
00:11:46God, that was the worst.
00:11:48Oh, boy.
00:11:48And you know who changed my mind about that?
00:11:50Who turned me around was Dan.
00:11:52Oh, really?
00:11:52He's like, what?
00:11:53You know, what do you think these guys are making?
00:11:55Yeah, that's right.
00:11:56And, like, now they can, like – it was like when Super Chunk – remember Super Chunk in the BK's commercial, the British Knights commercial?
00:12:03It was a really big deal because before it was, like, around the time that – what was that first?
00:12:08No, it was around the time No Pocky for Kitty came out.
00:12:10And the story goes, at least according to Spin magazine at the time, I think it was – God, it was a great issue.
00:12:16It was this one issue of Spin that had, like, Nirvana and –
00:12:21Super Chunk, there's a whole bunch of the new bands that you need to check out.
00:12:24There was a moment there where Spin really was nailing it.
00:12:28I loved Spin in the late 80s, man.
00:12:30I never missed an issue with Spin.
00:12:33But the story went, according to this, and this is kind of the framing for this story.
00:12:36It was the year punk broke, right?
00:12:38And so, as they say.
00:12:40But the story goes that British Knights...
00:12:43It sounds like something from The Simpsons.
00:12:44Basically, they came to Super Chunk and said, kids, we love that song you do with the thing.
00:12:49We're going to put it in a commercial.
00:12:51Because, of course, you have to talk like that if you license music, as you know.
00:12:55Is that what the Mini Cooper people sound like?
00:12:58You know, I never actually talked to them.
00:13:00I just talked to the young guy with the British accent that's running their ad campaign.
00:13:05And they said, you know, we're going to give you this much for this.
00:13:08And they were like, actually, you know, that's not really a thing we do.
00:13:11We sell records and we tour.
00:13:12And we don't really want our stuff in and out.
00:13:14And they said, well, they made it apparently abundantly clear to them that there's a hard or easy way we could do this.
00:13:20We could basically, by next week, have a song that is legally just different enough from this.
00:13:28that would still be confused by most of your fans with the song, or, you know, you can let us give you whatever, what would you think?
00:13:35Probably like $8,000 or something to let us use this song.
00:13:38They did it.
00:13:38And then they were able to like, uh, buy a van.
00:13:41Well, as the classic Todd Berry routine goes, um, I don't, I don't know if you, I don't know if you remember it, but he did a routine long time ago, 10 years ago about how the, uh, the bass player in Fugazi was like, Hey guys, uh,
00:13:56Maybe we should charge six bucks a show so that I don't have to have a roommate when I'm 40.
00:14:07Oh, they're so easy to admire from afar.
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00:15:39I woke up this morning having had one of those dreams, like the last dream of the night, right?
00:15:46The one that you remember, the takeaway dream.
00:15:49And in my takeaway dream, I was having a minor dispute with a shitty gal at a rock show.
00:16:01you know, one of those situations where somebody pushed me from behind and I bumped into her and she turned around and was mad.
00:16:09And then I woke up and I'm like, it's like having a dream about being at work.
00:16:18You know, it's like, it's like dreaming that you're working at a cash register and then you wake up and it's time to go to work.
00:16:23Like to have, to have a dream where I'm just in a minor social situation,
00:16:30You have a minor bit of social awkwardness in a public place.
00:16:35You know, I remember such few dreams compared to what I used to.
00:16:38I feel robbed to have a dream like that.
00:16:40Yeah, I felt robbed too.
00:16:41I woke up and I was like, that's really?
00:16:44You're sending me into the day with that feeling?
00:16:47The feeling of just like, you know, if the event had happened in real life, it would be one of those situations where then you're sitting in your car 20 minutes later
00:16:59And you're still thinking about what you should have said to her.
00:17:02Like, oh, God.
00:17:05And, you know, two days later, you're like, oh, that fucking... And it didn't even happen.
00:17:10It's a dream.
00:17:11That's the worst.
00:17:12I'm sitting here mad at an imaginary person who said something to me at an imaginary rock show.
00:17:20You ever heard that phrase, L'Esprit de l'Escalier?
00:17:25Mm-hmm.
00:17:25You know that phrase?
00:17:27Mm-hmm.
00:17:28Are you kidding with me?
00:17:29You know the phrase?
00:17:30You know the one?
00:17:30It's basically, it's the George Costanza moment.
00:17:32This means, I think, spirit of the stairs or wit of the stairs.
00:17:35The French phrase meaning, like, it's the thing you realized.
00:17:37The thing you should have said.
00:17:38The thing you should have said after it's too late to say anything.
00:17:42I hate when people tell me their dreams, and consequently I do not tell them my dreams.
00:17:47But can I tell you what I dreamed about last night?
00:17:48Oh, yeah.
00:17:49You remember your dream.
00:17:50I don't know.
00:17:51It's interesting for regional reasons.
00:17:55My takeaway dream, I had the Manhattan person's dream.
00:17:58I had a very intense, super clear dream that I found extra rooms in my house.
00:18:03Oh, fun dream.
00:18:05Apparently, this is one that happens a lot to people who live in Manhattan.
00:18:10And it's not super interesting to go into.
00:18:12They open the closed closet where the ironing board comes down, but it turns out it's actually a door to like...
00:18:20Another bedroom and another bathroom.
00:18:22Yeah, the beauty of that kind of dream, there's the kind of dream you have where you're a little kid kind of dream where you move a brick and you see that there's a room behind there.
00:18:29The really excellent Manhattan person's dream, though, is when you get something out of your closet and you actually see a literal door there and you go, oh.
00:18:36I never realized I have a whole other house inside my house.
00:18:40It was great.
00:18:41It had a coin-operated laundry, and it was apparent based on the expiration dates of the yogurt in the refrigerator because, yes, it also had a kitchen, was that people were using it.
00:18:50And the yogurt had only expired a couple weeks ago, which led me to believe that people were coming in there.
00:18:54And then I felt kind of bad, but I thought, you know, I am – I don't know how the lease would include that.
00:18:58I don't know if invisible –
00:19:00You know, law can be very complicated.
00:19:02I'm not sure if that would be governed by the lease.
00:19:04Change the locks.
00:19:05When you go to sleep tonight, the first thing you should do is change the locks on that place.
00:19:09I'll tell you, though, man, I'm a grown-ass man.
00:19:11I woke up this morning, and this has happened to me the half dozen times in my life I've ever had this particular flavor of dream.
00:19:17You can guess what I wanted to do.
00:19:18I was like, there's got to be hidden rooms somewhere.
00:19:22I know I've been around the perimeter of my house.
00:19:23I figured if it's anywhere, it's probably outside, or it's in what appears to be...
00:19:29You know, it's like in Watchmen when Rorschach figures out that there's a hidden area by measuring the size of the closet.
00:19:35I'm thinking there's got to be a panel.
00:19:37You ever get this feeling?
00:19:37There's got to be a room in here.
00:19:39There's got to be like an Amityville horror room that I don't know about because that would be so sweet.
00:19:43Oh, for sure.
00:19:44Well, you know, and the problem is I have a couple of rooms like that in my house.
00:19:48But their utility to me is somewhat diminished by the knowledge that all you have to do is smoke me out.
00:20:01There's no panic room.
00:20:03There's no monk hole because all you have to do is set the house on fire.
00:20:06Yeah, you're back in your secret room.
00:20:09Good job.
00:20:11Good job, little toad in a hole.
00:20:14You'd be roasted no matter where you were because it's a wood house.
00:20:18And there's no, there's no like, what it really needs is, yeah, a monk hole, like a, like a, like a tunnel.
00:20:26And I don't think there's a tunnel.
00:20:29At one point, some guys from the city came and they had a little underground submarine.
00:20:38Uh, they were, they were, they were moving my gas line and I, so I go out there and I, I get it, I intervene and I say, Hey, I see that you guys are getting ready to move my gas line.
00:20:49I want you to move it over here instead of where you're moving it.
00:20:53And they were like, well, and I said, well, here's the thing I want to, I want to excavate here where you're putting the gas line.
00:20:59I want you to move it over on the other side.
00:21:03And they talked about it for a while and they were like, alright, we can do it.
00:21:06And they pulled out this probably two foot long torpedo that was connected to a pneumatic hose of some kind.
00:21:19And they dig a trench and they stick this torpedo in the ground like a spike going sideways.
00:21:26And they turn it on and the thing vibrates and
00:21:31starts to travel through the earth.
00:21:34And it's like a, it's like a mole, a robot mole.
00:21:39pulling his little tube behind him, and he heads off onto the yard.
00:21:44The vibration causes him to move in any direction that he can.
00:21:48Yeah, right.
00:21:48Move him forward.
00:21:49They can move him forward.
00:21:50That's a very clever, primitive little submarine robot.
00:21:54It was very interesting, and he's going forward, and then when he gets to the other side, they kind of set him in motion, and then there's a guy on the other side who's dug a hole waiting for him to come out.
00:22:05And then it's a perfectly sized hole to run a gas line through.
00:22:08wow so I was like wow this is cool and he gets about halfway across the yard and then it's like oh what happened he's not he stopped moving
00:22:19And they tried to pull him back and they couldn't get him back.
00:22:23They tried to go forward.
00:22:24He wouldn't go forward.
00:22:25And I was like, oh, God damn it.
00:22:27This is exactly what I didn't want to have happen.
00:22:31And so all of a sudden they go into emergency mode.
00:22:34And it seemed like primarily because they really loved their little mole and they didn't want to lose him.
00:22:40But they could tell by how much line had gone out, like how far he was probably.
00:22:43Yeah, they knew where he was.
00:22:44And they were super worried about the mole.
00:22:48All of a sudden it was just like...
00:22:49You know, we got to get the mole and it's because I guess it's expensive, but also like you get attached.
00:22:56Yeah, they seemed like they felt like he was their friend.
00:22:59And so all of a sudden there are four guys from the city in those flat hard hats.
00:23:05jumping in the center of my yard with their shovels out.
00:23:08And I was like, whoa, whoa, everybody, hold on.
00:23:10Let's slow down before we... And if it's too late, they were like... They were completely in like a chain gang mode of digging.
00:23:20And now there's a six foot... That's where the training really kicks in.
00:23:25There's a six foot deep pit in the center of my yard.
00:23:27I'm like, oh, fuck.
00:23:29Like, no.
00:23:30And they discover a giant...
00:23:33They discovered that that whole part of my yard was a septic field for the old septic system.
00:23:40So it hit a wall, essentially?
00:23:42It hit a cistern full of poo.
00:23:46Poor Moly.
00:23:49And managed, he was making such good progress through the ground, that he managed to penetrate one wall of the poo cistern.
00:23:59And then he fell into the muck.
00:24:03Oh, no.
00:24:06And he probably just kept on working.
00:24:07And he was just like, but he couldn't.
00:24:10There was nowhere for him to go.
00:24:12With like Johnson administration poo.
00:24:15Right.
00:24:15I mean, this house has been hooked up to the local sewer system at least for 50 years, probably longer.
00:24:23And so now Moli's in the hole.
00:24:27Moli's in the poo hole.
00:24:30And these guys with their hard hats are standing around.
00:24:32And so they uncover this septic cistern.
00:24:37And they're all standing.
00:24:38And there's a lid.
00:24:39And they open the lid.
00:24:41And they're looking down into it.
00:24:43And they're all real disappointed.
00:24:44Because they love Moli.
00:24:45But nobody wants to be the first one down the hole.
00:24:49And I'm standing there really upset that my yard is all trashed.
00:24:54And these guys just don't, you know, they're like, and the foreman, the foreman was like, this is your fault.
00:25:00You told us to move the line.
00:25:02If we'd put the line where we were going to put it, it would have been fine.
00:25:04Well, it's like, it must be like firemen, firefighters being mad, like you being mad at a firefighter because they broke a window.
00:25:10And you're like, this is our job.
00:25:12You know, this is what we do.
00:25:14And to a certain extent, I was like, hey, look, I mean, I told you I wanted you to move the line.
00:25:18It's not like I became the boss of you.
00:25:21You're the chief.
00:25:22You're the guy who knows.
00:25:23I didn't even know these things existed.
00:25:24And it was – when I bought the house, of course, we pulled up two huge 500-gallon oil tanks out of the yard, one that was for the house and one that was over by the barn that was like – Except for heating oil?
00:25:40Well, I think the house one was heating oil.
00:25:42The one over by the barn was a massive tank.
00:25:44I think it might have been tractor oil or something.
00:25:49Anyway, so all of a sudden I'm looking at this yard and I'm like, what else is buried under here?
00:25:55Maybe there is a tunnel.
00:25:58Maybe it's a network of tunnels.
00:26:01Maybe it's tunnels all the way to Hanoi.
00:26:05Anyway, so they figure out the guy, the foreman, goes over to their big truck with the multitude of flashing lights, and he pulls out some elaborate hook-majigger that's specifically designed to retrieve Moley from shitholes.
00:26:27And he gets down in there and he's like, this had better work.
00:26:31And he manages to hook Moley and they pull him up.
00:26:35And the funny thing is we're all standing around this hole.
00:26:38There's no smell because whatever poo and pee is in there has been sitting in there for 60 years.
00:26:45and i'm like basically compost probably right yeah i'm like there's no poo or pee in there it's just dirt and water by now and the foreman turns and looks at me and he's like oh it's poo oh it's poo let me tell come on and it's like it's not poo it's it's dirt it's dirt and water but in any case he didn't want to get he didn't want to jump down in there
00:27:06And, uh, so he retrieves Moley and they unhook him and they're like, all right, well, we're going a different direction.
00:27:14And they ended up putting the, they ended up putting the line where I didn't want it.
00:27:18Oh man.
00:27:19So they filled it back in, but you had like a, they filled it back in, but they had, they had trenched across the roots of a big tree that I was really worried about.
00:27:28They were going to, suffice to say there is still an enormous scar.
00:27:33in my yard from this balderdash.
00:27:37Oh, God.
00:27:37And, you know, what can I say?
00:27:43And also, I have the awareness that there's a poo cistern under the yard, which is not a thing that I can forget.
00:27:50I suppose there are some people who can let time sort of...
00:27:58fog that knowledge out so that they're just like, Oh yeah, my yard.
00:28:02But I'm all, every time I walk across it, I'm like, I'm standing right on top of it right now.
00:28:07Somebody else's poo and pee.
00:28:08It's not even mine.
00:28:11People long dead.
00:28:12Part of the problem also is if you did install, I say a network of tunnels, even if you installed one basic means of egress, tunnel speaking, everybody could see it.
00:28:22You'd have to cloak your yard, which would seem suspicious.
00:28:25How would you even do that?
00:28:27Well, the way to do it is to begin a capital project where you are doing a lot of improvements all over the place.
00:28:34And the yard is just a hustle bustle of activity.
00:28:38And one of those things is...
00:28:40One of those things involves a backhoe and a large trench, and it could be sewer electrical.
00:28:49There's a lot of things that could be happening, but you're focusing their attention on...
00:28:55The fact that you're also replacing the roof or building a windmill or whatever it is.
00:29:02Misdirection.
00:29:03Yeah, exactly.
00:29:04Misdirection.
00:29:05And then you finish off the escape trench and then just let people, again, let that fog of memory happen.
00:29:16Because people are not expecting you to be thinking that far in advance.
00:29:20No, and that's the tragedy is they wouldn't even expect it.
00:29:23It seems to me, though, if you could even get something to get you from, like, you punch a code into the washer dryer, something moves, you go down and you come out in the barn, that would still give you a nice head start if you had to.
00:29:38Oh, absolutely.
00:29:39And that's, you know, the thing is not to give away too much, but that would be one direction to build an escape tunnel.
00:29:45From the washer and dryer to the barn.
00:29:47If you're going to break ground, I mean, I think you should have multiple solutions.
00:29:50If you're going to break ground on some kind of a system, you might as well have several things.
00:29:55And obviously don't tell me because I might collapse under torture.
00:29:58Right, right.
00:29:59Well, one of the things I wanted to do was go to the local elementary schools.
00:30:04And a lot of them are…
00:30:06A lot of them are using the portable method of increasing capacity for their kids, right?
00:30:13They cover the playground with portables.
00:30:16And some of those portables are old.
00:30:19The oldest ones, I think, date to the 20s.
00:30:23And those portables have like hardwood floors and... Oh, it's like a cabin.
00:30:31They're beautiful.
00:30:33Like oak floors and woodwork.
00:30:35The new ones are basically mobile homes.
00:30:38But the old ones are more like... Yeah, right.
00:30:42But the old ones are beautiful old.
00:30:45It's like living in a boat except if the boat had 15-foot ceilings.
00:30:49I went to first grade in one of those, and they had the most wonderful euphemism for them.
00:30:54They didn't call them the externals.
00:30:56They didn't call them the mobile homes.
00:30:58They called them the colonies.
00:31:00Isn't that sweet?
00:31:02And it was.
00:31:02It was like a cabin.
00:31:03It was a pretty nice setup.
00:31:05Well, so what I want to do is go around the school district here, and the problem is that nobody appreciates nice things, and they surplus these things all the time.
00:31:18And some of them just go into landfills, and some of them end up, I don't know where they go, but grab one of those, truck it over here, put it over the swimming pool,
00:31:30Use the swimming pool as a, because the portables, and I've measured, I've actually gone and measured local portables at nearby elementary schools.
00:31:38The portable would fit perfectly over the swimming pool.
00:31:41Oh, man.
00:31:42You're not using that.
00:31:43Then the swimming pool goes away, but it becomes like a bunker under my little cabin slash dance studio.
00:31:52in the backyard and then how much extra work would it be to dig a network of tunnels not much extra when you say you measured it you're not you're not you're you're saying in three dimensions it would fit into the pool no over the pool huh it would fit it is larger than the pool the pool is a large pool but the portables are i see so you get it built in it's it's like it makes its own basement
00:32:14Exactly.
00:32:15I have one of those 100-foot measuring tapes, as you do, and I carted one down to the local school, and I was out there in the middle of the night measuring the portables.
00:32:30What could possibly go wrong?
00:32:32And came home and measured the pool.
00:32:35And I was like, you could put this portable on the four corners.
00:32:41The pool would go away.
00:32:42And the decking, the concrete port decking around the pool would just become the sidewalk around your portable.
00:32:48It's the apron around the outside.
00:32:51And then, you know, I think what you do is you'd face the big windows of the portable toward the house.
00:32:58Get the afternoon sun.
00:32:59And then when you're in there stretching, doing your yoga, dancing, doing your seven minute workout, uh, like, uh, the, you're, you're basking in the glow of, of, of like your little colony.
00:33:13It would, you'd be basically creating a colony here.
00:33:17You are really close to having a compound.
00:33:19It's just, it's right around the corner.
00:33:21And I think, you know, right now, of course, like we call this house, the farm, but I think if I had one more building, I would start calling it the colony.
00:33:29Yeah, and at least one 17-year-old girl named Sunshine.
00:33:35Like the Yellow Deli in Boulder, Colorado.
00:33:38All the girls have long braids, and they all have Old Testament names.
00:33:46And they are making roast beef sandwiches.
00:33:49Methuselah, where's my sandwich?
00:33:51I used to have really mixed feelings.
00:33:54There was a certain thing.
00:33:56I haven't thought about this in years.
00:33:57But like you discover like a girl has been kidnapped or a boy has been kidnapped and kept in a hole like down underground.
00:34:04I always had mixed feelings about that.
00:34:05You have mixed feelings about that?
00:34:06Yeah, because on the one hand – So some of your feelings are positive and some of them are negative.
00:34:10Okay, let me finish.
00:34:11Yes, okay.
00:34:13It's not a good idea to kidnap a kid and keep him underground.
00:34:15Let's just take that as read.
00:34:16But there was something about seeing a cross-section of an underground living space.
00:34:23Part of it was – I love cross-sections.
00:34:25But also the idea of having a place where you could go and nobody could find you if you wanted to.
00:34:30Well, yeah.
00:34:31That was very appealing to me.
00:34:32I'd want a way out.
00:34:33In every one of those stories, there's always someone else living in the house with the bad man who purports to and believably purports to not have realized that there were people living in a hole under their house.
00:34:47That's always so strange.
00:34:49Or like, you know, even Gacy.
00:34:51They found like over 20 bodies on his property.
00:34:55I mean, didn't it ever seem weird how few young handymen came back out of the house?
00:34:59Did that never seem strange?
00:35:01I don't know if you remember the description, but one of the searchers went down into the basement and...
00:35:13This is a terrible description, but like... Is this an odor thing?
00:35:18Because that's how they found it.
00:35:19They found it because neighbors were like, what is that smell?
00:35:21Yeah, the odor was overpowering, but he stepped onto the dirt floor of the basement and sank up to his waist.
00:35:29Oh, my God.
00:35:30Because the dirt and decaying bodies and lye had just become a kind of liquefied...
00:35:39There was no ventilation and it was just a liquefied sort of... Okay, that's not ideal.
00:35:45I would want someplace dry with no sinking up to my waist and bodies.
00:35:49That guy in Austria who kidnapped his own daughter and fathered two children with her or three children with her in the hole, her mother was living in the house.
00:36:00And never heard, never was like, are there rats in the walls?
00:36:05Like, there was never a scratching?
00:36:08I mean, I can hear my freaking neighbor's karaoke.
00:36:12I can hear the intake of their breath.
00:36:15And obviously, of course, they're using amplifier.
00:36:17Amplification.
00:36:18What kind of songs do they sing?
00:36:20They're all in Vietnamese.
00:36:24I have no idea what they're singing.
00:36:26You have Vietnamese karaoke that you can hear in your house.
00:36:30My next door neighbors who are Vietnamese Catholics.
00:36:34have a home karaoke system that i i my only my only suspicion or my only guess is that they used to own a restaurant and when the restaurant closed they brought the professional grade karaoke system home they're like what are we going to do with this i don't know we have such fun doing karaoke let's just put it in our house because it is it's got to be it's got to be 6 000 watts
00:36:59And they sometimes have small parties, but a lot of times it's just mom, dad, and their son.
00:37:06Like the way you would play Parcheesi or Nintendo Wii?
00:37:08They just sit around and sing loud Vietnamese karaoke songs?
00:37:12And do karaoke.
00:37:14Now, if you've ever listened to Vietnamese pop music or Chinese pop music, there are tonalities.
00:37:21easy there are tonalities that are that are foreign to my musical ear right there are intervals that they use there's a certain soaring sonorous quality to the high notes that is paint peeling
00:37:42Well, at least to my musical ear, when it's done expertly, I hear the beauty of it.
00:37:54I understand what the music intends, I think.
00:37:59But it's a musical language that's foreign to me.
00:38:03And so I'm always listening to it kind of as an outsider, curious about it.
00:38:07I don't think this is super complicated.
00:38:09There's a place in my neighborhood where I go – I can pay my PG&E bill at this place around the corner where they butchered pigs and lots of vegetables and it's real – and the guy has always got super loud Chinese pop music playing and my daughter loves it.
00:38:22I love it.
00:38:23But what I really love is that I get to leave.
00:38:26I really enjoy – I really enjoy hearing –
00:38:30a Cantonese version of I Want to Hold Your Hand really loud for a couple minutes.
00:38:35And then get out.
00:38:36Yeah, but the beauty of that music is that you can get away from it.
00:38:39I cannot imagine being in my home and having to hear that.
00:38:42Well, do you ever hear... I'm sure in San Francisco you have opportunity to hear that.
00:38:47They hear this instrument.
00:38:48We hear it here in Seattle.
00:38:49Yeah, the little fiddle thing that people play in the subways.
00:38:51Yeah, the two-string violin banjo that you play with.
00:38:53It's very beautiful for a minute.
00:38:55Yeah, but it's very reedy.
00:38:59And and loud.
00:39:01And I mean, I can't I can only imagine what what I can't imagine playing it for someone that you love.
00:39:08Well, but like when they're played fantastically.
00:39:12Like it's an it's an amazing instrument like any instrument, although still a pretty reedy instrument.
00:39:18Not a warm... It hits a frequency that even with my bad ears is a little owie.
00:39:23But here's the thing about karaoke.
00:39:25Now, if I'm sitting in a bar and someone is doing a pretty bad out of tune... Man, I feel like a woman.
00:39:34Right.
00:39:34Or like a rock.
00:39:38Or whatever.
00:39:40You know, I'm familiar with the song, so I know where they are going astray.
00:39:44I'm familiar with the tone of the original, so I know where the singer is failing to achieve that tone.
00:39:54And I can listen to it kind of grimacing.
00:39:58but with knowledge of how far the singer has to go to achieve, or how far away the singer is from actually accomplishing what they think they're accomplishing.
00:40:10In the case of my neighbors, he is a terrible, terrible, terrible singer.
00:40:18And yet, I do not understand what he's going for.
00:40:22Because I don't know the source material.
00:40:26So I sit and I listen and I say, there is no musical language in the universe where the note he's singing and the note of the backing track belong together.
00:40:39It is mathematically...
00:40:44somebody from another planet could look at it on a piece of paper and say, that is wrong.
00:40:49Like, those two notes cannot coexist.
00:40:56So I know that.
00:40:58I know it is not a question of me not understanding the musical language.
00:41:02I know that it is a question of him.
00:41:05And he has the wrong kind of vibrato.
00:41:10He's just so flat and so dead-voiced.
00:41:13Just like...
00:41:14How's the rest of his family?
00:41:18I mean, he's not the only one, right?
00:41:19Well, the thing is, my impression of how the afternoon goes is that their son, who is kind of wearing one of those Radar O'Reilly caps on sideways... Helmet liner?
00:41:32And has like a white tracksuit and is just sitting and playing his...
00:41:39He's playing his Game Boy or whatever.
00:41:41The son doesn't leave.
00:41:43This is what's amazing.
00:41:44The son drives one of those Subaru WRXs with a big wing on the back and an air scoop on the front and expensive rims.
00:41:55The kid is...
00:41:57The kid is part of an outside culture where he should... If I were he, I would be at whatever discotheque it is where there are girls, right?
00:42:12But he...
00:42:13is sitting in the living room with his folks.
00:42:16This is a thing they do together.
00:42:18I never get the sense he sings.
00:42:21He just sits while mom and dad trade off songs, which I imagine they're singing to one another.
00:42:31So he's a teenager or like early 20s?
00:42:35He's 25.
00:42:36Okay, but he's doing a community, like a family thing by being there.
00:42:40I think he might be the one that knows how to turn the machines on or something.
00:42:44He knows how to turn it up.
00:42:46They're only 10 feet from each other.
00:42:47They could be whispering these songs to one another, but instead they are using a larger PA than any band I've ever been in has owned.
00:42:58But they're not in a soundproof basement.
00:43:01They are in their living room in the middle of their house in the middle of the neighborhood.
00:43:05You could hear this music.
00:43:07I imagine all the raccoons in the neighborhood all take this opportunity to go raid the trash in a different neighborhood because it's just sonically so...
00:43:20I mean, even raccoons know.
00:43:22In terms of background, I don't want to triangulate too much here, but in terms of background, is this the same person where you've had some words about that tree being on the property line?
00:43:32Didn't you have some words with a person next door about a tree and some roots and the fruits thereof and so forth?
00:43:38Well, it's not – I never had – Don't you have a fruit tree or something that you were arguing with them about?
00:43:43Well, it was never an argument.
00:43:44What happened was when this house – They call it a police action.
00:43:48When this house – there was a police action.
00:43:50When this house went up for sale most recently, it was –
00:43:55it was occupied by a family of devout East African Muslims who would in that same, in the same room that they're now doing karaoke, the Vietnamese family is now doing karaoke.
00:44:08The East Africans would sit in that room with all the windows open and listen to what sounded like a, like a shortwave radio broadcast of an extremely fiery sermon that,
00:44:24It sounded like they were receiving it on a crystal set.
00:44:28That's gutsy.
00:44:29Well, it was gutsy, and it was also a little scary.
00:44:33There were a couple of guys and a multitude of mothers, and then a lot of kids.
00:44:41There seemed to be more mothers than there were fathers.
00:44:46That sounds like a compound, John.
00:44:48If you're looking at that in a one-to-one ratio...
00:44:51Although I think the fathers there were the fathers.
00:44:56There were just multiple wives.
00:44:59And they would sit and listen to these sermons that were obviously tape recorded.
00:45:05And I think the original recording was made in a bunker somewhere.
00:45:10It was very cultural.
00:45:16And I did have an encounter with them that wasn't 100% positive, that was effectively like...
00:45:24no infidels shall cross our property line type of confrontation.
00:45:32But when the house went for sale and that family moved out, there is a fruit tree that I object to on their property.
00:45:42I object to this fruit tree.
00:45:45It is a garbage tree.
00:45:49And anyone with any responsibility would have taken this tree out a long time ago.
00:45:55And so the house was empty and I went over there and I stood in their yard and I stared at this fruit tree and I said, I've had enough.
00:46:07And so the following morning at the crack of dawn, the most inconspicuous time to run a chainsaw, I snuck over into their yard with my chainsaw and I cut down the tree.
00:46:22In their yard?
00:46:23In their yard.
00:46:24Wow, that's quite an act of aggression, John.
00:46:27Because, well, the house is empty.
00:46:29And whoever it is that owns the house does not live in the house.
00:46:34Right.
00:46:35The owner now, and there's a for sale sign in the corner.
00:46:38It's not for rent anymore.
00:46:39So the owner is divesting himself of this property.
00:46:42Right.
00:46:43He hasn't been there in years.
00:46:44He should have cut this tree down years ago.
00:46:47The new owners, you know, I'm thinking this through as I'm standing in their yard, hands jammed in my pockets, staring at this tree.
00:46:54The new owners are going to move in.
00:46:55They're not going to do anything about the tree.
00:46:59They're going to assume that the tree's always been there.
00:47:00That's a typical, you know, you move into your house that you don't, normal people don't start cutting down trees the day they move in.
00:47:09And I said, nobody's going to miss this tree.
00:47:12There's only one person who can deal with this tree, and it's me.
00:47:18And so I went over, and I chainsawed down this tree, and I took the tree around into my yard, and I threw it in my swimming pool.
00:47:30Well, the great error I made was that there was a second tree that I also should have cut down.
00:47:38And after I cut down the most offensive tree, then my brooding attention just... It was only sated for about a day and a half before I realized that I should have cut down the other tree.
00:47:54And then the house sold...
00:47:56And people were hustling and bustling.
00:47:58And once the house sold, I no longer felt comfortable.
00:48:01In that period where the house was for sale, I felt like, I'm cutting down this tree.
00:48:07All it's going to do is increase the value of the house.
00:48:12The house is in limbo.
00:48:14I'm not taking anybody's tree.
00:48:15I'm just taking a tree from a guy who doesn't want it.
00:48:18And the next people aren't even going to know it was there.
00:48:20But once the house had sold, I felt like, okay, those new people have bought a house that has this tree, this second tree.
00:48:29for me to cut down that tree now would be to actually be cutting down a tree that belongs.
00:48:34You should have finished the job when you had a chance.
00:48:36I should have finished the job.
00:48:37When you were still in country.
00:48:38I was in country with a running chainsaw.
00:48:41My neighbors were all, you know, I'd been in there for 10 minutes, so they were already used to, they'd had 10 minutes of chainsaw to get used to.
00:48:48Another 10 minutes wouldn't have bugged them.
00:48:51I should have taken down that second tree.
00:48:53And now that second tree haunts my dreams.
00:48:57But in any case,
00:49:00The fact that my Vietnamese neighbors can be making what is, by any estimation, music that is a crime against humanity...
00:49:15And I can hear them breathing through their noses into those microphones through three double walls and 20 feet across the yard.
00:49:29And yet the mother of that Austrian girl couldn't hear her own daughter in her own home?
00:49:35I totally agree.
00:49:37I totally agree.
00:49:38And you know what though?
00:49:39I mean the human mind is such an interesting thing where it's that old thing, don't think of an elephant or try not to think about your tongue while you're eating.
00:49:47Oh, I just thought of an elephant.
00:49:49You can't – because there's no such thing as not thinking of an elephant, right?
00:49:53It's that – and once you start noticing something, it becomes very difficult to unnotice it.
00:49:57Now, the thing is –
00:50:00So tree aside, I mean, brass tacks.
00:50:03Have you thought about talking to your neighbors about this?
00:50:06I don't know if that's the kind of thing I've done in your neighborhood.
00:50:08It's like you're kind of a laissez-faire kind of neighborhood.
00:50:13It's a little bit of 54-40 or fight up here.
00:50:16So we get along with one another in a sort of like wave over the fence kind of way.
00:50:21Right.
00:50:22Right.
00:50:22And there's a little bit of a pick-your-battle situation where it's like, of the issues that I have with the next-door neighbors, do I want to, A, address the volume of their karaoke machine, or B, suggest that they let me cut down one of their trees?
00:50:40LAUGHTER
00:50:40what is what is the what's my next move with them it's such an adult thing john i used to i used to feel like every you know i feel like somebody in a roadrunner cartoon like slapping people and demanding you know duels i used to think that every slight had to be answered and until i was like a petulant child where everything had and today i process everything according to that stack that you're describing where i'm like i you know
00:51:04these people might be crazy.
00:51:06I should wait until there's something that's actually dangerous to both of us to bring it up with them.
00:51:11Well, and there is a little bit of the Alaskan sort of the sanctity of one's own home philosophy that the enjoyment that they are deriving from owning their own home is bleeding over their property line and it is causing me mild discomfort on alternate Saturdays.
00:51:34In the afternoon when they have their karaoke parties.
00:51:36I mean, they're not doing it every night.
00:51:38Oh, that's good.
00:51:39Yeah, it's just alternate Saturdays.
00:51:41It's like you can hear the... Saturday is such a nice day to just be around the house and not be bothered.
00:51:47That's the thing.
00:51:47You just want to lay out in your backyard.
00:51:49But the thing is, Saturdays for them are obviously a day they look forward to where dad and mom are going to serenade each other.
00:51:58with the sound of... Well, Junior plays Mario Kart.
00:52:03Well, Junior plays Mario Kart.
00:52:05Mom and Dad are going to imitate the sound of throwing fully grown hogs into a wood chipper or whatever it is.
00:52:13Throwing cats at other cats.
00:52:15However they would describe the sound of the music they're making.
00:52:18And so this is one of the challenges that I have as a fully grown person.
00:52:23At what point does my... Does my...
00:52:29interest my naked self-interest become you know become something that i need to privilege over someone else having like the empathy that i have for someone else having innocent fun in their own home right and and it's you know every musician has to learn at some point or another every rock musician has to learn that louder isn't better
00:52:55But that is a process that a lot of musicians, I guess, never learn.
00:53:00A lot of people don't understand that louder isn't better.
00:53:03For most people, at some point in their arc, the louder it is, the better it sounds.
00:53:10And that's what they have going on over there.
00:53:13They have reverb on their voice.
00:53:16And they obviously feel... And I don't... The thing is...
00:53:19One of my problems is I don't understand karaoke at all.
00:53:23I don't understand people singing like a rock.
00:53:25I don't understand the wreck of the Edmund Fitzgerald in a bar.
00:53:31Because it just seems like... That's a busman's holiday for you.
00:53:34Well, for me it is, but also like...
00:53:37I don't – because I don't have a tin ear, I don't understand what it's like to have a tin ear.
00:53:43Right.
00:53:43Well, there's so many things that are weird about it because the thing is karaoke – the weird thing about karaoke, if you really think about it – and let's be honest.
00:53:50It's a little like bowling.
00:53:51Most of the people who do it are super serious about it and then most other people do it once every couple of years.
00:53:56But mainly what you're doing is sitting around, acting like you're enjoying, listening to other people.
00:54:02sing karaoke while you wait for your turn while you wait for you politely wait for your turn you applaud and there's all kinds of like weird isn't there like weird culture around karaoke like you got to make sure you don't do somebody else's signature song at a visiting thing i can only imagine i stay so far away from karaoke i can't it is like kryptonite to me and but but like i understand that is what car stereos are for right you put your favorite song in the car stereo you sing at the top of your lungs as you're driving down the street
00:54:28I was strong as I could be.
00:54:31All right.
00:54:33Oh, Edmund Fitzgerald.
00:54:36They said never gives back or dead.
00:54:38You play the drums on the steering wheel like, yes, you are in your bubble and you are having a blast.
00:54:44That's like you and the tennis racket back in junior high.
00:54:47And that is a perfect example of the tennis racket and ZZ Top's Eliminator were two things put on God's earth by God for one reason.
00:54:59Tennis rackets are not for tennis.
00:55:01They are for playing the Eliminator record in front of the mirror when you are a young teenager.
00:55:08That's the whole of it.
00:55:10And karaoke...
00:55:13Feels like playing a tennis racket in front of the mirror, except you're forcing your loved ones to be the mirror.
00:55:19And the tennis racket is actually a 3,000-watt amplifier.
00:55:24And I just... I cannot... So I don't understand karaoke.
00:55:27I definitely don't understand karaoke in the role it performs within Asian culture or Asian cultures.
00:55:38And I further...
00:55:40do not understand my neighbor's particular version of super loud have you gotten to where you can recognize particular songs there are some that come back you know there are some that i hear multiple times there are others that you know because the because the the musical bed is all yamaha dx7 like tinkle tinkle chords
00:56:03That are just like, it's garbage music to begin with.
00:56:11It sounds like amusement park music where you're at an amusement park and all the characters that they're putting forward are like subpar Hanna-Barbera.
00:56:26Yeah, like you swap out a calliope and put in a middle-aged Vietnamese immigrant.
00:56:30Yeah, right.
00:56:31Like, that's not Tony the Tiger.
00:56:33Oh, I see what you're... Oh, no, no.
00:56:35I totally know what you mean.
00:56:36You know, that's like a plywood tiger made to look like Tony the Tiger, which is a breakfast cereal tiger.
00:56:43And that tiger is enticing me to go on a roller coaster that... Not so different from the fake Super Chunk song.
00:56:52You get it just close enough that you can go, oh, that's Anthony the Puma.
00:56:55Clearly, that's supposed to make me think of Tony the Tiger.
00:56:59Except it's got the DX7 chime sound.
00:57:01What's love got to do with it?
00:57:03Do-do-do-do.
00:57:05But so I don't want to go over and intervene in their... What I can only imagine... And I mean, and this is a little bit... Maybe this is too much extrapolation.
00:57:17But like this guy, my next door neighbor, definitely is from Vietnam and is older than me.
00:57:27Meaning that he survived the war.
00:57:31Right?
00:57:31He had... Who knows what his...
00:57:34what his life was like during the war.
00:57:36I don't think he's old enough to have been a soldier, but he's certainly old enough to have...
00:57:44I don't think there was a single person in Vietnam that didn't have to confront that war right up front.
00:57:52It's not like there were suburbs where you were safe from the war.
00:57:56And so whatever his life experience is, his English still isn't very good.
00:58:01So it's not like I go over and sit in his living room and we talk about our shared experience.
00:58:07And I just feel like there's so much about what they are doing over there that I don't understand that the work that I am trying to do on it is not the work of confrontation, but it is rather the work of sitting in my own home and trying to learn to appreciate that.
00:58:25What they are doing.
00:58:26Or realizing that if there's enough of a pattern to it, it's better off to just maybe be out of the house.
00:58:30Frustrating as that might be.
00:58:31Yeah, like Saturday afternoons is their time to do their show.
00:58:35And hopefully, you know, I think they also drink.
00:58:40So maybe by late afternoon, they, you know, it starts to slur off.
00:58:45And then, like, I don't know what happens.
00:58:47Maybe they make love.
00:58:48I'm not sure.
00:58:50It is a prelude to.
00:58:52But like, I'm...
00:58:53I'm much, and this is the thing about, this is the thing I encounter all the time, which is that other people are irritating.
00:59:03And I cannot figure out if it is just that.
00:59:09Other people are truly irritating and everybody else pretends that they're not or whether there is something in me where I am just more irritated by other people.
00:59:21I don't think I am more irritated by other people.
00:59:23I just think that I think that everybody else assumes that other people just are.
00:59:30I have no idea.
00:59:30Honestly, I have no idea how people work downtown.
00:59:35And don't get into fistfights every day.
00:59:37Oh, I totally agree.
00:59:38And so, you know, right now, the other neighbor, my neighbor across the street, is running some kind of loser's lounge halfway house.
00:59:45Is this the one that had the guy living in the RV?
00:59:48The guy is still living in the RV.
00:59:49He was out walking down the middle of the street the other day in a leather vest with no shirt on.
00:59:54The leather vest had the Harley Davidson symbol across the back.
00:59:58And he was walking down the middle of the street in a gunslinger pose.
01:00:04Like, panted out.
01:00:05And he's obviously walking to the store to get a beer.
01:00:09And in his mind, he's like in a showdown.
01:00:12Spurs.
01:00:14Chick.
01:00:15Chick.
01:00:15And I'm looking at him and I'm just like, there are so many things that I want to say to you right now.
01:00:21And I'm and I can't like prioritizing what to say to the drunk guy living in his van behind my neighbor's hedge.
01:00:30Like when you when you run down the list, the answer is say nothing to the guy, because the first communication I'm going to have with this guy is going to be when I'm standing next to a cop.
01:00:43And the cop is saying, how long has this been going on?
01:00:46And I say, you know what, officer?
01:00:50The reality is this has all got to go.
01:00:53Like this guy, he's unsafe at any speed.
01:00:55I mean, it's going to happen.
01:00:57One of these days, this guy is going to set his van on fire or something over there is going to happen.
01:01:04But, you know, the other guy with the mosquito tattooed on his neck, like he's got his arm in a sling now.
01:01:10Somehow and and the guy with the vest and I'm just like, OK, what's my problem with them?
01:01:16Where do I start?
01:01:18And I'm, you know, like I love living.
01:01:21I love living in my neighborhood.
01:01:23And I think what I am trying to learn is a little bit of acceptance.
01:01:28I'm learning a little bit of like, this is my neighborhood and this is what happens.
01:01:33And if I was living north of the Ship Canal, if I had paid three times more than I paid for my house, then the neighbor next door...
01:01:42My neighbors around me would probably be even more entitled, and they would be out in the backyard playing yoga music.
01:01:51Oh, and they would have qualms with you that they would bring up with the Homeowners Association about how you used the wrong shade of white on your mailbox or something.
01:01:58Right, or something worse.
01:01:59You know, it's so funny.
01:02:01I feel like I've evolved a lot with this stuff.
01:02:03There's still stuff that bugs me, and I try not to be noisome to other people, but just, I don't know.
01:02:09There's still some kinds of things where, like, there's something about the basic impossibility of the situation that makes it worse.
01:02:15Like, in your case, these sound like they're not bad people.
01:02:18You don't want to go over there and, like, read them the riot act and be that guy who's always complaining.
01:02:22I think they're super nice.
01:02:23They're not broadcasting any sermons.
01:02:26Nobody's parking their car on the lawn.
01:02:28If you're going to have somebody making a lot of noise, how nice is it that it's a family of homeowners singing together?
01:02:34That's kind of nice.
01:02:35That's kind of nice.
01:02:36But then you get to something like the barking dog situation, and there's so few ways to handle that in a way that isn't from the get-go confrontational.
01:02:45Because by the time you say, okay, I'm going to be a patient person, even though this dog is literally barking all day.
01:02:50All day long, making me into an insane person.
01:02:53I'm not going to complain about it.
01:02:55But then by the time you very first kind of broach the topic, you're already so loaded for bear.
01:03:00And they're like, well, what do you want me to do about it?
01:03:02I have a dog and it barks.
01:03:04That seems to be the attitude.
01:03:07Whereas somebody like me, who's on the other end of the barking dog situation, is kind of like, well, you know, the thing is, I noticed this.
01:03:15And I bet a lot of other people do, too.
01:03:17Nobody wants to be a dick and call the police or something.
01:03:20And then they say nobody else has complained.
01:03:24I get this a lot.
01:03:24I get this a lot.
01:03:25Nobody else has complained.
01:03:27People love dogs.
01:03:28Oh, people love their dogs.
01:03:33Yesterday, somebody here in the neighborhood, I don't know who, either had their...
01:03:40either had their niece over visiting, or it might be the family on the far corner that has a lot of kids.
01:03:47But whatever it was, I was sitting in my bathtub, as you do in the afternoon on a Sunday, and some little girl that I estimate was between the ages of five and seven
01:04:01Had discovered her scream.
01:04:04Oh, yes.
01:04:05The blood-curdling scream that every little girl eventually learns.
01:04:08Well, now this is a question that I have for you because I was a little boy once.
01:04:15A long time ago.
01:04:16And I knew a lot of little girls.
01:04:20I had lots of little girlfriends.
01:04:22Some of my best friends were little girls.
01:04:25And I do not remember in the 1970s little girls entertaining themselves with a blood-curdling scream.
01:04:34Shrieking is a thing.
01:04:36You see it.
01:04:37Sometimes we'll go to the playground.
01:04:38You know, you think you've got problems.
01:04:39Your kid's like, oh, my kid's such a pain.
01:04:40It's so hard to get her to put her socks on.
01:04:42And then we go to the playground and there's like a child there that's like a hellion.
01:04:45And yes, there are little girls who would just stand on top of the slide and shriek for an hour.
01:04:50And that's a thing.
01:04:51Well, so that was not – it didn't used to be a thing.
01:04:54It is a cultural thing that has – It's probably vaccinations causing it.
01:04:58It's probably vaccinations.
01:05:00Exactly right.
01:05:02You know what it is?
01:05:02It's all the estrogen in our drinking water.
01:05:04Chemtrails.
01:05:07But somewhere along the line, little girls have been – have taught one another, and I think it is something that they learn from one another.
01:05:17But they are – I don't think it's something that they are being encouraged to do.
01:05:21What it is is it's something they are not being discouraged from doing.
01:05:25And the thing is it's important to understand that it's different from somebody yelling really loud, which is annoying.
01:05:31But there's a certain kind of like horror movie shriek that little girls – Yes, yes.
01:05:37And then they start doing it together and they kind of egg each other on and they look for reasons to have to shriek.
01:05:42And so somebody kicks a ball at them, and instead of kicking the ball back, they shriek.
01:05:49And then a bird flies over, and instead of going like, oh my god, they shriek.
01:05:55And so this little girl, I'm in the bathtub, so I can't see her, but she's on my block, somewhere on the block.
01:06:03And she...
01:06:04for an hour just takes in breath and then shrieks as if she's being murdered and then takes in breath and shrieks as if she's being murdered and the and the shriek is long and each one gets more and more evocative how do you not stop that
01:06:23If that happened once, I would be like, don't ever do that again.
01:06:26Well, right.
01:06:27And the thing is, I hear there are other children out there playing with her, and I hear there are adults.
01:06:32I hear a father's voice.
01:06:33I hear people speaking to each other.
01:06:35I hear people speaking to her.
01:06:37And so I can only picture it.
01:06:40At no point do I get out of the bathtub.
01:06:42Because, again, it's one of these things like, all right, it's Sunday afternoon.
01:06:46There's a family in my neighborhood that's out either in their yard or in the street.
01:06:52They're playing ball or they're having a family activity.
01:06:56And one of their little children has discovered her scream.
01:07:01And she is really practicing it.
01:07:06And no one in the family...
01:07:09says, okay, Esmeralda, that's enough.
01:07:15Not another one.
01:07:16And then she shrieks again and they go, you know what?
01:07:19Not one more or we're done.
01:07:22And she does it again and then they say, okay, we're done.
01:07:27And they take her inside and then they sit her down on a chair and they have a conversation with her where they say, that shrieking is not...
01:07:37It's not an appropriate way to express yourself.
01:07:40If you are feeling emotional, then let's talk about an appropriate way to express your emotions.
01:07:46If you are having fun, there are ways to express having fun.
01:07:50It doesn't register, though.
01:07:51It doesn't seem to even... It must register, but it's so far beyond anything.
01:07:57I am so white.
01:07:58I am so white, John.
01:07:59To me, a shrieking thing is not a thing that we should be doing.
01:08:02It's not even going to be a discussion point.
01:08:04It's not an inside-outside voice thing.
01:08:05You don't just shriek.
01:08:06No, you never
01:08:07shriek we're not going to do that that's not going to be a thing that we shriek if you are being murdered it's the one time that that sound is appropriate right you need to if you need to communicate across a mountain valley that you are being murdered yes and that's the only or or if you are being attacked by a bear which is a form of being murdered like it's true in every instance that i can think that that is an appropriate sound the end result is murder
01:08:31It's, it's unnerving though.
01:08:32It's really unnerving.
01:08:33And, and so, you know, you think, I think I find myself thinking cause then now I go down a think hole and I start going, well, wait a minute, this is not bothering them.
01:08:42Is this potentially like a relief for them that they get to be outside now instead of having an echo around in their small living room?
01:08:47Or are there people that are saying, well, I don't want to, I think this is a, this is a thing that, that happens in parents.
01:08:56Ego assertive about the shrieking.
01:08:58Or I don't want to inhibit her.
01:09:00She'll grow out of it.
01:09:02This is just a phase and it's important for her to... It's not like she's being fake murdered.
01:09:09It's important for her that she make the worst sound that a human can make over and over and over and over again in a public sphere.
01:09:17And I'm sitting in the bathtub and I'm like, here's again another instance where I feel like if I had a megaphone...
01:09:25I would be in more trouble than I am not having a megaphone.
01:09:29Because if I had a megaphone, I might get out of the bathtub, put it out the window and say, stop your child from screaming.
01:09:36With the robot voice.
01:09:37Stop your child from screaming.
01:09:41but not doing that 20 seconds to comply i don't want to like open my bathroom window and stand there steaming john with the steam coming off of me going stop it god for the love of fucking god stop screaming it's not but you know but what it is it's just like the thing with the dog it immediately becomes a thing where you are talking to the other parent
01:10:05Well, you're a human.
01:10:06You're a grown-ass man, and now you seem like the crazy one.
01:10:08Yeah, right.
01:10:09Like, oh my gosh, suddenly this is a big problem?
01:10:11No, it's been a problem for years and years and years, and I finally just had one day where I couldn't take it anymore.
01:10:18Oh, you don't like little girls having fun?
01:10:19Oh, you can't stand... If you were a father, you would.
01:10:24And it's like, I like the sound of little girls having fun.
01:10:27That is not the sound of someone having fun.
01:10:29That is the sound of someone... Especially if they're in the pool with this cabin over it.
01:10:35She is fully conscious that she has arrived upon a power that she has to basically rule everyone.
01:10:51The child becomes aware that they have a new power that no one else can do.
01:10:57No adult can make that sound.
01:10:59That would be so unnerving.
01:11:01You know, if an adult made that sound, you would be like, oh, fuck, this person is possessed by, like, that is a sound an adult would make just before their skin split from head to toe and the giant pterodactyl that lived inside them was freed.
01:11:17It's a pterodactyl sound.
01:11:21But the child realizes like I am now not only in control of everyone that I can see, but I'm in control of the entire block.
01:11:27Like no one can think because of this sound that I have learned to make.
01:11:32And I don't know.
01:11:33Again, it's a thing maybe that I should be thinking about ways to harness it.
01:11:36If you got 40 little girls in a room and told them all to make that sound, what could...
01:11:45What power could you generate from that?
01:11:50I mean, you could take them to Guantanamo and all of the people in shackles there would start spilling the beans, whatever beans they had left to spill.
01:12:01If you could take that sound and weaponize it and record it in high fidelity and then broadcast it on battlefields.
01:12:12Instead of playing Ride of the Valkyries as your troops move into a situation, you just play highly amplified Vietnamese karaoke and little girls screaming at the top of their lungs.
01:12:26Armies would flee before you.
01:12:29Who would go into battle if the sound of the opposing army was that unholy cocktail of noise?
01:12:39You'd throw your gun down and coward.
01:12:42They could shatter glass in advance of going into the slurry, like Ella Fitzgerald.
01:12:50Max L. Boy, it's hard.

Ep. 112: "The Takeaway Dream"

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