Ep. 80: "I Was the Red Robin"

Episode 80 • Released August 14, 2013 • Speakers not detected

Episode 80 artwork
00:00:09I love you
00:00:12Hi, John.
00:00:14Hi, Merlin.
00:00:15How's it going?
00:00:18Can I say why that's funny?
00:00:22Of course you can.
00:00:24I think that we should reference yesterday multiple times.
00:00:29No, no, no.
00:00:30I just blooped you on the Skype as a joke because I remarked about how you tend to clear your throat at the top of the episode, as you say.
00:00:39And so I think my exact quote was clear your throat because here we go.
00:00:45I saved it for you.
00:00:46I wanted to hear all the little rabbit babies that I was keeping in my cheeks.
00:00:52What's that from?
00:00:54You just came up with that?
00:00:57God, you should write songs.
00:00:58You are good.
00:01:00What did you have for dinner tonight?
00:01:02Well, it's a good question.
00:01:03Thank you.
00:01:04I'm still wandering around in a kind of carb-less daze.
00:01:10And I was sitting here at my house and I was just like, I can't imagine another meat entree that isn't going to just make me despair.
00:01:25All I want is spaghetti with cookies on it.
00:01:30God, I've never thought of that until you just said it, and that sounds so good.
00:01:36It does.
00:01:37It would be a real carbo load.
00:01:39But then I looked in the refrigerator and I realized that I had made a stew, a carb-less stew.
00:01:47And I had also roasted a beef.
00:01:51Oh, like a rib roast?
00:01:52What kind of a roast?
00:01:53I had made a roast beef.
00:01:55That sounds delicious.
00:01:57It does, and it is, but I don't have a meat slicer.
00:02:03And I realized that at least half of the enjoyment I get out of roast beef is out of the thinness of the slices of the beef.
00:02:12Is that right?
00:02:13Now, was it like a rib roast or what kind of a roast did you make?
00:02:18Was it a sirloin roast?
00:02:20It was like a prime rib.
00:02:22No, no, it was a beef butt.
00:02:24I don't mean to give you the beef voir dire.
00:02:27I'm just trying to figure out which.
00:02:28So you like a thin cut.
00:02:29You like a traditional roast beef thin slice.
00:02:32Yeah, rare cook and very thinly sliced.
00:02:36And then, of course, on a fresh French roll, but I can't have that.
00:02:39See, that's how they get you.
00:02:41That sounds delicious.
00:02:42Yeah, so anyway, I ate the rest of the stew.
00:02:45I'm feeling better.
00:02:46I'm feeling less like...
00:02:50like diving into a swimming pool sized strawberry shortcake.
00:02:55I'm, I'm just, I'm just, I'm getting by, you know, it is not, it's not torment at all.
00:03:00It's just a constant feeling of, of being, uh, of not knowing what's not, not knowing how to live because, because of this, this, this bizarre,
00:03:11simulacrum of a life that you've been leading all these years yeah i've been i've been i've been hopping from from shortcake to shortcake like a frogger so many freight trains and now now i'm this person who's like i can eat any any meat i want and it's and it's all delicious and after after a week i'm like meat is the most boring food
00:03:31See, it's just the way.
00:03:33It's like having a steady girlfriend.
00:03:35I don't know if this is useful at all.
00:03:36You've probably already discovered this.
00:03:37I might be repeating what you just said.
00:03:39But when I was struggling to make the no starchy stuff thing work, I discovered that the worst part was before I would eat the actual meat.
00:03:48That's when I would feel the meat fatigue.
00:03:50But if I forced myself to eat something protein-y, like you say, the shortcake train desire would abate a little bit.
00:03:55Yeah, it goes away.
00:03:56And what's funny is— And you realize how much it's in your head.
00:03:58That's what I'm saying.
00:03:59A week ago—
00:04:00Somebody said to me, well, why don't you just take a celery stick and dip it in a peanut butter jar?
00:04:06And I was like, well, for one, I'm not four at the daycare center.
00:04:10And for two, I literally have not eaten a thing like that since 1973.
00:04:14And I cannot think of a thing less appetizing.
00:04:18You should make ants on a log.
00:04:20You do that?
00:04:20You put some raisins on top?
00:04:22Let's not talk about ants.
00:04:23Nom, nom, nom, nom.
00:04:25But yesterday, I'm walking around.
00:04:27I'm just like, oh, celery with peanut butter on it.
00:04:29That sounds so delicious.
00:04:30It's only taken a week, and already, I think...
00:04:33of vegetables in a different way i'm like oh get me some vegetables like that will at least they'll fill you up they really well and they dress up your dumb dead uh your dead shoe leather whatever thing you eat don't you feel a little fruity though like i know in my heart that well like i really like as you say asparagus i love asparagus i like broccoli i love spinach like sauteed with uh
00:04:59You know, cloves of garlic is so good.
00:05:02I'm glad that we're finally doing a cooking podcast.
00:05:07Welcome to Nom Noms with John and Merlin.
00:05:14Here's the thing.
00:05:15You know what?
00:05:16This is super boring.
00:05:17But all I'm going to say is this.
00:05:20I'm going to say one and a half things.
00:05:22One is that in my head – so I've got meat and I want to talk more about meat because my family is away and I've been eating nothing but meat.
00:05:30But I'll think to myself, hmm, I should go make some asparagus and I could put a little spritz of lemon on it.
00:05:36And I feel like such a fruit when that thought goes through my head.
00:05:39But I make it.
00:05:39It's delicious and I eat it.
00:05:41Isn't that a silly thing?
00:05:43Well, I absolutely feel you.
00:05:46A friend of mine was in town.
00:05:47I had not seen him in many, many years.
00:05:50He and his family live in St.
00:05:51Petersburg, Russia.
00:05:53And they were passing through Seattle.
00:05:55And they said, we're going to be here long enough to get dinner.
00:05:57Let's all meet for dinner.
00:05:59And I said, well, absolutely.
00:06:01Where should we eat?
00:06:02And they were unified in wanting to eat at the Red Robin restaurant.
00:06:07Because they're going back to Russia.
00:06:10They're going to be in Russia for another year.
00:06:12And Red Robin was the American style bonsai hamburger with a pineapple ring on it.
00:06:22And a strawberry milkshake sounded like, I mean, that was their dream, right?
00:06:25You can get a lot of things in St.
00:06:27Petersburg, but I'm guessing you can't get nachos with like strawberry compote.
00:06:33You can probably get a rocket launcher faster than you can get a pineapple burner, I'm guessing.
00:06:37Right, right.
00:06:38So we all go to Red Robin.
00:06:41And I, you know, I used to work at the Red Robin.
00:06:43I was the Red Robin.
00:06:46Is that right?
00:06:48Did I never tell you the story?
00:06:49I have not heard how you became the Red Robin.
00:06:51It was one of my earliest jobs.
00:06:53I was 17 years old.
00:06:54The Red Batman?
00:06:55I was a bus boy at the Red Robin in Anchorage.
00:06:59And they didn't trust me to be a waiter.
00:07:02They didn't think I had the maturity.
00:07:04But I was running around bussing tables.
00:07:07And one day I was in the back storeroom.
00:07:10And back there behind all the boxes of Dixie Cups.
00:07:14Hanging on a hook.
00:07:16is this, you know, I came around the corner and was like, and here's this life size red Robin costume hanging on a hook, like dead lifeless.
00:07:26How long had you been there before you realized this?
00:07:28Well, it was a, it was like a back store room that kind of never got used.
00:07:32And I was there, I was working there a couple of months, you know, before I went around and saw this and I was sent into that room.
00:07:38You had to have a key sent into it to find something, some cash register item and,
00:07:43And here's this Red Robin.
00:07:45And it looked exactly like, hanging on the hook, it looked exactly like the Alec Baldwin chicken face in Beetlejuice.
00:07:54Like, you know, like he had reached in and pulled his nose out and had fingers for eyeballs.
00:08:00And I was like startled and scared.
00:08:01And I mentioned it to the manager and he was like, oh, yeah.
00:08:06You know, usually, well, for a long time we had somebody...
00:08:09being the Red Robin, but you have to be big and like to dance and like kids.
00:08:16And I was like, hello, big, like to dance, love kids.
00:08:20And he was like, you want to do that?
00:08:22You like a snazzy outfit?
00:08:25So I run back, I throw the Red Robin costume on, I go out into the restaurant, and I don't know if you've read these studies recently, but it's been discovered by the guy that provides sports mascots to sports teams in America, that severely autistic people...
00:08:46make the absolute best sports mascots.
00:08:49Like a big head character.
00:08:51I've never heard that.
00:08:53Once they're inside... I mean, and these are people who are completely internal, like Rain Man level of autism.
00:09:02They put on the costume...
00:09:04And they become incredibly animated, incredibly social, gifted, like child-hugging, cartwheel-turning super mascots.
00:09:18I've never heard that.
00:09:20And then you take the costume off of them, and they go back.
00:09:23It's almost an awakening kind of situation.
00:09:31So it was, it was, I had a similar experience.
00:09:34I put on this costume.
00:09:35I walked out into the restaurant where I had been working at toiling as a, as a bus boy, the lowest guy on the totem pole.
00:09:43And suddenly I was the red Robin and everyone in the restaurant wanted me to come over to their table.
00:09:49And all the waiters were like, you know, stepping aside to let me pass.
00:09:54I never wanted to get out of this costume, Merlin.
00:09:57I inhabited the character of the Red Robin, who, as you know, is both a mix master or a mixologist and also a burger master.
00:10:08Two things at the time.
00:10:10I've never eaten at a Red Robin, but I passed by them.
00:10:13And I'm just looking at the character.
00:10:14He appears to be a red bird.
00:10:16And he's got a little bit kind of like a... What?
00:10:19Like a... He's got a beanie cap on.
00:10:21He's got like a backwards... Well, here he's got a baseball cap.
00:10:23I guess he probably used to have a beanie.
00:10:24He's carrying a burger like Bob's Big Boy.
00:10:26He's got big, adorable yellow bird feet.
00:10:29That's right.
00:10:29And beautiful, beautiful blue eyes.
00:10:31To those of our listeners who are not in America, it is a burger restaurant that was started in Seattle.
00:10:38It's a chain restaurant.
00:10:39They have burger places all over the country.
00:10:42And their twin selling points were this menu of outrageous burgers.
00:10:48Outrageous burgers with outrageous toppings.
00:10:53And then also a very fun bar component where master mixologists, and I believe the term mixologist was invented at Red Robin.
00:11:03Turns out.
00:11:06I take it all back.
00:11:07This looks fantastic.
00:11:08It says here it's America's Gourmet Burgers and Spirits.
00:11:13What a brilliant idea.
00:11:14Way ahead of its time, I'm guessing.
00:11:15So mom and dad could go and get one of these tall drinks that had 15 shots of liquor in it that tasted like a banana.
00:11:23And the kids could eat all-you-can-eat seasoned fries and a giant burger covered with Skittles or whatever it is kids want.
00:11:33And they used to have, oh, they had amazing food, a mud pie, nachos.
00:11:38Anyway, so I had such a good time as the Red Robin.
00:11:42I was such a success that they started to, somebody got a truck and they would put me in the back of the truck and we drove to all the hospitals and I started visiting sick kids.
00:11:56As the Red Robin.
00:11:58What kind of response did you get?
00:11:59Oh, that was amazing.
00:12:00You walk onto the ward and all the little sick and hurt kids.
00:12:05And they're so thrilled.
00:12:06You know, the hardest part, I think.
00:12:09It must be so boring to just sit around.
00:12:10Nobody comes.
00:12:12Mom and dad come visit for an hour or whatever.
00:12:14But nobody's there.
00:12:15It's just dull.
00:12:16And here comes this giant freaky bird.
00:12:20Half of the kids had no idea what the connection was to the restaurant.
00:12:24It was just like, here's this giant freaky bird.
00:12:26And thinking about it now, like we were doing this really rogue, like it was this one assistant manager and one of the waiters owned a truck.
00:12:36And we were like, I know, let's go to hospitals.
00:12:37I can't imagine that happening today.
00:12:39I don't even think we called ahead.
00:12:41I think we just drove to hospitals, walked in the door.
00:12:46And the nurses in the ER were like, oh, hello, let's go, and then took us back to the kids.
00:12:52There's like 50 things about that that would never happen today.
00:12:55Right, right.
00:12:56If a John Roderick-sized red bird walked into a hospital today, there would be so many questions.
00:13:01You'd get black bagged.
00:13:03Yeah, but this was, you know, and the entire trip across Anchorage with me in the back of this pickup truck, I'd be waving and people would be honking.
00:13:10I really felt like...
00:13:12like queen for a day every time i put on this costume and it transformed me so we started going to like state fair and and stuff like that where the red robin you you the manager didn't mind you doing this the manager loved it because first of all i was a not a very good bus boy
00:13:30Win-win.
00:13:32Get that chicken out of here.
00:13:34That summer, all of a sudden, the Red Robin was literally everywhere in Anchorage.
00:13:41You could not get me out of that suit.
00:13:43And every time somebody opened an envelope, I was there in the Red Robin costume like, hello!
00:13:51It's a silent roll.
00:13:53So I didn't say anything.
00:13:54I was just bouncing and jumping and dancing.
00:13:58i mean you know dancing to like schoolhouse rock or whatever it is that they play but i mean it's probably not entirely different from the the spectrum kids where like you disappear into this character and it's not like the interesting thing about it is like everybody sees you as a big dancing bird but like all you see is the people's reaction which it's not like you're watching yourself on video going god what the is wrong with me why don't i get a girlfriend like you you would you would just see the delight you walk up and see the delight in people's eyes and do a little dance
00:14:26Everybody in the world should walk into a hospital ward of sick kids dressed as a giant bird.
00:14:34Everybody should have that experience once because the looks of, like, pure joy and adulation on these little faces where they're just like, you came to see me?
00:14:46And, you know, and I'm like, mm-hmm.
00:14:49Mm-hmm.
00:14:49And high five and big hug.
00:14:51And it's just like, oh, you know, I it was it was as it wasn't my first job, but as one of my first jobs, it was a it was a hell of a revelation.
00:15:03So I have a tremendous soft spot for Red Robin, even as they have.
00:15:07succumbed to cost-cutting measures such that I feel that their current mud pie is a shadow of its former self.
00:15:17That's a goddamn shame.
00:15:18Don't you hate to see that when a place you really love starts going downhill?
00:15:22The old mud pies, they...
00:15:24literally opened a jar they opened like one of those two quart glass jars of adam's peanut butter and just turned it upside down on this chocolate ice cream pie and it was like okay i'm i'm getting dizzy i need to sit down because this just smelling this this ice cream cake pie then you could do that no one would stop you
00:15:48No, I mean, again, it seems like a different role.
00:15:51On the one hand, I can't believe that you didn't have to go to like six weeks of training and sign a bunch of insurance forms before you put on the suit.
00:15:58But at the same time, I think about like my 10th birthday at Farrell's.
00:16:01I don't know if you've ever seen Farrell's.
00:16:02I ate the pig's trough at Farrell's.
00:16:04I made a pig of myself.
00:16:06I got the ribbon on my toy box.
00:16:09I did.
00:16:09I made a pig of myself at Farrell's.
00:16:11My 10th birthday there was amazing.
00:16:13Do you remember?
00:16:14They'd have this ice cream thing that came out on a stretcher.
00:16:20Yeah, they're all wearing straw boaters.
00:16:21But you could eat it.
00:16:24You could just sit there and eat.
00:16:2621 scoops of ice cream.
00:16:28Yeah, there was one really crazy one.
00:16:30I think the pig's trough.
00:16:33Oh my God, John.
00:16:34I on numerous occasions ordered and ate something called a pig's trough.
00:16:37Was it 21 scoops?
00:16:39I thought it was like six.
00:16:41It was a lot.
00:16:41There was one that was really, really big.
00:16:43It was called like the roller coaster or the ice capades or something.
00:16:46There was one that was just ridiculously large.
00:16:48But, I mean, it was a banana split.
00:16:50It had basically everything you could conceivably put on there.
00:16:53Yeah, it was just like a fire hose.
00:16:55A scoop with like every flavor.
00:16:56I'm going to find out now.
00:16:57I'm looking at these Red Robin burgers.
00:16:58Do I remember correctly that you don't like an onion roll?
00:17:00Do I remember that correctly?
00:17:02Onion roll?
00:17:03I seem to recall one time I seem to recall asking if you liked an onion roll for a burger.
00:17:08Oh, no, I don't prefer an onion roll.
00:17:10Okay, pretty good, huh?
00:17:12Yeah, that's a good memory.
00:17:13Yeah, and look at these burgers.
00:17:14I have a feeling you don't really get that much tall avocado on your burger.
00:17:21But I'm looking at some wonderful, beautiful... Some of those burgers will sit you down.
00:17:26Those fried onions are very generous.
00:17:29Oh, well, and so I go to this restaurant with my friends who live in Russia, and they are just tucking their napkins into the front of their shirts, and they're like, here we go.
00:17:39We're going to eat one of these 6,000-calorie burgers.
00:17:44We're all going to have milkshakes.
00:17:46And the waitress came around to me, and I was like...
00:17:48cob salad please oh god and they they looked on me with pity they looked on me with like they didn't want to so strong they didn't want to say anything too they looked at me like you know like i had just said um i would i just said like i'd like some radiological i'd like a glass of radiological and the waitress is like okay and i'll be going no ice
00:18:14Here comes my Cobb salad.
00:18:16And it is, I mean, it's seriously the size of a bear's head.
00:18:20Really?
00:18:21It's very, very generous.
00:18:22It's a massive Cobb salad.
00:18:23There's nothing to be sorry about.
00:18:26But, you know, my friends are over there like eating their burgers in slow motion, licking their chops.
00:18:35And, you know, and I'm here with my egg and my little slices of turkey and avocado.
00:18:41So it's kind of like a chef salad.
00:18:43I went out with my – I had lunch with my friend Dan a few weeks ago, and he had a Cobb salad.
00:18:47And I remember it seemed very hearty.
00:18:49Oh, so they're amazing.
00:18:50They're great.
00:18:51But it is not a thing I would have ever chosen for myself at a Red Robin.
00:18:55And I know the menu inside and out.
00:18:57It would be like going to House of Prime Rib and getting a really good Filet of Soul or something where you're like, well, that's good.
00:19:05But you're kind of missing out on what makes that place special.
00:19:08Yeah, that's exactly right.
00:19:10You always read the menu, and there's always something like the Filet of Soul where you say, the only person that's going to order that is a guy who's putting a nitroglycerin tablet under his tongue before he sits down at the table.
00:19:26That's a bunker meal.
00:19:28Where the scar across his chest from open heart surgery is still throbbing.
00:19:34That's the only guy that's going to eat the one fish meal.
00:19:38I have a friend who's a vegetarian.
00:19:40A bunch of us went out a few years back, went to House of Prime Rib.
00:19:44You've been there, right?
00:19:45Merlin?
00:19:46Don't tell me.
00:19:47Don't tell me you've never been there.
00:19:48For the entire time we've known each other, which now is 10 plus years.
00:19:53It's officially 10 plus years.
00:19:5410 plus years.
00:19:55You have been talking about the House of Prime Rib.
00:19:57Oh, my God.
00:19:58And every friend of yours, Scott Simpson, Jason Finn even, Jonathan Colton.
00:20:05Hodgman's been there multiple times.
00:20:06They all talk about Hodgman Jesus.
00:20:08It's like a cult.
00:20:09It really is like a cult.
00:20:10They all say, oh, you know, how's the prime rib, blah, blah, blah, blah, blah, with Merlin, blah, in San Francisco, der, der, der.
00:20:15I feel so bad.
00:20:16Well, listen, we need to make a trip.
00:20:17We need to make a trip.
00:20:18We need to schedule a show here and a show up there.
00:20:22We'll bring our families.
00:20:23Not the House of Prime Rib.
00:20:25You know where you take me when I come visit you?
00:20:27You take Walgreens.
00:20:29Oh, it's not a good Walgreens.
00:20:31And we buy.
00:20:32We never leave our neighborhood, do we?
00:20:35So we should tell.
00:20:36Did we tell the story about your pants?
00:20:37Have we ever told that story on here?
00:20:39I'm not sure.
00:20:40Do you remember that night?
00:20:42What happened?
00:20:42We were rushing off to go to dinner and you had figured, you'd figured that, and this is exactly the kind of thing that drives me nuts with people.
00:20:51It's like, if I know I have to be somewhere and it might require pants, I'll bring five pairs of pants.
00:20:56And you came to town.
00:20:57We were going to go out to fancy dinner and you had not checked what pair of pants you grabbed.
00:21:01A, mistake number one.
00:21:02So you showed up.
00:21:03It was kind of late.
00:21:04Do you remember this?
00:21:04You must remember this.
00:21:05Yes, absolutely.
00:21:05We were going to dinner with Mr. Fancy Pants.
00:21:07Mr. Fancy Pants and the other guy and the other guy.
00:21:10And so we – great guys.
00:21:13But we – And legitimately like fancy restaurant in a fancy area.
00:21:18It's this place in Knob Hill.
00:21:20Anyhow, but you got here and you had not checked what pair of pants you grabbed.
00:21:25And I don't know which decade those pants would have worked on you.
00:21:28I don't think those pants would have fit you three years ago.
00:21:30i mean these pants were little they were like little boy pants so mistake number one mistake number two you didn't even bother to like grab you're like we gotta go we gotta go we gotta go and you were driving you were like bullet i mean you were having your san francisco bullet moment driving down market street hyperventilating i've never seen you so anxious yeah because you don't be late for this you're gonna they're gonna give you shit if we're late for it and so we
00:21:50go to in a complete frenzy we drive so first of all you don't have pants number one number two you decide you're not going to bother to bring any pants with you because that would be inappropriate you're wearing like like big richard nixon shorts yes with with with a suit jacket you look kind of like like a like a beefy angus young yeah we're already we're already late for dinner we're late we're on the other side of uh you know over here in west bejesus we go to our crappy goodwill there's nothing there and it all costs 50 bucks
00:22:18Right.
00:22:18And then we finally, that's right.
00:22:19We went to that Goodwill up.
00:22:20I got a photo of you.
00:22:21I got a blurry photo of you.
00:22:22I'll put it up.
00:22:23It was just like, there's nothing here.
00:22:24It was everything.
00:22:25Everything was, uh, they were all dockers with three pleats.
00:22:28For like, for like $80.
00:22:29Things I was not going to touch with my hands.
00:22:31So then we, we haul ass.
00:22:33And now, now you're real anxious because, and everything you put on was too small.
00:22:36Cause as we've discussed, everything at a Goodwill, only small people die and everything at a Goodwill, unless you really spend some time in my experience is, is all tiny, tiny men clothes or triple extra large.
00:22:46right and luckily you're right in the middle you're triple extra large because because uh triple extra large people they die like hell so anyway it was just it was and then we got we got to the place we were we got to like the castro we parked and and i stayed in the car and you tore ass in your angus young pants and like ran and so what happened then you went to like uh so so i so i'm you're like there's got to be some place in the castro there's all kinds of like vintage stores fancy boy stores there's all kinds of stores
00:23:14So here we get down to the Castro.
00:23:15It was like, okay, we're just going to park in the gas station.
00:23:19You parked in the zip car spot.
00:23:20I was very uncomfortable.
00:23:22I'm like, you guard the car.
00:23:24And I ran down.
00:23:25I'm going in alone.
00:23:26I ran down to.
00:23:28In a suit jacket.
00:23:29In a suit jacket and like underwear, basically.
00:23:31I ran into this vintage store.
00:23:33And I'm like, men's pants.
00:23:36And she's like, in the back, you know, over by the tuxedo jackets or whatever.
00:23:41And it was some Castro thing.
00:23:43It was like on Market Street, like in that kind of fancy strip between Church and Castro.
00:23:47It was like a thrift vintage kind of – Oh, it's real upscale, that area.
00:23:52I mean, as far as like you're not just going to go in somewhere and get like a skinny tie for a buck.
00:23:56Yeah, no.
00:23:56I mean, that was – it had been – it was – how do you say?
00:24:01A curated store.
00:24:03And I run in the back, and I'm flipping through all these things, and they're all, it's just like a bunch of hammer pants.
00:24:11Ironic sweaters.
00:24:12Yeah, just like garbage, garbage, garbage, garbage.
00:24:14And then I come upon this amazing pair of, so what were they?
00:24:22They were reproduction buckle back wool pants that a forest ranger in the 20s would have worn.
00:24:32Like very full leg, very heavy.
00:24:35Outdoorsy.
00:24:36Very outdoorsy pants.
00:24:38And I looked at them and I was like, and they're, you know, kind of high waist, like buckle back, uh, very earlier style.
00:24:44And I was like, these pants, not only are the right pants, but these pants are dynamite.
00:24:51These pants, I'm going to walk into this knob Hill steakhouse and
00:24:53And everybody in the place is going to have to reevaluate what they chose, which is how I like to walk into a place.
00:25:00It worked out in the end.
00:25:01It worked out.
00:25:02It worked out.
00:25:04So I go into the dressing room.
00:25:06I wear the pants out.
00:25:08I'm waiting in line behind a guy dressed like Ichabod Crane.
00:25:13No, I left the shorts.
00:25:15Oh, really?
00:25:16Adios.
00:25:18I'm waiting in line behind a guy that's wearing a tri-cornered hat who's walking.
00:25:23and he's in here buying puka shells or something.
00:25:26And I'm like, come on, come on, come on, come on.
00:25:28I throw my money down on, you know, throw cash down where I don't have to wait.
00:25:34run back up to the gas station where you're sitting in the zip car spot, drumming your fingers on the dashboard.
00:25:40And off we go.
00:25:40And by the time we got to Van Ness, I honestly thought I was going to die.
00:25:46You, you, no, you know what?
00:25:48It wasn't even like, it wasn't even Steve McQueen.
00:25:50You were, you were Gene Hackman and the French connection, like banging on the dashboard.
00:25:53We were going fast.
00:25:54You were chasing the heroin dealers.
00:25:56But it was, but you know, I just, it's, it's interesting.
00:25:58And then again, now the fact that you left the shorts, you know, I would take the shorts because I, I contingencies, right?
00:26:04You never know what's going to happen.
00:26:05You might want to go skinny dipping.
00:26:06You might want to go swimming.
00:26:06Well, you're not skinny dipping, but you know, pants, pants swimming.
00:26:09In fact, what we did is we went and everybody, everybody after the, after the dinner was smoking pot out of an e-cigarette.
00:26:16And I made fun of your friend.
00:26:17And oh yeah, you did.
00:26:19You did a very good job of making fun of that guy.
00:26:21I've stopped doing that.
00:26:22I don't make fun of people anymore.
00:26:23I don't know.
00:26:23That was pretty great.
00:26:25I don't even remember what I said.
00:26:27Well, you know, everybody had had a few cocktails.
00:26:30And you were just calling attention to the fact that his house was vulgar.
00:26:35His taste was vulgar.
00:26:36I didn't say it.
00:26:38I don't remember any of that.
00:26:40Well, you were just like, this is a very expensive house and it's very expensive.
00:26:47Everything in it is very expensive.
00:26:48This is something you know about me.
00:26:50There's a couple situations where I shut down.
00:26:52I shut down when you yell at me and I cry.
00:26:54I shut down when people start lying compulsively.
00:26:59I can't be on compulsive liars.
00:27:00You get very mad at that.
00:27:01Well, I – you know what it is?
00:27:05It's very similar.
00:27:05Compulsive liars and people who are ostentatious –
00:27:09Probably – not in this case.
00:27:11This guy actually had a lot of dough.
00:27:12But who were like insecure, falsely fancy, high status douchebags.
00:27:19And this is something I picked up from a friend of mine in college.
00:27:22But like somebody says, well, you know, that's my Thursday BMW.
00:27:26And I go, wow, that's a really expensive car.
00:27:30But for a while I'll play along, but then it gets to like, wow, that's a really big boat.
00:27:37Cause I don't, I don't know what to say.
00:27:38I will not be, I will not be, I am not going to be a Vichy.
00:27:41I'm not going to be complicit.
00:27:43I'm not going to go, go gladly along with this little game you're supposed to play.
00:27:46It's the same reason I can't stand like, like fake friendly, like tchotchkes kind of waiters.
00:27:51It just, it makes me apoplectic.
00:27:52I just, how are we doing tonight?
00:27:54What we're doing is shut up and take my order.
00:27:56Stand up like a gentleman and take my fucking order.
00:27:59hold the tomato between your knees.
00:28:03Well, no, this party was fantastic because every new room that we went to in this house, there was a new, it was, it was like a curtain parting and it was revealed a new level of pretentious vulgarity.
00:28:13It wasn't that bad, but it was really fancy.
00:28:16Soaking tub and the, the shower stalls that had pebble floors.
00:28:22You had a bathroom with its own bathroom.
00:28:24yeah and you were just everywhere everywhere went just increases louder and louder wow how much did that cost you must have really spent a lot of money on that and the guy was oblivious to you that's a really large piece of granite that is an artwork that must have been very expensive in the store and then and at one point we're standing on his roof of his whatever it is gorgeous gorgeous five-story house yeah
00:28:51And I look, everybody's looking at the beautiful San Francisco, which is panoramic view.
00:28:56And I look off the backside of the house and down in the cavern between his giant house and the little 1920s bungalow behind it, the five foot space between his house and the wall of this little house.
00:29:16And I realized that
00:29:18Oh my God, this little bungalow behind his newly constructed house had for 100 years or for 90 years, that little bungalow had an incredible view of San Francisco from its yard.
00:29:33And then this giant 2001 A Space Odyssey modernist monolith slammed into the vacant lot on the corner.
00:29:43God, that would be so frustrating.
00:29:45Blocked out the light.
00:29:45And so as we're all standing around smoking pot with the e-cigarette, myself excluded, I say to our host, so who are the neighbors?
00:29:59What's their story?
00:30:01And he kind of looked over his shoulder down at the house and he was like, huh?
00:30:04Oh, I don't know.
00:30:06And we went back to talking about the music business and I was like, wow, he doesn't even... He's in the aristocracy.
00:30:12he doesn't even know them like he doesn't even understand he doesn't recognize that there's a neighborhood behind his house it was also this is nothing it's a beautiful house he's a very nice guy it's just that super nice never say a bad word about the guy good good good cook makes her own clothes super nice guy yeah pretty face yeah uh sweet guy never married
00:30:34It's kind of in that style that became popular when lofts started getting big in San Francisco.
00:30:42So I'm sure it's the same way in Seattle.
00:30:44But you get the place that's got the combination of like – it's kind of like a place where people would work and it looks a little like a boat and the stairs all have that like wire –
00:30:54you know, high tensile strength, like wire stuff instead of like, like normal, like, you know, slats or whatever.
00:30:59And they have the lights extra big, like kind of slides like you're in the, in the meatpacking district.
00:31:05And then you get those lights with the, with the covers over them so that when you're unloading your forklift, you won't accidentally knock out your porch light.
00:31:10Right.
00:31:11Right.
00:31:12It's funny.
00:31:12I mean, cause that, that, if you go to like a city where, where, I mean, let's be honest in most places, maybe in, uh, maybe New York.
00:31:18Maybe in Seattle.
00:31:20But in most places here, they made that on purpose in 1998 to look like that.
00:31:24And it's, it's kind of, I don't know.
00:31:26It's not even as cool as living in a tree house.
00:31:28It's kind of, it's kind of like, I don't know.
00:31:30It's like, uh, it's like the, uh, the, the single, uh, 45 year old man's version of a race car bed.
00:31:36Not that there's anything wrong with that.
00:31:38I'm sitting here reading a Batman comic, so I'm not going to say anything.
00:31:40I know, but you're not sitting in a race car bed.
00:31:42Not that you know.
00:31:44Not yet.
00:31:45Not because they don't make a king.
00:31:46I drove past the new Seattle, the new University of Washington football stadium the other day.
00:31:53Which they are kind of rebuilding this football stadium.
00:31:57And your father was an ardent fan, right?
00:31:59He was.
00:31:59He was.
00:31:59We used to go to every game that we could and sit up in the absolute highest seat.
00:32:05Sometimes he'd fall down and roll.
00:32:07He would.
00:32:08At one time.
00:32:09I love that story.
00:32:10Sorry.
00:32:11So, new stadium.
00:32:12New stadium.
00:32:12And I'm driving past it and I'm astonished to the point where I almost had to pull over because I was so gate-mouthed at the fact that
00:32:23the $700 million bond or whatever it was that they passed to build this thing.
00:32:28And all the architects that had to, had to pass, uh, is rubber stamp this plan that they have made this football stadium, a 50,000 seat football stadium.
00:32:39They made it look like a Panera bread.
00:32:42Like what it has, it has all the art.
00:32:45Is that like a bread bowl?
00:32:46Bread bowl one.
00:32:47It's less like a baguette.
00:32:47It's more like a big, big roundy.
00:32:49No, you know, Panera Bread is one of those strip mall bagel places.
00:32:55Oh, sure, okay.
00:32:57Out in the hinterlands.
00:32:58A stadium shouldn't look like that.
00:33:00That's terrible.
00:33:01Yeah, yeah.
00:33:01It's so architecturally undefined.
00:33:05It's like, oh, it's like...
00:33:08Tinker Toys plus Faux Brick.
00:33:12Well done.
00:33:13Round of applause for everybody.
00:33:14And I'm sure that there's 10% for art or whatever, and you walk inside and there is a statue of a seagull or Joe Heisman or somebody.
00:33:31Joe Heisman?
00:33:34The exterior of this thing could not be
00:33:37It isn't unappealing.
00:33:39It is non-appealing.
00:33:41There's nothing.
00:33:42You look at it and your heart just keeps pumping at the same rate that it was pumping before.
00:33:50I think you nailed it.
00:33:52It's not unlike the fake boathouse or fake warehouse house thing in that sometimes you can look at something like that.
00:34:00And you can't immediately put your finger on it.
00:34:02Like you could say, OK, this is vulgar and garish and like weird.
00:34:05But but maybe on closer inspection, you go like, you know what?
00:34:07That's not real brick.
00:34:08Like that's you know, that's the equivalent of wood paneling.
00:34:11Like you've you've put that as a face on like the cheapest conceivable earthquake safe building materials to keep the place from, you know, just falling down the first time people sit in it.
00:34:21But there's something about it that like and, you know, have you been to a Giants game?
00:34:26You've been to a Giants game.
00:34:26You went with Mr. Fancy, right?
00:34:28I have never been to a Giants game.
00:34:30We have a very fancy stadium.
00:34:33They were way ahead of the curve.
00:34:35It used to be Candlestick Park, which is freezing.
00:34:37There's a whole team of... They hire a bunch of kayakers to catch their old balls.
00:34:42I think they're interns.
00:34:44No, they're unpaid ball catchers, like a lot of people in high school.
00:34:50It's got it all.
00:34:51It's got the garlic fries.
00:34:53Of course, you can get the bread bowl with the sourdough bread bowl.
00:34:58We got one of those here in Seattle.
00:34:59I hate that shit.
00:35:01It's got a Wolfgang Pucks in it.
00:35:03Although I guess every airport.
00:35:05It's like airport food.
00:35:06California pizza kitchen or whatever.
00:35:08But this, our stadium.
00:35:11It looks garish is what I'm saying.
00:35:13All right.
00:35:13You guys got good sushi there because of the Pacific and whatnot.
00:35:15Yeah, we do.
00:35:17Seattle's known for its seafood.
00:35:18You know what's good?
00:35:19My wife won't shut up about those noodles we got that one time.
00:35:22This is fascinating.
00:35:22This has got to be fascinating to people.
00:35:24Yeah, the high-nutrition shaved barley green noodles.
00:35:28Oh, my goodness.
00:35:28Those are awfully good.
00:35:31I'm sure our listeners, particularly our international listeners, are doing this tour of Mexico.
00:35:37Let's bring it back.
00:35:38Let's bring it back to what we're eating these days.
00:35:41Right.
00:35:43But you know what?
00:35:44The big hack...
00:35:45of this whole thing.
00:35:48Every time I say hack, you sniffle.
00:35:51I like your science fiction book words.
00:35:54My big, my big, my big hack.
00:36:02What's your big hack, John?
00:36:04Was I made all this bacon, right?
00:36:05I made two pounds of bacon.
00:36:07You made out a bacon hack?
00:36:09It's a bacon hack.
00:36:10And you think you've got every bacon hack, but I'm telling you this is a new one.
00:36:14I think I almost wrote a book about them.
00:36:16I got those little snack bags.
00:36:19Not the, the little Ziploc snack bags.
00:36:21I'm talking about the half size bags that are only good for like 10 candy corns, right?
00:36:27Oh, like you would get like a, like a, like a dime bag or like, you know what I mean?
00:36:30Like little rolling ones, like for kids snacks, you put Cheerios in it, that kind of thing.
00:36:33That's right.
00:36:34That's right.
00:36:34Little short, short bag.
00:36:37And so I, I, I've got all this bacon cooked.
00:36:39It's still, it is, and I've cooked it so that it's crisp, but it's still warm and pliable and
00:36:46And I put four bacons per Ziploc bag.
00:36:51So I'm making four strip bacon pods.
00:36:58I love this hack.
00:37:00Then I push all the air.
00:37:01You cook bacon and you put it in a bag.
00:37:03I push all the air out of the bag, right?
00:37:06And then I'm stacking bacon pod servings in the freezer.
00:37:12That's good.
00:37:13And then every time I'm like, hmm, bacon.
00:37:16That's like a 20-second reheat, isn't it?
00:37:18I mean, it doesn't take long.
00:37:19No, here's the... It's a double hack, Merlin.
00:37:23This is a double hack.
00:37:24I pulled the first time, I grabbed the first bacon pot out, and I was like, huh...
00:37:30i'm on my way to the microwave to put them in there for a 30 second reheat and i break off a little chunk of it and put it in my mouth no frozen bacon what a treat is like the popsicle of the gods
00:37:48It is so delicious.
00:37:50You're like the Thomas Edison of cured meats.
00:37:53Because of the way that bacon is, because of its consistency, its natural, crunchy, meaty consistency, freezing it does not change its consistency at all.
00:38:06It is still just like crispy bacon.
00:38:09You want to drain it very well, I'm guessing.
00:38:12Oh, yeah.
00:38:13As you're cooking the bacon, you take it out and you put it on some paper towels so it's not covered in coagulated fat.
00:38:19Oh, boy, that sounds good.
00:38:20And then frozen bacon and four strips at a time, perfect serving.
00:38:24You get four strips.
00:38:26Okay, so then frozen bacon in a mini bag.
00:38:29Check.
00:38:30You make a fist, you crunch up the bacon in the mini bag, and there's your topping for your quarter iceberg lettuce salad.
00:38:41With blue cheese dressing.
00:38:43You've got this shit wired tight, my friend.
00:38:45Boom, boom, boom.
00:38:46Every day, a new use for four strips of frozen bacon.
00:38:51Because you don't have to wonder.
00:38:52You're not sitting there because it's a little bit of a production.
00:38:54It's like making pancakes almost.
00:38:55It's something where you go like, I should make bacon.
00:38:57But it takes a few minutes.
00:38:59But just having it around, my goodness.
00:39:01Your whole house gets greasy as fuck.
00:39:03It's terrible.
00:39:03And once you're making bacon, as you know, it is much less effort to keep making bacon.
00:39:10Right?
00:39:10You have inertia.
00:39:11You have bacon inertia at that point.
00:39:13That's right.
00:39:13And making two pounds is like making ten pounds.
00:39:17And there's never enough.
00:39:18I don't mean to get into the whole internet bacon thing because who fucking cares.
00:39:20But I will tell you every time, I always think I have enough bacon.
00:39:24I now buy three pounds of bacon when I know you're coming to the house.
00:39:27It's like crab legs or something.
00:39:30There's never enough.
00:39:31Right.
00:39:31So three pounds of bacon.
00:39:33Make it.
00:39:34Put them in bacon pods, freeze them, and you will—it's a complete transformation.
00:39:41It'd be great if you had a job, too.
00:39:42You could take it to your work that you don't really have, and you put it in the freezer, and you could have a treat.
00:39:47Anytime you go get a cup of coffee, have some fucking frozen bacon.
00:39:50Have four bacons.
00:39:51I'm doing that tonight.
00:39:52I wonder if it would be good with ham.
00:39:54Probably not as good because of the consistency.
00:39:57It would depend.
00:39:58I think part of what makes it incredible is that the bacon is already thin and crispy and freezing it doesn't really change that.
00:40:07Like the mouthfeel, if you will permit me to use the term mouthfeel, the mouthfeel of the bacon is unchanged except it is now freezing cold like a popsicle.
00:40:20Let's take a couple calls.
00:40:21We have Ryan on the line from Grand Rapids.
00:40:23He had some questions about things that he could do with leftover roast beef.
00:40:28Ryan, you're on Roderick on the line.
00:40:30Hi, Ryan.
00:40:37Here's what I'm thinking about with roast beef.
00:40:38I hate when people talk about food.
00:40:39I hate it.
00:40:40Oh, I know.
00:40:41No, I like what we do.
00:40:41It's like orgasms and farts.
00:40:43I don't want to think about anybody else's.
00:40:46Other people's food.
00:40:48Or orgasms or farts.
00:40:51Mine are awesome.
00:40:51I never want to think about other people's farts except half of Twitter now is just people talking about their farts.
00:40:57Literally?
00:40:58I love thinking about other people's orgasms.
00:41:00Boy, you are really a big hearted fella.
00:41:04Are people actually talking about their farts?
00:41:07I think it's one of those... Oh, you mean an analogy-ishly?
00:41:11No, I mean literally about their farts.
00:41:13I feel like it is a kind of... I might have done that thing... So three or four times in my Twitter life, I have followed... Here we go, back to Twitter.
00:41:23I've followed a few people and then followed the people that they seemed to think were the best.
00:41:29And pretty soon you kind of end up in a cul-de-sac of people where you're like, oh...
00:41:34It's called the Paul F. Tompkins singularity.
00:41:38Yeah, or I ended up kind of over in the Jake Fogelnest camp recently.
00:41:44That's not a real name.
00:41:46That's not a real name.
00:41:47And you follow people, you unfollow them.
00:41:49I'm fine with all that.
00:41:50But every once in a while, I realized that I have followed numerous people, and now I'm over somewhere in a sideland somewhere.
00:41:58that feels like the center of everything, but it's really just what this group of people is talking about.
00:42:04And I'm ready to kind of back out of that room quietly and close the door behind me.
00:42:10And that, that group of people is the people I've been following.
00:42:12Some of them are weird Twitter superstars and, um, you know, various, uh, Twitter comedians.
00:42:20And I'm just, I'm ready to kind of just back out of there and, um,
00:42:23close the door.
00:42:25I, yes.
00:42:27I, um, I don't like to follow that many people on Twitter who are like me.
00:42:34Um, and I really, I, we've had this conversation.
00:42:37I, I just, I can't follow too many of the comedy insiders.
00:42:40It's just, it's too exhausting.
00:42:41No, it's too bad.
00:42:42And, and, and the new thing that I really, they're not funny.
00:42:44They're not funny.
00:42:45It's not funny.
00:42:46Like Camarino is funny.
00:42:47Like there are people who are funny.
00:42:48They can be funny.
00:42:49But last time I watched Louis CK, who's one of my all time favorite performers, his, his Twitter was like the bulletin board at the laundromat.
00:42:56It was just awful.
00:42:57He's going to, Oh, you're going to be over at, uh, at sloppy Joe's this week.
00:42:59That's great.
00:43:02The people that I'm really enjoying on the internet now are the ones who very selflessly curate a stream of interest, right?
00:43:14A stream of consciousness.
00:43:16Sort of like a blog used to be.
00:43:18Like they are micro blogging.
00:43:20That's exact.
00:43:21It is a micro blogging platform.
00:43:24Micro blogging.
00:43:24Somebody should invest in this idea.
00:43:26Micro blogging.
00:43:29I think you might be a thought leader, John.
00:43:32Let me, let me just, could you do a deep dive on this for me?
00:43:37Let's, let's put a pin in it.
00:43:38Well, you know what we need to do?
00:43:39We need to get Elon Musk on this.
00:43:41Would you stop talking about him, please?
00:43:44I remember where I heard about the Google balloon story.
00:43:47Now it's that, uh, it's that, uh, um, Bill Gates thinks it might not be a great idea.
00:43:53Well, you know, when I was with them until you got to that comma, because as long as there's kids with malaria, I was like, Oh God.
00:43:59No, I get it.
00:44:00He's like few people help the world the way his foundation helps the world.
00:44:04Like, in fact, apparently turns out I don't get into it because I can't afford to get the Bill and Melinda Gates Foundation on my ass.
00:44:11Are you afraid that the Bill and Melinda Gates Foundation is also listening to our conversations and keeping a blog?
00:44:17I think they are much more likely to do something with the information that I couldn't understand.
00:44:22They might come and inoculate me in a way that makes my life very complicated and not even in a time frame I can understand.
00:44:28It might be I wake up a year and a half from now and I'm just sitting and giggling and playing with my spit or something.
00:44:34Sitting under an apple tree in New England.
00:44:35I wish I'd agreed about the Google balloons.
00:44:40Oh, Bill Gates.
00:44:42Bill Gates.
00:44:43Hey, I like that Pearl Jam single.
00:44:45Oh, is there a new Pearl Jam song?
00:44:47They got a Pearl Jam song.
00:44:48It's good.
00:44:48I don't know why I told you that.
00:44:50Every once in a while, Pearl Jam surprises me with a new rock jam that I feel like is a totally rad, valid rock jam.
00:45:00It hasn't happened before.
00:45:02This might be my first Pearl Jam song I really like.
00:45:05Yeah, on the whole, Pearl Jam is... Nice guys.
00:45:08Never married.
00:45:09To me, I like them all.
00:45:11I like them personally.
00:45:12They seem like wonderful fellas.
00:45:13They are the Bruce Springsteen of the Northwest.
00:45:18Get ready.
00:45:19Here it comes.
00:45:20That I understand why people like Bruce Springsteen.
00:45:23I understand his appeal.
00:45:25It's been a while since I've updated the list, John.
00:45:27Let's go through these together.
00:45:29Religion...
00:45:31Twitter.
00:45:32Oh, music.
00:45:37I think we shouldn't talk about music.
00:45:39Oh, no, sorry.
00:45:40Not the music, the culture.
00:45:42I personally don't.
00:45:45Bruce Springsteen does not move me.
00:45:48I'm going to put him on the list, too.
00:45:49And, you know, and I have a friend now.
00:45:52We have a friend.
00:45:53I have a friend, a British guy that you might know.
00:45:57You got a Brit.
00:45:59Who has become personal friends with Bruce Springsteen.
00:46:02He goes over to his house.
00:46:05And I keep getting, like, he'll blow up my phone.
00:46:10hey, guess where I am?
00:46:12And I'm like, I don't know.
00:46:13That's creepy.
00:46:14He shouldn't do that.
00:46:14That's really creepy.
00:46:15And then he's like, it's him and Bruce sitting around.
00:46:18Bruce is just sitting there watching him text?
00:46:19Is he fixing his car?
00:46:20What's he doing?
00:46:22I'm just bragging about being in your house to all my friends.
00:46:24Yeah, he's like, hey, Bruce, I'm going to send a picture of you to my friend.
00:46:26Is that cool?
00:46:26And he's like, sure.
00:46:27And so, you know, sends like a selfie of him and Bruce.
00:46:31I bet he's a really, really nice guy.
00:46:33Seems like an amazing guy.
00:46:35He seems like a very, very nice guy and generous in a quiet way, which I really like.
00:46:38I am dying for the opportunity to go to Bruce Springsteen's house because this is not a completely unrealistic opportunity now.
00:46:47Like it is conceivable that at some point I will be back East.
00:46:50I will be in the New Jersey area and,
00:46:52And my friend will say, why don't we drop in on Bruce?
00:46:56I'll text him.
00:46:57I'll text Bruce Springsteen.
00:46:59Fuck yes, let's do this.
00:47:00Okay, so help me understand.
00:47:01I don't want to get into it, but I want to find out.
00:47:05Go ahead.
00:47:06Go ahead.
00:47:06So there's two problems.
00:47:07I'm shielding myself, John, because I really like Bruce Springsteen, and I don't want to get into a thing with you.
00:47:11It makes me cry.
00:47:12I know, I know.
00:47:13I don't want to get into a thing that makes you cry either.
00:47:15But I'm afraid, first of all, that saying that Bruce Springsteen does not move me is like there is a Bruce Springsteen NSA.
00:47:25I think he does not care one iota.
00:47:29He doesn't care, but all those people that are like out in the bushes around his house are who I'm afraid of.
00:47:34Oh, yeah.
00:47:35And then also when I get there, like, I'm not sure what I'm going to say.
00:47:41Like, I really liked the way that you, here we go.
00:47:47I really liked the way that you totally dominated the culture of America during my high school years.
00:47:52Is this for my benefit?
00:47:53It was really amazing.
00:47:54Did you ever read about AJ Weberman?
00:47:57The guy who like was the self-appointed Dylan scholar who used to like go through Dylan's trash.
00:48:03And then like Dylan comes out and starts yelling at him and he records the conversation and shit.
00:48:07Super creepy.
00:48:08What are you doing in my garbage?
00:48:09You're like a pee, man.
00:48:13Yeah, go search AJ Weberman.
00:48:15It's real, real creepy.
00:48:16But like can you imagine like somebody out there who – I guess it's kind of like being a royal watcher.
00:48:20Can you imagine being a royal watcher?
00:48:22Well, there's all, I mean, there's like, yeah, there are self-appointed vultures, like in all the trees, watching everybody.
00:48:30I told you, didn't I?
00:48:32I mean...
00:48:33Sorry, that's a fantastic line.
00:48:35It seems like as you're driving up the long, long lane, the lane with giant alder trees on either side that leads up to Bruce Springsteen's house.
00:48:50And there are probably like some $150,000 thoroughbred horses trotting alongside your car.
00:48:57Probably.
00:48:58a personal union steam steamboat steel mill he's got people out there building automobile tires
00:49:08It's getting very hot today!
00:49:12Because you don't like Billy Joel for the same reason, right?
00:49:15Your rental minivan suddenly transforms into a 57 T-Bird.
00:49:19And you're like, how did I get here?
00:49:21It's like I'm in Willy Wonka land.
00:49:26Hey man, hit that button.
00:49:27What does it do?
00:49:28Just hit it.
00:49:28It turns it into a vintage submarine.
00:49:33But in all the dreams...
00:49:35Like Chris Christie is up there with binoculars and a crossbow.
00:49:41And everybody's up there like, you don't love Bruce enough.
00:49:45You know, the list of people that love Bruce that should be able to go to Bruce's house before me.
00:49:53Because that's the feeling those people have.
00:49:57They love Bruce so much.
00:49:58If anybody's going to get to go to Bruce's house, it should be me.
00:50:01And that list is like 15 million people.
00:50:03You're like an Amazon.com of wrong.
00:50:05I don't even know where to begin.
00:50:07You don't like Bruce Springsteen as a person.
00:50:10You don't like his music.
00:50:12You have nothing...
00:50:13You've already said, you stipulated, you have nothing to talk to him about.
00:50:16But you're worried that his personal NSA, which includes a still rather portly bowman, is going to somehow get this information and then scotch the trip that you don't want to have with the musician that you don't really like?
00:50:28Or if not scotch it, then I don't know.
00:50:30I mean, just, you know how it is when you're driving up a country lane and you feel like people are in the trees scorning you.
00:50:39Oh, yes!
00:50:41That would be the self-appointed vultures in all the trees.
00:50:45Yeah, well, you know.
00:50:46Yeah, no, I've been disturbed by trees.
00:50:48I've been thinking a lot about bows and arrows lately.
00:50:50Serious?
00:50:51Oh, because you're reading comic books again.
00:50:52No, also, also, yeah, I watched this martial arts movie, Wuxia, is that the name of the genre, called Hero.
00:50:59And there's this, you've got to see this movie.
00:51:01You've got to see this movie.
00:51:02There's no question.
00:51:02It's amazing.
00:51:04It's like the greatest martial arts movie of all time.
00:51:07With Jet Li.
00:51:10Yeah, yeah, Jet Li.
00:51:12He's the one that runs along the treetops, right?
00:51:15Yes, but this is better than Crouching Tiger.
00:51:17He's such a ninja that he can run along, he can jump from leaf to leaf.
00:51:21Oh, it's astonishing.
00:51:22But what was my point?
00:51:24Oh, yeah, arrows.
00:51:25man, they got some great bow and arrow scenes.
00:51:27We're like, you know, you've got a big army.
00:51:29Can you imagine how scary it would be to be somewhere when hundreds and hundreds of guys with all different kinds of bows and, you know, crossbows and longbows and the kind where you lay on your back and pull the thing back.
00:51:40Can you imagine seeing like 15,000 arrows coming at you?
00:51:46That's like, that's like the scare, just about the scariest thing I can think of.
00:51:49It's literally all I have done.
00:51:52For months and months.
00:51:56Imagine what it would be like to be there.
00:52:00Well, we've talked about the Battle of Hastings.
00:52:02Yeah, we sure have.
00:52:04And the lack of Bowman on the English side.
00:52:10We've talked about Agincourt.
00:52:12Like a rain of arrows.
00:52:16It's not like a bullet where you don't see it coming.
00:52:19It's like you do see it coming.
00:52:22You just don't know which one has your name on it.
00:52:25Nothing to do about it.
00:52:26There's no way you could outrun it.
00:52:28You just, you crouch down, you put your little, you put your little wood shield over your head and you just, because this is the terrible thing.
00:52:36In most cases, if you got an arrow in the knee, that's no better than one between the eyes.
00:52:43You're just, you're just going to die of infection now.
00:52:46Right.
00:52:47It's like in Pass of Glory.
00:52:48The guy's like, are you more scared of dying or of being hurt?
00:52:51And if you think about it, you're really more scared of being hurt.
00:52:54And in that case of the like whatever asepsis or whatever, like the fact that you're going to sit there, they're going to have to move on.
00:52:59And the best thing that could happen is if your friend comes up and kills you because you're just going to die of an infection in horrible pain.
00:53:04Like imagine getting shot in the gut with an arrow.
00:53:07It's pretty cool, though.
00:53:09It's like artillery, right?
00:53:10Same idea.
00:53:11You got from so far away, but you see that.
00:53:13I bet you got a good 10 seconds to go, holy shit.
00:53:17And just hear this like... We should watch this movie.
00:53:21It's good.
00:53:22Rain of arrows coming down.
00:53:24They break them with swords.
00:53:25It's really cool.
00:53:26When you survive an attack of archers, I bet you feel pretty good about yourself.
00:53:34Especially if you can become a banjo playing stand-up comedian.
00:53:39Excuse.
00:53:42God, that was stupid.
00:53:43I'm sorry I said that.
00:53:44We should talk some more about food.
00:53:45He was a really stupid comedian who was so funny.
00:53:49He was so stupid.
00:53:50It has not aged well, John.
00:53:52So much of that, with the possible exception of among the majors, Richard Pryor has aged best, but Robin Williams, I mean, Bob Newhart, to my sensibility, stands up a thousand times better.
00:54:05Totally bulletproof.
00:54:06oh my goodness still so funny so weird yeah in its way i mean but what i would i mean it's been very inspirational to me that the button down mind yeah and the one side of a phone conversation is funny it's just very very funny but now robin williams my gosh now i just want to stipulate here this this this could be also want to talk about billy joel um nice guy nice guy robin williams have i told you robin williams stories well you met robin williams
00:54:30No, no, you know what?
00:54:31It's not appropriate.
00:54:32I was going to say when my family was staying at this house in another state, this person had a giant, like probably at least, at least like 150 cassette tapes.
00:54:45And I think this person who owns the house that we were staying in, renting, is probably five to ten years older.
00:54:52Maybe just five to eight years older.
00:54:54Because it's like three Pat Benatar records, five or six Billy Joel records, like three REM albums that aren't that great.
00:55:03The original Eddie Murphy Raw or the one before that.
00:55:09Hollywood Bowl or whatever.
00:55:11But first of all, it's the first time my daughter ever saw a cassette tape, which really made me think.
00:55:17What was that like?
00:55:18I mean, I don't want to exaggerate it for fake comedic effect, but it was really fucking funny.
00:55:22She opened it up.
00:55:23She didn't know how to open the case.
00:55:24Because remember, like, they're kind of weird and fragile.
00:55:26I still don't know how to open one of those cases.
00:55:28Well, no.
00:55:28Remember the later ones where it had the full J card?
00:55:30Not J card, but like a U card, like all the way around.
00:55:33Did you ever have a cassette of – did they make cassettes of –
00:55:36I'm sure they made, like, 50 gajillion gram LPs, but did you ever have cassettes of, like, where she can do his arm?
00:55:45Did they make cassettes?
00:55:45Did Josh make cassettes?
00:55:46No, we never made... So, the Western State Hurricanes...
00:55:51only ever really had a cassette.
00:55:54Right, the Phil X cassette, right?
00:55:56You still have a copy of that?
00:55:57I still have a couple of them, yeah.
00:55:59But by the time the first Long Winter's Record came out, everybody knew that cassettes were not a viable form of releasing music.
00:56:08Isn't it strange?
00:56:09Because, you know, I...
00:56:11I went through a phase where, I mean, I was kind of on the bubble.
00:56:14I had a stereo, but so like, let's do it in my car circa 1988.
00:56:17Uh, of course I would have to dub it, you know, from the LP to the cassette.
00:56:22And that was an art like to get the loudness exactly right.
00:56:25And I remember my friend Richard had a CD player that would scan the entire CD to find the loudest point.
00:56:30So you could set the, uh, set set up.
00:56:33What a cool idea.
00:56:34Was it a Nakamichi?
00:56:35No, I might've been a Macintosh.
00:56:36I'm not sure, but, uh, or a Fisher.
00:56:39but, but yeah, it was always, it was like an intermediate, like medium.
00:56:46Cause unless you were John Lennon, you didn't have a record player in your car.
00:56:49So, but here's the thing.
00:56:50If you bought the cassette copy of something, it sounded like shit compared to the album.
00:56:55I never did that once and it never made sense to me.
00:56:57I would see people with the, with the cassette, you know, of, of the pretenders or whatever.
00:57:02And I'd be like, why didn't you just buy the LP and then record it onto a 99 cent cassette?
00:57:07And then you get two records for the price of one.
00:57:11It's true.
00:57:11It's true.
00:57:12And I mean, like, I remember Alcatraz, the, the, the, the first post, the Steve Vai one had that on cassette.
00:57:18I had, uh, the, the rainbow one with, uh, since you've been gone.
00:57:22Like still, I paid eight bucks for that.
00:57:24Anyway, this guy, so I, it was my daughter's introduction to cassettes and it was her first major introduction to Billy Joel.
00:57:29Cause I played a lot.
00:57:30I think I might be a little bit back into Billy Joel, John.
00:57:33oh my god he's got a couple of really good records well i mean billy joel is perfect uh he's perfect for someone your daughter's age it's the right about it that's right about it he's saying he's he's a never mind it's i'm saying i'm saying that it's kids music getting very hard today that's a great jam though that's a that's a great record yeah i i i gotta say allentown i still catch myself singing it
00:57:59And that's his Beatles record.
00:58:01And you know what's a good song on there?
00:58:02There's one song on there.
00:58:03You know, John, I hate this.
00:58:04I hate when this happens.
00:58:06So many songs from about 1981 to even like 1990 suffer.
00:58:13And I'm not going to go into the gating, but I'm just going to say like through the 80s, like the production is so...
00:58:17it's crazy and the the keyboards the synthesizers are so lame there's this one song called surprises it's really good don't get excited surprises at all it's really good yeah i've heard that but it's like it's it really it's got that like a like a prophet or a one of those squeaky yamaha dx7 i think it was before that but it's oh god you remember when the dx7 got popular super frustrating
00:58:44It's on every record for the next five years.
00:58:46Whenever I hear Tina Turner, whenever I hear that What's Love Got To Do With A Private Dancer record, to me it just sounds like somebody at a mall playing a demo of the DX7.
00:58:54Yeah, it's like church music.
00:58:58And that fake harmonica that was on every record.
00:59:01Oh, the DX7 harmonica.
00:59:05I feel like I should make a record with gated.
00:59:08I mean, I should make a record full stop.
00:59:10You need a plan.
00:59:12You need a general plan.
00:59:14Gated snares and DX7 harmonicas and like, yeah, sure.
00:59:19Just Radio Shack sounds.
00:59:21Can I sing like Billy Joel on it?
00:59:24No, no, no, no, no.
00:59:25You had to be a big shot.
00:59:28You know what I'll give you, John?
00:59:30Can I give you a freebie?
00:59:31His lyrics, not always great.
00:59:34And his lyrics actually sometimes just actually don't make sense.
00:59:38I never really realized it until this listen through over vacation.
00:59:42But some of his lyrics, at one point in Allentown, I think he says something about the graduations hang on the wall.
00:59:50The graduations hang on the wall.
00:59:53Like, what does that mean?
00:59:54Does he mean diploma?
00:59:56Does he mean, like, mortarboard?
00:59:57What does that mean?
00:59:58He's trying to... You know that scene in Deer Hunter?
01:00:02Uh-huh.
01:00:02That lasts 45 minutes.
01:00:04It's like, get to the part with the... Get to Vietnam.
01:00:07Can we please get to Vietnam?
01:00:08Get to fucking Vietnam.
01:00:09I never... This is like a fourth-rate deliverance.
01:00:11Move on, Chimino.
01:00:12Move on.
01:00:13Am I right?
01:00:14There's 45 minutes of them sitting in that bar in some upstate town, and it's just like the broken-ass town.
01:00:22It's like the characterization bomb went off.
01:00:24It's just a bunch of families that have been living there for generations, and the dad worked at the factory, and the granddad worked at the factory, and they're just sitting in this bar with these Schaefer beer signs on the walls, and you just feel that movie like...
01:00:40That scene is so long and so unendurable and you just feel like, oh, the whole point of this is to make me feel exactly what it's like to grow up in one of those shabby little Pennsylvania shithole towns.
01:00:59And...
01:01:01That is every time I see that scene, I am just transported into the mind of Billy Joel.
01:01:07And I feel I feel like I never would have thought of that, but you're totally right.
01:01:13His whole and his whole all his fans, they're all living in that first 45 minutes of of deer hunter.
01:01:21Right.
01:01:22Okay, well, here's another one for you, though.
01:01:24Do you know that one song?
01:01:26It sounds like it sounds like Tony Bennett and Randy Newman.
01:01:31Is it New York State of Mind?
01:01:33I got a New York State of Mind.
01:01:35But the thing is, when he sings the song, it kind of goes like this.
01:01:38And you're like, wow, he's kind of trying to do Tony, but he's really kind of trying to do Randy Newman.
01:01:43And it occurred to me, like, Randy Newman...
01:01:45To his peril over the years, or stupid people's fault, but I mean he writes songs that are from a character's point of view.
01:01:54Like short people is not about short people being inferior.
01:01:58It's about some dickhead who thinks short people are inferior in some ways.
01:02:01I mean he sings from this character like he sings as a slave master.
01:02:04Sure, he's the expert at it.
01:02:06Billy Joel sings from a character, but every character is him.
01:02:10But it's like a first draft of a five-paragraph essay.
01:02:14I'm convinced that that voice that you're hearing is actually Billy Joel singing like John Lennon singing like Tony Bennett.
01:02:21Oh, I'm going to send you a song.
01:02:23What's it called?
01:02:24Layla, Lila, Karen, Jennifer.
01:02:26There's some song on the Nylon Curtain, which is a very good record.
01:02:28Lila, Lila, Karen, Jennifer?
01:02:30Yeah, it's a Tom Waits song.
01:02:32so the graduation let me read this to you so the graduations hang on the wall but they never really helped us at all no they never taught us what was real iron graduations iron and coke chromium steel that's right those are real
01:02:59The graduations hang on the wall, but they never really helped us at all.
01:03:02No, they never taught us what was real.
01:03:04Fucking graduations.
01:03:05But I'm telling you, it grabs you.
01:03:06They just sent us to Vietnam.
01:03:08You hear, I'll go down.
01:03:10It's a good record, I'm telling you.
01:03:12All right.
01:03:13There's this one song in there that really sounds like it's, I don't know.
01:03:17You know what's weird?
01:03:17He also lives in that weird zone where it's like you can't tell if it's a parody song.
01:03:21Or not?
01:03:22No, no.
01:03:23You can tell that it isn't a parody.
01:03:25And he thinks it doesn't read as a parody.
01:03:27It reads like a parody.
01:03:28But there's certain like intonations.
01:03:30You know what I mean?
01:03:31There's certain ways of singing that you go, oh, only Brian Wilson.
01:03:34Nobody sings like that except Brian Wilson, for example.
01:03:36You know what I mean?
01:03:38But he's used to chewing up the carpet in these casinos up in Schenectady.
01:03:45Oh, man.
01:03:46And, uh, that's, uh, you know, that's like he's lost.
01:03:50He's like David Copperfield.
01:03:51He's lost any sense of, and he did any law.
01:03:54He lost it in 72.
01:03:56He never had it.
01:03:58But, you know, I'm coming at America.
01:04:00The piano sounds like a cuddle.
01:04:03I'm coming at it from a different perspective because, of course, as you remember, I grew up in America, but also far away from America in the great state of Alaska.
01:04:13Floating over it like a great cloud.
01:04:15That's right.
01:04:15America was already kind of a fetish item to us because these places were incredibly exotic, like eastern Pennsylvania.
01:04:24Some Adirondack
01:04:28mining town was as exotic a place as any place in the Ural Mountains to us.
01:04:37You know what I mean?
01:04:37It was just as foreign.
01:04:39And so I came at...
01:04:43all of that culture that and i include like uh johnny little johnny cougar and uh and and uh and bruce i mean all of these guys and especially when john cougar got into like that that that farm aid phase where he got all that who produced his record he had that that who's the dude bob rock
01:05:09Yes, Bob Rock.
01:05:11He went from Kiss to John Cougar.
01:05:13But yeah, no, you know what I mean.
01:05:14Ain't that America.
01:05:15He was producing Shania Twain.
01:05:17No, that's Mutt Lang.
01:05:21Oh, right, whatever.
01:05:22Bob Rock, Mutt Lang, it's all, you know, monosyllabics.
01:05:24I'm sorry I interrupted you.
01:05:25Yes, but they're all fake Heartland people.
01:05:28Well, and that sense of Heartland was a thing that I already only understood as a cartoon, right?
01:05:35It was not a thing that we had direct exposure to.
01:05:38So it seemed cartoonish already.
01:05:41It's like the first time you land in New York and you walk up to a cop and you're like, hey, which way is the World Trade Center?
01:05:47And the guy turns to you and he's like, oh, yeah, you're looking for the World Trade Center.
01:05:51He's right over there.
01:05:53And you're like, what the fuck?
01:05:54You're real.
01:05:56That's like legit.
01:05:58The transit authority, like you hear all these jokes about there and you go there like, oh, my God, this is exactly what I imagined.
01:06:04And it's horrible.
01:06:06Is that what it's called?
01:06:07Is that the place where you go in?
01:06:09What am I thinking of?
01:06:09What's it called?
01:06:10That's a Chicago album, I think.
01:06:12The Chicago Transit Authority?
01:06:16The bus terminal?
01:06:17Yeah, you know what I mean.
01:06:19You go in there and it's just all people laying in urine and nobody's actually waiting for any transit.
01:06:24But then what's funny though is with people like Bob Seger, God bless him.
01:06:29He's got some good songs.
01:06:30But then it's like a rock commercial thing.
01:06:33It's something against it.
01:06:34I'm glad the guy made some money.
01:06:35But it exactly underscored how silly that kind of fake earnest successful rock musician thing is.
01:06:45Well, and that and Jesus, I mean, that is the jumping off point for for the the kind of the whole cultural the whole love it or leave it America culture.
01:06:54And I guess it existed a long time before.
01:06:56I mean, Bob Seger was it was a cartoon when Billy Joel and Bob Seger were kind of.
01:07:02caricaturing it.
01:07:04It was a cartoon when Bruce Springsteen was caricaturing it because it's a thing that goes back to what the war.
01:07:11I mean, those guys are being nostalgic about World War II, right?
01:07:14Or about their father's
01:07:17their father's experiences of coming home and coming home to this, you know, we're, we're all still suffering PTSD from having won the war and then not creating a utopia, but instead 20 years later, having race riots.
01:07:35Yes, exactly.
01:07:36I think that's, that's what kind of kicks kicked off a lot of that, that, that, uh, strain in some ways, but also just the fact that there was a time in America, uh,
01:07:45That sounds like a Morgan Freeman.
01:07:47Tom Woods, a man with a high school education, could get a job in an automobile factory.
01:07:53Or Bing Crosby, I'm not sure.
01:07:55But that was a thing.
01:07:56I mean, the GI Bill?
01:07:58You can get how she a graphic about it, but that was a pretty good time.
01:08:02I'm only realizing now... Go ahead.
01:08:06Well, I was reading this book not very long ago called The Farm.
01:08:12Let me see if I can find a copy of it here.
01:08:14A book called The Farm, and it was written...
01:08:19It was written in the early part of the 20th century, but in a very modern voice.
01:08:27And it's a book of... It's sort of a nostalgic but wise, worldly book about...
01:08:41This guy kind of looking back in his own family to the settling of the plains, to a time when his great-grandfather arrived in Ohio and cleared the land and built the farmhouse that today is the oldest building in Cleveland or something, or the oldest building in Akron, let's say.
01:09:09And at the time it was just all farm and they, you know, they lived together in one room while they were clearing the forest and eventually built on a second room and then a third room.
01:09:20And pretty soon they built this mansion.
01:09:24And this book, The Farm, it...
01:09:30We're able, from our perspective, yours and mine, to cast back in our own imaginations and through our family histories and newsreels and books.
01:09:43You know, we can get back only so far before the reality of...
01:09:50historical times becomes a becomes just a just kind of a constellation of images right we don't have any sense of what it was really like we just have we just have put together some pictures in our mind from books and movies and so forth but this guy was writing this book at a time when a time prior to
01:10:14uh, prior to really much, very much media where he was a modern person and a modern writer and a modern thinker, but he was, he had access to his grandparents who were still alive, who were pre civil war, uh,
01:10:34homesteaders and they were able to tell stories about their grandparents who arrived on the scene in 1790 or whatever and so he was able to write about this stuff in a very direct way in a way that wasn't uh mitigated by having seen a lot of movies about it also you know he didn't see he had you know he was hearing about the pioneer times and talking about them in in
01:11:02More or less as a still very alive game of telephone.
01:11:09It was a first order thing.
01:11:12He wasn't removed from it and reading about it or seeing it in movies.
01:11:17You're saying he had direct access to this.
01:11:19yeah like like his great great great great grandfather had five kids and the descendants of all of those five children were all people that he still knew or knew about like he could he could say like then this house got built over here and this clan
01:11:40lived in it, you know, it was, it was, it, there was a certain point where that got incredibly splintered at the end of the 19th century.
01:11:49And now nobody can go, nobody has the ability in America, except a very few people to say like,
01:11:57five, six generations back.
01:12:00And I still know all the cousins or I know who they are.
01:12:03I know their names and I know, I know where they ended up, you know, like that.
01:12:08What, what the great migrations of, of, of immigrants in the late 19th century, just America's population just exploded and everybody went running for the, running for the corners.
01:12:20But anyway, this book is, this book is a spectacular kind of glimpse of the,
01:12:28Because he is experiencing nostalgia, too.
01:12:30He's experiencing nostalgia for sleigh rides.
01:12:36You know, that Courier and Ives nostalgia that we don't even know about.
01:12:41We don't even know where, we see a picture or we sing a Christmas carol of people riding in a sleigh, horse-drawn sleigh, and it's just kind of, it's kitsch or it's part of our collective culture.
01:12:54But this guy is saying like... It's like carolers in a Dickens.
01:12:58Right.
01:12:59Like Tableau or something.
01:13:01Yeah, and he is talking with nostalgia about these things which have been lost to the motor car.
01:13:08But again, in a way that makes you really feel it firsthand and you recognize that voice of like, oh, well, it used to be that a man could make his living off the land.
01:13:24And it used to be that, you know, like, sure, we had an indentured servant who lived here.
01:13:33But we put his kids through school.
01:13:35There's always been somebody there to help out for free on farms.
01:13:39Before subsidies, there were black people.
01:13:42And this was, you know, our indentured servant was an Irish guy, but he came over here.
01:13:46You know, we paid his passage or whatever.
01:13:49And he worked for us his entire life.
01:13:51But his kids...
01:13:53you know, went to school and became, you know, and one of them's a barber.
01:13:56Eh, little Seamus.
01:13:58And so, you know, but you're reading this kind of story and I don't know, whenever I think about the nostalgia, because by the time the nostalgia wave has reached us,
01:14:13I mean, 85% of what we think of as American culture is just misremembered, nostalgic.
01:14:23It's like mythology.
01:14:24Right, right.
01:14:26We're such self-mythologizers.
01:14:27We're such a young country still, and yet we have all these epic heroes and all these fallen martyrs and
01:14:40And the race of technology of the last 200 years, it feels like an American story more than any other.
01:14:47So you can say like, well, a motor car was invented in the UK, but it's really an American story.
01:14:52I mean, all these things are American, steam engines and so forth.
01:14:58So when I hear that Billy Joel nostalgia for the post-war factory worker in the context of like,
01:15:11Even the 40 years before his dad got a job at the mill, let alone the 140 years before, it just feels like... I got a theory.
01:15:24I got a theory on that.
01:15:26I mean, my life is full of mythologies and stories and stuff and ways of understanding the world.
01:15:32But, I mean, until you become senile in life, information and memories really only flow one way.
01:15:39Things in your life rarely become less complicated as you get older.
01:15:43And the stories that you tell, you tend to tell – so I guess what I'm trying to say is we start with ourselves and say like, oh, gosh, boy, I wish I was 14 again.
01:15:52I would do that differently.
01:15:53Or I wish I had a job –
01:15:55Making the equivalent of what I make now except I spent less and I would have done everything differently back then.
01:16:02It was so simple.
01:16:03Everything was simple.
01:16:04I mean that's how it feels.
01:16:04Everything feels simple.
01:16:05You remember your pain.
01:16:06You remember things like that.
01:16:07You remember heartbreak or tragedy.
01:16:09But by and large, I think yesterday seems less complicated than tomorrow.
01:16:14or the prospect of tomorrow.
01:16:15And I think that it's not so different with these stories we tell ourselves.
01:16:18And that's why we always get back to this.
01:16:19Things used to be simpler.
01:16:21Like every generation thinks the kids are getting stupid and dangerous.
01:16:24There's never been a generation that thought their kids were better than they were.
01:16:29They might have wanted more for them, but they think they got more sass mouth.
01:16:32They're having more intercourse.
01:16:34They're doing more alcohol and drugs.
01:16:35They're doing more dangerous, careless things and they're not having to work as hard.
01:16:38I don't think there's that many generations that have skipped on that.
01:16:42I think almost everybody feels like they worked harder than their kids and that their parents probably worked harder than them.
01:16:47And everything used to seem simpler.
01:16:49But you know why things were simpler?
01:16:51They were simpler because a bunch of people died because there were no vaccinations.
01:16:54It was simpler because white people ran everything and you didn't have to be confused by the black lady at the Starbucks.
01:17:00It was simpler in a way that benefited you.
01:17:02She is confusing.
01:17:03The thing is, the good old days weren't all that good, and tomorrow ain't as bad as it seems.
01:17:09Is that a Billy Joel lyric?
01:17:12But everything before that was me.
01:17:16Oh, God.
01:17:18I feel kicked in the balls.
01:17:23I think it's true though.
01:17:24I think people are always – they're pining for the fjords.
01:17:27They're always looking back to those days that seemed so simple and they weren't.
01:17:30They weren't simple.
01:17:31Like all those times that like you're a little kid and you remember it that way because you didn't know enough to know how fucked up everything was.
01:17:38I think you can't get past that whole like how much people just used to die for dumb reasons.
01:17:43Losing a hand, losing a hand of farm machinery, getting some dumb disease.
01:17:47I told you about – I don't want to get into it, but I told you about a health scare my family had the other day.
01:17:52It turned out to be not what we worried it would be, but it was fucking harrowing.
01:17:56I mean we found out that our family had potentially been exposed to a deadly disease.
01:18:01As it turned out, it was a mix-up at the hospital, but –
01:18:05I don't want to get into it, but, but like, that's the kind of thing used to happen to people all the time.
01:18:09They go, Oh, by the way, your kid's going to be blind and lose an arm because they did this one thing.
01:18:14That's what life used to be like.
01:18:15Polio.
01:18:16And you're going to walk around with a, with a brace on your leg.
01:18:18So you're staying in the house from now on and not going outside and breathing.
01:18:21Well, I mean, this is why for many years, and I cannot escape this idea even still, I am one of the people, and you may scoff, but I'm one of the people that have met you.
01:18:34I allow you to scoff.
01:18:35Oh, also, incidentally, I found the book The Farm here, and it is written by Louis Bromfield, if anybody's interested.
01:18:42Louis Bromfield.
01:18:43Bromfield.
01:18:44Um, you can't escape this.
01:18:46I am one of these people who continues to hold out the possibility that he will sell everything and move on to a sailboat.
01:18:56And as, as much as I recognize that that is a, um, that that is a terrible idea.
01:19:05I also, uh, it's an inescapable one.
01:19:07Like I keep feeling like at some point I am going to have to do this because I
01:19:15So my mom's boyfriend...
01:19:19We'll call him Johnny Roadster.
01:19:22That relationship has run its course.
01:19:24Oh, really?
01:19:25Yeah, it happened very fast.
01:19:26That was fast.
01:19:27So the long weekend didn't go so well.
01:19:29Well, no, I think it went well, but it's just... Fortunately for me, my mother is still herself and did not get swept away.
01:19:39She came back and picked up Gibson and everything's back to normal.
01:19:42She came back to her senses.
01:19:43But the experience of...
01:19:48I guess it's an experience that I have going to so many estate sales with our mutual friend, Chad.
01:20:01We go to a lot of estate sales or he goes to a lot more than I do.
01:20:05But, you know, you come into these people's houses and you see their collections and you see them and you see that they were hoping that their things were going to stave off death.
01:20:15And you realize that all of their, you know, their 150 shot glasses in a in a custom made case on the wall.
01:20:24Um, all they are, all they ended up being because their kids don't want them.
01:20:28All they ended up being was just another thing that some estate sale company had to put a little price tag on and it, and a lot of it gets sold and some of it just goes to the thrift store.
01:20:39But you, you, you go into these houses and you say like, Oh, right.
01:20:43Everybody's trying to like hoarding and collecting crapola is, uh,
01:20:49exceptionally common it seems like maybe one of the number one ways that people that people build a framework to hold back time or they build a they build some sugar candy like a memory dam
01:21:06Right.
01:21:06Like, no, no, no.
01:21:08I'm going to be like books.
01:21:09They had never read that they will never read and, and useless item upon useless item.
01:21:15And I come back.
01:21:16Oh, it's also, it's also like an aspiration sink.
01:21:18It's like all the things that should happen as well.
01:21:20Right.
01:21:21Right.
01:21:21The yacht club that they, that they one day are going to join the sailboat.
01:21:25They're one day going to move on to.
01:21:28And I look at my own collection of everything and,
01:21:31And I go like, okay, I, I, for instance, I love our crumb and over the years I have collected, uh, just not, not as a collector, but just out of interest in him.
01:21:45I have collected a great number of our crumb comics.
01:21:51Uh, because I, every time I saw one, I would buy it cause I like, cause I like his art.
01:21:56And now I hold them, I hold on to them because part of me imagines that one day I will introduce my children to the work of Arkham and their minds will be expanded.
01:22:10But I know that that is not going to happen.
01:22:13Like, the chances of, the chances of, like...
01:22:17my daughter going through my books and finding our crumb and finding him at all.
01:22:22Interesting or appealing are like next to zero.
01:22:26It's about ourselves.
01:22:27So, yeah.
01:22:27So I'm carrying these are crumb with me and I look at them.
01:22:30I'm, I'm, I'm in my forties right now.
01:22:32I'm looking at these are crumbs on, on a shelf and I'm thinking, Oh, I could be, I could schlep these around for 40 more years and I'm never, maybe I'll read them one more time.
01:22:44But like I don't consult them.
01:22:46They are books that are – they're among the 10,000 books I have.
01:22:50Back to this problem you talked about a long time ago, those cubic inches of your life that are being taken up by all these things that you have this like uncertain, nonexistent or unnecessary relationship to, right?
01:23:01It's not square inches, it's cubic inches.
01:23:05That's the important thing.
01:23:06It's got depth.
01:23:08I'm beginning to think that it should all go.
01:23:10Everything, including everything but the very smallest box of family photos.
01:23:20The rest of it...
01:23:21Like, if I need to read The Hobbit again, I think I can find one.
01:23:28I think I can find a copy.
01:23:30And the copy of The Hobbit I have is something I checked out from a library 30 years ago and never returned.
01:23:39It still has the Dewey Decimal tags on the side.
01:23:42I should probably take it back.
01:23:43I should probably – I should do one of those library things.
01:23:45I think it's like a fur coat, John.
01:23:47I mean as long as you don't commit the crime now, it's okay that you keep the old one.
01:23:51You just can't have – you know what I mean?
01:23:52You can't have a fur commission.
01:23:53Right.
01:23:54But you can have a vintage fur coat.
01:23:56What you could do is – you could certainly do that.
01:23:59That's a little bit crazy and seems like the beginning of self-harm.
01:24:02But what you could also do is to keep your favorite –
01:24:06your favorite candelabra, your favorite pair of cowboy boots, your favorite braille playboy, box the rest up, put it in a storage shed for six months and see how you feel about it.
01:24:15And then if you want to say, you know what?
01:24:16I miss those braille playboys, but I'm going to frame five of them and put them on the wall and make it a, make it a thing.
01:24:22Cause right now your problem is the inertia.
01:24:24If I may say, if I could tell you what your problem is, your problem is that stuff hasn't moved in either of you.
01:24:28And that's when here's, here's, here's, here's the thing, John, I'm going to Dr. Phil mode here.
01:24:33You can't slice a tomato unless you buy a knife, and that's going to hurt.
01:24:37We'll be back in five minutes.
01:24:38I don't know what show I'm on anymore.
01:24:39Does Dr. Phil sound like Bill Clinton, or is your Dr. Phil just Bill Clinton?
01:24:44I used to have different Southern voices, and now they all kind of sound like foghorn leghorn.
01:24:49I'll say a boy.
01:24:50I'll say a boy.
01:24:51Keep one of each and put the rest away.
01:24:54The exercise would be good for you.
01:24:56It's not that costly.
01:24:57And this is a hack.
01:24:59It's not a bacon hack.
01:25:00But it's an old trick that lots of people have suggested, which is that if you've got some kippel around the house – I know you're a big Philip K. Dick fan.
01:25:06If you've got a lot of kippel –
01:25:07So you get rid of that stuff, put it in a bag or a box with a date on it.
01:25:11And if you don't need anything from that box in six months, throw it away.
01:25:14Now, I'm not saying you should do that for Braille Playboys.
01:25:16That's special materials.
01:25:17Give those to me if you need to get rid of them.
01:25:19Well, I can't escape.
01:25:20Like when I was younger, when I was a younger man, I was acquiring these things because I was imagining populating my future life with them.
01:25:30absolutely you can imagine like the big like bruce wayne library with all that stuff and like a big globe right stuff right right people would come into my house and they would be astonished by my by my one half scale replica of the fucker tribe and they would say my god man does it fly and i would study is so eclectic
01:25:50I got it in Africa.
01:25:52But now I'm in my life.
01:25:54I am presently in the middle of it.
01:25:56You can't escape it.
01:25:58And all of this stuff is... I literally do have a Bruce Wayne library that has not a half-scale Fokker tri-motor, but like a 1-8th scale.
01:26:11Was that a Red Baron plane?
01:26:14No, the Fokker tri-motor was a... He had a Fokker, right?
01:26:18That was a... Well, let's see.
01:26:20The Rick Baron... Oh, wait a minute.
01:26:24I am conflating two airplanes.
01:26:25The Fokker Triplane and the Ford Trimotor.
01:26:32Oh, there you go.
01:26:32The Ford Trimotor was a three-engine passenger plane.
01:26:38What a handsome guy.
01:26:39And the Fokker...
01:26:42Treat regardless of the plane in the scale.
01:26:44It would look great in a study, but alongside all the other things, it's accumulating.
01:26:50Well, it isn't just that it is continuously accumulating.
01:26:53It's like you're saying.
01:26:54I feel like Jotzel, the Austrian glacier man, stuck with my little bag of muesli.
01:27:07You definitely need to get rid of some books.
01:27:10And my homemade fur boots.
01:27:13Is it from a commercial or a book?
01:27:15No, you know the guy I'm talking about.
01:27:16Oh, Ricola?
01:27:18Yeah, but yeah, that guy.
01:27:20The one that now they've decided was killed in a battle.
01:27:26I'm so lost right now.
01:27:29You're not talking about the guy in the cough drop commercial.
01:27:32No, I'm talking about the prehistoric man who was frozen in a glacier in Austria.
01:27:38Oh, that's not Lucy.
01:27:39Not Lucy, no.
01:27:41Lucy's just a bone fragment and a story.
01:27:44Classy.
01:27:45Very classy.
01:27:46He's saying that about ladies all the time.
01:27:49Lucy's just a fragment of a jaw and a good tail.
01:27:53That sounds like a John Cougar song.
01:27:56But this guy, the Austrian, his name's not Jotzl.
01:28:00I don't even think that's a name.
01:28:01I'm sorry, I'm tired and I have to pee.
01:28:04Whatever his name is.
01:28:05Yotzl.
01:28:07Yotzl.
01:28:07Yotzl, the Paleolithic bugler.
01:28:11Right, right.
01:28:12Who died on a glacier and was frozen for literally thousands of years.
01:28:19And the whole time he was in that glacier with his little bag of grain and his quiver of arrows, he was probably thinking, why do I have so much stuff?
01:28:30I'm a little lost in the analogy.
01:28:32This is you?
01:28:33You're Yotzl?
01:28:35I'm Yotzl.
01:28:36My stuff is the glacier.
01:28:38And what's the grain?
01:28:45Get them very hot today.
01:28:51Hit my salt shaker by accident.

Ep. 80: "I Was the Red Robin"

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